1989 and the Berlin Wall is about to fall. But the small matter of the end of the Cold War doesn't seem to stop soldier Ray Elwood's blackmarket shenanigans in a base in Germany.
There's going to be no middle-ground in your opinion of Harmony Korine's second film Julien Donkey Boy--it's either a blazing, daring masterpiece or one of the worst movies ever made. Ewen Bremner, the gawkiest of the Trainspotting gang, transforms himself into the terrifying yet pathetic Julien, with curly black hair, removable teeth, a letter-perfect American maniac accent and the body language of the truly demented. Julien is a schizophrenic but rather than observe his mental problems the film chooses to crawl inside them--we're never sure how much of what we see is actually happening and none of the "sane" characters make much sense either. Julien's family consists of a brother (Evan Neuman) who is constantly climbing stairs like a lizard to beef himself up for a contest that turns out to be ridiculous, a pregnant sister (Chloe Sevigny) who sometimes phones him up pretending to be their dead mother and a hard man father (Werner Herzog) who douses him with freezing water to toughen him up and delivers a bizarrely sincere soliloquy about the superiority of the ending of Dirty Harry over Julien's pretentious improvised poem. Though it comes with a certificate of authenticity from the Danish Dogma 95 movement, it violates several of the cardinal rules of their manifesto epitomised by Festen and The Idiots: there is unsourced music on the soundtrack, special effects in the form of pixellated or freeze-frame images and action as family arguments explode into scrum-like fights (Korine's directorial debut, Gummo, was closer in spirit to the movement). It opens and closes with the tragic deaths of children, but is mostly a shapeless series of scenes that deliver an impression of madness rather than a story. Bits of it are undeniably irritating, just as mad people usually are, but there are lucid flashes where Korine gets his cast to focus on their characters and provide great scenes. --Kim Newman
A strange and sinister man Mr Cato (Orson Welles) wields extraordinary power in the small town of Lilith. Almost supernatural power. The townsfolk indulge in weird ritual in their pursuit of necromancy... bringing the dead back to life. Against this disturbing background it is a young beautiful girl Lori (Pamela Franklin) who becomes the human catalyst between life and death...
Spy satellite code name Iris One has been launched by the U.S. in a desperate attempt to curb the ruthless drug cartels and Delta Force is back in action attacking and destroying the stockpiles of illegal drugs wherever in the world they may be hidden. But when the Delta team wipes out a billion-dollar stash of cocaine belonging to Colombian drug lord Umberto Salvatore they've taken on more than they bargained for. At a gathering of crime lords in Italy Salvatore unveils a daring plot to bring the United States to its knees and he enlists the aid of the world's gangster elite to pull it off. Meanwhile Salvatore's men hijack the most sophisticated stealth submarine in the U.S. fleet the USS Roosevelt and rig the on-board missiles to fire if the sub is attacked. Delta Force is reassembled to take out Salvaltore and at all costs stop the submarine with its chemical weapons payload aimed at the United Nations building and an unsuspecting New York City. The clock is ticking the action is getting hotter and millions of lives are in the hands of a vicious madman...Delta Force is the only answer!
One man... seven women... in a strange house! Set in the Deep South during the Civil War The Beguiled stars Eastwood as John McBurney a severely wounded soldier who is near death when discovered by a teenage girl. She takes him to the mansion that serves as her boarding school where he slowly begins to regain his health under the care of headmistress Martha Farnsworth (Geraldine Page) and the dozen or so girls who live there. As McBurney gets better he begins to charm the girls all of whom are starved for affection because of the war's claim on their men. At length powerful undercurrents of jealousy saturate the atmosphere as the girls and even the headmistress begin to vie for McBurney's attention. He first becomes involved with one of the oldest of the girls Edwina Dabney (Elizabeth Hartman) but ultimately finds it difficult to resist the charms of some of her schoolmates. His promiscuity becomes his undoing.
Resident Evil: Something rotten is brewing beneath the industrial mecca known as Raccoon City. Unknown to its millions of residents a huge underground bioengineering facility known as The Hive has accidentally unleashed the deadly and mutating T-virus killing all of its employees. To contain the leak the governing supercomputer Red Queen has sealed all entrances and exits. Now a team of highly-trained super commandos including Rain Alice and Matt must race to penetrate The Hive in order to isolate the T-virus before it overwhelms humanity. To do so they must get past the Red Queen's deadly defenses face the flesh-eating undead employees fight killer mutant dogs and battle The Licker a genetically mutated savage beast whose strength increases with each of its slain victims. Resident Evil: Apocalypse: After the outbreak in the top-secret facility the sinister Umbrella organisation instigates a coverup by releasing the deadly Nemesis toxin to eliminate the surviving members of STARS in Raccoon City...
2002's popular video-game-derived hit Resident Evil didn't inspire confidence in a sequel, but Resident Evil: Apocalypse defies odds and surpasses expectations. It's a bigger, better, action-packed zombie thriller, and this time Milla Jovovich (as the first film's no-nonsense heroine) is joined by more characters from the popular Capcom video games, including Jill Valentine (played by British hottie Sienna Guillory) and Carlos Olivera (Oded Fehr, from 1999's The Mummy). They're armed and ready for a high-caliber encounter with devil dogs, mutant "Lickers," lurching zombies, and the leather-clad monster known only as Nemesis, unleashed by the nefarious Umbrella Corporation responsible for creating the cannibalistic undead horde. Having gained valuable experience as a respected second-unit director on high-profile films like Gladiator and The Bourne Identity, director Alexander Witt elevates this junky material to the level of slick, schlocky entertainment. --Jeff Shannon
As a number of leading figures on the international fashio scene assemble for a major show their personal and professional crises come to a head. Paul Sorvino plays Lorenzo manchini a famous designer who has learned that he only has a short time to live. As he tries to make peace with his wife and long time partner (Peter Gallagher) he also tries to mend his failing relationship with his son. Estelle Warren plays a celebrated young model who has to make the choice between earning a living and keeping her self respect. Cutting-edge designer Roberta (Rita Wilson) is scrambling to pull together her latest collection as her employees start to leave her fashion house one by one. Her best friend and business partner Camille looks likely to be the next to leave the nest as she becomes involved with Jamie (Jeff Golblum) who works for a rival designer. And an editor of a fashion magazine (Joanne Baron) has to confront her past when her daughter Hayley (Michelle Williams) whom she has not seen in twelve years turns up at her office. All the characters have one thing in common- they are all trapped in the machinery that makes the fashion business move and breathe where the clothes are unsellable nevermind unwearable!
Battling For Baby: Battling For Baby stars Suzanne Pleshette and Debbie Reynolds in the humourous and poignant story of two childhood friends who are fierce rivals. A nursery turns into a battleground when they both become grandmother to the same baby. As children Marie and Helen were inseperable friends. Now as adults they are bitter rivals but must see each other because Marie's daughter Katherine and Helen's son Phillip fell in love and got married. When Katherine announces she's pregnant both mothers seize upon the opporunity to outdo each other in attention affection and financial support. When the baby is born the grandmothers' rivalry intensifies. Katherine and Philip are overwhelmed by the pressures of parenthood and work the feuding grandmothers don't help the situation. Angry words turn into a heated argument and Phillip walks out. Both grandmothers are terribly upset about the rift between their two children and they are sure the other one is the cause. The grandmothers fight bitterly unearthing some long-buried secrets in the process and forcing them to confront the foolishness of their rivalry. Having set aside their own differences the granmothers are ready to join forces to save Katherine and Phillip's marriage. Mesmerized: This psychodrama is set in New Zealand during the 1880's and is based on the true story of an orphaned 18 year old who marries a cruel much older man. He constantly abuses her and keeps her under his thumb until she finally snaps and kills him. Later she is tried in court for murder... Welcome To Paradise: Three long term girlfriends out for a carefree adult fling end up ""where the boys are"" when they return to the beach resort famous as a vacation destination for young people. When the trio decide to dive into the amorous action too unexpected romance make waves in this sexy comedy!!!
Finding Neverland: (Dir. Marc Forster) (2004): This is a tale of magic and fantasy inspired by the life of Peter Pan author James Barrie. Set in London 1904 the film is a fictional account of Barrie's creative struggle to bring Peter Pan to life from his first inspiration up until the play's premiere - a night that will change not only Barrie's own life but the lives of everyone close to him. The Hours: (Dir. Stephen Daldry) (2002): An adaptation of the novel by Michael Cunningham this is the story of three women living in different time periods of the Twentieth Century all linked by a work of literature. In 1923 Virginia Woolf starts to write her novel 'Mrs Dalloway' whilst struggling to cope with depression and mental illness. In 1951 Laura Brown a dissatisfied housewife contemplates her own life after reading 'Mrs Dalloway'. In 2000 editor Clarissa Vaughan struggles to look after her ex-lover Richard Brown who is losing his battle with Aids. Richard nicknames her 'Mrs Dalloway'.
The story of how the novel 'Mrs. Dalloway' affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives. Extras: COMMENTARY BY NICOLE KIDMAN, MERYL STREEP AND JULIANNE MOORE COMMENTARY BY DIRECTOR STEPHEN DALDRY AND NOVELIST MICHAEL CUNNINGHAM FILMMAKERS INTRODUCTION THREE WOMEN THE MIND AND TIMES OF VIRGINIA WOOLF THE MUSIC OF THE HOURS THE LIVES OF MRS. DALLOWAY THEATRICAL TRAILER
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