Further investigations with garrulous detective Frost (David Jason)... Includes: Line Of Fire Benefit Of The Doubt and Mistaken Identity.
Packed with more than 750 dazzling visual effects, this US$70 million adventure does more (and less) than give the 1965-68 TV series a state-of-the-art face-lift. Aimed at an audience that wasn't born when the series originally aired, the sci-fi extravaganza doesn't even require familiarity, despite cameo appearances by several of the TV show's original cast members. Instead it's a high-tech hybrid of the original premise with enough sensory overload to qualify as a spectacular big-screen video game, supported by a time-travel premise that's adequately clever but hardly original. Lost in Space is certainly never boring, and visually it's an occasionally awesome demonstration of special effects technology. But in its attempt to be all things to all demographics, the movie's more of a marketing ploy than a satisfying adventure, thankfully dispensing with the TV show's cheesy camp but otherwise squandering a promising cast in favour of eye-candy and ephemeral storytelling. --Jeff Shannon
It's clear from the opening episodes of its third season that Farscape has developed into a grown-up show. There's a new self-confidence and maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. This is not the best place to begin your interstellar journey. All the principal actors know their characters inside and out by now, and delight in showing off their many weaknesses and flaws. Refreshingly, the crew of Moya are a squabbling, bickering, selfish bunch most of the time, who somehow and against expectations manage to pull together (just) at the crucial moment. The writing has matured, too, remaining as witty as ever but equally unafraid to push both genre and censorship boundaries as villains bloodily torture their victims (usually Crichton) and the main characters become more and more obsessed with their sex lives (or lack thereof). Farscape is a whole galaxy away from the clean, cosy world of Star Trek. On the DVD: with a number of key personnel changes on the horizon, these first five episodes are evidence that Farscape knows where it's going even as it delights in keeping the audience guessing. Will Aeryn survive? If so, at what cost to her crewmates? What will D'Argo do when he discovers that Chiana and his son are having an affair? Can Zhaan really be dying? Just who is Neeyala? And can Crichton keep one step ahead of S&M fetishist Scorpius, various Skarrans and sundry other bloodthirsty aliens all intent upon getting into his mind, sometimes literally? Aware that no one is going to be able to start Season Three without knowing a lot of background, sensibly the main extra is a 45-minute "Farscape Undressed" documentary, hosted by Ben Browder and Claudia Black, which introduces all the key characters and themes of the show and sets up the backstory for the new season. There are "Info Pods" on Aeryn (with interview) and Zhaan, an interview with new series composer Guy Gross, some text trivia pieces, plus a gallery. There's also a bonus sampler disc of the pilot episode, though if you really want to keep up you'd better start but not stop there. --Mark Walker
Jim Bergerac (Nettles) is a recovering alcoholic divorcee and father of a young daughter a Detective Sergeant with the Bureau des Etrangers Jersey. Jim likes doing things his own ways a true maverick and consequently doesn't always carry out his investigations in the traditional manner the way his boss would like... Episodes Comprise: 1. Ninety Per Cent Proof 2. A Hole In The Bucket 3. Holiday Snaps 4. Ice Maiden 5. Come Out Fighting 6. A Touch Of Eastern Promise 7. A Cry In The Night 8. The Company You Keep 9. Tug Of War 10. House Guests
The tough talking no-nonsense Jim Bergerac works for Jersey police's Bureau des ''‰trangers. Powering along in his signature red Triumph Roadster Bergerac hits the trail of villains murderers spies and smugglers with the island scenery as a glorious backdrop. Series Seven finds Bergerac troubled in his work and love life. With Barney Crozier moving up the promotional ladder yet again the future of the Bureau is in jeopardy - although of course Charlie Hungerford is still around to keep the detective busy! Meanwhile Bergerac's relationship with Susan Young is heading straight for the rocks. Episodes Comprise: 1. Sea Changes 2. Natural Enemies 3. Tangos In The Night 4. The Other Woman 5. Weekend Off 6. When Did You Last See Your Father? 7. Old Aquaintance 8. Trenchard's Last Case 9. Second Time Around
Jersey's Finest returns for Series 6 of the popular series set in the channel Islands.
In this turbulent swashbuckler Cecil B. DeMille presents a tale of daring piracy and hot-blooded love! 1840s Key West is filled with salvage businesses thriving on the cargo of wrecked ships. Ship owner Loxi Claiborne suspects salvager King Cutler of foul play since he's always first on the scene at a wreck. Meanwhile Loxi's suitor Captain Jack Stuart is another suspect - at least to jealous lawyer Steve Tolliver. Who will be found guilty - and how - hinges on some amazing developments. Along with the star-studded cast (including Robert Preston and Susan Hayward) this glorious sea spectacle has stars of another kind. There are huge clipper ships gliding in the mist storms splintering them on the rocks and a giant squid in a memorable underwater battle. With Given DeMille's robust direction it all adds up to an Oscar for Special Effects
Based on Tom Sharpes satirical novel and set in a fictional, all-male Cambridge College, 1987s Porterhouse Blue is a crusty delight. Ian Richardson stars as the austere moderniser who takes over as master of Porterhouse with a view to bringing in radical changes; David Jason is Skullion, head porter for 45 years and a bulldog-style traditionalist.Porterhouse Blue is a wonderfully grotesque and not inaccurate depiction of an Oxbridge college that has set itself resolutely and decadently against the modern world. Crammed with hoggish, port-swilling dons who are more concerned that the college stay "head of the river" than with academic achievement, the highlight of Porterhouses year is the Founders Feast, in which students and tutors gorge debauchedly on roast swan stuffed with widgeon, to the horror of the new vegetarian master. Jasons Skullion looks on approvingly: hes a stickler for Porterhouses inverted values, disapproving, for instance, of student Zipser (John Sessions), the only fellow at the college actually there to work. When the master eventually fires Skullion, the forces of traditionalism gather in sympathy and attempt their revenge.Unfolding over 190 leisurely minutes, Porterhouse Blue is an elegantly turned comedy in which practically every morsel of dialogue is to be savoured for its delicious tang. Jason and Richardson are reliably excellent in what is an overall exhibition of British TV thespianism at its finest. --David Stubbs
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. In this handsome box set, two discs contain the first four episodes of the first season, completely uncut. In "Premiere", astronaut John Crichton is inadvertently catapulted into a parallel universe where he is taken on board the bio-mechanical ship Moya and meets the inhabitants: D'Argo, a seven-foot-tall Luxan warrior, Zhaan, a blue-skinned Delvian priestess, and the diminutive slug-like Rygel, the Henson Creature Shop's proudest creation. Another humanoid (and potential love interest), formidable-yet-sexy Peacekeeper Aeryn Sun, joins soon after. In true Buck Rogers style, Ben Browder plays Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up. In episode 2, "Throne for a Loss", Rygel's devious side is developed further as he gets the crew into trouble when he "borrows" a crystal crucial to the operation of the ship and is kidnapped by some unpleasant characters. Disc Two opens with the wittily titled "Back and Back and Back to the Future", the obligatory time-travel episode, followed by "I, E.T.", in which Crichton feels the force of his earlier comment: "Boy did Spielberg get it wrong. Close Encounters, my ass." On the DVD: Disc One includes a "making of" documentary, with comments from the cast, Brian Henson and producer Rockne S. O'Bannon (the man also responsible for Alien Nation and SeaQuest), plus a profile of principal character John Crichton. Disc Two profiles Aeryn Sun and has the original trailer and DVD-ROM extras (screensaver and weblinks). --Mark Walker
The first series of Farscape was a revitalising tonic for TV SF. An ambitious coproduction of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape launched itself with a refreshing mix of CGI, prosthetics and state-of-the-art puppetry to take a visual leap beyond other genre shows. The witty scripts, too, peppered with double-entendres and pop-culture references, are light years away from the staid style of Star Trek. Admittedly, the first season's basic premise is simply Buck Rogers updated (American astronaut John Crichton, played by Ben Browder, is catapulted to a far-flung galaxy populated by strange aliens), while the crew initially have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it all look and feel completely original. --Mark Walker
It's clear right from the opening episodes of its third series that Farscape has finally developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second series. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. Season 3 is the year when the Wormhole story arc takes precedence, as the interactions between John Crichton and his nemesis Scorpius become ever more complicated (involving various different clones, real or "neural", of both antagonists). It's also the year that some major characters die, new ones are introduced and Crichton (well, one version of him anyway) and Aeryn finally consummate their relationship. Moya's crew endure a vertiginous emotional roller-coaster ride when powerful issues of love, loyalty and sacrifice loom large. They must also face their sternest challenge yet as the series' biggest story arc reaches an explosive climax aboard Scorpius' Command Carrier. Anyone who has not followed Farscape extremely closely from the very beginning of Series 1 will be utterly baffled by the convoluted plotting and complex character interactions. But for fans, this is the show's most rewarding year. --Mark Walker
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds in Dolby Digital 5.1) like every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.In this second box set there are five episodes spread across two discs. Although the generic Star Trek-style storylines seem a little over-familiar, the witty and fast-paced scripts help to keep things fresh. In "Exodus from Genesis" the crew of Moya are invaded by space cockroaches, who, in a suprising twist then help them fend off the Peacekeepers. "Thank God it's Friday Again" shows D'Argo finding happiness in a hippy commune where all is not what it seems; Crichton has a Matrix-style worm inserted in his navel before Rygel's bodily functions prove to be instrumental in rescuing the crew. Crichton finds love with the "PK Tech Girl", much to the consternation of Aeryn Sun, who goes into full Lt. Ripley mode and spends the episode running around with a pulse rifle under flickering strobe lighting. In "That Old Black Magic", a malevolent magician forces a confrontation between Crichton and his nemesis, Crais; Zhaan must revive her bad old ways in order to save the day. "DNA Mad Scientist" is the most original episode, with a neat twist on the Frankenstein scenario thanks to the splendid villain, Namtar; a distinctly unpleasant side to some of the characters is revealed as they bargain body parts in exchange for a map home. On the DVD: Because the first disc contains three episodes instead of the usual two, special features are limited to a trailer and some conceptual art. The second disc also has a profile of Zhaan. --Mark Walker
The second series of Farscape expands upon and develops the characters introduced in the ambitious first series. John Crichton's new nemesis is the deadly Scorpius, replacing Crais, who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking SF show on TV. The witty scripts, peppered with postmodern pop-culture references and movie in-jokes, are also a breath of fresh air. Despite some wildly erratic shifts in tone, this is exceptional TV science fiction that continually pushes the accepted boundaries of the genre. --Mark Walker
Nothing is as it seems behind the well-trimmed hedges of the picturesque cottages in the idyllic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humorous thoughtful and methodical Detective Chief Inspector Barnaby. The Smythe-Websters are a rich family whose wealth and power dominate the two local villages of Upper and Lower Warden Manor. The Head of the Manor's nephew Larry i
At its best, Grateful Dawg celebrates the easy friendship and truly inspired musicianship of Jerry Garcia and David Grisman through grainy home-movie footage with surprisingly crisp sound. Garcia was famous as the visionary behind the Grateful Dead, but his musical tastes were broad and he found a rewarding partnership with mandolinist Grisman, whose distinctive "Dawg" style fused jazz with bluegrass. As one of the film's commentators says, Grisman made Garcia tighter as a musician, while Garcia made Grisman looser, and where they met they created an infectious, rootsy style they called Grateful Dawg. The film's many highlights include instrumental versions of "Dawg Waltz", "Shady Grove" and "Arabia", as well as splendid footage from Garcia and Grisman's days in Old & In The Way. The talking heads inserted ham-fistedly between and over performances become repetitious and finally downright annoying. But Garcia and Grisman fans will still enjoy the glimpse of a rare musical alchemy. --Anne Hurley
It's a non-stop party for a group of beautiful teens living it up in a posh area of Los Angeles. And one very sexy lady M.J. has found a congenial way to capitalize on her friendships and advance her position. But when the music stops and the mad whirl starts to slow down M.J. must suddenly face up to a void in her life.
Episodes 6-10 of Farscape's fourth series continue the themes set at the start of the year while concentrating on one-off adventures. John Crichton is still upset that Aeryn Sun has not confided in him about her pregnancy; Aeryn is still trying to cope with the loss of his dead copy; Chiana is trying in her lascivious way to get them back together; Scorpius and Sikozu are gradually becoming integrated into the life of the crew, and John and the others are trying to learn to trust their former arch-enemy. In "'Natural Election"', the process of choosing which of the crew shall be captain becomes more urgent when the living ship Moya is attacked by a space-dwelling plant that hangs around wormholes; "John Quixote" has Crichton and Chiana trapped in a surreal gameworld full of old friends and enemies; in "I Shrink, Therefore I Am", Crichton has to rescue his friends from bounty-hunters who have shrunk them and hidden them in their heavily-armoured bodies. Aeryn finds herself compelled to homicidal violence in "'A Prefect Murder"' and time goes wonky on her; Crichton has to get into drag and Scorpius has to vomit a lot to save their crewmates from getting caught in the cross-fire of "Coup by Clam". These are enjoyable albeit routine episodes of the most imaginative space opera ever to hit the TV screen, though they only hint at the wonders that were to come later in this final series. On the DVD: Farscape 4.2 has a wealth of special features that include two deleted scenes--one of them a touching discussion of their love lives between Aeryn and Chiana--and a text guide to swearing in the Farscape universe. There is a documentary about the special effects and a prolonged interview with Claudia Black in which she talks about how the show stretched her as an actress. It is presented in widescreen with a visual aspect ratio of 4:3 and has Dolby Digital sound. --Roz Kaveney
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.Box Set 4 includes four episodes, another gallery of conceptual art, and video profiles of everyone's favourite Hynerian Dominar, Rygel, as well as a profile of Moya the living Leviathan transport ship and her pilot. The episodes are: "Durka Returns", in which the crew meet the beautiful Chiana for the first time, as well as Rygel's old tormentor, Captain Durka; "A Human Reaction", where Crichton finally gets back to Earth but with unfortunate results for the rest of Moya's crew; "Through the Looking Glass" in which the crew and Moya are thrown into a dimensional schism inhabited by a strange creature; and "A Bug's Life", in which an intelligent virus is released on the ship after an encounter with Peacekeepers. --Mark Walker
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and film in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 5: these four episodes lead up to the climax of the show's first season. "Nerve" and "The Hidden Memory" make for a bold two-parter in which Crichton is reunited with his Peacekeeper Tech girlfriend, Gilina, and emotions are strained as he infiltrates a Peacekeeper base to find a cure for Aeryn's wound. But the story's most important function is to introduce the dreaded Scorpius, who uses his Aurora chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. Scorpius, it soon becomes clear, is just not going to go away. In "Bone to be Wild" the crew is still on the run from the vengeful Scorpius and take refuge on a strange vegetation-covered asteroid where there's a deadly role-reversal of the beauty and the beast story taking place. Finally in "Family Ties" the season ends on a tense cliffhanger as Rygel plots with Scorpius, Crais intervenes unexpectedly, Moya's child turns out to be something of a handful, and Crichton and D'Argo must take a desperate gamble. Also on the disc is an interview with costume designer Terry Ryan and a profile of the Australian Creature Shop. --Mark Walker
Well over half way through its third season and Farscape has plenty more surprises in store. This box set concludes the cliffhanger of "Infinite Possibilities" with the extraordinarily brave "Icarus Abides", in which the battle between Crichton and his Scorpius clone is resolved, but with fatal consequences. Then, in a dizzying change of pace, we return to Moya and the "other" Crichton for "Revenging Angel", part of which is a madcap Farscape take on the Road Runner cartoons, with a furious D'Argo standing in for Wiley Coyote. Matters turn sombre again as Aeryn communes with the spirits of the dead in "The Choice", but the reappearance of her mum, the vengeful Xhalax Sun, creates problems for Rygel and Stark. Across these four episodes the action seesaws between the crews of Moya and Talyn until a reluctant and painful reunion takes place in "Fractures", setting the scene for the final quartet of episodes of this enthralling season. Anyone who has not followed Farscape extremely closely from the very first episode of season one should go right back and begin at the beginning. On the DVD: four uncut episodes are accompanied by the now-familiar gallery of extras. There are "Info Pods" on D'Argo and Pilot, some deleted scenes, "Farscape Facts", Sci-Fi channel promos and a picture gallery. --Mark Walker
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