Don Knotts stars in The Ghost and Mr. Chicken as a timid typesetter who hasn't a ghost of a chance of becoming a reporter until he decides to solve a murder mystery and ends up spending a fright-filled night in a haunted house! Figuring the answers to the mystery lie in the old Simmons mansion, Luther Heggs (Knotts) visits the estate at the witching hour of midnight. Certain he's seen a ghost, Luther writes a story which makes front page news and brings on a libel suit from the mansion's owner. When the trial judge orders an investigation and no apparition appears, Luther is branded a fraud. That is, until he and his devoted girlfriend team up to uncover the mystery of the hauntings and the true murderer in this timeless comedy classic.
The Elvis formula was well in place by the time of 1964's Roustabout, a concoction of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colourful setting and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average work-out for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death", a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton
The fashion industry and Paris provide the sophisticated background for a comedy of wrong impressions. Joanne Woodward is mistaken as a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession...
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