This Easter... A unique British zombie film that has a never-seen-before twist for zombie movie fans: a zombie Jesus who brings the dead back to life when a rag tag group of survivors take refuge during the Zombie apocalypse.As the blood-thirsty zombies invade something very unexpected happens. One of the zombies displays 'Jesus-like' powers when he touches other zombies they are miraculously returned to life. Is this Zombie Saviour the cure for the undead plague or is he heralding the end of the world? The survivors soon find out in this 'truly sick zombie flick'. Special Features: 'Making of' Documentary Cast and Director Commentaries
Too Disturbing To Watch...Too Compelling To Turn Away! Frank O' Brien formerly homeless now has a warehouse job in the outskirts of New Jersey. He may be getting old and a little rough round the edges but he's finally got a home. Now he's lonely. Things are looking up for him when a colleague places an ad in the personals on Frank's behalf. He goes on a handful of dates but the women are judgemental and obnoxious so Frank - naturally - kills them in various ways -some too
To silence their double-crossing accountant before he tells the cops everything the Lobruttos need a hitman... and fast. Tony Greco is up and coming in the family firm and ideal for the job - all he needs is a few lessons in the fine art of contract killing. And who better to teach him than Steve Rosellini (James Belushi) - Zen master of all hitmen. Under Rosellini's watchful eye Tony learns all about committing the perfect crime until at last it's time to prove he can kill in cold blood. His target? A name picked at random from the LA phone book - Angel Chaste - a young woman Tony soon discovers is ready willing and able to give as good as she gets.
Littlefoot Cera Spike Ducky and Petrie are back in an enchanting new feature-length adventure from the beloved The Land Before Time series! Littlefoot has witnessed an amazing sight: a 'stone of cold fire' that fell through the night sky and landed somewhere in the Smoking Mountains. But Littlefoot is the only one in the Great Valley who saw the stone and he can't find anyone who believes him. Petrie's long-lost uncle Pterano has his own reasons for wanting to find the
The Dark Crystal is a remarkable fantasy adventure, starring some of Jim Henson's most imaginative creatures ever. Five years in the making, this magical tale of good and evil is directed by Jim Henson and Frank Oz and Produced by Gary Kurtz.In another time, The Dark Crystal - a source of Balance and truth in the Universe - was shattered, dividing the world into two factions : the wicked Skekis and the peaceful Mystics. Now, as the convergence of the three suns approaches, the Crystal must be healed, or darkness will reign forever!It's up to Jen - the last of his race - to fulfil the prophecy that a Gelfling will return the missing shard to the Crystal and destroy the Skekis' evil Empire. But will young Jen's courage be any match for the unknown dangers that await him?
Includes the following tracks1. The Deil Among The Tailors - Prince Charlie's Quickstep - Captain McBride's Hornpipe2. Glencoe3. Legend In My Time4. Welcome To My World5. Kirkwall Bay6. Scapa Flow7. Keel Row - Orange And Blue - High Road To Linton - The Kilt Is My Delight8. Come By The Hills9. Steel Away10. Whisky On A Sunday11. Forty Shades Of Green12. Pittenweem Jo13. Teach Me To Dance14. These Are My Mountains15. My Wee Laddie16. Mountain Tay - Duet with David Cunningham17. If I Had My Life To Live Over18. Friendship Waltz - Sweet Forget Me Not - I'll Be Your Sweetheart - Until We Meet Again19. DunblaneAdditional Feature20. Dashing White Sergeant - Salute To Miss Jean Milligan21. St Bernard's Waltz - Autumn Dream - The Piper's Waltz
Bedpan humour rules in Carry On Doctor, the vintage 1968 offering from the familiar gang, assisted by guest star Frankie Howerd as bogus faith healer Francis Bigger. Hospitals, of course, always provided the Carry On producers with plenty of material. Today, these comedies induce a twinge of serious nostalgia for the great days of the National Health Service when Matron (Hattie Jacques, naturally) ran the hospital as if it was a house of correction, medical professionals were idolised as if they were all Doctor Kildare and Accident and Emergency Departments were deserted oases of calm. But even if you aren't interested in a history lesson, Talbot Rothwell's script contains some immortal dialogue, particularly when Matron loosens her stays. "You may not realise it but I was once a weak man", says Kenneth Williams' terrified Doctor Tinkle to Hattie Jacques. "Once a week's enough for any man", she purrs back, undaunted. Other highlights include Joan Sims, excellent as Frankie Howerd's deaf, bespectacled sidekick, Charles Hawtrey suffering from a phantom pregnancy, 1960s singer Anita Harris in a rare film role, and Barbara Windsor at her most irrepressible as nurse Sandra May. This is one of the best. On the DVD: Presented in 1.77:1 format for a pseudo-widescreen effect, the picture quality is good and sharp, accompanied by a standard mono soundtrack. The same no-frills approach is taken with the packaging; a functional scene index and no extras. Yet again, a missed opportunity to use the DVD release to provide some context. At their best, the Carry On films are rightly seen as classic comedies of their type. They really deserve to be better celebrated. --Piers Ford
Hooper (Anthony Hopkins) is a man seething with anger. His wife( Harriet Walter) has divorced him. He is permitted one day a week with his child. Fifteen years ago he was an outspoken advocate of women's liberation and now he feels he is a victim of the women's movement - a man without rights. At a party one night he meets a man whose ex-wife has just announced her plans to leave for Australia with their child and with her lesbian lover. Hooper is galvanized. He persuades the man to sue for custody supplies legal costs out of his own pocket and becomes obsessed with his belief that the women's movement has created a wave of discrimination against men. A very rare film that asks hard and fundamental questions about the role of men: such as is it ever too late for a man to learn that he can never love himself until he first learns to love somebody else?
Craig Sterling (Damon) Sharron Macready (Bastedo) and Richard Barrett (Gaunt) are agents for an international intelligence organisation called NEMESIS. After a plane crash and being rescued by an unknown civilisation the trio make their way back Geneva to continue their work only to discover they have mysteriously developed super-human abilities like telepathy amazing memories and abnormal strengths. Instead of telling anyone about these developments they keep their secret quiet but use their new powers to help complete a range of dangerous assignments... The Survivors: While investigating the murders of three students in the Austrian Alps the Champions discover a map that leads them to a mine where a group of German soldiers were buried alive by the SS. To Trap a Rat: Drug addicts are becoming victims not only of their vice but the lethal effects of tainted dope which is being distributed in London. Scotland Yard cannot track down the dealers and the Nemesis organisation is asked to help. The Iron Man: Nemesis agents take on a very unusual role as domestic staff when asked to protect the life of a former dicator. Domestic duties give way to dangerous circumstances. The Ghost Plane: The Champions find themselves hot on the trail of a brooker when asked to investigate a man whose plans for a revolutionary aircraft have been shelved.
After the death of a close friend Harris Kira and Sid reunite at the graveyard for a final farewell. However after reading a mysterious message on a gravestone and dancing on the nearby graves they find themselves the victims of dangerous hauntings by the angered ghosts. Harris and his wife Allison find themselves haunted by a deranged female pianist who was ax-murdered. Sid gets haunted by a child pyromaniac and Kira haunted by a sadistic rapist. They turn to a paranormal investigator to try to help them break the curse they imposed on themselves before the next full moon when they will be killed by the ghosts' wrath.
The first ever DVD to feature a solo performance from Jimbob the frontman of the legendary nineties Indie duo Carter The Unstoppable Sex Machine. Jim Bob had 14 UK top 40 singles and a UK number one album as lead singer with Carter USM. Carter were one of the great indie crossover bands of the early 1990's - gaining a big and very faithful following.Since Carter Jim has released two albums and three singles with his group Jim's Super Stereoworld and three solo albums as Jim Bob. ""Liv
The title of Carry On Again Doctor (1969) says it all; almost the same cast playing similar characters to their previous year's outing in Carry On Doctor. This one rejoices in the alternative title "Bowels are Ringing". But the enduring popularity of these films owes almost everything to their basic formula and if this one occasionally seems a bit cobbled together, all the old favourites are still there, working away. This time, the setting moves from the National Health Service to the private sector and even stretches as far as the "Beatific Islands" when Jim Dale is exiled to a missionary clinic for his overzealous attention to the female patients, who include Barbara Windsor of course. There, orderly Sid James rules the roost of the clinic with his harem of local women. Trivia addicts can spot Mrs Michael Caine in a brief role as a token dusky maiden. The second half of the Talbot Rothwell script picks up nicely as the characters converge on the private hospital back in England where Dale rakes in the money with a bogus weight loss treatment. Hattie Jacques is in fine form as Matron, Kenneth Williams fascinates with his usual mass of mannerisms and Joan Sims is stately as the Lady Bountiful figure financing most of the shenanigans. It's a tribute to their professionalism that we can still lose ourselves in some of the creakiest old jokes around. On the DVD: Bog standard 4:3 picture format and mono soundtrack provide an adequate viewing experience, especially as today most people will be more familiar with these films from television transmissions than from their cinema release. However, the lack of extras is a shame. Apart from the scene index, there is nothing to distinguish the DVD from its video equivalent. At the very least, a cast list or star biographies would add a little value. --Piers Ford
Rebus: John Hannah (Four Weddings and a Funeral Sliding Doors The Mummy McCallum) stars as Detective Inspector Rebus in these four primetime two hour film dramas for SMG Television from Clerkenwell Films. Adapted from the novels by acclaimed writer Ian Rankin the Rebus stories have been applauded for their intricate plots keen characterisation and flawless sense of place. Rebus himself is an enigma fighting his own weaknesses while dealing with the sad consequences of human frailty. He has seen it all before but his cynicism is redeemed by an unexpected humanity that reveals he is more disillusioned with himself than others. Black & Blue: Rebus is working with a colleague when they catch site of a known convicted paedophile taking photographs at the zoo. It transpires that he has been released early from prison is under police protection and is to be the key witness in the trial of two suspected abusers. The next day Rebus' colleague is found dead in the centre of Edinburgh. Rebus is devastated and sets out to find the reason - whether it was murder or suicide.
Jim Kelly is back as Black Belt Jones ex-CIA and lethal. 'The North Star' is a priceless diamond. Its theft from an American courier leads Lucas - Black Belt Jones - into a seedy world of strippers and hookers. Fists fly as he smashes his way through the heart of a den of thieves.
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Mono ), SPECIAL FEATURES: Interactive Menu, Remastered, Scene Access, SYNOPSIS: Classic Western from 1952 starring Mala Powers and Jack Buetel, directed by Harry Keller. After a wagon train is attacked by Comanche Indians, a young Cherokee finds a lone survivor. He takes the baby girl to his parents, who name her Rose, and rear her lovingly as one of their own. Years later, Rose's foster parents are murdered while trying to stop outlaws on the run from stealing their horses. A devastated Rose (Mala Powers) vows revenge. She tracks the killers to Dodge City, where she enlists the aid of Marshal Hollister (Jack Beutel), known as one of the best lawmen in the West. Although the Marshal insists she abide by the white man's law, Rose takes matters into er own hands... ...Rose of Cimarron
Sheryl Crow fans looking for a straightforward concert video can't go wrong with this 83-minute set, recorded in Detroit during the Globe Sessions tour of early 1999. Appearing in black leather pants and a black string-strap top, Cheryl is poised and professional, driving through 15 songs (nine from The Globe Sessions) with studio-set precision, despite the handicap of a receptive but oddly lifeless audience. (Perhaps the Motor City was merely idling that night.) Moving from acoustic guitar to bass, electric guitar, harmonica (on "It Don't Hurt"), and finally piano (for an exquisite rendition of "Home"), the Grammy winner makes it clear that she's as musically skilled as she is drop-dead gorgeous. Accompanied by a flawless six-piece band (with honorable mentions to guitarist Peter Stroud and violinist Lorenza Ponce), Crow rocks when it's time to rock (the climactic jam on "Riverwide" and "If It Makes You Happy" being standouts), but her strength remains in the more delicate passages of "Am I Getting Through", "The Kind", "Stong Enough", and the aforementioned "Home", an encore visually enhanced by rural images projected on an upstage scrim. Crow dedicates the set-closing rocker "Mississippi" to Bob Dylan, and even if a few favoured hits are not included, this remains a noteworthy performance. Camera coverage is slick and editing tight, and while VHS viewers will likely be satisfied, the DTS DVD is mildly problematic, failing to achieve the "you-are-there" dynamics that videophiles have a right to expect. Fortunately, the concert itself is not compromised; the recording is crisp and carefully mixed. Crow no doubt had more lively gigs during this particular tour, but with an accommodating stage and a first-rate band in good spirits, this was a pretty good night to have the cameras around. --Jeff Shannon, Amazon.com
In 1984 and 1985, The Tripods was the show that the BBC used to fill its traditional Saturday teatime Doctor Who slot. Adapted from the first two books in John Christopher's "Tripods" trilogy, the show frustratingly failed to deliver the final story that winds everything up. This release collects the first series of 13 episodes, which covers the first book (The White Mountains). In 2089, the human race lives a peaceful, agrarian existence in post-technological communities under the rule of the Tripods, vast alien machines that look like the Martians from War of the Worlds. In a small English village, teenage cousins Will (John Shackley) and Henry (Will Baker) are troubled as they near the age at which they will be "capped", fitted by the local Tripod with a metallic hairnet which will turn them into docile, uncreative, happy servants of the invaders. A wily vagrant tells the boys that far to the south, a community of uncapped freemen resists the Tripods, and they set off on a 13-episode journey that takes them to the coast, across the English Channel and down through France, with stop-offs in the impressive ruins of Paris, at a medieval-style chateau and on a vineyard in the Jura. Along the way, the lads fall in with "Bean Pole" (Ceri Seel), a gangling, bespectacled French rebel who is fascinated with the lost arts of machine-making, but at each of their stopovers there are temptations, mostly in the forms of appealing French girls, to settle down and become happy conformists, but in the end they do join up with the rebels, ready for a mission to the city of the Tripods that comes in Series Two. With production values significantly higher than Doctor Who at that time, the show conserves its effects and makes them count, with the Tripods only rarely intervening directly. Watched at a sitting, it seems padded and the three lead actors are variable, but taken in single-episode chunks it works quite well, with a subtly unsettling depiction of a backward world where everyone seems happy but actually isn't and actual villainy comes as a relief amidst the overwhelming niceness. The English and French locations are very well used, and the production design and costuming (lots of hats to cover the "caps") is imaginative without being panto-like. --Kim Newman
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Beverly Hillbillies: A family of country bumpkins strikes oil in their backyard and moves from the backwoods of Arkansas to the mean streets of Beverly Hills. There they have to contend with a serious culture clash snobbish neighbors and a golddigging con artist and her boyfriend. The Pirate Movie: Buckle your swash and jolly your roger for the funniest rock n' rollickin' adventure ever! A parody pastiche of Hollywood's finest films including Star Wars in which a naive pirate captain's son must rescue the girl he loves from a ruthless band of sea-fareing knaves... Bushwhacked: A bumbling package delivery man finds himself on the wrong side of the law when a harebrained get-rich-quick scheme makes him a murder suspect. Daniel Stern (Home Alone City Slickers and Rookie of the Year) stars as the inept ""Mad Max"" Grabelski who heads for the hills with the cops hot on his trail. When he's mistaken for a world famous scout leader Max's escape plan takes an uproarious wrong turn!
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