Today the pond! Tomorrow the world! Jumping with action suspense revenge and Southern Gothic charm Frogs stars Ray Milland Sam Elliott and Joan Van Ark are constantly a lily away from croaking! Joan Crockett (Milland) is an aging physically disable millionaire who invites this family to his island estate for his birthday party. The old man is more than crotchetyhe's crazy! Hating nature Crockett poisons anything that crawls on his property. But on the night
Jason Crockett (Ray Milland, The Big Cock), invites his family to his beautiful island estate for the 4th July weekend and to celebrate his birthday. Crockett hates nature however, and is poisoning anything that crawls around his estate. On the night of his birthday the frogs, and other inhabitants of the swamps, have become bloodthirsty as a result of the pollution and Crockett's family are on the menu. Co-starring Sam Elliott (Road House) and Joan Van Ark (The Last Dinosaur) 88 Films are proud to re-introduce this classic of the nature amok genre, in beautiful hi-definition. Frogs is sure to make the most hardened viewer squirm as cold green skin meets soft, warm flesh!
Features: High Definition Transfer Original Mono Soundtrack Today the Pond, Tomorrow the Word! An interview with David Gilliam Original Trailer Stills Gallery Trailer Reel
Frogs Dir. George McCowan 1972): Today the pond! Tomorrow the world! Jumping with action suspense revenge and Southern Gothic charm Frogs stars Ray Milland Sam Elliott and Joan Van Ark are constantly a lily away from croaking! Joan Crockett (Milland) is an aging physically disable millionaire who invites this family to his island estate for his birthday party. The old man is more than crotchetyhe's crazy! Hating nature Crockett poisons anything that crawls on his property. But on the night of his shindig it's nature's payback time as thousands of frogs whip up every bug and slimy thing into a toxic frenzy until the entire environment goes environ-mental. Lake Placid (Dir. Steve Miner 1999): Bill Pullman Bridget Fonda and Oliver Platt share an appetite for sheer adventure when a tranquil New England lakefront erupts into an action-packed den of destruction. An investigative team of malcontents (armed with state-of-the-art equipment high-powered weaponry and a biting sense of sarcasm) must work together to defeat Black Lake's most ferocious resident: a 30-foot prehistoric crocodile! Piranha (Dir. Joe Dante 1978): Lost River Lake was a thriving resort - until they discovered... A school of piranha are heading downstream and eating everything in their way... just when you though it was safe to go back in the water! Produced by legendary producer-director Roger Corman Piranha is the film that helped spawn the careers of Joe Dante (director) Jon Davison (producer) John Sayles (writer) Rob Bottin (special effects) and Chris Walas (effects). Starring Kevin McCarthy Keenan Wynn Bradford Dillman and Heather Menzies as well as long time Corman-faves Dick Miller Barbara Steele and Paul Bartel.
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
Jan Marshall president of the local school board is a manipulative driven woman - no wonder her board members wish her dead. At a school fund raising luncheon Jan bites into a sandwich and drops dead on the spot. Detective Brett Malone is assigned the case and reveals that the sandwich was laced with drugs...
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
As a child Jessica Drew was bitten by a deadly spider. To save her life her scientist father injects her with an experimental serum. The treatment is successful but the side effects are extraordinary. Jessica develops the ability to fire concussive ""venom blasts "" shoot web from her body and her hearing is enhanced. Now as working as editor of Justice Magazine Jessica Drew also battles crime as Spider-Woman.
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