A womanising cowboy and former deputy sheriff is taken in by a Quaker family after being wounded in a fight...
Angel And The Badman: Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by. The Cowboy And The Senorita: Craig Allen (Hubbard) gambler and town boss attempts to take a gold-mine inherited by 17 year old Chip Williams (Lee). Roy suspects that the mine may be more valuable than it appears and investigates a clue le
Rio Grande was the last and least memorable of John Ford's famous cavalry trilogy (following Fort Apache and She Wore a Yellow Ribbon), but it none the less maintains an interesting continuity about the gentlemanly rules of military conduct. Here the focus is on the family. While creating a heated controversy over his handling of the Apache war, John Wayne must also contend with disgruntled wife Maureen O'Hara and estranged son Claude Jarman Jr, a new recruit trying to earn his father's love and respect. Ford suggests that there are two conflicting codes of honour in every cavalry officer's life, the personal as well as the professional, and that it takes an act of heroism to maintain both. It's fascinating to observe Wayne's progression throughout the trilogy, as his personal stakes intensify. This is the first of five onscreen appearances between the Duke and O'Hara, each filled with a competitive spirit and stormy sexuality. --Bill Desowitz, Amazon.com
Bergerac the Jersey-based detective series stars John Nettles as Jim Bergerac a recovering alcoholic divorcee and father to a young daughter. He is a Detective Sergeant with the Bureau des Etrangers a department for non-residents on the Channel Island of Jersey. Episodes Comprise: 1. A True Detective (1 of 2) 2. My Name's Sergeant Bergerac (2 of 2) 3. The Dig 4. Roots of Evil 5. Entente Cordiale 6. In Love and War 7. Under Wraps 8. All the Sad Songs 9. The Messenger Boy 10. Diplomatic Incident 11. There for the Picking
Eschewing the path of glorification Fellini's Casanova seeks to humanize the man behind the myth by presenting him as just a normal human being swept up by extraordinairy circumstances. Rather than depict the great lover as a romantic compassionate man Fellini sought to present him as a pompous sex machine therefore stripping the character of his literary majesty. For his tremendous efforts Danilo Donati won an Oscar for Best Costume Design and the film just missed
An action-packed romantic movie about an engineer's attempt to build a railroad tunnel in the Andes Mountains. Johnny Munroe is a tough builder who along with partner Pop Mathews has been hired by tycoon Frederick Alexander to pull off the difficult task. Although Johnny and Pop think that it would be far easier to lay the train tracks on a bridge spanning a river Frederick insists on a tunnel.
Made over the course of fifteen years For No Good Reason explores the connection between life and art through the eyes of seminal British artist Ralph Steadman. Insightful humorous and visually stunning this is a study in honestly friendship and the ambition that drives an artist. Ralph's rise to prominence began in the early 1970's during the fallout from the love and hope that had swept the western world during the 1960's. This legendary time for music literature art and philosophy was the catalyst along with his developing relationship with writer Hunter S Thompson for Ralph to express and chart the wreckage that followed; a large-scale disintegration of a demoralised counter-culture. His art gained recognition in the press and popular-culture publications both in the UK and US for its bold comment on his fiercely heartfelt politics. The film is a richly creative visual feast about the power and importance of art to achieve Steadman's aim I learnt to draw... to try to change the world. Director Charlie Paul spent 15 years meticulously amassing the footage and creating the remarkable animations for the film to match the same anarchic energy anger and free spirit of Steadman's pictures. Through Johnny Depp's lead in this intimate portrait we are able to reach to the heart of what make this artist tick his friendships and fallings out his love for art and his passion for civil liberties. For No Good Reason is a riot of stories and images as we take a trip through the wild and dark days of Steadman's time with Fear and Loathing In Las Vegas writer Thompson the Rumble In The Jungle; gunfights with literary giant William S Burroughs and his fiercely heartfelt politics. This is an invention energetic occasionally harrowing but inspiring and uplifting film with contributions from Terry Gilliam Richard E. Grant and music from Slash All American Rejects Jason Mraz James Blake Ed Harcourt and Crystal Castles.
This has the unmistakeable whiff of opportunism about it-there is no structure, no narration, nothing by way of accompanying information, and much of the concert footage looks like it was filmed by someone whose other eye was engaged reading the instruction manual for the camera. Despite--or, just maybe, because of--these limitations, it offers some genuine revelations of its subject. And, in fairness, the concert footage that is filmed properly is marvellous. The material collected here was apparently filmed in America in the late 60s, and offers a series of snapshots of Cash on one of his famously interminable tours. He is shown playing to audiences of fans, maximum security prisoners and feather-clad Native American dignitaries, and he is shown away from the stage, playing cards on the tour bus, jamming with friends and further reinforcing his then-unfashionable interest in Native American issues with a visit to the site of the Wounded Knee massacre. Also of interest are the other performers that wander through this random travelogue: Cash's wife, June Carter Cash, duetting with him on "Jackson"; Cash's lead guitarist, Carl Perkins, taking the spotlight to sing his creation "Blue Suede Shoes"; and, best of all, Cash, grinning from ear to ear and quite unabashedly overawed, recording a glorious duet of Billy Edd Wheeler's "Blistered" with an insouciant, gum-chewing Bob Dylan. --Andrew Mueller
The Fullerton's an affluent middle class American family have the balance of their lifestyle upset when young Alice Fullerton falls in love with a talented news reporter invited to lodge in their house. Despite the efforts of her mother father boyfriend and even the reporter himself nothing can deter the girl of a certain age from her heart's desire.
War Of The Wildcats (Dir. Albert S. Rogell 1943): A cowboy battles with an oil tycoon for drilling rights on Indian lands in Oklahoma during the oil boom days. In Old California (Dir. William McGann 1942): Tom Craig (John Wayne) is a recent arrival to Sacramento California where he is trying to set up his pharmacy. He unfortunately finds out that the town is owned by political boss Britt Dawson (Albert Dekker) who is getting protection money from the townspeople. The town boss meets his match when he tries to frame Craig with poisoned medicine but Craig is ready for a fight.
Legendarily chintzy "event" producer Irwin Allen (The Towering Inferno) went out with a gargantuan buzz-on with this jaw-droppingly goofy disaster flick. No cliché is left unturned, as a hyperactive strain of hallucination-inducing killer bees get it into their microscopic brains to derail a commuter train, destroy a nuclear power plant and otherwise decimate a veritable cornucopia of washed-up actors (Fred MacMurray, Henry Fonda, Richard Widmark, Patty Duke, Slim Pickens and narcoleptic dreamboat Richard Chamberlain are just a few of the legendary has-beens to get fatally stung by what appears to be airborne coffee grounds). Be sure to stay tuned through the closing credits for a (lawsuit-preventing?) coda absolving the good ol' hardworking American honeybee of any and all sinister charges depicted herein. The Swarm is an irresistibly hilarious chunk of honey-roasted cheese--70s style. --Andrew Wright
A womanising cowboy and former deputy sheriff is taken in by a Quaker family after being wounded in a fight...
Returning from his stint in World War II tough Marine Rusty meets up with a famous writer.
John Ford's 1948 classic stars John Wayne as a cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgements about the wisdom of these changes ambiguous, but he also allows plenty of room in this wonderful film for the fullness of life among the soldiers and their families--community rituals, new romances--to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films. --Tom Keogh, Amazon.com
In a totally unexpected piece of casting, Blue Valley Songbird stars Dolly Parton as a country singer/songwriter with big hair, large breasts and lots of lippy. The comparison ends there, though, because here she plays Leana Taylor, a talented performer hampered by her provincial background (and unpleasant manager/boyfriend) who realises she must escape her small-town roots in order to achieve her true potential. This isn't the most taxing of narratives, but it's the music that counts here. This movie is of the "musical drama" genre--take a star musical performer, give them the lead role in a movie, then furnish them with every excuse to perform therein so long as it can be done as a realistic element within the overall story--and as such it's highly agreeable. Parton not only has buckets of musical talent but also has plausible acting skills, even if the viewer is bound to think that these are mainly to do with being Dolly Parton. In any event, the songs are excellent, so this is well worth watching even if you find yourself fast-forwarding until you see someone picking a guitar up.--Roger Thomas
Jaws 2: Police Chief Brody (Roy Scheider) is walking his beach beat a few years on from the horrible shark attacks on Amity Island. A missing diver's camera shows what looks like a shark fin but Amitys cowardly Mayor (Murray Hamilton) plays down the incident. Brody raises a panicky false alarm from his observation tower and is fired for it. Suddenly the new killer shark attacks a group of small boats manned by teenagers which include his own sons... (Dir. Jeannot Szwarc 1978) Jaws 3: The brand new Sea World complex in Florida offers visitors the chance to view the undersea kingdom from the safety of glass tunnels on the sea-bed. All seems well until a thirty-five foot Great White shark appears on the scene..... (Dir. Joe Alves 1982) Jaws 4: Lorraine Gary repeats her role of Ellen Brody widow of Chief Martin Brody in this suspenseful sequel starring Oscar-winner Michael Caine. After Deputy Sean Brody is killed by a shark off Amity Island she joins her other son Michael a marine biologist his wife Carla and their daughter Thea in the Bahamas. There she falls for Hoagie a carefree pilot and starts putting her life back together - until a Great White threatens Thea and Ellen knows she has no choice but to face her fear in a final fatal showdown... (Dir. Jospeh Sargent 1987)
Gunslinger Quirt Evans is injured and found by Penelope Wirth and her father Thomas a Quaker family with values and a way of living in contrast to Quirt Evans'. Quirt and Penelope are drawn to each other although Quirt has no intention of embracing the Quaker lifestyle. He does however intervene to conivince a rancher to restore their water supply even if the family would not have approved of his methods... Evans' rival Laredo Stevens is unimpressed with the new peaceful Qu
The Jack Bull was produced for and premiered on American television network HBO, but it's easily the most respectable job that feature director John Badham (Saturday Night Fever, WarGames) has done in the past two decades. The title refers to a metaphorical Jack Russell terrier that, once it's annoyed enough to close its jaws on something, will hang on to the point of death. This terrier is Myrl Redding (John Cusack), a horse breeder of limited means who has a deeply entrenched sense of justice. His independence galls Henry Ballard (L Q Jones), the crusty land baron out to set his brand on most of the countryside. Ballard insults and cheats Redding several times over and his men beat Redding's Indian horse trainer and friend (Rodney A Grant). When Redding seeks redress from the law, its agents can't be bothered as the local magistrate is in Ballard's pocket. So Redding musters a vigilante army to enforce his own law. Scratch this handsome but rigorously unromanticised Westerna full hour passes without a shot being fired--and you find the classic Heinrich von Kleist book Michael Kohlhaas transposed to Wyoming Territory on the eve of statehood. The script--by the star/producer's dad, Dick Cusack--is sturdy and uncompromising and willing to engage the knotty ambiguities of embracing vigilantism even in a just cause. Badham's decision to treat the authorities (Scott Wilson, Jay O Sanders, John Goodman) as period caricatures is regrettable but John Cusack is solid as a figure of utterly matter-of-fact integrity. --Richard T. Jameson, Amazon.com
The ultimate in high-energy adventure these mythical adventures of good vs. evil are non-stop entertainment! The Mummy: Deep in the Egyptian desert a handful of people searching for a long-lost treasure have just unearthed a 3 000 year old legacy of terror... Combining the thrills of a rousing adventure with the suspense of Universal's legendary 1932 horror classic The Mummy starring Brendan Fraser is a true nonstop action epic filled with dazzling visual effects top-
Rangers can always smell a rat - even from space - and just as Cam busts out a wild cyber version of himself to handle his double duties the Fragra monster is turning everyone into perfume! Things get more brutal when Lothor and Mr. Ratwell unleash a love potion to chill Lothor's bad boy image. Meanwhile Lothor's nasty nieces accidentally trade away his P.A.M. (personal alien manager) wreaking unearthly havoc when it falls into the wrong hands. But it's Marah and Queen Beevil who d
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