Who do you think you are kidding Mr. Hitler If you think we're on the run. We are the boys who will stop your little game We are the boys who will make you think again. So who do you think you are kidding Mr. Hitler If you think old England's done. Mr. Brown goes off to town on the 8:21. But he comes home each evening and he's ready with his gun. So who do you think you are kidding Mr. Hitler If you think old England's done. The hapless homeguard of Walmington-On-Sea
Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find!
This box set features the entire first series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Dead of Jericho: Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely (Gemma Jones). But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Serg
This restored, animated valentine to the Beatles offers viewers the rare chance to see a work that's been substantially improved by its technical facelift, not just super-sized with extra footage. Recognising that its song-studded soundtrack alone makes Yellow Submarine a video annuity, United Artists has lavished a frame-by-frame refurbishment of the original feature, while replacing its original monaural audio tracks with a meticulously reconstructed stereo mix that actually refines legendary original album versions. What emerges is a vivid time capsule of the late 1960s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs. High-orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He's also in love with Frances De La Tour's dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers. Some aspects of Rising Damp have not aged well, principally Rigsby's stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby's foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter's Rigsby--stuttering, stammering, bent perpetually over backwards--remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander. --David Stubbs
Drive takes the standard American mismatched-buddies action comedy formula and turbo-charges it with furious Hong Kong wirework and martial arts. The result is a three-and-a-half million dollar "B" picture which looks like it cost 10 times more. The perfunctory story crosses Universal Solider (1992) with Rush Hour (1997) as a biologically enhanced Mark Dacascos flees a small army of Hong Kong assassins through California, teaming up with comedian Kadeem Hardison and delivering an almost unbelievable amount of bang per buck. Director Steve Wang stages the action with flair and clarity, the stunts, wirework and fights being exceptionally well-choreographed and shot. With Hardison's patter, two offbeat redneck assassins and a TV show about a frog with Einstein's brain there's abundant surprisingly genial humour, aided by Brittany Murphy's ditzy performance as a Twin Peaks-like teenager with hormones in overdrive. The cyborg aspect simply justifies the superhuman combat, but nevertheless a huge showdown in a retro-space age club is clearly styled after the "Tech Noir" bar sequence in The Terminator (1984), adding motorcycle killersstraight out of Rollerball (1975). Drive captures the rush of Hong Kong action movies yet almost has the feel of a musical, the mayhem replacing song and dance and offering more popcorn entertainment than many a bloated summer blockbuster.On the DVD: For such a low budget movie the 2.35:1 anamorphically enhanced image puts many far bigger features to shame, being pin-sharp throughout, with strong and accurate colours and minimal grain. The Dolby Digital 5.1 sound is equally strong, with sound-effects and music both having considerable impact, explosions ripping thorough the room like the latest Arnie shoot 'em up. There is a 47-minute retrospective documentary which is particularly interesting on the way the film was cut and restored for American release--this DVD presenting the director's cut which runs over 16 minutes longer than the US version. Six deleted/extended scenes are presented in a variety of formats, and it's easy to see why they were deleted. Also included are the original theatrical trailer, three photo galleries, cast and crew biographies and interview galleries with director Steve Wang and four of the main stars totalling about 20 minutes of material. The informative commentary track has Wang, Dacascos, Hardison and stunt co-ordinator Koichi Sakamoto revelling in their sheer enthusiasm for the movie and for Hong Kong action in general. --Gary S Dalkin
A tale of the highs and lows of life protecting the vital convoys between America & England during WWII.
Ugly duckling Brenda Thompson (Rita Tushingham) leaves her Liverpool home hoping to find romance in London. She moves in with her work-mate Caroline (Katya Wyeth), but remains lonely and bewildered in the big city. While wandering alone one night she finds a scruffy dog and becomes infatuated with its handsome master. Brenda later confesses to the dog's owner, Peter (Shane Briant), that she has come to London because she wants a baby. He offers her a proposition if she will move in and cook, clean and tell him stories, he will give her what she wants. Brenda is confused but deeply in love with her mysterious partner. Before long, however, she is trapped in a nightmare world of paranoia and murder from which there seems to be no escape traight On Till Morning took its title from J.M. Barrie's Peter Pan and was directed by Peter Collinson, who had previously made Up the Junction and The Italian Job. Filmed in and around Earl's Court, London, this dark and disturbing thriller was released in 1972 and represented a bold new direction for Hammer. EXTRAS: Original trailer
Set in a strange, colourful land populated by fairy tale characters, Shrek is a hilarious comedy that will win over audiences of children and adults alike. Shrek (voiced by Mike Myers) is a fearsome green ogre living in isolation in his own cosy little swamp. He is not receptive to visitors, and fends off the occasional party of torch-wielding villagers with ease. But when the power-hungry Lord Farquaad (John Lithgow) turns Shrek's swamp into a relocation camp for dozens of banished fairy-tale characters (including some pesky dwarves, wolves, and fairies) Shrek's quiet, introverted life is ruined. Joined by the talkative Donkey (Eddie Murphy), Shrek makes his way to Farquaad's realm of Duloc, where the Lord promises to make Shrek an offer: He will rid Shrek's land of the unwanted visitors if Shrek will go on a simple quest to free Princess Fiona (Cameron Diaz) from her remote, dragon-guarded castle and convince her to marry Farquaad. On their quest, Shrek and Donkey run into a number of bizarre situations, and Shrek finds himself realising that he isn't quite the fearsome monster he has always made himself out to be. Reinventing the traditional fairy tale adventure, Shrek features gorgeous computer animation, a unique sense of humour, and compelling characters - especially Murphy's lovable Donkey.
Taking of Pelham 123: Walter Garber (Denzel Washington) is a New York City subway dispatcher whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. Ryder (John Travolta) the criminal mastermind behind the hijacking and leader of a highly-armed gang of four threatens to execute the train's passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there's one riddle Garber can't solve: even if the thieves get the money how can they possibly escape? Inside Man: Acclaimed actors Denzel Washington Clive Owen and Jodie Foster come together to explore the lure of power the ugliness of greed and the mystery of a perfect robbery in a combustible new crime drama from Spike Lee. The hardbitten but unorthodox Detective Fraiser (Washington) pits his wits against a high-class bank robber Dalton Russell (Owen) following the robbery of a Manhattan bank. As the chase unfolds political corruption and hidden agendas threaten to destabilise an already volatile situation. The Bone Collector: He takes his victims' lives and leaves behind mysterious pieces of a bizarre puzzle. And the only person who may be able to make sense of the serial killer's deranged plan is Lincoln Rhyme (Denzel Washington) a one-time top homicide investigator. After a tragic accident changes his life forever Rhyme can only watch as other cops bungle the case...until he teams up with a young rookie Amelia Donaghy (Angelina Jolie) who bravely becomes his eyes and ears and searches out the clues that help them solve the case. But as the killer senses the cops closing in Rhyme realizes that he and his partner are on the trail of a vicious sadistic murderer who will stop at nothing on his deadly mission. At any moment Rhyme and Amelia could become his next targets - and their first case could become their last.
The Very Best of Dad's Army, Vol 2 is a further helping of episodes from the BBC's most durable comedy, well chosen to illustrate the variety of situations and predicaments in which Warmington-on-Sea's home guard find themselves. "Menace from the Deep" sees them marooned on the town pier, having to contend with a rogue mine and an inebriated Hodges. "Mum's Army" has Captain Mainwaring set up a women's division and promptly fall for the charming Miss Gray, in a cunning take on Brief Encounter. "No Spring for Frazer" charts Frazer's beleaguered attempts to locate a missing gun part with predictably disastrous results. "When Did You Last See Your Money?" similarly puts Corporal Jones through the mill after he switches a package containing £500 with one containing a half-pound of sausages. Finally, "The Honourable Man" brings the enmity of Mainwaring and Sergeant Wilson to a head when the latter inherits an honorary title. The performances have that spontaneity and gently self-mocking humour so familiar, yet so enjoyable, however many times around. On the DVD: The Very Best of Dad's Army, Vol 2 on disc has an accompanying documentary (partially reprised from that on Volume 1) containing interviews with surviving cast members, present-day comedians and Messrs Croft and Perry, whose inspired scriptwriting continues to amuse and entertain. The early-70s prints have come up well, with subtitles and six chapter headings per episode to make locating favourite scenes easier than ever. --Richard Whitehouse
Thirty years ago half a million flower children set sail for the Isle Of Wight in search of peace love and understanding. They also witnessed one of the greatest ever rock festivals with legendary live performances from well known greats of the era. This DVD tells the story of the great event from backstage banter to the terrific live performances. Featuring performances by: The Doors - 'When The Music's Over' The Who - 'Young Man Blues' Jimi Hendrix - 'Machine Gun' Joni
The complete second series of this hugely successful television series starring John Thaw as the legendary Jack Regan and Dennis Waterman as sidekick George Carter. Episodes comprise: 1. Chalk and Cheese 2. Faces 3. Supersnout 4. Big Brother 5. Hit and Run 6. Trap 7. Golden Fleece 8. Poppy 9. Stay Lucky Eh? 10. Trojan Bus 11. I Want The Man 12. Country Boy 13. Thou Shalt Not Kill
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
Celebrating twenty years of classic Carry On films two of the film's best loved stars Kenneth Williams and Barbara Windsor return to Pinewood Film Studios to unwrap some rib-tickling moments to the series. From the original military mayhem of 'Carry On Sergeant' through to the really ancient archaeological gags of 'Carry On Behind' our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made. With a cast
Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land, resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz), who's imprisoned in a castle by said dragon. To cut a deal to keep his house, the antisocial Shrek accepts the mission, except he falls in love with the princess he's been ordered to find!
Lucio "King of the Eyeball Gag" Fulci made his name with a series of gory, gooey horror epics, and The Beyond stands above all as his outré masterpiece. The largely incoherent plot has something to do with a turn-of-the-century curse and a doorway to hell in the cellar of an old New Orleans hotel. Fulci shows his usual sensitivity with wooden acting, clumsy dialogue, and buckets of oozing blood and pus, but don't let that get in the way of enjoying this mad tale of zombies from hell invading Earth and eating their way through a cast of humans: crucified martyrs, blind visionaries, creepy hotel handymen, befuddled cops, and a plucky pair of heroes desperately fleeing a horde of hungry undead. The blood-red art direction is eerily beautiful, and Fulci's relentless long takes, punctuated by jolting shock cuts and eruptions of grotesque violence, create a mood of sheer paranoid horror right down to the final, mind-bending image. And don't forget the Fulci claim to fame: eyes are gouged out, eaten away, melted with acid, and (shudder) popped out by a spike through the back of the skull. Yech! If you dare ignore such piddling details as narrative logic and let yourself get carried away on the creepy visuals, it's a deliciously stylish treat, an edgy bit of Gothic gore pitched in all its bone-crunching, flesh-ripping, organ-splatting glory. This sadistic, sanguinary hell-spawn tale is for gore-hounds only. --Sean Axmaker, Amazon.com
Wendy Craig and Francis Matthews star as a bickering couple going through an acrimonious separation in this swinging, offbeat comedy from producer Bob Kellett and idiosyncratic writer/director Robert Fuest. Also starring John Wood, Dennis Price, Miriam Karlin, Peter Jones and Clive Dunn, Just Like a Woman is presented here as a brand-new High Definition restoration from original film elements in its original theatrical aspect ratio. Lewis and Scilla's rocky marriage finally breaks apart a situation made worse by the fact that Scilla is a key part of the television show that Lewis produces. But while Lewis copes by picking up a passing starlet, Scilla indulges her passion for bathrooms by getting one custom-designed by an ex-Nazi architect!
Midsomer Murders: Secrets And Spies
A young woman inherits a decaying hotel on the edge of a Louisiana swamp unaware that more than fifty years ago it served as the gateway to hell and that its horrific evil lives on to this day. Her dream to build a new life for herself becomes a nightmarish fight for survival as horrors straight out of Lovecraft's Book of Ebion lay their own claim to her property and the souls around her...
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