The second series in Granada's 'Mr Rose' cult crime/suspense trilogy, It's Dark Outside saw William Mervyn reprising the role of the charismatic Inspector Rose, first introduced in The Odd Man just six months previously and re-emerging in slightly mellowed form in the final series, Mr Rose. It's Dark Outside follows the sharp-witted and memorably prickly detective as he tackles a fresh batch of cases. Assisting Rose in Series One is the more amenable DS Swift (played by a youthful Keith Barron), with John Carson as solicitor Anthony Brand and June Tobin as Brand's journalist wife, Alice; Series Two sees Rose verbally sparring with newcomer DS Hunter, played by cult favorite actor Anthony Ainley. Although two series of It's Dark Outside were made, the second was thought completely lost until research for this set unearthed two episodes which still existed on film. Newly transferred, these episodes have been included here alongside all those from Series One.
A couple (Mark Wahlberg and Zooey Deschanel) go on the run from a mysterious environmental phenomenon that threatens their way of life.
This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
Steven Spielberg's alien abduction opus Taken is what happens when you cross-breed Close Encounters of the Third Kind with The Waltons. Obviously flushed with the success of the TV mini-series Band of Brothers, Spielberg's Dreamworks studio has created an equally epic 10-part story chronicling 50 years of habitual abduction over several generations of three American families. Beginning with the most notorious alien cover-up in US history, the 1947 "crash" at Roswell, New Mexico, Taken introduces the "Greys" and the families they routinely abduct, probe and, in a couple of cases, impregnate over the course of the ten hour-and-a-half-long episodes. The three families are: the Keys, from which first Russell, then his son Jessie, then grandson Danny, are all abducted; the Clarkes, who are descended from a liaison between lonely put-upon housewife Sally Clarke and one of the Roswell crash survivors; and the Crawfords, the ruthless G-men who are committed to uncovering the purpose behind the alien visitations at any cost. But even though the Greys' actions are at best ambiguous and at worst hostile, Taken is basically a soap opera, lacking the sinister undercurrent of either Dark Skies or The X-Files despite its science-fiction trappings. Nevertheless, this is an engaging series which has decent performances--most notably Joel Gretsch as psychotic Owen Crawford--special effects and an engaging enough storyline to make it entertaining, if somewhat disposable, TV. --Kristen Bowditch
The third and final installment of the best episodes from series 1-7! Yuppy Love: Del joins the yuppy set all red braces and filofax and makes quite an impressive impact at the local wine bar! Danger UXB: Del's got hold of a consignment of dolls. However lusty Linda and Erotic Estelle is not quite what he had in mind... Stage Fright: Del turns impressario at the Starlight Cabaret then discovers exactly who the real owner is! Three Men' and 'A Woman And A
Spencer Strasmore and his boys are back to ball out in a brand-new season of HBO's hit comedy from Steve Levinson (Entourage) that digs deeper into the extravagant, high-stakes world of football in Miami, FL. This year, things are more competitive and complicated than ever, as the lines between professional and personal get blurred in the pursuit of lasting success and glory. Retired football star turned financial manager Spencer (Dwayne The Rock Johnson) is forced to face demons from his past as he goes head-to-head with the biggest shark in the business, Andre Allen (Andy Garcia). Episodes: 1. Face Of The Franchise 2. Enter The Temple 3. Elidee 4. World Of Hurt 5. Most Guys 6. Saturdaze 7. Everybody Knows 8. Laying in the Weeds 9. Million Bucks In A Bag 10. Game Day
A hit man with an aversion to crime hooks up with a sexy painter with a certain knack for it and together they go on a misguided and hilarious crime spree.
The Isle of Man Tourist Trophy is the greatest motorcycle road race in the world, the ultimate challenge for rider and machine. It has always called for a commitment far beyond any other racing event, and many have made the ultimate sacrifice in their quest for victory. TT: Closer To The Edge is a story about freedom of choice, the strength of human spirit and the will to win. It's also an examination of what motivates those rare few, this elite band of brothers who risk everything to win. TT: Closer To The Edge is one of the most thrilling films of the year.
Sez Les was the show that firmly established Les Dawson's reputation, running for over seven years and bringing his dour, miserablist humour to a wider viewing public. Now you can rejoin the gloomy king of comedy and an array of favourite comic characters in this fourth volume, comprising series nine to eleven, along with a best of compilation show first screened in 1974. Featuring a running guest spot for comedy legend John Cleese alongside stalwart sideman Roy Barraclough, these shows offer more world-weary humour and hilarious sketches, with death-defying stunts and sleight of hand by the likes of The Great Roberto, Superflop, The Great Magico and Man of Steel. Cosmo Smallpiece is on typically lecherous form, gossiping Lancashire housewives Cissie and Ada find plenty to natter about, and we meet the dismal Desponts TV's dullest family. Les s many guests include Dana, Henry Cooper, Clodagh Rogers, Freddie Trueman, Lynsey de Paul and Cyril Smith, MP.
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
Audiences overlooked Wild Bill at the cinema, but it's one of the better Westerns of the 1990s, featuring yet another terrific performance by Jeff Bridges, America's most underrated movie actor. As James Butler Hickock, he captures the sense of a man at the end of his career, one of the first media superstars who discovers that his legend is more burden than blessing. As he heads toward his final hand of poker in Deadwood, South Dakota, he flashes back to his younger days and the events that built his reputation, even as he copes with encroaching blindness caused by syphilis. Walter Hill blends action and elegy, utilising a screenplay based both on Pete Dexter's novel Deadwood and Thomas Babe's play Fathers and Sons. Wild Bill features strong supporting performances by John Hurt (as a Hickock sidekick) and Ellen Barkin (as the tough, lusty Calamity Jane)--but the centrepiece is the sad, manly performance by Bridges, who more than measures up to the part. --Marshall Fine
United Kingdom released, Blu-Ray/Region A/B/C DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), English ( Dolby Linear PCM ), English ( Mono ), English ( Subtitles ), WIDESCREEN (2.35:1), SPECIAL FEATURES: Booklet, Cast/Crew Interview(s), Documentary, Featurette, Interactive Menu, Scene Access, Short Film, Special Edition, Trailer(s), SYNOPSIS: High melodrama, creeping insanity and barely contained delirium abound in this dizzying tribute to the high tension thrillers of Alfred Hitchcock from director Brian De Palma (Carrie, Scarface, Dressed to Kill). Michael Courtland is a Southern gentleman who seems to have everything - A successful business, a beautiful wife and an adoring young daughter - until a botched kidnapping tears his world apart leaving him widowed, bereaved and bereft. Years later on a trip to Italy, he meets a woman with an uncanny resemblance to his late wife but all is not how it appears as a twisted conspiracy threatens to unhinge his mental shackles, sending him to the knife edge of MADNESS! A master class in mounting unease and clammy palmed claustrophobia, Obsession is a classic 70s thriller with an evil twist that will leave you speechless. SCREENED/AWARDED AT: Oscar Academy Awards, ...Obsession ( 1976 ) (Blu-Ray)
Stan a two-bit con man is being sent to prison for fraud and the prospect terrifies him. Seeking help from a mysterious martial arts guru known only as The Master Stan transforms himself into a kung fu expert -- ultimately bringing the warring prison gangs together and establishing peace within its walls.
Jack London's classic tale of the Klondike Gold Rush as we follow the lives of the dog Buck and his master John Thornton.
Vintage comedy by Jimmy Perry and David Croft. As Walmington-on-Sea trembles at the thought of a mighty Nazi invasion the indefatigable Captain Mainwaring and his eager Home Guard are ready and waiting - regardless that some of them are so old they can hardly stand up... Starring Arthur Lowe John Le Mesurier and Clive Dunn. Winner of 3 Writers Guild awards and a BAFTA. Episodes Comprise: 1. The Deadly Attachment 2. My British Buddy 3. The Royal Train 4. We Knows Our Onions
A collection of movies featuring the lovable little Volkswagon! Herbie - The Love Bug: He tale of a struggling race car driver named Jim Douglas who only begins winning races once he starts driving Herbie. Elated at his new found success Jim does not realise that it is the Volkswagen who is responsible for the first-place finishes! Herbie Goes Bananas: There's disorder south of the border when Herbie the almost human Volkswagen meets Paco the pickpocket and has to
This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colourful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasise the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh
Tom Ronstadt (JOHN SIMM) is a successful London journalist who, with his career and life falling apart, returns to his hometown in Lancashire for the first time in 18 years. He finds his father Sam (JIM BROADBENT), whom Tom idolised as a child, in the grip of Alzheimer's a once formidable man now being cared for by his sister Nancy (OLIVIA COLMAN). Over the three episodes Tom unravels the mystery linked to his childhood that drove him away all those years ago. As his frustrations grow with his father's failure to remember the past, he persists unaware that he is unearthing a devastating crime that will reveal secrets he could never have imagined.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy