Her final battle. Her deadliest enemies. The Doctor faces multiple threats from Daleks, Cybermen and the Master, in a fight for her very existence.
The award-winning drama continues the story of two women with brutal pasts, addicted to each other but now trying desperately to live their lives without their drug of choice Season 1 Written by Phoebe Waller-Bridge, Killing Eve centers on two women; Eve is a bored, whip-smart, pay-grade MI5 security officer whose desk-bound job doesn't fulfil her fantasies of being a spy. Villanelle is a mercurial, talented killer who clings to the luxuries her violent job affords her. Killing Eve topples the typical spy-action thriller as these two fiercely intelligent women, equally obsessed with each other, go head to head in an epic game of cat and mouse. Season 2 Killing Eve is a story of two women, bound by a mutual obsession and one brutal act: Eve, an MI6 operative, and Villanelle, the beautiful, psychopathic assassin that she has been tasked to find. Season Two begins 30 seconds after the final episode of the first season; Eve is reeling and Villanelle has disappeared. Eve has no idea if the woman she stabbed is alive or dead, and now both of them are in deep trouble. Eve has to find Villanelle before someone else does, but unfortunately she's not the only person looking for her. Season 3 As the third season of the multi award-winning drama continues, Eve (Sandra Oh) and Villanelle (Jodie Comer) are desperately trying to live their lives without the other. Believing Eve is dead, Villanelle is bored and dangerously aimless; while Eve is hiding in plain sight trying to convince herself that she doesn't want Villanelle to discover her. When a shocking and personal death sets them on a collision course yet again, the journey back to each other will cost both of them friends, family, allegiances and perhaps a part of themselves.
Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
When the long winter night falls in Ennis, Alaska, the eight men who operate the Tsalal Arctic Research Station vanish without a trace. To solve the case, Detectives Liz Danvers (Foster) and Evangeline Navarro (Reis) will have to confront the darkness they carry in themselves, and dig into the haunted truths that lie buried under the eternal ice.
Eager to shift thoughts away from those of the Troubles during the 1970s music fanatic Terri Hooley (Richard Dormer TV's Game of Thrones) opens a record store 'Good Vibrations' in the heart of one of Belfast's roughest districts. As the shop gains a loyal following Terri decides to start a small record label with the aim of launching some of the local bands he's discovered including The Undertones whose first single 'Teenage Kicks' is soon championed by legendary Radio 1 DJ John Peel... A heart-warming and hilarious true story Good Vibrations is not a feel-good film - it's a feel-great film! Special Features: Interview with Terri Hooley Interviews with Cast and Crew
Jodie Whittaker and friends are back with a bang! Doctor Who returns on New Year's Day with an epic and thrilling new series full of scares and surprises. The action packed series will introduce terrifying new monsters alongside the return of some familiar but not so friendly faces
Paul Schrader's gritty screenplay depicts the ever-deepening alienation of Vietnam Veteran Travis Bickle (Robert De Niro in a tour-de-force performance), a psychotic cab driver who obsessively cruises the mean streets of Manhattan.
Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film", Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realised characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. --Jeff Shannon
Her final battle. Her deadliest enemies. The Doctor faces multiple threats from Daleks, Cybermen and the Master, in a fight for her very existence.
Written and directed by Alan Parker Bugsy Malone is a gangster musical set in New York a world of would-be hoodlums showgirls and dreamers. A world where you never see an adult - kids play the entire film including Scott Biao as Bugsy and Jodie Foster as Tallulah. Bugsy Malone is totally unique: quite simply there has never ever been a movie like it!
Ryan Reynolds stars in this action-packed comedy as a bank teller who discovers he is actually a background player in an open-world video game, and soon decides to become the hero of his own story... one he rewrites himself. Also starring Jodie Comer, Lil Rel Howery and Taiki Waititi, and directed by Shawn Levy, Free Guy is rapid-fire fun.
Jean Thomas, aka THE NURSE (Jodie Foster) is the manager of the Hotel Artemis, an ultra-exclusive, members-only hospital hidden in a hotel redolent of faded 20s glamour. Tough, sharp and utterly fearless, The Nurse treats an assortment of assassins, gunrunners, thieves and gangsters in an unexpected state-of-the-art emergency room capable of providing a new liver with a 3-D printer or injecting a patient with nanobots that heal from the inside out. With the help of her towering assistant EVEREST, The Nurse wrangles some of the most dangerous criminals in the world, from sultry French assassin NICE and international arms dealer ACAPULCO, to bank robbers WAIKIKI and his brother HONOLULU. One night as a violent riot rages on the streets of Los Angeles, legendary crime boss Orian Franklin, aka NIAGARA, arrives needing immediate treatment after a failed attempt on his life. Niagara's sudden arrival creates a violent clash among the criminals in the hospital, with one patient' having a particularly deadly motive for checking into the hotel. The Nurse makes a decision that could jeopardize the future of the ER and everyone in it. Now the safest place for criminals in the city has become the most dangerous.
Fargo: William H. Macy plays Jerry Lundegaard a Minneapolis car salesman who is by all accounts a loser. He is desperately in debt so decides to hires two thugs (who are bigger losers than he is) to kidnap his wife in the hope that his wealthy father-in-law (who bullies him regularly) will pay the ransom. When one of the kidnappers goes off the rails and events career out of control it falls to Marge Gunderson Chief of the Brainerd Police Department to set things right. The Usual Suspects: Held in an L.A. interrogation room Verbal Kint (Spacey) attempts to convince the feds that a mythic crime lord not only exists but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor - leaving few survivors. But as Kint lures his interrogators into the incredible story of this crime lord's almost supernatural prowess so too will you be mesmerized by a lore that is completely captivating from beginning to end! Silence Of The Lambs: A psychopath known only as Buffalo Bill is kidnapping and murdering young women across the midwest. Believing it takes one to know one the FBI send in Agent Clarice Starling to interview an insane prisoner who may provide psychological Dr. Hannibal Lecter. Brilliant yet psychotic with a taste for cannibalism Lecter will only help Starling in exchange for details and secrets about her own complicated life. This twisted relationship forces Starling not only to face her own inner demons but leads her face-to-face with a demented killer an incarnation of evil so overwhelming she may not have the courage or strength to stop him. Horrific disturbing spellbinding. This thriller set the standard by which all others are measured.
Ryan Reynolds stars in this action-packed comedy as a bank teller who discovers he is actually a background player in an open-world video game, and soon decides to become the hero of his own story...one he rewrites himself. Deleted/Extended Scenes Gag Reel Dude vs Guy Creating Molotovgirl It's Taika's World Welcome to Free City Theatrical Trailers
Inspired by Danny Lyon's titular photography collection and set in 1960s Chicago, The Bikeriders chronicles the story of The Vandals, a fictional motorcycle club that transforms into a more sinister gang over the course of a decade. This gritty tale of romance, violence, and brotherhood stars Emmy® Winner Jodie Comer, Oscar-nominated actors Austin Butler, Tom Hardy, and Michael Shannon, Mike Faist and Norman Reedus.
Series 1: A hot morning in July, and in the Dorset town of Broadchurch Danny Latimer, an 11 year old schoolboy, goes missing. His mother, Beth, frantically starts to search for him whilst her best friend, Ellie Miller, a local police officer, discovers she has a new boss - DI Alec Hardy. When Danny's body is found beneath the picturesque cliffs that dominate the town, opposites collide. As news of the crime spreads, a chain reaction starts which will put Broadchurch under a national spotlight pulling the town, its residents and its secrets apart. Series 2: Broadchurch is a town in shock, after the revelation of the identity of Danny's killer. Hardy and Miller find themselves drawn back into the case as it goes to court. Ellie only has Hardy to turn to; but Hardy is haunted by illness and Sandbrook, the case he could never solve. The trial divides the town of Broadchurch as lives are thrown under the spotlight, and secrets are laid bare. But when the trial and the Sandbrook case collide, no-one will emerge unscathed. Series 3: Three years have passed in a town that will never forget; and Hardy and Miller are called on to investigate the brutal sexual assault of a local woman, Trish Winterman. The crime scene points to a party attended by close to a hundred people. But not a casual assault the act appears premeditated. What dark secrets still lie buried in a town that has been so closely examined? And how will unresolved issues around the death of young Danny Latimer finally be settled? These answers lie in Broadchurch: The Final Chapter. BLU-RAY FEATURES: Behind the Scenes Series One, Series One Audio Commentaries, The Making of Broadchurch Series Two, How We Made the Broadchurch Trilogy, Cast and Crew Interviews and more, Deleted Scenes Series One, Two and Three, Picture Galleries.
Jodie Comer makes her mark (Owen Gleiberman, Variety) in this thought-provoking drama set during the 14th century in France from visionary filmmaker Ridley Scott. Based on actual events, the film centres on one woman's (Comer) accusation that she was brutally assaulted by Jacques Le Gris (Adam Driver), her husband Jean de Carrouges' (Matt Damon) friend. Now, in order to prove his wife's claim, de Carrouges must fight Le Gris to the death, the victor believed to be determined by God. All three lives hang in the balance in this gripping, cinematic film also starring Ben Affleck as Le Gris' scheming ally, Count d'Alençon.
In the year 2154, two classes of people exist: the very wealthy, who liv on a pristine man-made space station called Elysium, and the rest, who live n an overpopulated, ruined Earth. Secretary Delacourt (Jodie Foster) will stop at nothing to preserve the luxurious lifestyle of the citizens of Elysium but that doesn't stop the people of Earth from trying to get in by any means they can. Max (Matt Demon) agrees to take on a life threatening mission, one that could bring equality to these polarised worlds. Special Features Blu-ray Collaboration: Crafting the Performances in Elysium Engineering Utopia: Creating a Society in the Sky Extended Scene Visions of 2154 An Interactive Exploration of the Art & Design of Elysium In Support of Story: The Visual Effects of Elysium The Technology of 2154 The Journey to Elysium: Envisioning Elysium Capturing Elysium Enhancing Elysium 4K ULTRA HD Exoskeletons, Explosions, and the Action Choreography of Elysium The Hero, the Psychopath, and the Characters of Elysium The Art of the Elysium Miniatures Bugatti 2154 Theatrical Trailers
The opening and closing moments of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly ever sees in movies these day--each is an expression of the heroine's lifelong quest (both spiritual and scientific) to explore the meaning of human existence through contact with extraterrestrial life. The movie begins by soaring far out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the sparkle in one little girl's eye. It ends with that same girl as an adult (Jodie Foster)--her search having taken her to places beyond her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact traces the journey between those two visual epiphanies. Based on Carl Sagan's novel, Contact is exceptionally thoughtful and provocative for a big-budget Hollywood science fiction picture, with elements that recall everything from 2001 to The Right Stuff. Foster's solid performance (and some really incredible alien hardware) keep viewers interested, even when the story skips and meanders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest)reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is all of these things and more. Much of it remains open to speculation and interpretation but whatever conclusions one eventually draws, Contactdeserves recognition as a rare piece of big-budget studio film making on a personal scale. --Jim Emerson
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