The sixth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval.The Frasers strive to maintain peace and flourish within a society, which as Claire knows all too well is unwittingly marching towards Revolution. Against this backdrop, which heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. They must now defend this home established on land granted to them by the Crown not only from external forces, but also from the increasing strife and conflict in the community within their care.For the Frasers and their immediate family, then, home is more than simply a site in which they live, it is the place where they are laying the foundations for the rest of their lives. If Season 4 asked, What is home? and Season 5 asked, What are you willing to do to protect your home? then Season 6 explores what happens when there is disharmony and division among the inhabitants of the home you've created: when you become an outsider, or an 'outlander,' so to speak, marginalized and rejected in your own home.Product FeaturesIncludes 2 exclusive outlander untold bonus scenesA Look into the Animation: Outlander UntoldFamily Matters: The Ghosts of Trauma2 Blooper Reels
Billed as a "re-imagining" of the original film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honourable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape make-up (hand that man an Oscar®!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right. While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon
Billed as a "re-imagining" of the original film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honourable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape make-up (hand that man an Oscar®!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right. While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon
John Thaw (Inspector Morse) stars as the widowed and cantankerous Tom Oakley in this charming film adaptation of the prize-winning children’s novel by Michelle Magorian. When the Second World War is declared Tom finds that his quiet life in the village of Little Weirwold is set to change when nine-year old Willie Beech (Nick Robinson) is evacuated from London and billeted on him. Willie is a quiet sad child with a deprived and disturbing past but he slowly begins to flouri
Sexy, romantic comedy about a girl in her early 20s who travels to New York with dreams of becoming a songwriter. Once there she gets a job at the latest hot spot, the bar 'Coyote Ugly,' run by a team of resourceful, mischief making young women.
The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval. The Frasers strive to flourish within a society which, as Claire knows all too well, is unwittingly marching towards Revolution, as members of the elite ruling classes struggle to stifle an alarming undercurrent of unrest, trigged by the Regulator Movement, and to maintain order in the Province. Against this backdrop, which soon heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. Jamie must now defend this home established on land granted to him by the Crown despite the fact that this new mantle of responsibility sees him pitted against his godfather, Murtagh Fitzgibbons, a leader of the Regulator Rebellion. Jamie is forced to hide the true nature of his relationship with Murtagh from Governor Tryon, who has ordered Jamie to put an end to the unrest sweeping North Carolina. Claire, in turn, seeks to put her own skills and medical expertise to use in keeping her family together and safe from harm. Coupled with her knowledge of the future, she decides that she must be daring and have the courage to take risks, whatever the consequences may be Meanwhile, Brianna and Roger MacKenzie struggle to find their respective places in this world: striving to chase away the shadow cast over their lives by Stephen Bonnet, which continues to loom over them, as they raise their son in this brave new world. For the Frasers and their family, home is more than simply a site in which they live, it is the place in which they are laying the foundations for the rest of their lives.
Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny. Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required romantic conclusion. The script is crammed with ripe one-liners , but "Freeze, you diseased rhinoceros pizzle" has to be the most devastating hold-up line of all time. Film buffs will appreciate a brief appearance by Don Ameche as a down-and-out, but this is Murphy's film and he generates warmth enough to convert the most ambivalent viewer. On the DVD: The only--rather pointless--extra on offer is the original theatrical trailer which adds nothing apart from a rapid recap of the story. But the 1.78:1 anamorphic widescreen presentation (the picture quality is diamond sharp) and Dolby Digital 5.1 soundtrack recreate the original authentic cinematic experience. The choreography of 1980s pop diva Paula Abdul in the lavish wedding scenes and Nile Rodgers' pounding musical score are the main beneficiaries. --Piers Ford
When it was announced that Tom Cruise would play the vampire Lestat in Interview with a Vampire, the film adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicised objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal blood lust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honouring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, Interview is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Siegfried James and Tristan - our three favourite veterinarians - always have their work cut out for them at their country practice in the verdant Yorkshire Dales. Although life is never less than testing there is always great satisfaction in the valuable work they do. So as life moves slowly through peacetime and wartime why not join us in a simpler more tranquil time as we help the sick and injured back to health whether they have two legs four legs hooves beaks or paws.
For Rosemarys Baby, his modern horror tale about Satanic worship and a pregnant womans decline into madness, Roman Polanski moves from the traditional monolithic mansions of Gothic flicks to an apartment building in New York City. Based on Ira Levins novel, the story concerns Rosemary (Mia Farrow) and Guy Woodhouse who find the apartment of their dreams in a luxurious complex in Manhattan. Soon after moving in and making friends with a group of elderly neighbours, Guys career takes off and Rosemary discovers she is pregnant. Their happiness seems complete. But gradually Rosemary begins to sense that something is wrong with this baby, and slowly and surely her life begins to unravel. Polanski uses such subtle means to build up the sense of preternatural disquiet that initially you suspect Rosemarys prenatal paranoia to be a figment of her imagination. But the guilty parties and their demonic plan to make Rosemary the receptacle of their masters child are eventually revealed and, as Rosemary looses her grip on reality, she realises that no one can be trusted. The performances are excellent throughout; Farrow as the young wife is so fragile that you wonder how she made it unscathed to adulthood and John Cassavetes is horrifyingly duplicitous as her husband Guy. But the real star is Polanskis masterful direction. The mood is at the same time oppressive and hysterical with the mounting terror coming from the situation and gradually unravelling plot rather than any schlock horror moments. On the DVD: the Dolby 5.1 soundtrack shows off Christopher Komedas eerie "lullaby" score to its haunting best. The film is presented in 1.85:1 anamorphic widescreen and is relatively free of speckle and dust, some scenes filmed in low light are slightly grainier but this adds to the oppressive tension that Polanski is building up in the film. In terms of extras there is a 20-minute "making of" feature from 1968 and retrospective interviews with Polanski, production designer Richard Sylbert and producer Robert Evans. --Kristen Bowditch
Season 1 Based on Diana Gabaldon's best-selling book series, Outlander spans the genres of romance, science fiction, history and adventure as it follows Claire Randall, a married World War II combat nurse who mistakenly falls back in time to 1743. Season 2 Claire and Jamie must race to prevent a doomed Highland uprising, while navigating the lavish world of French society and challenges that weigh on the very fabric of their relationship. Season 3 Separated by continents and centuries, Claire and Jamie must find their way back to each other, but will they be the same people who parted at the standing stones all those years ago? Season 4 Season Four of Outlander continues the story of Claire and Jamie Fraser as they try to make a home for themselves in colonial America. Season 5 The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Season 6 The Frasers strive to maintain peace and flourish within a colonial society which is unwittingly marching towards Revolution. Claire and Jamie must now defend their home at Fraser's Ridge from both external forces and increasing strife and conflict in the community within their care. Product Features Hours of special features! Including 10 Outlander Untold Bonus Scenes, Deleted & Extended Scenes, Blooper Reels, Behind-the-Scenes Interviews and More!
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
A puppeteer (John Cusack) discovers a door in his office that allows him to enter the mind and life of John Horatio Malkovich (John Malkovich) for 15 minutes.
Sometimes a movie works despite all its faults. Outrageous Fortune has a flimsy, formulaic script, so-so production values and an odd combination of stars, but somehow it's engaging and fun. Shelley Long and Bette Midler play two struggling actresses--one a hoity-toity priss and the other a brassy slob--who learn they've been sleeping with the same guy (Peter Coyote) when he gets blown up in a terrorist assault and they confront each other in the morgue. When they discover that he's still alive, the bickering pair track him down, traipsing across the US in high heels, pursued all the way by government agents, using their dubious acting talents to get them out of tough situations. The absurd plot keeps things moving and director Arthur Hiller (Silver Streak, The Out of Towners) gets cheerful performances out of everyone, particularly the strong supporting cast--including Robert Prosky (Broadcast News, Mrs. Doubtfire) as a pompous acting teacher, comedian George Carlin as a burnt-out would-be Indian and the underused John Schuck (M*A*S*H, McCabe & Mrs. Miller) as a long-suffering agent. Although contrived and cliché-ridden, the film is just absurd enough to entertain. --Bret Fetzer
Barbarella is marked by the same audacity and originality fantasy humor beauty and horror cruelty and eroticism that make comic books such a favorite. The setting is the planet Lythion in the year 40 000 when Barbarella (Jane Fonda) makes a forced landing while traveling through space. She acts like a female James Bond vanquishing evil in the forms of robots and monsters. She also rewards in an uninhibited manner the handsome men who assist her in the adventure. Whether she is
The producers of Godzilla reimagine the origins of one the most powerful monster myths of all in Kong: Skull Island, from Warner Bros. Pictures, Legendary Pictures and Tencent Pictures. A compelling, original adventure from director Jordan Vogt-Roberts (The Kings of Summer), the film tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong. Click Images to Enlarge
The John Wayne Westerns Collection
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