Grease Is The Word! The classic tale of good girl Sandy (Olivia Newton-John) and bad boy Danny (John Travolta) gets tuned up with new special features in this Grease: Exclusive 40th Anniversary Edition. Your favourite movie musical just gets better with time! Features: Commentary by Director Randal Kleiser and Choreographer Patricia Birch Introduction by Randal Kleiser Rydell Sing-Along The Time, The Place, The Motion: Remembering Grease Grease: A Chicago Story Deleted/Extended/Alternate Scenes with Introduction by Randal Kleiser Grease Reunion 2002 - DVD Launch Party Grease Memories from John and Olivia The Moves Behind the Music Thunder Roadsters John Travolta and Allan Carr Grease Day Interview Olivia Newton-John and Robert Stigwood Grease Day Interview Photo Galleries
Walt Disney Animation Studios returns to the Hundred Acre Wood with Winnie the Pooh, the first big-screen Pooh adventure from Disney animation in more than 35 years.
Movies don't come any bigger than Peter Jackson's King Kong, a three-hour remake of the 1933 classic that marries breathtaking visual prowess with a surprising emotional depth. Expanding on the original story of the blonde beauty and the beast who falls for her, Jackson creates a movie spectacle that matches his Lord of the Rings films and even at times evokes their fantasy world while celebrating the glory of '30s Hollywood. Naomi Watts stars as Ann Darrow, a vaudeville actress down on her luck in Depression-era New York until manic filmmaker Carl Denham (a game but miscast Jack Black) entices her with a lead role. Dazzled by the genius of screenwriter Jack Driscoll (Adrien Brody), Ann boards the tramp steamer S.S. Venture, which she--and most of the wary crew--believes is headed for Singapore. Denham, however, is in search of the mythic Skull Island, hoping to capture its wonders on film and make a fortune. What he didn't count on were some scary natives who find that the comely Darrow looks like prime sacrifice material for a mysterious giant creature.... There's no point in rehashing the entire plot, as every movie aficionado is more than familiar with the trajectory of King Kong; the challenge facing Jackson, his screenwriters, and the phenomenal visual-effects team was to breathe new life into an old, familiar story. To that degree, they achieve what could be best called a qualified success. Though they've assembled a crackerjack supporting cast, including Thomas Kretschmann as the Venture's hard-bitten captain and young Jamie Bell as a plucky crewman, the first third of the movie is rather labored, with too much minute detail given over to sumptuous re-creations of '30s New York and the unexciting initial leg of the Venture's sea voyage. However, once the film finds its way to Skull Island (which bears more than a passing resemblance to LOTR's Mordor), Kong turns into a dazzling movie triumph, by turns terrifying and awe-inspiring. The choreography and execution of the action set pieces--including one involving Kong and a trio of Tyrannosaurus Rexes, as well as another that could be charitably described as a bug-phobic's nightmare--is nothing short of landmark filmmaking, and a certain Mr. Spielberg should watch his back, as Kong trumps most anything that has come before it. Despite the visual challenges of King Kong, the movie's most difficult hurdle is the budding romance between Ann and her simian soulmate. Happily, this is where Jackson unqualifiedly triumphs, as this unorthodox love story is tenderly and humorously drawn, by turns sympathetic and wondrous. Watts, whose accessibility balances out her almost otherworldly loveliness, works wonders with mere glances, and Andy Serkis, who digitally embodies Kong here much as he did Gollum in the LOTR films, breathes vibrant life into the giant star of the film without ever overplaying any emotions. The final, tragic act of the film, set mostly atop the Empire State Building, is where Kong earns its place in movie history as a work that celebrates both the technical and emotional heights that film can reach. --Mark Englehart, Amazon.com
Evil never gets old in this horror thriller from the creator of The Purge and the producer of Halloween. Rebellious twentysomething Max is sentenced to community service at a quiet retirement home. The residents on the fourth floor are strictly off-limits, said to require special care. As his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents' lives and his own in grave danger. Starring Pete Davidson (The King of Staten Island), John Glover (Scrooged), Ethan Phillips (Inside Llewyn Davis) and Bruce Altman (Running Scared). The Home is written by Adam Cantor and James DeMonaco (The Purge) and is directed by DeMonaco.
Once upon a time, or maybe twice, there was an unearthly paradise called Pepperland; a place where happiness and music reigned supreme. But all that was threatened when the terrible Blue Meanies declared war and sent in their army led by a menacing Flying Glove to destroy all that was good. Enter, John, Paul, George and Ringo to save the day! Armed with little more than their humour, songs, and of course, their yellow submarine, the Fab Four tackle the rough seas ahead in an effort to bring down the evil forces of bluedom.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
A puppeteer (John Cusack) discovers a door in his office that allows him to enter the mind and life of John Horatio Malkovich (John Malkovich) for 15 minutes.
1966s Cast a Giant Shadow is based on Ted Berkmans biography of Colonel "Mickey" Marcus, the American soldier who served as an adviser in the fight to establish the state of Israel in 1948. It stars Kirk Douglas as the likeable "stiffneck" and WWII veteran persuaded to take up the cause. Israel back then was depicted as a negligible military force under threat of extinction at the hands of its Arab neighbours, hamstrung by a UN embargo on arms supplies. It takes Douglas at his most square-jawed to see off the Egyptian military and defy a blockade to beat a path through to Jerusalem. This is not cinema verité but Hollywood. Marcus dilemma--to settle into peacetime in America or follow his more natural, combative instincts abroad--is symbolised by a love triangle, involving wife Angie Dickinson and Santa Berger as Magda, the soldier whom he falls for in Palestine. Although lavish and spectacular, especially in the war scenes--filmed in the actual Middle Eastern locations in which they occurred--Cast a Giant Shadow is not entirely authentic (for a start, theyre driving 1950s vehicles in the 40s). Moreover, in the light of later troubles in the region, not everyone will be heart warmed by this depiction of plucky little Israel coping against Arab foes who are barely depicted as human throughout the film, merely as tanks and gunfire. Still, its an impressive enough relic of epic 1960s cinema, with cameos from Yul Brynner, John Wayne as Marcus wartime general, and Frank Sinatra as a pilot scattering the enemy by dropping soda dispensers on them. On the DVD: Cast a Giant Shadows restoration here is visually immaculate. The mono sound, however, is often indistinct, with a good deal of sibilant hiss. Disappointingly, the only extra is the original trailer.--David Stubbs
Manny, Sid and Diego return in another prehistoric computer animated adventure.
If Robert Zemeckis's mega-hit Forrest Gump was too sweet for your taste, you may enjoy the undiluted bitterness of his previous movie, a cynical black comedy that was ahead of its time. Death Becomes Her, an outlandish parable about America's obsession with youth and vanity, exposes the corrosive side of Zemeckis's comic sensibility, the sort of scathing satirical edge he gleefully flourished in his overlooked 1980 Used Cars, which has developed a cult following. Meryl Streep has a ball as the deliciously vicious Madeline Ashton, a flamboyantly mannered actress who makes Bette Davis's formidable Margo Channing in All About Eve look like a wallflower. Goldie Hawn is also in razor-sharp comedic form as Madeline's long-time "best friend," Helen. Sensing a bargain she just can't resist, Madeline steals Helen's meek, plastic-surgeon husband Ernest (Bruce Willis) for her own convenience, and the two women become sworn enemies. But the real complications arise when the two are introduced to a secret anti-aging formula by a mysterious and exotic woman (Isabella Rossellini, delightfully ridiculous) that not only smoothes away wrinkles but actually guarantees immortality. As their undying bodies are twisted and mutilated by violent attacks on each other, both women grow increasingly dependent on Ernest for cosmetic repair. The pioneering digital effects inflicted on Streep and Hawn are as grotesque as they are imaginative and hilarious. Like James Cameron (The Abyss, Titanic), Zemeckis loves a technical challenge, and the new visual tools developed for this movie made his later work (in Forrest Gump and Contact) possible. The digital video disc includes a short feature on the movie's production. --Jim Emerson, Amazon.com
In 4K Ultra-HD, Alfred Hitchcock's essential TO CATCH A THIEF comes with expanded special features and incredible HDR-10 and Dolby Vision. Cary Grant plays John Robie, a reformed jewel thief once known as The Cat. When he is suspected of new gem thefts in the luxury hotels of the French Riviera, Robie sees a plot to clear himself after meeting pampered heiress Frances (Grace Kelly). Romantic sparks fly as the suspense builds in this essential VistaVision classic, which nabbed an Oscar® for Best Cinematography, Colour (1955).
One of the cinema's great disappearing acts came to a close with the release of The Thin Red Line in late 1998. Terrence Malick, the cryptic recluse who withdrew from Hollywood visibility after the release of his visually enthralling masterpiece Days of Heaven (1978), returned to the director's chair after a 20-year coffee break. Malick's comeback vehicle is a fascinating choice: a wide-ranging adaptation of a World War II novel (filmed once before, in 1964) by James Jones. The battle for Guadalcanal Island gives Malick an opportunity to explore nothing less than the nature of life, death, God, and courage. Let that be a warning to anyone expecting a conventional war flick; Malick proves himself quite capable of mounting an exciting action sequence, but he's just as likely to meander into pure philosophical noodling--or simply let the camera contemplate the first steps of a newly born tropical bird or the sinister skulk of a crocodile. This is not especially an actors' movie--some faces go by so quickly they barely register--but the standouts are bold: Nick Nolte as a career-minded colonel, Elias Koteas as a deeply spiritual captain who tries to protect his men, Ben Chaplin as a G.I. haunted by lyrical memories of his wife. The backbone of the film is the ongoing discussion between a wry sergeant (Sean Penn) and an ethereal, almost holy private newcomer (Jim Caviezel). The picture's sprawl may be a result of Malick's method of "finding" a film during shooting and editing, and in some ways The Thin Red Line seems vaguely, intriguingly incomplete. Yet it casts a spell like almost nothing else of its time, and Malick's visionary images are a challenge and a signpost to the rest of his filmmaking generation. --Robert Horton
When you get lost between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, perpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minelli) who doesn't care about his money but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was,sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff Shannon
Those six pandemonium-mad Pythons are back with their craziest adventure ever! Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin have returned to explain The Meaning of Life. The gang offers the usual tasteful sketches involving favourite body parts and bodily functions, the wonders of war, the miracle of birth and a special preview of what's waiting for us in Heaven. You'll never look at life in quite the same way again! Bonus Features: The Meaning of Monty Python: 30th Anniversary Reunion Sing-Along Version Prologue with Eric Idle The Meaning of Making The Meaning Of Life Feature Commentary with Terry Jones & Terry Gilliam Soundtrack For The Lonely Snipped Bits Un Film De John Cleese Education Tips Song & Dance Songs Unsung and much more!
When a workaholic visits a haunted house with his family, he meets a whole host of ghosts that teach him a lesson about the importance of the family that he has neglected.
David Lean's masterpiece based on Charles Dickins' timeless novel about Pip, a blacksmith's apprentice who suddenly comes into great fortunes.
Between 1968 and 1977, the BBC broadcast 84 television episodes of 'Dad's Army'. Across nine seasons and seven Christmas specials, the programme continues to be one of the most beloved of all British sitcoms. However, not every episode of 'Dad's Army' still survives in its original format. Five episodes were never formally archived by the BBC and are today presumed lost. No footage is known to exist from any of these episodes. They are collectively some of the most sought-after of all lost television programmes. Happily, audio-only recordings have survived of all five of these lost classics. These audio recordings (starring Arthur Lowe, John Le Mesurier and Clive Dunn) have been painstakingly reassembled and restored and are now used as the basis for a series of new animated episodes of 'Dad's Army' - featuring all new hand-drawn black and white animation, synced up to the words of the original actors. These new animated episodes give audiences a chance to enjoy five original episodes of this much-loved comedy classic for the first time in over fifty-years.
Academy Award nominated director Lee Daniels' (PRECIOUS) epic drama tells the story of White House butler Cecil Gaines (Forest Whitaker), who serves during seven presidential administrations between 1957 and 1986.
All 20 episodes from the fifth season of the Canadian crime drama which follows Detective Charlie Hudson (John Reardon) and his trusted German Shepherd Rex as they tackle crime in the town of St. Johns. In this season, the team investigate a case involving Charlie's estranged brother and Rex is accused of attacking a former policeman. The episodes are: 'Lost in the Barrens', 'Punch Drunk Glove', 'Run, Donovan, Run', 'Hand of Cod', 'The Good Shepherd', 'Den of Snakes', 'The Date Escape', 'Bury the Lead', 'Rexpert Witness', 'One Wild Night', 'Working for the Weekend', 'Lost Lives Club', 'The Miranda Act', 'Rexit, Stage Left', 'Northern Rexposure', 'Due North', 'Lost and Found', 'Jail Break', 'The Cook, the Chief, the Cop and His Lover' and 'One for the Road'.
Join Peppa and friends for 10 episodes, brand new to DVD for Easter 2013 including the 4 part special The Holiday. Episodes Comprise: 1. Flying on Holiday2. The Holiday House3. Holiday in the Sun4. The End of the Holiday5. George's New Dinosaur6. Granda Pig's Train to the Rescue7. The Pet Competition8. Spider Web9. The Noisy Night10. The Wishing Well11. Madame Gazelle's Leaving Party
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