A documentary about the rise and fall of filmmaker Troy Duffy, an aspiring writer-director who got the dream of a lifetime and ruined it.
The Internship: Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment. The Watch: Four men who form a neighborhood watch group as a way to get out of their day-to-day family routines find themselves defending the Earth from an alien invasion.
As Treme opens, a group of New Orleans residents are celebrating their first "second-line parade" since Hurricane Katrina blew through the city and across the Gulf Coast just three months earlier. Folks are strutting and dancing, a brass band is blowing a joyful noise--it's a celebration of "NOLA's" resilience and proud spirit ("Won't bow--don't know how," as they say). But there's darkness just below this shiny surface, and anyone familiar with The Wire, cocreator-writer David Simon's last show, won't be a bit surprised to find that he and fellow Treme writer-producer Eric Overmyer aren't shy about going there. The New Orleans we see is a city barely starting to recover from what one character calls "a man-made catastrophe of epic proportions and decades in the making." Many people's homes are gone, and insurance payments are a rumor. Other locals haven't come back, and still others are simply missing. The people have been betrayed by their own government, and New Orleans's reputation for corruption is hardly helped by the fact that the police force is in such disarray that the line between cop and criminal is sometimes so fine as to be nonexistent. Bad, but not all bad. NOLA still has its cuisine, its communities, and best of all its music, which permeates every chapter, from the Rebirth Brass Band's "I Feel Like Funkin' It Up" in episode 1 to Allen Toussaint and "Cha Dooky-Doo" in episode 10. There's Dixieland and zydeco, natch, but also hip-hop and rock; there are NOLA stalwarts like Dr. John, Ernie K-Doe, Lee Dorsey, and the Meters (as well as appearances by Elvis Costello, Steve Earle, and others), but plenty of younger, lesser knowns, too. Whether we hear it in the street, in a club or a recording studio, at home, or anywhere, music is the lifeblood of the city and this series, and it's handled brilliantly. Treme has a lot of characters and their stories to keep up with. There's trombonist Antoine Batiste (Wendell Pierce), a wonderful player but kind of a dog, especially to his current baby mama and his ex-wife, LaDonna (Khandi Alexander), a bar owner who's desperately searching for her missing brother. There's Creighton Bernette (John Goodman), a writer preoccupied with telling the world what's really going on in the city, and his wife Toni (Melissa Leo), a lawyer and thorn in the side of the authorities. There's Davis McAlary (Steve Zahn), a well-meaning but annoyingly clueless radio DJ, his occasional girlfriend Janette (Kim Dickens), who's struggling to keep her restaurant open, and Albert Lambreaux (Clarke Peters), who returns from Houston, finds his house in ruins, and sets about rebuilding it. You might not like all of them. Not all get through the series unscathed, or even alive. But that's part of the deal. The show feels authentic: dialogue (natural, plain, and profane), story lines, locations, camera work, the utter lack of gloss and glamour--this is no Chamber of Commerce travelogue. It's not a documentary either, but there are moments when it's just down and dirty enough to pass for one. --Sam Graham
HALF MAN... HALF ANT... ALL TERROR! So says the advertising campaign for Mant!, the latest low-budget schlock-horror classic from cigar-chomping producer Lawrence Woolsey (John Goodman, The Big Lebowski), who more than makes up for his films' lack of production values by festooning them with gimmicks that would turn even William Castle (The Tingler) green with envy. But the most potent gimmick of all is accidental: Woolsey schedules a sneak preview of Mant! in Key West, Florida, in October 1962, unaware that the Cuban missile crisis is about to flare up. Will the threat of genuine nuclear war distract the locals from the movie, or will they find it doubly terrifying? Directed by the legendary Joe Dante (The Burbs), this delightful film isn t just an affectionate love-letter to the sci-fi and horror films that he grew up with in the 1950s and 60s, it s also a witty and intelligent exploration of the way that the most successful genre films worked by preying on the very real fears of their audiences about everything from Soviet satellite launches to atomic mutation. SPECIAL EDITION CONTENTS: High definition digital transfer supplied by NBC Universal Lossless stereo audio Optional English subtitles for the deaf and hard of hearing Paranoia in Ant Vision, a discussion with director Joe Dante about the making of the film Mant!, the full length version of the film-within-a-film Discussion with Joe Dante on the effects of Mant! Vintage making of featurette Rare on-set footage, sourced from Joe Dante s personal collection Original theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
Coyote Ugly: Moving to New York to pursue her dream of becoming a famous songwriter Violet Sanford (Perabo) finds herself desperate and broke. Through a twist of fate the shy innocent Violet lands a job as one of the barmaids at the hottest nightclub in town - the down and dirty wild and fun Coyote Ugly. Pouring drinks and overflowing with attitude the Coyotes spend more time on top of the bar than behind it tantalising the standing-room-only crowd with their outrageous antics. It's one wild adventure for a small-town girl chasing a dream in the big city. Confessions Of A Shopaholic: Rebecca Bloomwood just hit rock bottom - but she's never looked better! She has a fabulous flat in New York's trendiest neighborhood a troupe of glamorous socialite friends and a closet brimming with the season's must-haves. The only trouble is that she can't actually afford any of it. Her job writing for a financial magazine not only bores her to tears it doesn't pay much at all. Hounded by letters from her credit card company Becky tries cutting back; she even tries making more money. But none of her efforts succeeds. Finally a story arises that Becky actually cares about and her front-page article catalyses a chain of events that will transform her life and the lives of those around her forever. Sweet Home Alabama: Melanie Carmicheal (Reese Witherspoon) is a New York fashion designer with the ideal glamourous life; beautiful successful and newly engaged to perfect-on-paper bachelor Andrew (Patrick Dempsey). All would be perfect if not for her past life with Jake (Josh Lucas) the redneck husband she married in high school who refuses to give her a divorce. When the too-good-to-be-true Andrew son of Mayor Kate Hennings (Candice Bergen) sweeps her off her feet by proposing Melanie goes back to her roots to track down her estranged husband and fix the only obstacle in her path to her future happiness. Initially frustrated by her old memories Melanie slowly warms to and accepts her past as a necessary part of her future...
Titles Comprise:A Serious Man: An original and darkly humorous story about one ordinary man's quest to become a serious man. Physics professor Larry Gopnik (Michael Stuhlbarg) can't believe his life: His wife is leaving him for his best friend. His unemployed brother won't move off the couch. Someone is threatening his career. His kids are a mystery, and his neighbour is tormenting him by sunbathing nude.Struggling to make sense of it all, Larry consults three different rabbis and their answers lead him on a twisted journey of faith, family, delinquent behaviour and mortality.The Big Lebowski: The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named...The Dude. Jeff The Dude Lebowski doesn't want any drama in his life... heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude.Barton Fink: New York 1941: Socially Concious scriptwriter Barton Fink (John Turturro) has made it big on Broadway, now Tinsel Town is taking notice. Hired by Hollywood to write a wrestling picture, Barton quits the city smog for movie stardom.L.A. has got the Barton Fink feeling - Barton Fink has got writer's block. Enlisting the help of able assistant Audrey (Judy Davis) and amiable neighbour Charlie Meadows (John Goodman), Fink finds the real-life inspiration he seeks comes from the most sinister of sources.Burn After Reading: An all-star cast, including George Clooney, Brad Pitt, Frances McDormand, Tilda Swinton and John Malkovich come together in this outrageous spy comedy about murder, blackmail, sex addiction and physical fitness!When a disc filled with some of the CIA's most irrelevant secrets gets in the hands of two determined, but dim-witted, gym employees, the duo are intent on exploiting their find, but since blackmail is a trade better left to the experts events soon spiral out of everyone and anyone's control, resulting in a non-stop series of hilarious encounters!Intolerable Cruelty: Top divorce attorney Miles Massey (George Clooney) has got it all. Serial gold-digger Marilyn Rexroth (Catherine Zeta-Jones) wants it all. When Miles falls for the unattainable Marilyn, a hilarious battle of deceit and cunning ensues. Underhanded tactics, deceptions and an undeniable attraction escalate as Marilyn and Miles square off in this classic battle of the sexes.
This prime-time computer animated series from Dreamworks was unceremoniously cancelled following declining ratings coupled with the high budget per episode (estimated at $1.6 million). The series follows a family of white lions who work as performers for Seigfried & Roy in Las Vegas where they and their animal friends are located in a town of their own going about day to day life outside of the jungle they were plucked from. John Goodman Cheryl Hines Orlando Jones and Carl Reiner h
From the Academy Award®-winning° Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named The Dude. Jeff The Dude Lebowski doesn't want any drama in his life heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the #1 cult film of all time! (The Boston Globe)
Steve Ford (Bruce Willis) is a down but not out L.A based Private Investigator whose professional and personal worlds collide after his loving pet dog Buddy is stolen by a notorious gang. A series of crazy circumstances find him doing the gang's bidding, while being chased by two vengeful Samoan brothers, a loan shark's goons, and a few other shady characters. They say a dog is a man's best friend, and Steve shows how far a man will go to be reunited with him
Clifford, Cleo and T-Bone go on a quest for a life-time supply of Tummie Yummy dog treats.
From the Academy Award-winning Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named The Dude.From the Academy Award-winning Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named The Dude.Jeff The Dude Lebowski doesn't want any drama in his life. Heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in this cult classic. BONUS FEATURES: Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color Worthy Adversaries: What's My Line Trivia The Dude's Life The Dude Abides: The Big Lebowski Ten Years Later Making of The Big Lebowski The Lebowski Fest: An Achiever's Story Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude Interactive Map Jeff Bridges Photo Book Photo Gallery An Introduction
In 1988 it exploded onto TV full of unprecedented honesty attitude and flat-out hilarity. No other series - before or since - has had such a worldwide impact. In this groundbreaking debut series meet the working class Conners of Lanford Illinois - wife / mother / domestic goddess Roseanne husband Dan her sister Jackie and kids Becky Darlene and D.J. Watch as they live their lives like no other family in television history as they launch the legendary sitcom that changed our culture for ever. It all begins with these 23 classic episodes - featuring such guest stars as George Clooney Bruce Willis and many more... Episodes comprise: 1. Life And Stuff 2. We're In The Money 3. D-I-V-O-R-C-E 4. Language Lessons 5. Radio Days 6. Lovers' Lanes 7. The Memory Game 8. Here's To Good Friends 9. Dan's Birthday Bash 10. Saturday 11. Canoga Time 12. The Monday Through Friday Show 13. Bridge Over Troubled Sonny 14. Father's day 15. Nightmare On Oak Street 16. Mall Story 17. Becky's Choice 18. The Slice Of Life 19. Workin' Overtime 20. Toto We're Not In Kansas Anymore 21. Death And Stuff 22. Dear Mom And Dad 23. Let's Call It Quits
audio in italiano18 anni dopo elwood blues (aykroyd) esce di prigione. suo fratello jake (belushi) e' morto e la loro orchestra non c'e' piu'. se n'e' andato anche curtis, loro padre spirituale, lasciando un figlio poliziotto duro e puro. insieme con un nuovo partner, il gioviale mighty mack mcteer (goodman) e con buster, orfanello di 10 anni (bonifant), elwood si rimette in marcia. dovra' fare i conti con la mafia russa. tentativo parzialmente riuscito di continuare un film di culto che nel 1980, con l'aereo piu' pazzo del mondo inauguro' il genere catacomico: ludico, demenziale, goliardico, frenetico, buffonesco, tutto ma non rassicurante e mistificatorio. quel che c'e' di divertente e' gia' visto e quel che ha di nuovo non diverte. c'e' tanta musica, d'accordo. troppa.
You won't find many television series whose defining event occurred before the first episode of the first season. Then again, there aren't many, if any, series like HBO's Treme. Created by writer-producers David Simon (of The Wire) and Eric Overmyer, this show has as its driving force, its raison d'être, Katrina, the hurricane that decimated New Orleans and the Gulf Coast in 2005. The debut season began a couple of months after the storm passed through, leaving misery and chaos in its wake; the first of 11 episodes in this, the second season, starts about a year after that. Most of the action still centers around NOLA, where the locals are continuing to pick up the pieces and get on with their lives in a city now plagued with violence and disorder. Some of those who left are returning, but some may be gone for good (several scenes throughout the season take place in New York City). Some are trying to rebuild their homes (which means the endless wait for federal funds continues); others, hewing to a mantra that "no disaster should go to waste," include venal businessmen looking to capitalize on the city's pain by rebuilding New Orleans "properly." And as one character puts it, "Everybody is out of their minds." As before, there are numerous characters and story lines to keep track of. Trombonist Antoine Batiste (Wendell Pierce) takes a job teaching music to schoolkids while also putting together a hot new band, the Soul Apostles. His former wife, bar owner LaDonna (Khandi Alexander), spends much of the season suffering from the effects of a brutal assault. Chef Janette Desautel (Kim Dickens) now lives and plies her trade in Manhattan, while her former boyfriend, DJ and aspiring rapper-music exec Davis McAlary (Steve Zahn), has taken up with up-and-coming fiddler Annie Tee (Lucia Micarelli). Activist lawyer Toni Bernette (Oscar winner Melissa Leo) tries to get to the bottom of a killing that may have involved police misconduct, while daughter Sofia (India Ennenga) struggles to adapt to life without her dad, who died in the previous season. Part of the show's appeal is the fact that these folks and the others whose story lines we follow are not superheroes or world-beaters; they're just people dealing with life's daily, if not exactly ordinary, vicissitudes. But as before, it's the music that remains the show's soul and constant heartbeat, whether it's provided by regulars like Antoine, Annie, and trumpeter Delmond Lambreaux (Rob Brown), who's trying to simultaneously update and honor the traditional New Orleans sound, or guest artists including John Hiatt and Shawn Colvin. You might tune in for the writing and acting (both excellent), but in the end, it's the sounds of Treme that will keep you coming back. --Sam Graham
Nicolas Cage, Holly Hunter and John Goodman lead an all-star cast in Ethan and Joel Coen's celebrated comedy. Once he decides to give up crime, a small-time robber (Cage) proposes to a pretty cop (Hunter). But when the newlyweds learn they can't conceive a baby, they decide to steal one from a couple who seem to have one to spare - since they just had quintuplets! With its outrageous plot, fast-paced action and even some wild pyrotechnics, Raising Arizona will forever have a place in the hearts of lovers - and film lovers - everywhere.
This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humour and the Henson Studios creatures but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humour is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flintstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas
The popular children's books by Mary Norton have been filmed before, but never with as much imagination and ingenuity as you'll find on display in this delightful fantasy film released to critical praise in 1998. The eponymous Borrowers are a family of tiny people who live in the walls and under the floorboards in the homes of "normal-sized" humans; they earn their by "borrowing" the household items (string, food crumbs, buttons, and so on) needed to furnish their tiny hiding places and provide their meals. The little Clock family lives happily undisturbed in the home of an aged aunt, but when the aunt dies and her will is stolen by an unscrupulous lawyer (John Goodman), the Clocks face eviction and the frightening hazards of the outside world. Under the ingenious direction of Peter Hewitt, this simple, straightforward movie mixes comedy, adventure, and suspense with some of the cleverest special effects you've ever seen, taking full advantage of effects technologies to immerse you in the world of the tiny people. A climactic chase scene in a milk-bottling plant is a visual tour de force, and the movie's smart and dazzling enough to entertain parents and children alike. After its modest success in cinemas, The Borrowers stands a good chance of becoming a home-video favourite. --Jeff Shannon
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
Based on the best selling novels, Confessions of a Shopaholic and Shopaholic Abroad by Sophie Kinsella, Confessions of a Shopaholic stars Isla Fisher (Wedding Crashers) as New York journalist and shopping addict Rebecca Bloomwood.
Jim Bennett (Academy Award-nominee Mark Wahlberg) is a risk taker. Both an English professor and a high-stakes gambler, Bennett bets it all when he borrows from a gangster (Michael Kenneth Williams) and offers his own life as collateral.
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