Analyze That has more bada bing than its lukewarm box office reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull co-star Cathy Moriarty-Gentile is welcomed as a rival mob queen. You want a comedy masterpiece? Fuhgeddaboudit. You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon
Based on the best-seller, Stephen King's Thinner stars Robert John Burke (Robocop 3, Tombstone) and Joe Mantegna (Bugsy, The Godfather III) in a story of supernatural terror and a countdown to the ultimate payback. A 109-year-old gypsy, hell-bent on revenge, exacts a curse so shocking it compels its victim to gorge himself in an effort to avoid shrinking away to nothingness. With time running out and a torture so bizarre and powerful, even death seems a more likely option.
Series 3 and 4 featuring the trio of lovable rogues. Episodes Comprise: 1. The Man From Oswestry 2. Mending Stuart's Leg 3. The Great Boarding House Bathroom Caper 4. Cheering Up Gordon 5. The Kink In Foggy's Niblick 6. Going To Gordon's Wedding 7. Isometrics And After 9. Ferret Come Home 10. Getting On Sydney's Wire 11. Jubilee 12. Flower Power Cut 13. Who's Made A Bit Of A Splash In Wales Then? 14. Greenfingers 15. A Merry Heatwave 16. The Bandit From Stoke-On-Trent
""Houston we have a problem"". Stranded 205 000 miles from Earth in a crippled spacecraft astronauts Jim Lovell (Hanks) Fred Haise (Paxton) and Jack Swigert (Bacon) fight a desperate battle to survive. Meanwhile at Mission Control astronaut Ken Mattingly (Sinise) flight director Gene Kranz (Harris) and a heroic ground crew race against time and the odds to bring them home. It's a breathtaking adventure that tells a story of courage faith and ingenuity that is all the more re
Sex, Chips and Rock 'n' Roll spins a complex web of secret loves and twisted ambitions against the backdrop of the early British music scene. It's a rock n' roll soap opera, but it's smartly written and engagingly acted, full of subtle commentary on the cultural changes cutting across British society. Manchester in 1965 seems like a dead end to two sisters, flirty Arden (Emma Cooke) and bookish Ellie Brookes (Gillian Kearney). They ache to get out from under the thumb of their domineering grandmother (Sue Johnston), and when their cousin Norman (David Threlfall) proposes to Ellie, she accepts. But just then the sisters meet a struggling band called the Ice Cubes, who grudgingly play back-up for a smarmy singer named Larry B Cool (Phil Daniels) while trying to land a record deal. Arden throws herself at the group's leader, Dallas (Joseph McFadden), but Dallas finds himself drawn more to Ellie, who's also an aspiring songwriter. From there the multi-dimensional characters take unexpected turns, and you'll quickly find yourself drawn into their lives. --Bret Fetzer, Amazon.com
Falling from the Oscar-winning glory of Dances with Wolves to the opposite end of the critical and box-office scale, Kevin Costner must have been deeply humbled when this three-hour postapocalyptic tale--his sophomore effort as a director--was greeted with a critical thrashing and tepid audience response. One of the most conspicuous flops of its decade, the 1997 release must have seemed like a sure thing on paper: a kind of futurist Western starring Costner as a charismatic drifter-turned-hero who leads the resistance against a military tyrant (Will Patton) by reviving the long-dormant postal system to reunite isolated communities in their fight for freedom. The movie bombed, but, like many audacious failures, it's got qualities that make it at least partially endearing, and its earnestness (although bordering on corny) keeps it from being entirely silly. Faint praise, perhaps, but Costner's ode to patriotism is occasionally stirring and visually impressive. --Jeff Shannon
Little did Tom Cruise know that he would become a box-office superstar after he cranked up some Bob Seeger and played air guitar in his underwear. But there's more to this 1983 hit than the arrival of a hot young star. Making a stylish debut, writer-director Paul Brickman crafted a subtle satire of crass materialism wrapped in an irresistible plot about a crafty high schooler named Joel (Cruise) who goes into risky business with the beguiling prostitute Lana (Rebecca De Mornay) while his parents are out of town. Joel turns his affluent Chicago-suburb home into a lucrative bordello and forms a steamy personal and professional partnership with Lana, but only as long as the two can avoid the vengeful pimp Guido (Joe Pantoliano) and keep their customers happy. A signature film of the 1980s, Risky Business still holds up thanks to Cruise's effortless charm and the movie's timeless appeal as an adolescent male fantasy. --Jeff Shannon
One of Woody Allen's best films of the 90s, Bullets Over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised. Palminteri gives a very interesting performance as the enforcer waking up to the desperate (and almost feminine) demands of his own creative psyche, and Dianne Wiest (who won an Oscar), Tracey Ullman, Jim Broadbent and Jennifer Tilly are very funny together playing the ensemble cast of Cusack's play. --Tom Keogh, Amazon.com
BEING TERRIFIED IS JUST THE BEGINNING... Initially reviled in its native land (some critics took exception to the fact the film was largely funded by the Canadian taxpayer), Shivers is an intensely claustrophobic, subversive masterpiece and an essential entry in the oeuvre of one of the horror genre s most gifted auteurs. Some 40 years after its release, it still retains its power to shock. Starliner Island is an idyllic community. Cut off from the rest of the world, the luxury apartment block affords its occupants the chance to escape from the hustle and bustle of the big city. But this isolation is to prove fatal when a new breed of parasite a combination of aphrodisiac and venereal disease which arouses sexual aggression in its hosts is let loose in the building, resulting in an orgy terror and mayhem. Known under a host of alternate titles such as The Parasite Murdersand They Came From Within!, Shivers is the startling debut full-length feature from director David Cronenberg which anticipates the body-horror concerns of his later films such as The Fly and Videodrome.
May, 1985 - Peru, Joe Simpson and Simon Yates, ambitious young mountaineers, set off to scale the hitherto unclimbed West Face of Siula Granfe, a remote and treacherous peak in the Peruvian Andes. Simpson and Yates reach the summit but shortly after starting the descent, an accident turns their daring expedition into a desperate fight for survival. Based on Joe Simpson's international bestseller, Touching the Void documents one of the most extraordinary true stories of human endurance of our time. Made by the Academy Award ® winning director Kevin Macdonald, this gripping inspiring film combines dramatic reconstructions of the fateful climb and interviews with the two men it nearly killed.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and opens the door to the spirit world forcing them to choose who to trust: the dead or the living.
Featuring all 6 episodes of ITV's short-lived comedy-drama series. The village of Shillingbury is a tranquil place staunch in the established old-fashioned values of rural England. It is a picture postcard place of honeysuckle and home-made strawberry jam fine thatched roofs a timbered pub and contented folk...
Not a John F Kennedy biopic, but a film of New Orleans' attorney Jim Garrison's investigation into the President's assassination, JFK is that rarest of things, a modern Hollywood drama which credits the audience with serious intelligence and ultimately proves itself a great film. Oliver Stone's film has the archetypal story, visual scale and substance to match; not just a gripping real-life conspiracy thriller, but a fable for the fall of the American dream (a theme further explored by the director in Nixon and Any Given Sunday). JFK doesn't reveal exactly what happened in Dallas on 22 November 1963--those who knew generally took their secrets to the grave--but marshals a vast wealth of facts and plausible theories, trusting the audience to draw its own conclusions. Following less than a year after Dances With Wolves (1990), these two epics mark the high point of Kevin Costner's career and the vast supporting cast here, including Gary Oldman, Kevin Bacon, Sissy Spacek and Donald Sutherland, is superb. Quite simply the best American political film ever made. --Gary S Dalkin
Cute. Clever. Mischievous. Intelligent. Dangerous. They're here! Gremlins: Don't ever get it wet. Keep it away from bright light. And no matter how much it cries no matter how much it begs--never ever feed it after midnight. With these three instructions young Billy Peltzer takes possession of his cuddly new pet. Billy will get a whole lot more than he bargained for... Gremlins 2 - The New Batch: The rules are the same but the laughs are bigger and thrills ar
Bugsy represents an almost miraculous combination of director, writer and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realise them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerising as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon
Shock rocker Ron Zombie directs this controversial horror tale about two young couples who become lost on the back roads of America and take refuge in a mysterious and deadly old house.
Washed-up pop star (Paul Hilton) arrives at the Cliff Edge Hotel looking for inspiration and meets a guilt-ridden woman (Maxine Peake), who is desperate to recover her past. An older woman (Marjorie Yates) checks into a room to kill herself, but encounters a chambermaid (Ania Wendzikowska) who just won’t let her die. A blind date set up on the Internet between two teenagers (Joe Dempsie, Nichola Burley) fails to turn out like either of them expected. Over the course of two days and one night the hotel guests, frozen into the snowy landscape, begin to thaw- and to find a purpose that connects them all.
Includes: 1. Black Moon 2. Milou En Mai 3. Lacombe Lucien 4. Le Souffle Au Coeur 5. Au Revoir Les Enfants
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