Included Films: The Web (Michael Gordon, 1947) Larceny (George Sherman, 1948) Kiss The Blood Off My Hands (Norman Foster, 1948) Abandoned (Joseph M Newman, 1949) Deported (Robert Siodmak, 1950) Naked Alibi (Jerry Hopper, 1954) A new series of box sets following Indicator's acclaimed Columbia Noir series focusing on the film noir output of another of the major Hollywood studios, Universal Pictures. Starring such high-profile talents as Burt Lancaster, Joan Fontaine, Shelley Winters, Dan Duryea, Vincent Price, Edmund O'Brien, Sterling Hayden, Gloria Grahame and Jeff Chandler, the six films in this volume feature embezzlement and murder (The Web), confidence tricksters (Larceny), lovers on the lam (Kiss the Blood Off My Hands), an adoption racket (Abandoned), transatlantic criminals (Deported), and police brutality (Naked Alibi). This stunning collection marks the UK Blu-ray premiere of all six films, and also features an array of fascinating contextualising extras, including newly recorded commentaries for each film, critical appreciations, archival short films, and a 120-page book. Strictly limited to 6,000 numbered units. Extras: Indicator Limited Edition Blu-ray Box Set Special Features High Definition presentations of The Web, Larceny, Kiss the Blood Off My Hands, Abandoned, Deported and Naked Alibi Original mono audio Audio commentary with film historian David Del Valle on The Web (2022) Audio commentary with academic and curator Eloise Ross on Larceny (2022) Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson on Kiss the Blood Off My Hands (2022) Audio commentary with writers and film experts Barry Forshaw and Kim Newman on Abandoned (2022) Audio commentary with filmmaker and film scholar Daniel Kremer on Deported (2022) Audio commentary with film historian Nathaniel Thompson on Naked Alibi (2022) The John Player Lecture with Joan Fontaine (1978): archival audio recording of the star of Kiss the Blood Off My Hands in conversation with film critic Martin Shawcross at London's National Film Theatre Archival Interview with Victoria Price (2018): the daughter of Vincent Price in conversation with the Film Noir Foundation's Alan K Rode following a screening of The Web at the Arthur Lyons Film Noir Festival Lucy Bolton on Gloria Grahame (2022): the academic discusses one of the great femme fatales of film noir Christina Newland on Robert Siodmak (2022): the critic and writer looks at the Deported director's extensive work in film noir Nick Pinkerton on Dan Duryea (2022): the author and critic assesses the life and career of the big-screen tough guy Lux Radio Theatre: The Web' (1947): radio adaptation featuring Ella Raines, Edmond O'Brien and Vincent Price reprising their roles from the film United Action Means Victory (1939): documentary short about the 1938-39 General Motors strike, with narration written by Kiss the Blood Off My Hands screenwriter Ben Maddow Men of the Lightship (1941): British World War II documentary short, co-written by Kiss the Blood Off My Hands screenwriter Hugh Gray and narrated by Kiss the Blood Off My Hands actor Robert Newton Skirmish on the Home Front (1944): WWII propaganda short starring film noir mainstays Alan Ladd and William Bendix Easy to Get (1947): documentary short directed by Abandoned filmmaker Joseph M Newman as part of the US Army's Easy to Get' campaign on venereal disease Theatrical trailer for Kiss the Blood Off My Hands Image galleries: publicity and promotional materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 120-page book with new essays by Iris Veysey, Jill Blake, Karen Hannsberry, Sabina Stent, Sergio Angelini and Walter Chaw, extensive archival articles and interviews, new writing on the various short films, and film credits UK premieres on Blu-ray Limited edition box set of 6,000 numbered units All extras subject to change
Last night, I dreamt I went to Manderley again..." From the first classic line of this unforgettable film, Rebecca casts its spell. David O. Selznick brought Alfred Hitchcock to the United States in order to give this adaptation of Daphne du Maurier's novel the proper atmosphere. The resulting film is a stunning marriage of their sensibilities. It paid off critically and financially as well. Like Gone with the Wind, which Selznick released a year earlier, Rebecca won the Academy Award for Best Picture.Laurence Olivier stars as Maxim de Winter, who, reeling from the recent and unexpected death of his glamorous wife Rebecca, impulsively marries a young and adoring governess (Joan Fontaine). The new Mrs de Winter tries to fit into her role as mistress of the great house Manderley, but every step she takes is haunted by Rebecca's spirit. The ghost's brooding presence is personified by the insanely meticulous Mrs Danvers, brilliantly portrayed by Judith Anderson. As Fontaine's character begins to uncover the dark secrets of the de Winter clan, the house seems to take on a life of its own.Passionate love and romance blend seamlessly with typically Hitchcockian emphases on guilt, sexuality and Gothic horror. The production values are stunning and the cast is excellent, down to the least of the supporting players. While Rebecca has enough surprises to captivate even the most jaded of moviegoers, it is also one of those rare films that improves with each viewing. --Raphael Shargel
Originally released in 1966 The Witches is an unforgettably chilling pastoral horror from the legendary Hammer Films studio. Adapted for the screen by Nigel Kneale (The Quatermass Xperiment) it also stars Joan Fontaine (Rebecca Suspicion) in her last major film role. Gwen Mayfield an English schoolteacher working in an African missionary suddenly finds herself being victimized by a tribe of local witch doctors. Exposed to the deadly powers of the occult she's left deeply traumatized. In an effort to recover Gwen takes up a position in a rural school within the British countryside. But the idyllic village surroundings become increasingly sinister as Gwen begins to uncover a nightmarish web of dark and satanic secrets. Special Features: Brand new documentary: Hammer Glamour Commentary
Dive into Irwin Allen's breathtaking motion picture masterpiece - now even more spectacular in stunning Blu-ray high definition! Walter Pidgeon leads an exciting all-star cast including Joan Fontaine Barbara Eden and Peter Lorre in this timeless undersea adventure filled with dazzling visual effects and gripping suspense. During the maiden voyage of a nuclear submarine the crew is suddenly thrust into a race to save mankind from global catastrophe. But in order to succeed they must fend off enemy sub attacks a simmering on-board mutiny and an incredible array of wondrous - and dangerous - ocean creatures!
An all-star cast - including Orson Welles Joan Fontaine Agnes Moorehead and Elizabeth Taylor - breathes magnificent life into this captivating 1943 black and white film version of Charlotte Bront's gothic romance novel. Adapted for the screen by Aldous Huxley Robert Stevenson and John Houseman and directed by Stevenson this stirring film is the definitive version of the engrossing classic! After spending her childhood in an orphanage young Jane Eyre (Fontaine) becomes governess to the ward of an imposing older man named Edward Rochester (Welles). Ultimately Jane's gentle influence forces Rochester to drop his forbidding veneer and he proposes to her. But the discovery that Rochester is already married and further that his volatile wife is locked in the attic prompts Jane to leave as a series of tragic events unfold in this riveting classic that also features Margaret O'Brien.
Whilst on holiday, young timid ladies companion (Joan Fontaine) meets handsome and wealthy widower Maxim de Winter (Laurence Olivier) whose wife Rebecca has recently died in a boating accident.The two fall in love and marry. However, her joy is short lived when she returns to the de Winter estate and soon discovers that Rebecca still has a strange, unearthly hold over everyone there.
Box set containing the four films director Alfred Hitchcock made with legendary Hollywood producer David O. Selznick. In Rebecca, Joan Fontaine stars as a young woman who, after a brief Monte Carlo courtship and a rushed marriage, returns with the handsome and mysterious Maxim de Winter (Laurence Olivier) to his Cornish country estate, Manderlay. The new bride receives a hostile reaction from the housekeeper Mrs Danvers (Judith Anderson), and finds herself intimidated and overcome by ...
20,000 Leagues Under the Sea gets a dose of On the Beach in Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea. While the Seaview, the world's most advanced experimental submarine, maneuvers under the North Pole, the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks, and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most formfitting naval uniform you've ever seen, fish-loving Peter Lorre plays in the shark tank, gloomy religious fanatic Michael Ansara preaches Armageddon, and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. --Sean Axmaker
The Bigamist: A salesman marries a wealthy woman from a blue-blooded L.A. family (Fontaine) and a street-smart waitress in a San Francisco Chinese restaurant. Driven to this agonizing extreme more by his big heart than lust the bigamist strains to keep his double life a secret from the women he truly loves. Hell's House: A naive child takes the rap for a bootlegger and is sent to an appalling reformatory. High Voltage: A bus full of passengers gets stranded in
The Emperor Waltz (Dir. Billy Wilder 1948): A rare musical comedy for Wilder it stars Bing Crosby as Virgil H. Smith a phonograph salesman plying his wares in turn-of-the-20th-century Vienna. Believing that if he's able to sell a phonograph to Emperor Franz Joseph I the rest of Austria will soon follow his example Virgil attempts to gain access to the man. After he's refused admission to the palace by guards who believe the phonograph to be a bomb he meets Countess Johan
This box set features four classic Cary Grant films. An Affair To Remember: In this poignant and humorous love story nominated for four Academy Awards Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and unce
In 'Suspicion' wealthy sheltered Joan Fontaine is swept off her feet by charming ne'er-do-well Cary Grant. Though warned that Grant is little more than a fortune-hunter Fontaine marries him anyway. She remains loyal to her irresponsible husband as he plows his way from one disreputable business scheme to another. Gradually Fontaine comes to the conclusion that Grant intends to do away with her in order to collect her inheritance...a suspicion confirmed when Grant's likeable business partner Nigel Bruce dies under mysterious circumstances. Suspicion's stylish chills put Hitchcock on the top of the Hollywood heap...and keeps audiences on the edges of their seats to this day. So hang on for an-all suspense that's all-out Hitchcock!
Saving the world from witches is a tall order for a boy they've turned into a mouse! Luke a young boy recently orphaned is brought to England by his grandmother. At a hotel in which they are staying a group of witches have gathered to prepare a plot to rid the world of all children! Delightfully subversive family fantasy-comedy (expect nothing less from director Nicolas Roeg) based on the classic children's book by Roald Dahl.
In turn of the century Vienna a dashing man arrives at his flat instructing his manservant that he will leave before morning: the man is Stefan Brand (Louis Jourdan) formerly a concert pianist planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman. In the letter he experiences the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who in secret has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning he has finished the letter and her husband awaits satisfaction..... This haunting tale is perhaps cinema's greatest unrequited love story and is considered to be one of Ophuls' great masterpieces.
Nice work if you can get it! Fred Astaire glides through this effervescent comedy of confused courtship written by master humorist PG Wodehouse. Fred stars as Jerry Halliday an American in England who's lured to Tottleigh castle by a love letter from lovely Lady Alyce Marshmorton (Joan Fontaine). But it wasn't actually Lady Alyce who wrote the letter and - what's more - she's set her heart on someone else! Determined to win her hand Jerry goes a-wooing - if only his helpful staff didn't keep making his life so difficult. Featuring some of George Gershwin's finest songs (I Can't Be Bothered Now Things are Looking Up) A Damsel In Distress is one of Fred Astaire's funniest and very best loved films.
Renowned producer Irwin Allen (The Master Of Disaster) produces and directs an all-star cast including Joan Fontaine Barbara Eden Peter Lorre and Frankie Avalon. The stunning visual effects and breathtaking underwater photography make this one of the most respected sci-fi adventure classics of all time. A routine scientific expedition to the North Pole turns into a race to save all mankind when a radiation belt in space causes a fiery inferno on Earth. Admiral Nelson (Walt
Repeated viewings can't dispel the shock of the final scene of Suspicion, Hitchcock's classic 1941 romantic mystery--a brief but disorientating confrontation that suddenly inverts the heroine's mounting conviction that she's married a murderer, forcing us to reconsider virtually every scene and line of dialogue that's preceded it. It's a masterful coup de grâce for the director, who has built a puzzle around the corrosive power of suspicion, threaded with deft ambiguities that toy with dramatic conventions and character archetypes in nearly every frame. As embodied by Joan Fontaine, who nabbed an Oscar in this second outing with the director, Lina McLaidlaw is a buttoned-up, bookish heiress whose prim exterior conceals longings for a more engaged emotional life. Her solution materialises in the darkly handsome Johnnie Aysgarth, a gambler, womaniser and spendthrift who flirts, then pursues, and soon marries her. As Aysgarth, Cary Grant is both irresistible and sinister, capable of deceit and petty theft, as well as grander designs on his bride's impending fortune. Lina's passion for Johnnie is clouded by each new revelation about his apparent dishonesty, from clandestine gambling to real-estate development schemes; more troubling are clues implicating him in the death of his best friend, and the prospect that Johnnie may be slowly poisoning Lina herself. By the time we see him ascending a darkened staircase with a suspicious glass of milk, an image made all the more indelible through the spectral glow the director captures in the glass, the evidence seems damning indeed. In fact, even as Hitchcock stacks the deck against Johnnie, and takes full advantage of Grant's skill at conveying such menace, the director also dots his landscape with visual clues to Lina's own neurotic (and erotic) obsessions. The final scene forces us to re-evaluate her behaviour while leaving enough of a cloud over Johnnie to rob him, and us, of a complete exoneration. It's a wicked, unsettling payoff to a brilliantly executed thriller. --Sam Sutherland
Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea updates 20,000 Leagues Under the Sea as the world's most advanced experimental submarine manoeuvres under the North Pole while the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview sub and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most form-fitting naval uniform you've ever seen; fish-loving Peter Lorre plays in the shark tank; gloomy religious fanatic Michael Ansara preaches Armageddon; and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasence is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker
Hoping to expose fatal flaws in the legal system a writer (Dana Andrews Laura) places a bet that he can have himself convicted of murder on purely circumstantial evidence by planting false clues at a crime scene before sensationally revealing his trick at the last minute. However a series of disastrous coincidences leaves him facing execution - and a frantic search for the true killer begins. Fritz Lang's ingenious thriller (his last Hollywood film and the companion-piece to While The City Sleeps) also stars Academy Award winner Joan Fontaine (Rebecca) and Arthur Franz (The Caine Mutiny).
When Christabel (Joan Fontaine) comes to live with her cousin Donna Foster (Joan Leslie) she fools everyone with her sugary exterior. But soon the calculating, rapacious Christabel begins to sow seeds of discontent between Donna and her wealthy fianc Curtis (Zachary Scott) by convincing Curtis that his fianc is a gold-digger. When their engagement is broken and Donna leaves for London, Christabel tricks Curtis into marrying her. But it is only his money that Christabel is passionate about because she is in love with Nick (Robert Ryan), a rugged writer who loves her in return, but hates her for what she had done and who she is.
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