Glynis Johns, Diana Dors and Sybil Thorndike star in this powerful, sympathetic drama tracing the contrasting lives and often faltering progress of the inmates of a women's prison. Based on the best-selling semi-autobiographical novel by Joan Henry a writer and former debutante who further drew upon her own prison experience for the novel and classic film Yield to the Night The Weak and the Wicked is directed by Henry's future husband, Oscar-nominated J. Lee-Thompson. The film is featured here in a brand-new transfer from original film elements, in its as-exhibited theatrical aspect ratio. Jean Raymond, an upper-class woman with a gambling addiction, is given a twelve-month prison sentence resulting from her inability to pay her debts. At first she is overwhelmingly depressed by life in the women's prison; gradually, however, her misery is relieved by the many close friends she makes there.
Unseen for many years Three Cases Of Murder and Return To Glennascaul are something of a treat for lovers of British film. The main feature is an excellent portmanteau in which the viewers' imagination is challenged by the bizarre and macabre. A notable supporting cast of British actors includes John Gregson Elizabeth Sellars Andre Morell Hugh Pryse Eddie Byrne and Alan Badel.
One of Brian De Palma's most acclaimed films, this brilliant fusion of the obsessive sleuthing of Blow-up and The Conversation with themes drawn from real-life political scandals (the JFK assassination, Chappaquiddick, Watergate) starts with sound technician Jack Terry (John Travolta) accidentally recording what might be explosive evidence of a deadly conspiracy. Brilliantly shot by the then recent Oscar-winner Vilmos Zsigmond, this terrifically stylish thriller co-stars Nancy Allen as the eyewitness who becomes the unwitting target of John Lithgow's serial killer as he ruthlessly attempts to bury all the evidence. It's also a film about the filmmaking process: Terry is originally hired to work on the low-budget slasher film Coed Frenzy, and later turns his technical skills to much more serious use as he tries to reconstruct a political assassination on film in a way that will stand up in court. Special Features: New, restored digital transfer, supervised and approved by director Brian De Palma Original Dolby 2.0 DTS-HD Master Audio Optional English SDH subtitles for the deaf and hard of hearing Black and White in Colour: An Interview with cinematographer Vilmos Zsigmond Rag Doll Memories: Nancy Allen on Blow Out Return to Philadelphia: An interview with Producer George Litto A gallery of on-set photos by photographer Louis Goldman Reversible sleeve with original and newly commissioned artwork by Joe Wilson Original Theatrical Trailer Collector’s booklet featuring new writing on the film by Michael Atkinson, a conversation between Quentin Tarantino and De Palma, and more to be confirmed!
A collection of the festive episodes featuring Emmy Award-winner Kelsey Grammer as Frasier - the hilarious psychiatrist first seen on TV's Cheers and subsequently the star of this smash-hit comedy series.
Summer is here, and the heroes of Class 1-A and 1-B are in for the toughest training camp of their lives! Braving the elements in this secret location becomes the least of their worries when routine training turns into a critical struggle for survival.
A pair of widowed grandparents are forced to cohabit in their children's basement. Daphne (Angela Thorne) is a snobby Cheltenham-bred lady while Sam (Michael Elphick) is the cockney wide boy who has designs on Daphne. First broadcast in 1985 this release includes all the episodes from Series One and Two of Three Up Two Down. Episode titles: Your Place Or Mine? Widower's Mite Ill Wind From Cheltenham Epping's Not Far Just Desserts Two Down One To Go Major Inconvenience Sweet
Missile to the Moon: An expedition to the moon arrives to find a sinister female presiding over a race of moon-women. A remake of 'Cat Women of the Moon'. Earth Vs The Flying Saucers: Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... Planet Outlaws (aka Destination Saturn): The re-edited version of the 1939 Universal serial 'Buck Rogers'. Buck and his comrade Buddy are released from suspended animation after 500 years on ice. The world which they once knew is now under the control of Killer Kane a terrifying mobster. Needless to say the duo quickly get onboard a plan to take down the criminal mastermind and his band of futuristic assasins.
Easter. Port Talbot is in a battle for its life. Authoritarian forces have taken over and the town is in thrall to ICU, a sinister and merciless corporation depleting the town of its resources with scant regard for the residents. The atmosphere is explosive. Resistance is inevitable.When a company man and suicide bomber clash on the beach, catastrophe is only averted by the intervention of a softly spoken man who had disappeared 40 days earlier. Revealed later as the Teacher (Michael Sheen), he attracts followers and becomes a focus for the Resistance. His influence quickly draws the attention of ICU, who perceive him as a danger who must be removed at all costs...
Patrick Duffy and Linda Carter star in this highly emotional story of love loss and rediscovered happiness. Oliver is a top advertising executive who seems to have it all - a beautiful wife three great children and a lovely home. But one fateful day his wife announces she is leaving home to become a mature student at a far away university. Her promise to return on weekends is quickly broken and Oliver must take on the role of both father and mother to his increasingly confused a
Two-time Academy Award ® nominees John Malkovich and Jude Law star in Academy Award® winner Paolo Sorrentino's stunning vision for the world of the modern papacy. Written and directed by internationally celebrated auteur Paolo Sorrentino, with co-writers Umberto Contarello and Stefano Bises, The New Pope marks Sorrentino's second series set in the world of the modern papacy. Pius XIII (Jude Law) is in a coma. After an unpredictable and mysterious time, the Secretary of State Voiello succeeds in the enterprise of having the charming, sophisticated and moderate English aristocrat Sir John Brannox (John Malkovich) placed on the papal throne with the name John Paul III. The new pope seems perfect, but he conceals secrets and a certain fragility. Quickly, he begins to realise that it will not be easy to replace the charismatic Pius XIII who, hanging between life and death, has become a Saint with thousands of faithful followers now idolizing him. Meanwhile, the Church is under attack from several scandals that risk irreversibly devastating the hierarchies of the Church, and the key principles of Christianity upon which they are based. As always, nothing is as it originally seems in the Vatican. Good and evil march arm in arm through this historic institution, right up until the final showdown...
As a Christmas treat in the late 1960s and 70s, the BBC produced adaptations of ghost stories based on the works of MR James, the Cambridge academic and author of some of the most spine-tingling tales in the English language, which were broadcast to terrified viewers in the dead of winter. This was a tradition that was briefly revived by the BBC between 2007 and 2010.These adaptations, which have a subtlety and style all of their own, have been a major influence on many contemporary British horror filmmakers and have come to be some of the most sought after British TV titles of all time by their legions of eager fans.Volume one in the BFI's BBC Ghost Stories collection pairs both versions of the terrifying Whistle and I'll Come To You: the 1968 adaptation directed by Jonathan Miller and starring Sir Michael Hordern, and the more recent reinterpretation, starring the legendary John Hurt, from 2010.
The long-awaited return to Shiganshinahas come. Once again, Eren, Mikasa, and Armin face the Titans in their hometown where the secrets of the Jaeger family cellar lie in wait. On this do-or-die mission to take back Wall Maria, the Scouts quickly learn that Reiner and Bertholdtare the least of their worries.
Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
The enigmatic and gripping Haven is back and nothing is what it seems. FBI agent Audrey Parker is being held hostage by a mysterious man who will do anything to learn the whereabouts of the Colorado Kid. In order to save Audrey from harm Nathan and Duke will have to put their rivalry and differences aside and work together but in doing so uncover a new alien threat…
From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars.This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.FOR THE LOVE OF MIKE (1932)A useless secretary and his private detective friend try to help an heiress from being swindled by her guardian.FACING THE MUSIC (1933)A joyful medley of farce, romance, song and slapstick starring Stanley Lupino as an impressionable youth whose pursuit of an opera singer's niece lands him in trouble!MY SONG GOES ROUND THE WORLD (1934)Set in Venice, the touching and sometimes comic story of a diminutive tenor who falls in love whilst striving for success.HEART'S DESIRE (1935)Richard Tauber, the great Austrian tenor, features in the story of a singing peasant from a Vienna beer-garden who conquers London, but at a cost...
A biker must outride an FBI agent hot on his trail and two fearsome gang leaders out for his blood in this explosive slice of action.
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Clint Eastwood's stardom was supernova, thanks to Dirty Harry; John Sturges, the man behind The Magnificent Seven and a dozen other memorably leathery Westerns, was directing; and Elmore Leonard was the screenwriter. It just goes to show. Joe Kidd is a muddle and a drag, the shoddiest Eastwood vehicle since Rowdy Yates trod in his last cow flop. Kidd, first seen as a duded-up drunk sleeping one off in jail, is supposed to be a horse rancher and an expert tracker--just the fellow a rapacious land-grabber (Robert Duvall committing lazy villainy) needs to chase down the uppity Latino (John Saxon) who's trying to reclaim the grabbed land for its rightful owners. Neither the characters nor the overland pursuit makes any sense, thanks to chasms in the continuity and no direction to speak of. An absurdly arbitrary assault-by-locomotive provides the climax; as Eastwood observed, "Jesus, anything at this point--let's end it." --Richard T. Jameson
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