Television legends John Forsythe, Joan Collins and Linda Evans headline the glittering ensemble, while entertainment titan Aaron Spelling and creators Richard and Esther Shapiro have devised spectacular new surprises for the essential Eighth Season of the landmark hit drama. Powerful new players join the Carrington/Colby blood feud along with all the trademark glamour, high drama and eye-popping twists and turns - including a deadly hostage crisis, a brutal race for high office, a heart-wrenching battle over a surrogate baby and a final, fatal gunshot. Like no other series before or since, Dynasty is the ultimate guilty pleasure.
Il Trovatore, Verdi's 1853 maelstrom of passion, infanticide, double-crossing and revenge, would be a mightily gamy affair if it didn't contain some of his finest arias, a cracker of a tenor's role and one of opera's most powerfully-written characters in the old gypsy woman, Azucena. Although Joan Sutherland, who plays the self-sacrificing lady-in-waiting Leonora in this 1983 Australia Opera production at Sydney Opera House, is the headline star, in truth the supreme assets of this recording are mezzo-soprano Lauris Elms' Azucena, a beautifully sung performance of haunted, wild-eyed sadness; and Sydney Nolan's wonderfully infernal sets, all purple and burnt ochre with suggestions of distorted faces. Sutherland came late to a part which allowed her to sing up a storm without taxing her rather stolid acting style. Her husband and musical director Richard Bonynge gives her the space to unleash some of Verdi's most fluidly opulent melodies--"D'amor sull'ali rosee" is a case in point--whose beauty is often at odds with the underlying horrors of the tale, based on a rather dodgy Spanish melodrama by Gutierrez. Sutherland has strong support from tenor Kenneth Collins as the doomed Manrico and Jonathan Summers as the vengeful Count. On the DVD: Il Trovatore on disc offers the inevitable shortcomings of a filmed for television performance: to the detriment of Nolan's designs (and the hard-pressed make-up team), the lighting doesn't translate well to video. Presented in 4:3 picture format, the quality is frequently murky. The PCM Stereo soundtrack also has its flat and fuzzy moments, particularly during chorus scenes ("Vedi! Le fosche notturne spoglie") when the orchestra drowns out the singing. But on the whole Sutherland et al sound great.--Piers Ford
Fred Flintstone (Mark Addy) and Barney Rubble (Stephen Baldwin) are two of Bedrock s most confirmed bachelors. Wilma Slaghoople (Kristen Johnston) and Betty O Shale (Jane Krakowski) are two of the towns hottest single babes. In this prehistoric comedy of boy meets girl, see how it all began as Fred and Barney set to win the hearts of their favourite gals on a romantic getaway to exciting Rock Vegas . With meddling fron Wilma s socialite mother (Joan Collins), as well as competition from tycoon Chip Rockefeller, Fred just might need a little help from his friends to beat the odds and win the most important game of all...love.
Considered by many to be the greatest B movie ever made, the original-release version of Orson Welles' film noir masterpiece Touch of Evil was, ironically, never intended as a B movie at all--it merely suffered that fate after it was taken away from writer-director Welles, then reedited and released in 1958 as the second half of a double feature. Time and critical acclaim would eventually elevate the film to classic status (and Welles' original vision was meticulously followed for the film's 1998 restoration), but for four decades this original version stood as a testament to Welles' directorial genius. From its astonishing, miraculously choreographed opening shot (lasting over three minutes) to Marlene Dietrich's classic final line of dialogue, this sordid tale of murder and police corruption is like a valentine for the cinematic medium, with Welles as its love-struck suitor. As the corpulent cop who may be involved in a border-town murder, Welles faces opposition from a narcotics officer (Charlton Heston) whose wife (Janet Leigh) is abducted and held as the pawn in a struggle between Heston's quest for truth and Welles' control of carefully hidden secrets. The twisting plot is wildly entertaining (even though it's harder to follow in this original version), but even greater pleasure is found in the pulpy dialogue and the sheer exuberance of the dazzling directorial style. --Jeff Shannon
Sixties icon Alfie Elkins makes a ribald return appearance in this sequel to the classic comedy-drama that shot Michael Caine to stardom. Alan Price stars as the Jack-the-Lad with an over-active libido alongside Jill Townsend, Hannah Gordon, Rula Lenska and Joan Collins. Alfie Darling is presented here as a brand-new High Definition transfer from the original film elements in its original theatrical aspect ratio. Alfie makes a good living driving huge trucks across Europe, with a girl hidden away in every place he visits - as well as some along the way! Then he meets cool, aloof Abby, who resists his charms - but Alfie was never one to shy away from a challenge! Special Feature: Image gallery
Bette Davis turns in a towering central performance as the fearsome queen who tangles with a beautiful young lady-in-waiting (Joan Collins) for the affection of intrepid Sir Walter Raleigh (Richard Todd)...
Vaudevillians Harry (Crosby) and Chester (Hope) travel to Tibet to search for a drug to restore Chester's memory. Once they find the cure Chester's memory becomes so good that he accidentally memorizes a secret formula for space navigation. Soon the two meet up with a beautiful spy (Collins) and get slightly sidetracked... to another planet!
Joan Collins gives an instantly memorable performance as a stripper cursed by a dwarf to give birth to a demonic child in this classic '70s exploitation horror directed by Hammer/Amicus veteran Peter Sasdy. Co-starring Eileen Atkins, Ralph Bates, Donald Pleasence and Caroline Munro, The Monster (aka I Don't Want to be Born) is featured here as a brand-new remaster from original film elements in its original theatrical aspect ratio. There's something wrong with Lucy and Gino's little boy... born with what seems to be abnormal strength and an innate hatred of people, he appears to enjoy inflicting injury on others. Doctors are baffled, but a nun is convinced that the baby is possessed. Then events take such a murderous turn that few can afford to ignore the nun's warnings! Special Features: Brand-new audio commentary from the cult Second Features podcast team Theatrical trailer Alternative I Don't Want to be Born titles Image gallery Limited edition booklet written by Adrian Smith
Four classic Gregory Peck films are featured on this fantastic box set. Gentleman's Agreement: Director Elia Kazan and producer Darryl F. Zanuck caused a sensation with ""the most spellbinding story ever put on celluloid"" (Hollywood Reporter) recipient of three Academy Awards including Best Picture. One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series
Helene Junot is rich beautiful powerful and envied for her success but is surrounded by enemies who seek to destroy her. As a young girl Helene witnessed the murder of her mother was seperated from her brother and sister and was herself both beaten and raped by the Nazi's in Paris. Helene now a fully grown woman meets a photographer who puts her on the road to fame as the hottest model in Paris until she turns her hand to design and becomes a director of a top fashion house. Helene attracts many men both good and bad especially in the case of Count De Ville but she meets an American Officer on his way to Vietnam and falls madly in love but happiness eludes her as she is forced to borrow money to pay a famed Nazi hunter to track down her long lost brother who has spent 15 years in a mental institution. Helene's empire flourishes but the ruthlessness and calculative ambition in business and her quest for revenge costs her dear as she has to deal with her many enemies as her life enters a new dimension when she has to fight for her own survival and that of her empire.
Kids will enjoy the dinosaurs, gaudy prehistoric decor, and cartoon humour of The Flintstones in Viva Rock Vegas; but adults will find fewer morsels of entertainment, although the sly performance of Alan Cumming (Eyes Wide Shut) as the Great Gazoo, an alien sent to Earth to observe human mating behaviour is a highlight. The movie begins before Fred (Mark Addy from The Full Monty) and Wilma (Kirsten Johnston from Third Rock from the Sun) Flintstone ever met, back when Wilma was an unhappy rich girl seeking happiness in a less snobby environment. Running away from her smothering mother (Joan Collins!) and an oily suitor, Chip Rockefeller (Thomas Gibson from Dharma and Greg), she winds up at a drive-in restaurant where she meets Betty (Jane Krakowski from Ally McBeal), a waitress who thinks Wilma is actually homeless and invites the runaway to live with her. Our blue-collar heroes, Fred and Barney Rubble (Stephen Baldwin from The Usual Suspects), ask the girls out on a double date, and before long Fred and Wilma bond over bowling. But it turns out that Chip is in debt to a ruthless loan shark and needs Wilma's money, so he invites the couples to his new casino in Rock Vegas, where he plots nefariously to ruin their blossoming love. The plot holds no surprises and the dialogue is clumsy, but there's a blithe dimwittedness to the whole affair that makes it curiously inoffensive. --Bret Fetzer, Amazon.com
After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternate reality that bears some similarities to our own, but has some striking differences. In this other reality the Second World War had never occurred, mankind had not yet travelled into Space and Mt. Everest had not yet been conquered, just to name a few things. In this other reality he is no longer a scientist but rather a well known author. He also finds that he is married to a beautiful woman who he instantly falls in love with but who his alternate self never cared for. He has some difficulty convincing anyone that he is not actually who they think he is. With the help of a physics professor who believes his story, he finally manages to convince his 'wife' that he is not the man she knew before. After a personal tragedy in this alternate world, he finds himself back in his own world and desperately trying to locate the woman he fell in love with in the other world. Little does she know, however, that her life depends on him finding her. Based on the story Random Quest by John Wyndham.
A British cargo ship carrying hundreds of refugees fleeing from Singapore is torpedoed by a Japanese submarine and sunk. Four survivors find themselves adrift on the high seas sharing a flimsy dinghy - a colonial businessman (Basil Sydney), an officer (Richard Burton), the ship's purser (Cy Grant) and a beautiful but mysterious young woman (Joan Collins).As the survivors fight to stay alive, the tensions - and attractions - between them grow stronger until they can't be contained any longer. Two of them share a fateful secret, which can never be revealed. The result is murder - and the start of a long, desperate search for true love...
A Powerful Western Tale of Revenge and Redemption. When a farmer's wife is raped and murdered the farmer (Gregory Peck) teams up with his old flame (Joan Collins) to trail and kill the four outlaws he believes to be responsible. Arriving in a town he discovers that the men are in jail and will be hanged the following day. When they escape driven by a blinding need for revenge the farmer gives chase kills one and has another two cornered. But then they protest their innoc
The Cockney Casanova is back. From the bedrooms of Bordeaux to the boardrooms of magazine editors trucker Alfie travels across Europe driving the French girls wild..... until tragedy strikes.....
Shirley Valentine: Shirley Bradshaw has always been able to see the funny side of any situation. She was a high-school rebel and now she's a housewife and mother who one day looks back at her life and realises that she has lost touch with her dreams. When her best friend wins a magazine contest and asks Shirley to accompany her on a fortnight's holiday in Greece Shirley begins a voyage of self-discovery. On the island of Mykonos as Shirley luxuriates among sun sand and taramasalata she encounters islander Costas Caldes and falls in love...with life! The First Wives Club: Marriage has turned into a crash dive for Brenda Cushman Elise Atchison and Annie Paradise. These three well-heeled Manhattan women chums during their college days all took different paths. Now they're reunited by catastrophe--each has just been callously dumped by her husband for a younger sexier trophy wife. Smarting from the pain Brenda Elise and Annie join forces and concoct a plan to exact the most exquisitely bitter vengeance upon their exes. War has been declared.
It's No Picnic! Brace yourself for mutant mayhem and pestilent payback in this scary (Los Angeles Times) and repulsively convincing (The Hollywood Reporter) creature feature about good bugs gone BAD! Starring queen of mean Joan Collins this incredible insect extravaganza is swarming with flesh-crawling chills hair-raising thrills and spine-tingling terror...with a venge-ANTS! A heavenly paradise becomes a hellish nightmare when a toxic spill turns harmless ants into rampaging radioactive reprobates! Stumbling into their creepy lair a sleazy land developer (Collins) and her clients are horrified to realize that the ants are having a picnic...and humans are on the menu! Fleeing for their lives - only to be squashed underfoot - they soon discover that these bad-boy bugs are hell-bent on exterminating mankind and building an evil empire where humans check in...but they can't check out!
Boxing drama following the lives of 5 different fighters and their reasons for becoming boxers.
Featuring Episodes: The Wrong 'Un Have A Nice Death Hit And Run and The Reconciliation
Murray Lerner's classic film originally released in 1967 now on DVD for the first time! Filmed across three Newport Folk Festivals in the early 1960s it combines live footage and interviews with the artists and with members of the audience.
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