Truman Capote's best seller, a breakthrough narrative account of real-life crime and punishment, became an equally chilling film in the hands of writer-director RICHARD BROOKS (Cat on a Hot Tin Roof). Cast for their unsettling resemblances to the killers they play, ROBERT BLAKE (Lost Highway) and SCOTT WILSON (The Great Gatsby) give authentic, unshowy performances as Perry Smith and Richard Hickock, who in 1959 murdered a family of four in Kansas during a botched robbery. Brooks brings a detached, documentary-like starkness to this uncompromising view of an American tragedy and its aftermath; at the same time, stylistically In Cold Blood is a filmmaking master class, with clinically precise editing, chiaroscuro black-and-white cinematography by the great CONRAD L. HALL (American Beauty), and a menacing jazz score by Quincy Jones. Special Features New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack New interview with cinematographer John Bailey on the film's cinematography New interview with film historian Bobbie O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins on the film's music by Quincy Jones New interview with writer Douglass Daniel on director Richard Brooks Interview with Brooks from 1988 from the French television series Cinéma cinemas Interview with actor Robert Blake from 1968 from the British television series Good Evening with Jonathan King With Love from Truman, a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer PLUS: An essay by critic Chris Fujiwara
Richard Brooks's In Cold Blood is a faithful 1967 screen adaptation of Truman Capote's extraordinary non-fiction book about the course of two killers in this world--their lives, their senseless slaughter of an entire family, and their executions. Robert Blake and Scott Wilson are remarkable as the murderers, but what has kept this film special over the decades is Brooks's blunt, clearheaded, and non-sensational approach to the story. (The term "semi-documentary" has been applied to Brooks's style on this film, and it's an entirely fair description.) The experience of watching In Cold Blood is naturally unsettling, but the director--as with Capote--leaves final judgments about justice to the beholder. --Tom Keogh
Holiday Inn is the perennial Christmas-season favourite from 1942 that teams Bing Crosby and Fred Astaire as entertainers (and rival suitors of Marjorie Reynolds) running an inn that is only open on holidays. It's a great excuse for lots of singing and dancing, seamlessly wrapped in a catchy story, and Astaire's frequent director Mark Sandrich (Top Hat, Shall We Dance) doesn't let us down. The Irving Berlin numbers (each one connected to a different holiday) are winners, with Crosby's warm performance of "White Christmas" a movie touchstone. --Tom Keogh
Capote (Dir. Bennett Miller ): In November 1959 the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman) famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener) writer of the soon-to-be published To Kill a Mockingbird Capote sets out to investigate winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears the writing of In Cold Blood a book that will change the course of American Literature takes a drastic toll on Capote changing him in ways he never imagined. In Cold Blood (Dir. Richard Brooks 1967): Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. A prosperous and respected Kansas farmer his wife and his two teenage children are wantonly and brutally slaughtered. The murderers are two mindless ex-convict drifters. Neither man is sane enough to regret their crime. The story penetrates the inner workings of the criminals' minds as it follows their purposeless meandering through Mexico and the United States in evasion of the law...
Drifting along on a prayer and a song. Legendary crooner Bing Crosby sings and dances his way though this charming and delightful story of a wanderer who drifts into the lives and hearts of the residents of the small town of Middletown New Jersey. Featuring music and lyrics by Johnny Burke and Arthur Johnston including the classics ""So Do I "" ""Pennies From Heaven"" (Academy Award nominee for Best Music/Song) ""Skeleton In the Closet"" and ""Lets Call A Heart A Heart.""
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