Deep within a forest at the summit of a volcano there is an extraordinary world - a world where something else is possible. A world called Varekai. From the sky falls a solitary young man and the story fo Varekai begins. Parachuted into the shadows of a magical forest a kaleidoscopic world populated by fantastical creatures this young man sets off on an adventure both absurd and extraordinary.
Since 1984 Cirque du Soleil has reinvented and revolutionized the circus arts with an astonishing theatrical blend of circus arts and street performance. Cirque du Soleil has been pleasing the public with a novel show concept that is as original as it is non-traditional wrapped up in spectacular costumes and fairyland sets and staged to spellbinding music and magical lighting. There are no animals in a Cirque du Soleil production - only sheer human energy is put to work!
When Cirque du Soleil first ventured beyond Canada's borders, its powerful, singularly ambitious "reinvention of the circus" seemed quixotic. Inspired by European precedents, this was a big top downsized to a more intimate, single ring, as the French-Canadian troupe jettisoned animals, banished the usual fright-wigged clowns in favour of funny folks versed in (gulp) pantomime, and focused on acrobats, contortionists and illusionists. Conventional wisdom would have held that such esoterica was doomed, but anyone lucky enough to catch that initial Cirque production (or, for that matter, any of its subsequent offerings) knows just how wrong conventional wisdom can be.Cirque's creative brain trust, including "guide" Guy Laliberte and director Franco Dragone, have crafted each production as an extended performance piece framed by recurrent characters, unified production design and underlying themes. Already mesmerising visual tableaux and astonishing illusions are given an added poignancy (and, occasionally, true gravity) by the productions' underlying comments about society, conformity, beauty and emotion; even without such conscious motifs, however, Cirque's sheer artistry is never less than riveting.Quidam revolves around an Everychild, living with self-absorbed (and deliberately archetypal) parents, who is whisked away to a vividly surreal world where Cirque's remarkable acrobats and artists take literal flight. Their tools are often prosaic--oversized flying rings, an open steel wheel large enough for a single inhabitant, skateboards, ropes--yet the resulting images are stunning. Injecting further drama and atmosphere is the score (here by musical director Benoit Jutras), which is as far removed from traditional circus music as Cirque's "acts" are from Barnum & Bailey. Performed with synthesisers, electric guitar, solo reed instruments, percussion and voice (often singing in a kind of Esperanto that's tantalising yet foreign), Cirque's music can be dismissed as New Age only until heard in its intended context. Quidam can't quite achieve the sheer, enveloping wonder that its theatrical source does, but for fans of Cirque du Soleil's unique performance art, this latest presentation sustains the troupe's magic. --Sam Sutherland, Amazon.com
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