Dickens was the master of Victorian social satire, ruthlessly exposing the cruelty and absurdity that supported the strictly hierarchical class-structure of the day. This superb production of Our Mutual Friend does full justice to his darkest, most complex novel, fleshing out the satirical bones of the plot with performances that eschew caricature in favour of psychological depth. Anna Friel's Bella is wonderfully complex, her innate goodness struggling with her love of money and desire for advancement. Paul McGann, as the lawyer Wrayburn, is also superb, wrestling with the implications of his feelings for Lizzie. And of course, this being Dickens and the BBC, there's a terrific supporting cast, including Timothy Spall as the melancholy articulator of skeletons, Mr Venus. As the fortunes of the characters rise and fall, the river Thames flows eternally on, the symbolic backbone of this remarkable story. At six hours, this version of Our Mutual Friend is a long production, but not a moment too long. A mystery, a love story, a critique of the pursuit of wealth and status, this is perhaps the best adaptation of Dickens ever to be committed to film. --Simon Leake, Amazon.com
This 2000 television adaptation confirms Nicholas Nickleby's place among television dramatists' favourite Dickens novels. It has all the vital ingredients: a sensitive, intelligent young hero cast by circumstances in the role of everyman whose fortitude is tested at every turn; romance; danger; one of Dickens' richest braces of characters; and a sense of humanity that is, at times, overwhelming. Condensing all this into three hours is no mean achievement. Martyn Edward Hesford's screenplay maintains an impressive balance between dramatic tension and allowing the characters the space they need to reveal their essential qualities. Only in the last 30 minutes does it become something of a gallop to the finishing post. True, the horrors of the boarding school could be more horrific; the grime of Victorian London and its toothless inhabitants could be grimier and less cosmetic. But as always with a superior production of a Dickens novel, the richness and depth of the drama outweigh such minor quibbles. As for the cast, James D'Arcy's Nicholas is pitch-perfect: part cipher for the injustices and despair he encounters, part emblem for the triumph of goodness, an innocent whose eyes are quickly forced open to the darker realities of life. These darker realities are congealed in Charles Dance's relentlessly chilling, heartless Ralph Nickleby. This is a deceptively complex performance; even as we cheer the gathering forces which finally extinguish his increasingly desperate power, the awful tragedy of his end still elicits a discomforting ounce of sympathy. Gregor Fisher as the one-eyed Squeers and Pam Ferris as his fearsomely lascivious wife are outstanding in an ensemble of fine character actors. And Lee Ingleby's Smike gives our tear ducts a good workout while steering just the right side of sentimentality. On the DVD: Nicholas Nickleby is presented in widescreen format with Dolby Digital soundtrack, and has all the technical qualities you might expect from the DVD release of a modern television production. Extras include cast filmographies, a Dickens biography and a list of his work, all of which add to the disc's merits as a literary educational tool. --Piers Ford
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