While the later chapters of the Carry On series have received fairly constant exposure, some earlier examples such as 1964's Spying remain relatively unseen. Given the brash production and ensemble playing of the more well-known films, this black and white version of the Carry On world seems oddly low-key in comparison. Four of the soon-to-be-regular cast are in attendance--Barbara Windsor, Kenneth Williams, Jim Dale, Charles Hawtrey--and there are many signs of a formula in development (the double entrendres, bad puns, Windsor's ill-fitting clothing). Of course, with its obsession with sex and bodily functions it's all very English and parts have dated horribly, not least the casual racism of some of the secondary characters, but fans of this most unique of genres will find much to tickle their fancy. And don't they look so young?On the DVD: Given the long history and colourful characters of the series, there must be scope for much behind the scenes and documentary footage, but this disc is totally bereft of any extras bar scene selection. There is also little to add to the original black and white film stock, although the soundtrack, chock full of humorous instrumentation, sounds pretty good. --Phil Udell
In the year 2257 a planet-sized vessel of supreme evil is hurtling towards the earth with relentless speed threatening to exterminate every living organism in its path. It has been left to the ex-marine and unlikely taxi-driving hero Korben Dallas (Willis) to reunite the four stones that represent the elements - Earth Air Water and Fire with the mysterious Fifth Element to unleash the only power that will save the Earth. Joined on his mission by the intriguing Leeloo (Jovovich) and Priest Vito Cornelius (Holm) Dallas must retrieve the elements from the beautiful Diva aboard the luxury cruise ship the Fhlotsin Paradise.
Set in the year 2063 Fireball XL5 charts the interplanetary adventures of a spacecraft and its crew handsome blonde pilot Steve Zodiac and the glamorous blonde space doctor Venus a maths genius and a robot! Fireball XL5 was part of a World Space Fleet based at Space City an island in the Pacific Ocean run by Commander Zero and Lieutenant Ninety. Its mission to patrol sector 25 of the universe beyond the solar system. The biggest craft of its kind the 300 metre long XL5 had a detatchable nose cone called Fireball Junior used for landings while the mothership was in orbit. Colonel Steve Zodiac the dynamic pilot of Fireball XL5 is ably assisted by Professor Matthew 'Matt' Mattic XL5's bespectacled naviagtor and scientific officier Venus the crew's medical expert and Steve's romantic interest Zoonie a strange looking creature called a Lazoon who is Venus' pet Robert the Robot the transparent mechanical companion and co-pilot to Steve Commander Zero the head of Space City.
In Carry On Follow That Camel, Sergeant Bilko himself, Phil Silvers, lends lustre and trademark spectacles to this 1967 desert spectacle following the adventures of a group of foreign legionnaires who find themselves besieged by a bloodthirsty band of Bedouins. Silvers plays Sergeant Nocker, a rogue cast firmly in the Bilko mould, who takes a dislike to new recruit Jim Dale, a young upper class gent forced to join the legion following disgrace at a cricket match. He's accompanied, naturally, by his faithful manservant (Peter Butterworth), with the pair showing a fine disregard for the austere requirements of the Foreign Legion. However, once they reach an agreement with Sergeant Nocker, they can join forces to repel the Bedouins, led, not unpredictably, by Bernard Bresslaw. This is vintage Carry On, in spite of Sid James' absence. Kenneth Williams' performance is subdued by having to deliver the usual puns ("zere are a couple of points I still need to go over", he informs busty Joan Sims) in a mangled French accent but Silvers gets into the right mode of delivering broad comedy with subtle inflections. Peter Butterworth draws the short straw this time and must feature in the obligatory cross-dressing scene, while Charles Hawtrey is a splendidly unconvincing hardened legionnaire. As for Bresslaw, can any other British actor, with the exception of Sir Alec Guinness, have distinguished himself in such a variety of multi-ethnic roles? On the DVD: Sadly, there are no extra features except scene selection. The picture ratio is 4:3. --David Stubbs
Languishing in the vaults for decades, during which time it became a semi-legendary show among TV fans of a certain age, Fireball XL5 (1962) was Gerry Anderson's second puppet-animation science fiction series, the direct forerunner of Stingray (1963) and Thunderbirds (1964). This is the show on which Anderson established the formula for his later classics: a pseudo-military organisation engaged in desperate Earth-saving adventures against overwhelming odds; superb model work; puppets with very obvious strings but endearing personalities; iconic music by Barry Gray; and absolutely massive explosions. Colonel Steve Zodiac pilots the coolest spaceship then seen on British TV, the titular Fireball XL5, and is joined by medical officer Venus, a forerunner of Lady Penelope voiced by Sylvia Anderson, and comedy relief Prof Matt Matic (David Graham). Along for the ride is Robert the Robot, a thinner version of Robbie the Robot from Forbidden Planet (1956), a character who would soon turn up in Lost in Space (1965). The plots are ridiculous, with typically Cold War-era aliens routinely bent on planetary destruction for no reason, and there's zero attention to even rudimentary astronomy or anything else approaching actual science. Yet the gadgets, vehicles and puppetry are first-rate and the fast-paced, action-filled episodes are relentlessly entertaining. It's a cult just waiting to be reborn, and essential viewing for all Anderson fans. On the DVD: Fireball XL5 is presented with all 39 episodes (they run 25 minutes each) on five discs. Despite the colourful packaging, the episodes are all black and white, and the 4:3 picture is generally fine, though there are occasional instances of over-compression, which results in artefacting on smooth walls and the like. Some shots look a little soft, but detail is usually strong, making the models and puppets look better than ever. The mono sound is fine, if unremarkable. There are no extras beyond optional subtitles. --Gary S Dalkin
He's a poet... But no-one would know it! William Topaz McGonagall (Milligan) is an unemployed Scottish weaver who decides to devote his life to poetry. Falling in love with Queen Victoria (here played by Peter Sellers) he donates his major poetic works to her and despite many rejections dreams of one day becoming Poet Laureate...
William Topaz McGonagall (Milligan) is an unemployed Scottish weaver who decides to devote his life to poetry. Falling in love with Queen Victoria (here played by Peter Sellers) he donates his major poetic works to her and despite many rejections dreams of one day becoming Poet Laureate...
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