"Actor: John Dodd"

• Being John Malkovich | DVD | (18/09/2000) from £5.43   |  Saving you £4.56 (83.98%)   |  RRP £9.99

  A puppeteer (John Cusack) discovers a door in his office that allows him to enter the mind and life of John Horatio Malkovich (John Malkovich) for 15 minutes.

• The Farthest | Blu Ray | (06/11/2017) from £9.45   |  Saving you £N/A (N/A%)   |  RRP £N/A

  It is one of humankind s greatest achievements. More than twelve billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space the first human-made object ever to do so. Slowly dying within its heart is a nuclear generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity. From Crossing The Line Productions, The Farthest celebrates these magnificent machines, the men and women who built them and the vision that propelled them farther than anyone could ever have hoped.

• The Contract | DVD | (10/09/2007) from £7.65   |  Saving you £8.34 (109.02%)   |  RRP £15.99

  A father, who wants to redeem himself in the eyes of his son, tries to bring a world-class assassin to justice.

• The Farthest | DVD | (06/11/2017) from £8.35   |  Saving you £N/A (N/A%)   |  RRP £N/A

  It is one of humankind s greatest achievements. More than twelve billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space the first human-made object ever to do so. Slowly dying within its heart is a nuclear generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity. From Crossing The Line Productions, The Farthest celebrates these magnificent machines, the men and women who built them and the vision that propelled them farther than anyone could ever have hoped.

• Hellboy II: The Golden Army | Blu Ray | (06/05/2019) from £21.85   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The fate of mankind hangs in the balance in Hellboy II: The Golden Army when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It's up to Hellboy (Ron Perlman) and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil! Prepare to be taken by the visionary director of The Shape of Water (Guillermo del Toro) into a fantastical world with imaginative creatures and thrilling fight sequences unlike anything you've ever seen before! Disc 1: FOR THE ULTIMATE MOVIE WATCHING EXPERIENCE, THIS DISC FEATURES: ¢ 4X sharper picture than HD ¢ HDR (HIGH DYNAMIC RANGE) for brilliant brights and deepest darks ¢ IMMERSIVE AUDIO for a multi-dimensional sound experience ¢ COMMENTARIES Disc 2: Blu-ray Movie + Bonus Features: ¢ FEATURE COMMENTARY WITH DIRECTOR GUILLERMO DEL TORO (PLUS PROLOGUE) ¢ FEATURE WITH CAST COMMENTARY ¢ SCENE EXPLORER: SCHUFFTEN GOGGLE VIEW ¢ DIRECTORS NOTEBOOK ¢ SET VISITS ¢ CONCEPT ART GALLERY

• The Intruder | DVD | (27/06/2005) from £8.08   |  Saving you £1.91 (23.64%)   |  RRP £9.99

  He fed their fears and turned neighbour against neighbour! Arriving in a sleepy southern town on the eve of integration slick charismatic Adam Cramer (William Shatner) is an ominous influence inciting its white citizens into a racial fervor and plunging the once quiet community into a state of chaos. The film features a cameo from the screenwriter - and author of the original novel - Charles Beaumont appearing alongside fellow scribes William F. Nolan and George Clayton

• The Stranger | DVD | (07/03/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Discovering The North Pennines | DVD | (10/01/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  This DVD journey through the North Pennines takes you to some of the wildest most remote and most beautiful landscapes in Britain. Stunning digital photography aerial views archive film and old photographs reveal rugged moors gentle dales historic towns and traditional stone built villages scattered along the valley floors. Discover a rich industrial and social heritage an abundance of flora and fauna and a wealth of natural beauty. Explore mighty castles ancient churches thundering waterfalls scenic Reservoirs challenging long distance trails and quiet riverside walks. Follow the course of the world famous rivers Tyne Tees and Wear and meet some fascinating dales characters including Hannah Hauxwell and John Dodd the Last Horseman.

• John Lennon - Rare And Unseen | DVD | (22/02/2010) from £14.57   |  Saving you £2.68 (20.14%)   |  RRP £15.99

  John Lennon: Rare And Unseen

• The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Edward G. Robinson - Scarlet Street / The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp

• Interstate 84 | DVD | (10/03/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  When a dead man is fished out of the Hudson a phone number on a card is all there is to identify him. The number leads cop Joe Weldon to the twilight world of Vinnie a two-bit hustler. With his involvement the mystery of the dead man deepens leaving more questions than answers.

• Hellboy II: Die Goldene Armee (4K Ultra HD) (+ Blu-ray 2D) | Blu Ray | (23/05/2019) from £30.96   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Interstate 84 | DVD | (30/06/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  When a body is found floating in an upstate New York river, hard-drinking cop Joe Weldon is left with few clues. After uncovering the man's identity - an enigmatic simpleton named Hap - Weldon is led to the crooked hustler who took advantage of Hap and the disturbed, young punk who tormented him. A tale of personal demons, shattered lives, and ultimate redemption.

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• Hellboy II: The Golden Army | Blu Ray | (25/06/2013) from £26.98   |  Saving you £-14.68 (-119.30%)   |  RRP £12.30

  The fate of mankind hangs in the balance when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It’s up to Hellboy and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil!

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp