All nine episodes from the British crime drama which follows the son of an influential organised crime boss who must take his place when he his murdered. After the seemingly untouchable Finn Wallace (Colm Meaney) is assassinated, his son Sean (Joe Cole) wastes no time in attempting to seek out his father's killer and takes over his empire. However, despite his ambitions Sean is soon sucked into the endless power struggle between London's gangs and must assess which of those closest to him he can truly trust. The cast also includes Michelle Fairley, Valene Kane and Sope Dirisu.
All eight episodes from the fourth series of the E4 comedy drama following a gang of teenage outsiders who find themselves saddled with superpowers after getting caught up in a storm. In this series, new characters Jess (Karla Crome), Finn (Nathan McMullen) and Alex (Matt Stokoe) are introduced, joining Curtis (Nathan Stewart Jarrett) and Rudy (Joe Gilgun) as they struggle to fend off a six-foot killer rabbit and the Four Horsemen of the Apocalypse.
A landmark movie in the film noir tradition Roman Polanski’s Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes living off the murky moral climate of sunbaked pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband’s extra-marital affair Gittes is swept into a maelstrom of double dealings and deadly deceits uncovering a web of personal and political scandals that come crashing together for
It's the most hellacious event of the year where heated rivalries come to a head as the action is contained within a 20 foot metal structure known as Hell in a Cell! WWE Superstars go head to head and this time the feuds between RAW Superstars are personal so expect No Mercy!
The Walton' nearly 10-year run grew out of the popular, 1971 made-for-TV movie The Homecoming, which was derived from a Depression-era, rustic setting ("Walton's Mountain"), and characters based on Earl Hamner Jr.'s autobiographical novel Spencer's Mountain--itself the source for a very nice 1963 feature film starring Henry Fonda and Maureen O'Hara. That's a lot of entertainment sprouting from Hamner's prose. But something about his seminal story of family values, rugged independence, and big dreams amidst a hardscrabble existence captured the hearts of American audiences, many of whom personally recalled severe economic adversity in the 1930s. The Waltons: The Complete First Season collects those initial episodes from the series building on the strengths of the Homecoming pilot, which introduced the extended Walton clan led by a strong-willed mill owner, John (Andrew Duggan), and his equally resolute wife, Olivia (Patricia Neal). The Waltons recast those key roles (as well as a few others) with Ralph Waite and Michael Learned (yup, a female), but Richard Thomas carried over as oldest child John-Boy Walton, an aspiring writer whose cusp-of-manhood view informs the series. Will Geer (Seconds) replaced Edgar Bergen as Grandpa Walton, Ellen Corby remained as Grandma, and John and Olivia's large brood (seven kids in all) were filled out by largely unknown, young actors. The episodes, still delightful and touching, strong on production values and unusually tight and polished for primetime drama, tended to focus on creator Hamner's pet themes of self-sacrifice and heroic effort when the going got tough. Year 1 highlights include "The Carnival", in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton after the clergyman makes a fool of himself with moonshine. That's Hamner himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine state. --Tom Keogh
Filmmaker David Ayer (End Of Watch) directs SABOTAGE, an action thriller that follows one of the best assault teams on the planet, an elite special operations team of ten DEA agents.
Longing for a romantic Hollywood film that will make your heart leap but not have you reaching for the sick bucket? Try Benny & Joon. Few mainstream US films manage to walk the thin line between emotion and schmaltz, but here is one film that pulls it off admirably. In the wrong hands the concept of marrying love and mental illness could have been a disaster but, as with the low-budget British film Some Voices, Benny & Joon manages to extract genuine humour and warmth from the subject. As the brother and sister of the title, the relationship between Aidan Quinn and Mary Stuart Masterson is central to the story, Benny desperately trying to keep home and job together while looking after the sick Joon. Their lives take an unexpected turn with the arrival of Sam, a brilliantly comic turn by Johnny Depp, as gradually the characters learn that the happiness that all thought beyond them is within their grasp. Depp adds yet another character to his liturgy of slightly odd outsiders but plays it with such panache, this time drawing heavily on Buster Keaton, that you cannot help but fall for him. Indeed, there is not a single character here that you would not wish well. On the DVD: The usual scene selection and a very clear audio track, given the film's musical moments a huge boost. Few will probably be able to resist The Proclaimers' "(I'm Gonna Be) 500 Miles" which opens the film. Excellent picture quality too. --Phil Udell
"Raging Bull" is arguably the finest work from the Scorsese and De Niro partnership. De Niro gives an amazing portrayal of a man whose animal side lurks just beneath the surface, ever ready to erupt.
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
During the swinging sixties in London there was only one crime boss in Soho that mattered: the indomitable Harry Starks. With a reputation for savagery and generosity in equal measure Starks ruled central London with a coercive fist and his favourite implement of torture: the red-hot poker. Based on Jake Arnott's best selling novel which combines fact with fiction this is a retrospective tale of criminality in the 1960s through to the 1980s; told from the view of four characters a
The Upper Hand: Series 4 (2 Discs)
Unsurprising attracting awards attention, The Pacific is a ten-part series set in the midst of World War II, that follows the actions of three US Marines In the Pacific Theatre Of War. Its a series not a million miles away from its spiritual predecessor, Band Of Brothers, which is understandable given the crossover of creative talent. Yet The Pacific is still a show with an identity of its own. It boasts the same sky-high production values of Band Of Brothers, but it also has a broader canvas, and a slightly slower pace to it. Its absorbing drama, though, and the standard of it is kept high right throughout the ten-episode run. During that time, it takes in many key events of the time, and presents them with staggering confidence and strength. All of this, of course, makes you hope that the high definition transfer can do all of this justice. Fortunately, the news here is good. Few television shows have been treated to anywhere near the love that The Pacific has been in its 1080p transfer, and matched by surround sound work thatd put many blockbuster movies to shame, Is it Band Of Brothers 2? Absolutely not. Instead, The Pacific is a wonderful drama series in its own right, and one well worth picking up. --Jon Foster
A group of high school friends discover an embalmed hand with the ability to connect them to the spirit world. They become hooked on the experience, until one of them breaks the rules and unleashes terrifying supernatural forces. Special Features ¢ Presented in HDR with Dolby Vision ¢ New audio commentary by Emma Westwood and Sally Christie ¢ Audio Commentary with Writers/Directors Danny Philippou and Michael Philippou ¢ Talk to Them: a new interview with Danny Philippou and Michael Philippou ¢ Conjuring Demons: a new interview with Producer Samantha Jennings ¢ Beautifully Grotesque: a new interview with Cinematographer Aaron McLisky ¢ Contagion: Kat Ellinger on Talk to Me ¢ Behind the Scenes of Talk to Me: archive featurette ¢ Behind the Scenes - No Spoilers: archive featurette ¢ Deleted Scenes ¢ Cast Interviews ¢ Crew Interviews
THE ULTIMATE ROAD TRIP ADVENTURE AMERICAN STYLE! Joe and Caspar get their first taste as real producers but are they up to the challenge? Can they battle the offs to be all American heroes and make their to Long Beach LA in time for the 4th July . Oh yeah with a film crew too! No Experience, No Plan: No Problem?
A mailman adopts a dog that, unbeknown to him, is an FBI drug-sniffing dog who has escaped from the witness relocatio programme. Mayhem ensues when a hit man is sent to destroy the dog.
From the legendary director of Dawn Of The Dead, George A. Romero comes a new take on his terrifying world of the undead.
Advance To Ground Zero
Director Richard Brooks' marvellous ode to friendship, loyalty and disillusionment The Professionals may not have the stylistic bravado or fatalistic doom of Sam Peckinpah's more famous The Wild Bunch, but Brooks' storytelling is simple and steady and just as insightful. The difference is that Brooks is a lot more optimistic. Lee Marvin and Burt Lancaster are buddies who have drifted into oblivion after fighting together in the Mexican Revolution. Marvin, the principled loyalist and munitions expert, lost his wife and his heart. Lancaster, the dynamite expert and unprincipled adventurer, keeps losing his pants. They team up with wrangler Robert Ryan and archer Woody Strode to rescue the beguiling Claudia Cardinale, who has been kidnapped by their old revolutionary buddie Jack Palance. So it's back into bloody Mexico they go on a "mission of mercy" for railroad tycoon Ralph Bellamy, who's paying handsomely for the return of his wife. But nothing is what it seems in this exciting, existential adventure, which was beautifully shot by Conrad Hall. Sarcastic quips, philosophical musings and heart-rending reversals underlie Brooks' humanistic sentiments. These are tired, world-weary men who somehow find the strength and the will to pull together for the sake of love and commitment. Through it all, Brooks seems to be lamenting a decline in professionalism much deeper than his story. He's decrying Hollywood and the society at large, anticipating Peckinpah's later strategy. --Bill Desowitz
Camp Rock 2
James Bond is back in an adventure which is bigger better and more explosive than ever before. It's packed with incredible stunts glamorous locations beautiful women and fast cars! Bond has a dangerous new enemy to face in his deadly mission. Aided by the Russian underworld his treacherous foe has stolen a top-secret helicopter and the lethal Soviet space weapon GoldenEye with which he plans to obliterate the Western world. This uncut '15' certificate version of Goldeneye is available on DVD for the very first time!
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