The original team are back! Produced by Guillermo Del Toro (Director of Hellboy Blade 2 Pan's Labyrinth) and the creator of the Hellboy comic Mike Mignola In 1939 young Professor Broom (John Hurt - Alien V For Vendetta) destroyed Erzsebet Ondrushko a female vampire that bathed in the blood of innocents to stay young. Now someone in upstate New York is trying to bring her back and the elderly Professor Broom has decided to investigate it himself. He takes the top BPRD agents Hellboy Liz Sherman Abe Sapien (Doug Jones - Pan's Labyrinth) and a new agent Sideny Leach who are more worried about his welfare than the return of any vampire.Their tune changes when they face a horde of ghosts a phantom wolf pack witches harpies a giant werewolf and Erzsebet herself. Hellboy ends up battling the Queen of Witches the goddess Hecate who wants him to embrace his true destiny a destiny that includes the destruction of mankind.
This summer marks the return of everyone's favourite tomb-raiding, fedora-wearing, treasure hunter -- one Indiana Jones.
A stunning new 4K restoration of THE ELEPHANT MAN, with both picture and sound overseen by revered director David Lynch, this release is the perfect celebration of the films 40th anniversary. Starring Anthony Hopkins and John Hurt, THE ELEPHANT MAN is an extraordinary and intensely moving true story of bravery and humanity. John Merrick (John Hurt) is The Elephant Man, forced into circus sideshows and spurned by society because of the disfiguring disabilities he was born with. Rescued by a well meaning surgeon (Anthony Hopkins), he tries to escape a life of prejudice and cruelty as he tries to fit into a world ruled by Victorian sensibilities. Beautifully shot in black and white by the incomparable Freddie Francis, THE ELEPHANT MAN is an unforgettable story of human dignity and survival. A stunning new 40th anniversary restoration Extras: NEW - Interview with Frank Connor, Stills Photography NEW - BFI Q&A With Jonathan Sanger Interview With David Lynch Interview With John Hurt Mike Figgis Interviews David Lynch The Air Is On Fire: Interview With David Lynch at Cartier Foundation Joseph Merrick: The Real Elephant Man The Terrible Elephant Man Revealed
The Award Winning film autobiography of the English eccentric Quentin Crisp. The film traces Crisp's life from the early 1930's telling of his blatent exhibitionism as an outrageously effeminate homosexual. John Hurt's unforgettable performance won him a BAFTA for Best Actor while director Jack Gold won the Academy's highest commendation The Desmond Davies Award for outstanding creative contribution to television.
Give evil hell! In the final days of World War II the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where an occult ceremony is taking place but not before a demon Hellboy has already been conjured. Joining the Allied forces Hellboy eventually grows to adulthood under the supervision of his adopted 'father' Trevor Bruttenholm serving the cause of good rather than evil. When the powerful and evil Nazi figure who unleashed Hellboy suddenly reappears in modern times he discovers that Hellboy is now working as a paranormal investigator at a secret U.S. government agency dedicated to protecting humanity from the forces of darkness. Now Hellboy must fight to solve the riddle of his own existence and prevent the destruction of mankind... Dark Horse Comics' popular cult superhero Hellboy makes the leap from the comic book pages to the big screen with Ron Perlman the only actor considered charismatic enough to convey the blood-red demon anti-hero cutting a cigar-chomping dash in the title role as Hellboy assisted by prosthetics from 6-time Oscar winning makeup artist Rick Baker.
Who is the man who hides his scarred face behind a mask? Hero or madman? Liberator or oppressor? Who is V and who will join him in his daring plot to destroy the totalitarian regime that dominates his nation? From the creators of The Matrix trilogy comes V for Vendetta, an arresting and uncompromising vision of the future based on the powerfully subversive graphic novel. This Collector's Set Includes: V for Vendetta on 4K Ultra HD and Blu-ray Two new pieces of EC on 4K disc (not in 4K Resolution) Collectable SteelBook Case Exclusive Acrylic Pin housed in a SteelBook Mini Case Special Features: NEW: Natalie Portman's Screen Test NEW: V for Vendetta Unmasked: Making-of with filmmakers and cast James McTeigue & Lana Wachowski in Conversation : Looking back on V for Vendetta Director's Notebook: Reimagining a Cult Classic for the 21st Century: Director James McTeigue (Joined by Stars Natalie Portman and Hugo Weaving and Other Creative Team Members) Traces in Detail the V Saga from Graphic Novel Origin Through the Movie's Execution. Designing the Near Future Remember, Remember: Guy Fawkes and the Gunpowder Plot England Prevails: V For Vendetta and the New Wave in Comics Freedom! Forever!: Making V For Vendetta Saturday Night Live Digital Short Cat Power Montage Theatrical Trailer
During the early days of World War II, with the fall of France imminent, Britain faces its darkest hour as the threat of invasion looms. As the seemingly unstoppable Nazi forces advance, and with the Allied army cornered on the beaches of Dunkirk, the fate of Western Europe hangs on the leadership of the newly-appointed British Prime Minister Winston Churchill (Academy Award nominee Gary Oldman). While maneuvering his political rivals, he must confront the ultimate choice: negotiate with Hitler and save the British people at a terrible cost or rally the nation and fight on against incredible odds. Directed by Joe Wright, DARKEST HOUR is the dramatic and inspiring story of four weeks in 1940 during which Churchill's courage to lead changed the course of world history.
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
Irish director Jim Sheridan made The Field after scoring an art house hit and Oscar nominations for his previous film, My Left Foot. Set in Ireland during the 1930s, this ambitious and hard-hitting drama is about one man's obsession with a plot of land that his family has tended for generations. The results are decidedly mixed, and it's obvious that this kind of tragic allegory is better suited for the stage (where it originated as a play by John B Keane). What makes the film worthwhile is the Oscar-nominated performance by Richard Harris as "Bull" McCabe, the fiercely stubborn man who's nurtured a prime field of rented land for decades, only to lose it when the owner auctions the land to an unwelcome American (Tom Berenger). Rather than sacrifice his life's work to this brazen invader, McCabe wages a personal war with powerfully tragic results. It's unfortunate that this potent drama never really connects on an emotional level, but Harris is never less than fascinating in a role that virtually seems to consume him as an actor. His performance approaches greatness, even when the film falls somewhat short of its dramatic ambitions. --Jeff Shannon, Amazon.com
The BAFTA-winning adaptation of Quentin Crisp's best-selling autobiography, The Naked Civil Servant features an arguably career-best performance by John Hurt as Crisp a flamboyant homosexual trying to live an openly gay lifestyle in the intolerant pre-war years.
Robert Bolt's successful play, A Man for All Seasons, was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make the film as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint". Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savouring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton, Amazon.com
Collection of four BBC adaptations of Shakespeare's history plays comprising 'Richard II', 'Henry IV: Part One', 'Henry IV: Part Two' and 'Henry V'. Beginning in the year 1399, the plays deal with events affecting the monarchy during a 16-year period, where the ruling orders of Richard II (Ben Whishaw), Henry IV (Jeremy Irons) and Henry V (Tom Hiddleston) find themselves beset by rebellion, greed and war. The cast also includes Rory Kinnear, Simon Russell Beale, Julie Walters and Lindsay Duncan.
A brother is faced with an impossible proposition in this period Australian thriller.
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.
By transplanting the classic haunted house scenario into space, Ridley Scott, together with screenwriters Dan O'Bannon and Ronald Shusett, produced a work of genuinely original cinematic sci-fi with Alien that, despite the passage of years and countless inferior imitations, remains shockingly fresh even after repeated viewing. Scott's legendary obsession with detail ensures that the setting is thoroughly conceived, while the Gothic production design and Jerry Goldsmith's wonderfully unsettling score produce a sense of disquiet from the outset: everything about the spaceship Nostromo--from Tupperware to toolboxes-seems oddly familiar yet disconcertingly ... well, alien.Nothing much to speak of happens for at least the first 30 minutes, and that in a way is the secret of the film's success: the audience has been nervously peering round every corner for so long that by the time the eponymous beast claims its first victim, the release of pent-up anxiety is all the more effective. Although Sigourney Weaver ultimately takes centre-stage, the ensemble cast is uniformly excellent. The remarkably low-tech effects still look good (better in many places than the CGI of the sequels), while the nightmarish quality of H.R. Giger's bio-mechanical creature and set design is enhanced by camerawork that tantalises by what it doesn't reveal.On the DVD: The director, audibly pausing to puff on his cigar at regular intervals, provides an insightful commentary which, in tandem with superior sound and picture, sheds light into some previously unexplored dark recesses of this much-analysed, much-discussed movie (why the crew eat muesli, for example, or where the "rain" in the engine room is coming from). Deleted scenes include the famous "cocoon" sequence, the completion of the creature's insect-like life-cycle for which cinema audiences had to wait until 1986 and James Cameron's Aliens. Isolated audio tracks, a picture gallery of production artwork and a "making of" documentary complete a highly attractive DVD package. --Mark Walker
Audiences overlooked Wild Bill at the cinema, but it's one of the better Westerns of the 1990s, featuring yet another terrific performance by Jeff Bridges, America's most underrated movie actor. As James Butler Hickock, he captures the sense of a man at the end of his career, one of the first media superstars who discovers that his legend is more burden than blessing. As he heads toward his final hand of poker in Deadwood, South Dakota, he flashes back to his younger days and the events that built his reputation, even as he copes with encroaching blindness caused by syphilis. Walter Hill blends action and elegy, utilising a screenplay based both on Pete Dexter's novel Deadwood and Thomas Babe's play Fathers and Sons. Wild Bill features strong supporting performances by John Hurt (as a Hickock sidekick) and Ellen Barkin (as the tough, lusty Calamity Jane)--but the centrepiece is the sad, manly performance by Bridges, who more than measures up to the part. --Marshall Fine
JACKIE is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). JACKIE places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband's legacy and the world of Camelot that they created and loved so well.
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