The brand new BBC thriller, starring Paddy Considine, Bel Powley & Jessica Raine. Informer is a sophisticated, character driven thriller about Raza, a young, second generation Pakistani man from East London who is coerced by Gabe (Considine), a counter-terrorism officer to go undercover and inform for him. Gabe, who has a past he is unwilling to expose, is joined by Holly, his new and ambitious partner whose endless curiosity becomes threatening to him. As the central counter-terrorism investigation heats up, the stakes for all three get higher and higher. Informer tells a story about identity in a world where lines are increasingly being drawn and sides are being taken. Includes subtitles for the Hard Of Hearing
Set amongst the privileged elite of Oxford University The Riot Club follows Miles (Max Irons) and Alistair (Sam Claflin) two first year students determined to join the infamous Riot Club where reputations can be made or destroyed over the course of a single evening. The Riot Club is directed by Lone Scherfig who most recently helmed ‘One Day’ and the Best Picture Academy Award nominee ‘An Education’. It is produced by Pete Czernin and Graham Broadbent of Blueprint Pictures (‘The Best Exotic Marigold Hotel’ ‘Seven Psychopaths’). Screenwriter Laura Wade has adapted her critically-acclaimed play ‘Posh’ with development support from the BFI Film Fund and Film4. 'Posh' premiered at the Royal Court Theatre in London in 2010 before transferring to the West End.
A happy newlywed marriage counselor's views on wedded bliss get thrown for a loop when she finds out her parents are getting divorced.
As the light fades and the city goes to sleep two forces emerge. They are invisible except for the power they exert over us in our sleep battling for our souls through dreams. One force delivers hope and strength through good dreams; the other infuses the subconscious with desperation through nightmares. John and Emma Father and Daughter are wrenched into this fantastical dream world battle forced to fight for John's soul and to save Emma from an eternal nightmare. Separate in their journey they encounter unusual characters that exist only in their subconscious. Or do they? Ink is a high-concept visual thriller that weaves seamlessly between the conscious and the subconscious.
A maniac wired to a bomb. His hostages: 154 totally innocent children... Cokeville Wyoming. A small peaceful town. And the perfect place for a maniac to put his evil plot into action. David Young is planning 'The Big One': a scheme to create his own bizarre 'brave new world' - and to make himself fabulously wealthy - by kidnapping every child in Cokeville Elementary School and holding them to ransom. And he's got an ace up his sleeve: a bomb wired to explode if anyone dares to attack or shoot him. With 154 hostages inside the school and the emergency services helpless outside it seems that Young cannot lose...
The UK's No.1 teen soap comes to DVD with a controversial and steamy special spinning off the November 2001 plot clifhanger.
A group of divers find themselves in deep trouble after they come upon the illicit cargo of a sunken airplane.
The story of one hardened 'soldier' who seeks councelling over the breakdown of his relationship with his clan of battle re-enactment friends
Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes. The second season builds on the foundation of the first season with plot arcs that are both hilarious and heartfelt, taking the show from breakout hit to true pop-culture phenomenon. Relationship epiphanies coexist happily alongside farcical plots and zingy one-liners, resulting in emotionally satisfying episodes that feature the sharp kind of character-defining dialogue that seems to have disappeared from the rest of TV long ago. When last we left the NYC gals, Carrie had just broken up with a commitment-phobic Mr. Big, but fans of Noth's seductive-yet-distant rake didn't have to wait long until he was back in the picture, as he and Carrie tried to make another go of it. Their relationship evolution, from reunion to second breakup, provides the core of the second season. Among other adventures, Charlotte puzzles over whether one of her beaus was "gay-straight" or "straight-gay"; Miranda tries to date a guy who insists on having sex only in places where they might get caught; and Samantha copes with dates who range from, um, not big enough to far too big--with numerous stops in between. The third season was the charm, as the series earned its first Emmy for Outstanding Comedy Series to go along with its Golden Globes for Best Comedy Series and Best Actress (Parker). One of this season's two principal story arcs concerned hapless-in-love Charlotte and her pursuit of a husband; enter (if only...) Kyle McLachlan as the unfortunately impotent Trey. Meanwhile, Carrie has a brief but memorable fling with a politician who's golden, but not in the way she anticipated. She then sabotages her too-good-to-be-true relationship with furniture designer Aidan (John Corbett) by having an affair with Mr. Big, who himself has gotten married. Like I Love Lucy, the series benefited from a brief change of scenery with a three-episode jaunt to Los Angeles, where Carrie and company encountered, among others, Matthew McConaughey, Vince Vaughn, Hugh Hefner, and Sarah Michelle Gellar. The fourth season is just as smart and sexy as ever, mixing caustic adult wit and sharply observed situation comedy on the mean streets of Manhattan, though this time the quartet of singleton city girls must endure even tougher combat in the unending war of love, sex, and shopping. Carrie finally seems to have found her ideal life partner when she is reunited with handsome craftsman Aidan. But can their relationship survive trial by cohabitation? Meanwhile Charlotte seems to have both her dream Park Avenue apartment and a solution to her marital problems with Trey. But when the subject of babies comes up, everything starts to unravel for her, too. It's not just Charlotte who has baby issues either: after what seems like an eternity of enforced sexual abstinence Miranda is horrified to discover she's pregnant. And as for the sultry Samantha, she's on a quest for monogamy, first with an exotic lesbian artist, then with a philandering businessman, with whom to her utter dismay she just might have fallen in love. It was a short but sweet fifth season, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker and Cynthia Nixon. A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, but they and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte wondered if she'd ever find another man, while Samantha finally got rid of the one that had been vexing her far too much. If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history. The season's climactic episode, "I Love a Charade," was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up. After a long wait--like the entire fifth season--Carrie is dating again. The sixth season starts with Carrie and her sparkly new potential, Berger (Ron Livingston), trying to leave past relationships and hit it off, with mixed results. Meanwhile Carrie's friends seem to be settling down, relatively speaking. Miranda decides that her affair with TiVo cannot compete when Mr. Perfect (Blair Underwood, at his most charming) moves into her building. Charlotte's feelings for her "opposites attract" boyfriend (Evan Handler) deepen, but they still have a few things to iron out. Most surprising is Samantha's hot relationship with waiter-actor-stud Smith Jerrod (Jason Lewis) taking on something resembling love, despite Samantha's best intentions. Before the sixth season started in the summer of 2003, a bombshell hit: it was announced that this would be the finale. But it would be a long season, and these 12 episodes plant the seeds for the final 8 airing the following winter. These dozen episodes illustrate the maturity of the show: there's not a bad one in the bunch, and the show is still flat-out funny. The comedy blends serious points of how we perceive singles, couples, and parents (and the gifts we lavish on the latter two). Carrie's method of celebrating her singlehood is just another gem in this treasure of a series. With the last eight episodes of the sixth season, HBO's grand sitcom concluded, leaving untold numbers of women--and many men--feeling deprived. The six-year series certainly did not outlast its welcome; the final season is some of the best TV had to offer in 2004. In many ways, the eight episodes served as a single finale, with all four characters approaching a kind of destiny and happiness, the theme of this last half-season (which aired weeks after the first half). Carrie continues her romance with Russian artist (Mikhail Baryshnikov), a flippantly arrogant man who's been around the block, but able to supply Carrie's needed desire for magic. Miranda has settled down with Steve (David Eigenberg), but there is more that will change with her, including her address. Charlotte continues to make baby plans now that the husband slot is filled quite nicely (Evan Handler). Going down the final stretch--and Samantha's cancer--gives the series a more serious tone, but there's always a jab to tickle the funny bone: Miranda's awkwardness with happiness, Charlotte's latest passion, Carrie typing someplace new, and Samantha getting into Paris Hilton territory. Like any series winding down, there is a wedding, a baby, old faces popping up, and some star-ladened new ones. In the final two-part episode, "An American in Paris," Carrie faces her romantic destiny, but also solidifies herself as a fashion icon, an Audrey Hepburn for 21st-century television. In the penultimate episode, she asks her friends an emotional question: "What if I never met you?" Certainly fans can ask of themselves the same question and reminisce how much better TV became since they first tuned in these four women of the City.
Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning Sin City graphic novels back to the screen in 3D in FRANK MILLER’S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City’s famous Kadie's Club Pecos. The film opens with fan-favorite “Just Another Saturday Night ” when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. “The Long Bad Night” tells the tale of Johnny a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City Senator Roark (Powers Boothe). The central story Miller’s acclaimed A Dame To Kill For features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares Ava Lord (Eva Green). “Nancy’s Last Dance follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan’s (Bruce Willis) selfless suicide. Driven insane by grief and rage she will stop at nothing to get revenge.
World War II has ended and evacuess are returning home to their families. One such evacuee is Rusty Dickinson who is met at the docks by her mother Peggy after spending five years away in America. It has been a time of dramatic transformation and everyone must learn to adapt to both the changes in the family and their surroundings. Peggy has a new found independence she has spent the war working for the Women's Voluntary Service raising Charlie - the younger brother whom Rusty
Children of Dune is the sequel to the Sci-Fi Channel's Frank Herbert's Dune (2000), and surpasses that earlier mini-series in every way. The screenplay is again by John Harrison, who has combined Herbert's novels Dune Messiah and Children of Dune into three 84-minute TV movies, and continues the labyrinthine space opera with little concession to the uninitiated. Indeed, this a very rare attempt to put the complexity of printed SF on screen, and if the result is sometimes rather hermetic it is perhaps inevitable when realising Herbert's Byzantine, pseudo-Shakespearean tragedy. The same tableaux-like qualities infuse the new Star Wars films and the similarities between Herbert's and Lucas' worlds have never been more obvious than here. Performances range from excellent--Julie Cox, Alice Krige, Alex Newman (much better here than in the first series) and James McAvoy--to a surprisingly wooden Susan Sarandon. The set-pieces are exceptional, with many individual images sufficiently memorable to stand comparison with the work of Ridley Scott. Production-wise this is surely the most beautiful mini-series ever made, with gorgeous lighting by cinematographer Arthur Reinhart, breathtaking set design from Ondrej Nekvasil and a ravishing score from Brian Tyler. By TV standards the CGI is first-rate and, though rarely looking real, establishes a credible science fictional universe. Even when rather baffling, the production achieves moments of dramatic grandeur and a sense of wonder not experienced in TV SF since Babylon 5. On the DVD: Children of Dune on DVD has one feature-length episode on each disc. The picture is presented at 1.77:1 anamorphically enhanced for widescreen TVs. Shot in high definition, its clarity and detail is superb with virtually no blemishes to the image at all. Colour has a painterly beauty that is remarkable. However, some shots look inaccurately framed, with what was presumably a 4:3 image being a little too closely cropped for widescreen presentation. It's a minor flaw and really only noticeable in some close-ups. Sound is a richly luxuriant Dolby Digital 5.1, which gives no ground to any modern blockbuster movie. Perfunctory extras are confined to the first disc and consist of an interesting but short look at the special effects (13 minutes), a storyboard comparison for one key scene and a photo gallery. --Gary S Dalkin
At the Skimmington Fayre openly misogynistic Reverend Anthony Gant is shot dead not long after his cousin Mildred Danvers has passed away in the night. Barnaby is not convinced that Mildred died from natural causes. With the long standing battle of the sexes coming to a head at the Skimmington Fayre it is impossible to fathom who has not got a motive for murder. It takes a photograph and a cognitive leap for Barnaby to solve this mystery.
Get ready to get even luckier in this Fruity Edition of the hit comedy on Blu-ray Disc and DVD now. This is the extended version and includes all kind of naughty stuff that was deemed too rude to show in cinemas...
By day, Richard Haig (Pierce Brosnan), is a well-respected professor at Trinity College in Cambridge, where he teaches 18th century romantic poetry. By night, Richard indulges his own romantic fantasies with a steady stream of beautiful undergraduates, including his most recent beau Kate (Jessica Alba). But when Kate tells him that she is pregnant the confirmed bachelor has mixed feelings as he's just met, and fallen for, her gorgeously sassy sister Olivia (Salma Hayek). Richard and Kate move to Malibu to raise their son Jake and Olivia returns to New York. Richard is devoted to his son and the few two years on the Pacific are idyllic. But professionally he has stalled and Kate has been distant, so Richard is a little hurt but not surprised when Kate confesses she has fallen in love with a younger man, Brian (Ben McKenzie). Richard wants to stay in the U.S. for Jake, but also to be with Olivia who has moved in, along with his father Gordon (Malcolm McDowell), who convinces Richard not to give up and do whatever it takes to hold his family together.
As the Games get ever nearer the Algerian Olympic team threaten to boycott the Games after discovering that the Shared Belief Centre does not face Mecca.Ian and his team have just hours to find a solution that will keep everyone happy. Head of Infrastructure Graham ends up accompanying Ian to a crucial three-way teleconference with Sebastian Coe, the British Foreign Office and the Algerian representative, Dr Benhamadi.No chance then, that events will end up veering badly off track.
They say 'family' is an institution; this family belongs in one! After his father is imprisoned level-headed son Michael Bluth takes over family affairs in the Bluth empire. But the rest of his spoiled dysfunctional family are making the job unbearable! Winner of three Golden Globe Awards for Outstanding Comedy Series Best Writer (Comedy) and Best Direction (Comedy) in addition to a haul of 5 Emmy Awards! Episodes comprise: 1. Pilot 2. Top Banana 3. Bringing Up Bu
A series of overlapping stories about four suburban American families experiencing momentous days in their lives.
Tiffany & Co. has captured the aspirational dreams of the world with its legendary jewels, signature blue box, and timeless elegance and sophistication. From past to present, from the behind the scenes characters to those clients beholden to the charm of Tiffany & Co., this full authorized documentary seeks to capture how a simple jewelry store dating from 1837 has woven itself into the American culture and consciousness to become an unparalleled global phenomenon. From the trophy being hoisted at the Super Bowl, to the masterpieces adorning celebrities on the Oscar red carpet, all the way down to the design of the dollar in our pockets, the Tiffany & Co. reach is vast. Whether it's focusing on the Tiffany family one day, to following the priceless Tiffany Diamond to China, or documenting how a master craftsmen handmade a classic Schlumberger design, the film will capture the truly dramatic and inspiring depth of an uncompromising company and global brand.
HONEYTRAP is a tragic teen romance set in South London and inspired by true events. It tells the story of fifteen year-old Layla who gets sucked into gang activity and sets up the boy who's in love with her to be killed.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy