Jeff Bridges stars as an innocent alien from a distant planet who learns what it means to fall in love with an earthling (Karen Allen). Universally moving!
Dean Corso is highly skilled at his work, a position which requires dexterity, cultural expertise, nerves of steel...and few scruples.
This three and a half hour US civil war epic - a prequel to 1993's "Gettysburg" - tells of the rise and fall of legendary war hero "Stonewall Jackson".
Oscar® winner* Jeff Bridges gives a dazzling performance as Preston Tucker, a dynamic engineer determined to create the car of the future. Against all odds, Tucker builds the Tucker Torpedo, but when his factory is shut down by Detroit's Big Three auto manufacturers, Tucker must fight for his American Dream in this acclaimed film from Academy Award®-winning** director Francis Ford Coppola. *2009, Actor in a Leading Role, Crazy Heart. **1974, Directing, The Godfather Part II. Academy Award® and Oscar® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.Features:Audio Commentary With Director Francis Ford CoppolaFrancis Ford Coppola IntroductionDeleted SceneUnder The Hood: Making Tucker Tucker: The Man And The Car 1948 Promo Film
Director John Carpenter presents a romantic science fiction odyssey starring Jeff Bridges in his Oscar(R)-nominated role as an innocent alien from a distant planet who learns what it means to be a man in love. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
Dark Passions explode in this steamy sinister love story starring Rachel Ward and Jeff Bridges. Terry Brogan (Bridges) a cynical ex-football star is hired to find Jessie Wyler (Ward) the runaway mistress of a ruthless LA nightclub owner Jake Wise (James Woods). According to Jake Jessie had stabbed him and vanishes with $50 000. But Terry's mission is soon forgotten when he tracks down and falls in love with the beautiful Jessie on a Mexican Island. Trouble brews however when Jake dispatches his henchman Hank Sully (Alex Karras) to bring the lovers back. Driven by passion for the mysterious young woman. Terry quickly finds himself trapped in a complex web of corruption betrayal and murder. Packed with riveting excitement and vivid sensuality. Against All Odds grabs you and never lets go.
The TV drama that had America mesmerised in the 80's about what could possibly happen after a nuclear bomb hits.
Those nasty little puppets are back to wreack more havoc and take care of some unfinished business. Joined by 'Torch' the newest member of the sinister troop the puppets exhume their beloved creator 'Toulon' and gather the brain matter that keeps them alive. Yet the puppetmaster has a deadly plan of his own.
A collection of the colour episodes from season 2 of The Twilight Zone.
Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two 90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes football stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking and soul-changing Technicolour. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious colour. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloureds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart
Jagged Edge was one of a series of entertaining if porous thrillers crafted by screenwriter Joe Eszterhas before he wrote the ridiculous Showgirls. This 1985 movie is a taut mystery about an attorney (Glenn Close) who defends a newspaper publisher (Jeff Bridges) accused of murder. The fact that Close's character falls for him is more convenient than plausible, but it is a necessary emotional bridge for Eszterhas and director Richard Marquand (Eye of the Needle) to build toward a powerful finale. Scary, fun as courtroom dramas go, the film is well serviced by the two lead stars and has impressive support from co-star Peter Coyote and especially from Robert Loggia, who plays Close's cop buddy. --Tom Keogh, Amazon.com
Four strangers became friends. Four friends became heroes. On the road to... Silverado. Get ready for some horse-ridin' gun-totin' whiskey drinkin' fun in this digitally remastered DVD edition of Lawrence Kasdan's Silverado! This spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends res
A political thriller starring Joan Allen as a Senator chosen by the President (Jeff Bridges) to become Vice President. However her potentially scandalous past comes back to haunt her when it is exploited by her political enemies.
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
James Woods doesn't get to play many romantic leads--and he certainly doesn't get the girl in this handsome, if occasionally hollow, remake of Out of the Past. As the mover-and-shaker lover of Rachel Ward, he loses her--if only temporarily--to ex-football star Jeff Bridges. Woods captures the insecurity behind a man of power who understands that the women in his life love his money first. But he also shows us the real tenderness that kept Ward close when money lost its glitter. Bridges is at his best, playing the should-have-been trying to keep his future from repeating his dead-end past. Look for actress Jane Greer (who played the Ward role in the 1947 original opposite Robert Mitchum and Kirk Douglas) in a small role. --Marshall Fine, Amazon.com
A Charmed Life: Burdoned with the heavy demands of running his kingdom and looking after his family Babar wishes that he was not king. To surprise and dismay he is granted his wish. Celesteville has become Rataxesville! Boys Will Be Boys: When Babar sets off with Uncle Arthur and Zephir to renew a childhood treasure hunt Rataxes seizes the opportunity to try and beat him to it! Alexander The Great: Alexander's flying skills get him into hot water when he crash lands his plane in the jungle and makes friends with a tribe who invite him for dinner!
Brutal... Evil... Ghastly... Beyond Belief!!! The second film in Herschell Gordon Lewis' infamous `Blood Trilogy' (begun with 'Blood Feast' and completed with 'Color Me Blood Red') 'Two Thousand Maniacs!' was an attempt to both out-gore Blood Feast and make a gruesome horror movie with production values above those of its predecessor... Not only is this release digitally remastered but it's also uncut too! To celebrate the 100th anniversary of the Civil War the inhabitants of a small Southern US town organise the festival to end all festivals. With a captured audience of North Americans the townsfolk amuse themselves by playing roll-the-man-in-the-nail-lined-barrel and compete at target practice using a pretty girl and a boulder. With all this chaos erupting around them a young couple make a desperate attempt to leave the town before they too fall victim to Two Thousand Maniacs!
Available "fully uncut" for the first time in the UK, Two Thousand Maniacs! is the second of director HG Lewis' "blood" trilogy. Though the "once-in-a-lifetime" title makes a promise no film could keep--only about 30 maniacs show up--and the level of gore is a notch or so down from Blood Feast--only four deaths--this is perhaps the director's most watchable film. The Brigadoon-derived plot nugget concerns a Deep South town (variously suggested to be in Georgia or Arkansas, but actually Florida) wiped out by Union raiders during the Civil War, which reappears once every 100 years to wreak "blood vengeance". For the centennial celebrations, Pleasant Valley lures Yankee tourists off the road and subjects them to gruesome fairground games--a cannibal BBQ, a "horse-race", a "barrel roll" and "teetering rock". The ideas are nasty, and Lewis even attempts subtlety by keeping the quartering and the spiked barrel inside mostly off screen, but the creepiest touch is the "aw-shucks" good humour with which the ghostly Confederate maniacs--led by a mayor who is the spitting image of Sergeant Bilko's Colonel Hall--treat their horrible sport. It has the usual Lewis drawbacks--mostly inept staging, acting that veers between the wooden ("Playmate" Connie Mason) and the amateurishly hammy (one of the worst child actors in film history), clumsy editing, community theatre production values--but his fans wouldn't have it any other way and the hayseed music is great! On the DVD: The full-screen image is as good as this ever will look, considering Lewis' primitive understanding of lighting cinematography, with rich scarlet blood, vividly ugly 1963 leisurewear and very few print imperfections. The features offer an imaginative "Welcome to Pleasant Valley Centennial" menu, with buttons like the target you have to hit to drop the "teetering rock" on the Yankee; lurid original trailer ("Two thousand maniacs crazed for carnage started bathing a whole town in pulsing, human blood ... brutal, evil, ghastly beyond belief"); filmographies for Lewis, Friedman and star William Kerwin (aka Thomas Wood); promotional art gallery; notes by aptly-monickered expert Billy Chainsaw, highlighting the connections with John Waters and Brigadoon; a teaser trailer for "the Herschell Gordon Lewis Collection"; a mass of trailers for other "Tartan terror" titles. The Lewis-Friedman commentary and mind-numbing outtakes reel available on the Region 1 DVD are sadly absent, but that release doesn't have this one's major bonus addition--the entire soundtrack album, with compositions by Lewis himself (including the immortal "Yee-Hah, the South's Gonna Rise Again") and Flatt and Scruggs (of Bonnie and Clyde fame). --Kim Newman
In 1977 Voyager II was launched into space inviting all lifeforms in the universe to visit our planet. Get ready. Company's coming. When his spacecraft is shot down over Wisconsin Starman (Bridges) arrives at the remote cabin of a distraught young widow Jenny Hayden (Karen Allen) and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona explaining that if he isn't picked up by his mothership in three days he'll die. Hot on their trail are government agents intent on capturing the alien dead or alive. En route Starman demonstrates the power of universal love while Jenny rediscovers her human feelings for passion.
Best known as a former guitarist and contributing member of The Rolling Stones Mick Taylor has worked with many famous names over his 40 year career including Jack Bruce and Bob Dylan. The sophisticated jazz- and blues-influenced guitar licks Taylor added to such classic albums as Sticky Fingers (1970) gave the Stones an added dimension they lacked before and after him. He added his famous vibrato effect to the blues lead guitar line on Sway and handled most of the guitars on the quietly majestic Moonlight Mile. Perhaps Taylor's best-remembered Stones work was the Santana-like lead guitar in the jam break of the jazzy Can't You Hear Me Knocking.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy