Land Of The Dead: In Romero's harrowing newest vision the world (as humankind has known it) is merely a memory. In its place is the never-ending nightmare existence of us-the living-versus them-the ""walkers."" What's left of mankind is cordoned off behind the walls of a fortified city while the walking dead roam the vast wasteland beyond. The few wealthy and powerful try to maintain an illusion of life as it was dwelling high above the city in the exclusive towers of Fiddler's Green the last bastion of the ruling class. On the streets below however the remaining less fortunate of the city's inhabitants eke out a hard-scrabble life seeking what little solace they can in the vices available-gambling flesh trade drugs-anything that offers even a fleeting respite from the hell their lives have become. Both the lofty heights of Fiddler's Green and the demoralizing lows of the city below are lorded over by a handful of ruthless opportunists led by Kaufman (Dennis Hopper) who keeps his hands in everything from real estate to less above-board pursuits. To bring food and other essential supplies to the occupants of the city and to allow the Green's well-to-do to acquire the scarce luxury items to which they were once accustomed a hardened group of mercenaries-headed by Riley (Simon Baker) and his second-in-command Cholo (John Leguizamo)-run retrieval missions outside the city protected by their massive armored vehicle Dead Reckoning. Riley and Cholo like Kaufman are in it for the money which they hope to use for their own escapes- Riley to the North with promises of ""a world without fences"" and freedom and Cholo to the luxury of Fiddler's Green far away from the violent life he has known. Texas Chainsaw Massacre: First released to a shocked public in 1974 The Texas Chainsaw Massacre has a deserved reputation as a compelling part of a new wave of American horror films. Terrifyingly dark and based on factual events Tobe Hooper's controversial and chillingly atmospheric film involves the tragedy that befell a group of five teenagers one summer afternoon. by time this disturbing film deserves its unique status as a true cult classic.
Anyone who's watched Family Guy knows that its creator Seth MacFarlane has a lot of hang-ups. As outrageous as many of them are in their animated TV show forum, they get a real rundown in Ted, MacFarlane's multi-hyphenate debut in feature films. As the director, producer, cowriter, and voice artist behind the title character, MacFarlane riffs on pop culture, drug culture, religion, sex, bodily functions, and all things '80s with the kind of abandon that borders on offensive to pretty much anyone--if only it all weren't so spot-on funny. Ted is an utterly believable CGI teddy bear who comes to life in the arms of a friendless 8-year-old boy named John, who quickly grows up to be Mark Wahlberg. John has made a wish that the pudgy plush be a friend for forever, a deal that they both hold on to with genuine poignancy as the years roll by. Ted grows right along with John in voice, manner, attitude, and bad habits until they're both unmotivated layabouts who would rather do nothing more than swill beer, smoke dope, and watch the absurdly iconic '80s movie Flash Gordon over and over again to the exclusion of most everything else in life. John has managed to pick up a girlfriend named Lori (Mila Kunis), who somehow tolerates the pair of them--at least for a little while. Eventually she's annoyed enough with John for not putting away his childish things, thoughts, and behaviours that she demands Ted move out and let them move on as adults. Among all the conceits that Ted embraces is the fact that this fully anthropomorphized stuffed bear started life as a global celebrity sensation before everyone forgot about him. Now he's just a blue-collar Boston nobody who sucks on a bong, chases women, and makes dirty jokes at every opportunity while nobody pays attention. This could have been a generic lowbrow buddy movie in the Judd Apatow mold, which might have been a little funny with a human slob in the Ted role. But MacFarlane brings to the remarkably expressive CGI creation an astonishing and often shocking dynamic with his voice characterization and the consistently clever situations, which whiz by in a structure that's pretty similar to an episode of Family Guy. There are frequent non sequitur digressions and offhanded one-liners that MacFarlane could never get away with on TV. But in the raunchy, anything-goes world of Ted it's all fair game. In addition to farts, drugs, bodily functions, and all manner of sexual vulgarity, it's the slams or homages to the 1980s that are the butt of many of the best zingers or recurring jokes. There are several cameo appearances that may make for delighted double takes. And Sam Jones, the star of the ill-fated Flash Gordon, plays a version of himself that makes a running gag all the more ingenious and demonstrates how far MacFarlane will go to bring comedy down to his level of hilarity. Mark Wahlberg should be commended for being game enough to participate and absolutely shows the comedy chops to make his scenes with Ted come alive. Technically the movie is a wonder as the two-foot Ted blends into the real world with complete believability even as he spouts some of the most outrageous dialogue this side of The Hangover. Ted may be an acquired taste for those who have a dislike for MacFarlane's comic sensibility--and there are a lot of people who do. But as a laughable lowbrow adventure that delivers virtually nonstop unexpected laughs with a little heart to back it up, Ted is a surprising comic novelty that may even win over some of the most vituperative MacFarlane haters. --Ted Fry
The Perfect Man (Dir. Mark Rosman 2005): Teenager Holly Hamilton (Hilary Duff) is fed up of moving every time her single-parent mother Jean (Heather Locklear) breaks-up with another dead-beat boyfriend. To distract her mother from her latest bad choice Holly conceives the perfect plan for the perfect man - an imaginary secret admirer who will romance Jean and boost her self-esteem. When the virtual relationship takes off Holly finds herself having to produce a suitor from
In The Postman Always Rings Twice, Jack Nicholson teamed up again with his Five Easy Pieces and King of Marvin Gardens director Bob Rafelson for this 1981 version of James M. Cain's hardboiled novel of lust and murder. This version takes a much grittier (and sexually explicit) approach to the material than the slick 1946 MGM version starring John Garfield and Lana Turner. Nicholson plays Frank Chambers, a drifter who happens upon a roadside diner run by Cora Papadakis (Jessica Lange) and her swarthy Greek husband, Nick (John Colicos). Sparks fly, and before you can say l'amour fou, Frank and Cora are making the beast with two backs on the kitchen table. One thing leads to another and they conspire to murder Nick. The movie is still a little too cold and distant to fully convey a hot-blooded passion that leads to murder, but it is a strangely haunting and disturbing film nevertheless. The screenplay is by David Mamet, the photography is by the great Sven Nykvist (Ingmar Bergman's cinematographer), and watch for Anjelica Huston in a supporting role. --Jim Emerson
The Pit & The Pendulum: In his twisted quest to save souls Grand Inquisitor Torquemada (Lance Henriksen - Aliens Near Dark) leads a bloody reign of terror torturing and killing in the name of religion. His evil knows no boundaries. Caught in this insane cruelty is Maria (Rona De Ricci) whose beauty leads Torquemada into temptation and brutal atonement. Imprisoned Maria and her husband Antonio (Jonathan Fuller) are befriended by Esmerelda (Frances Bay) a confessed witch. Together they struggle to save themselves from the sinister Torquemada and his machine of ultimate pain and torture - The Pit & The Pendulum. Featuring Oliver Reed as the Cardinal and Jeffrey Combs (Reanimator) in a darkly comic performance as the scribe. Castle Freak: Stuart Gordon takes you on a pulsepounding rollercoaster ride in Castle Freak... one of the most macabre thrillers you'll ever experience. John Reilly (Jeffrey Combs: Re-Animator) Susan (Barbara Crampton: Young & The Restless) and their daughter come face to face with terror when they travel to Italy to move into a castle they have inherited. They soon discover it is haunted by a relentless bloodthirsty creature. When mutilated bodies start turning up John must uncover the Reilly family's dark secret to save his wife and child from the sadistic being. Deathbed: Karen and her boyfriend discover a hidden brass bed. Karen a successful illustrator of children's books uses it to inspire her designs. But the bed soon gives inspiration of a different kind. Old memories from a frightful childhood mingle with new nightmares all seemingly released by sleeping in the long hidden bed. The terrors invade her waking life; they decay her loving relationship to Jerry with dark fantasies and scar her artwork. Karen thinks a malevolent spirit has been awakened and it's changing her - she begins seeing things and she thinks the things are seeing her. Since finding the bed the frights of the past no longer sleep...
Titles Comprise: Vantage Point: Thomas Barnes (Dennis Quaid) and Kent Taylor (Matthew Fox) are two Secret Service agents assigned to protect President Ashton (William Hurt) at a landmark summit on the global war on terror. When President Ashton is shot moments after his arrival in Spain chaos ensues and disparate lives collide. In the crowd is Howard Lewis (Forest Whitaker) an American tourist videotaping the historic event to show his kids when he returns home. Also there is Rex (Sigourney Weaver) an American TV news producer who is reporting on the conference. It's only as we follow each person's perspective of the same 15 minutes prior to and immediately after the shooting that the terrifying truth behind the assassination attempt is revealed. Stealth: A trio of stealth bomber pilots (Jamie Foxx Jessica Biel Josh Lucas) are forced to fly with EDI (Extreme Deep Invader) a computer-manned prototype plane that specializes in extra-precision bombing. The brainchild of a programming wunderkind (Richard Roxburgh) EDI has the ability to learn at a fantastic rate but before long a freak accident causes it to question authority and launch an attack on Russia. In a top-secret military operation the three pilots struggle to bring the artificial intelligence program under control before it initiates the next world war... S.W.A.T.: Two wisecracking battle-hardened veterans (Samuel L. Jackson and Colin Farrell) team up with a pair of street-smart rookies (Michelle Rodriguez and LL Cool J) to form the most freewheeling - but effective - S.W.A.T. team ever.. Their first assignment: transport an international drug kingpin into federal custody - after he's offered 0 million to anyone who will free him!
Mary Bradford, 'Mouse' is new to boarding school. Life is very different than at home. Fortunately, they quickly become friends with her roommates, Paulie and Tory. The three are inseparable. 'Mouse' notice that the link between Paulie and Tory's very intimate. If she sees them kissing in a night, dawns on her that her friends are in love with each other. One morning they caught in bed by the sister of Tory. Fearing the shame in her Tory family takes away from her friend. For the desperately.
Blade's back and this time he's facing the greatest vampire of them in with just Jessica Alba and Ryan Reynolds for back up.
It's Feeding Time! A voracious-insect specialist (Lucy Lawless) now a college professor in search of a simpler life who gets caught up in the investigation of a student who is found dead with his body completely depleted of blood and realizes that the killers are actually vampire bats that have mutated due to a tainted water supply.
Tea With Mussolini (Dir. Franco Zeffirelli 1999): Florence 1934. A diverse group of cultured ladies meet for tea each afternoon: Lady Hester Random widow of the British Ambassador to Italy Arabella an artist and singer Georgie the exuberant American archaeologist and the brash and uninhibited Elsa. One of their fold Mary becomes surrogate mother to a young boy Luca and he is soon virtually adopted and brought up by the group of ladies. But the shifting political climate begins to have serious consequences for this unconventional community and the maturing Luca must face up to a personal challenge of independence. How To Make An American Quilt (Dir. Jocelyn Moorhouse 1995): Berkeley graduate student Finn (Winona Ryder) is spending the summer at the home of her sparring grandmother and great aunt (Oscar-winners Ellen Burstyn & Anne Bancroft). Their house is a quiet haven where Finn intends to finish her latest thesis and think over a marriage proposal. But when she meets sexy smoldering Leon things begin to get complicated. As she wrestles with her decision the women in her grandmother's quilting bee confide to her the stories of the loves that shaped their own lives. How to Make an American Quilt brings unbridled passion true love betrayal joy and heartbreak vividly to life in a touchingly funny cinematic tapestry that celebrates finding your way and following your heart. A Thousand Acres (Dir. Jocelyn Moorhouse 1997): Based on the Pulitzer Prize-winning best-selling novel A Thousand Acres (penned by Jane Smiley) follows the saga of the Cook family headed by the indomitable patriarch Larry Cook (Jason Robards). Cook's kingdom is a fertile farm that spans 1 000 acres but the seeds of its destruction are sown when he impulsively decides to distribute it among his three daughters Ginny (Jessica Lange) Rose (Michelle Pfeiffer) and Caroline (Jennifer Jason Leigh). The apportioned land soon begins to divide the family. Long-guarded secrets unspoken rivalries and denied desires buried just beneath the surface of their respective lives are unwillingly unearthed with profound catastrophic and ultimately liberating repercussions...
A monster attacks New York and the ensueing carnage is told from the point of view of a small group of friends with a video camera.
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