An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.
Set against a background of crushing poverty and the hazards of gold-mining in Western Australia during the mid-1920s Wherever She Goes is based on the childhood of Eileen Joyce the celebrated Australian pianist who made her sensational professional debut at the Royal Albert Hall in 1930. Made at Ealing Studios in Australia the film depicts the people who inspired and nurtured the gifted little girls dream of becoming a professional pianist her struggle to learn and the support of the local community that helped bring her within reach of musical training. This moving life-affirming film is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.
John Thaw and Dennis Waterman star once again as the Flying Squad's finest in this brutal and uncompromising feature-film spin-off from one of television's most memorable series! Co-starring Denholm Elliott and Ken Hutchison, Sweeney 2 has been newly transferred from original film elements. A callous gang of bank robbers is creating havoc on the London streets. Efficient and ruthless and with Regan and Carter in hot pursuit they leave a trail of dead bodies and smashed cars in their wake. SPECIAL FEATURES: Theatrical Trailer Image gallery PDF material
The story of the Manchester music scene from 70s punk through to the early nineties, as seen from the perspective of Tony Wilson, musical entrepenuer who signed countless bands from Joy Division to the Happy Mondays to his legendary Factory Records label.
After Elvis Presley got out of the army in 1960, he was instantly ushered into G.I. Blues, a Paramount movie about an Oklahoma singer who (surprise) gets out of the army and wants to open a club. Making a potentially lucrative bet that he can seduce a cabaret singer (Juliet Prowse), Elvis instead falls in love. Leaving behind his rockabilly roots for a slicker image better suited to early 60s pop, the Elvis of this movie is the one who made almost 30 more just like it. The songs include "G.I. Blues", "It's Not Good Enough for You," "Tonight Is So Right for Love" and "Wooden Heart". It's directed by Norman Taurog, a studio veteran who made his first film in 1928 and worked many times with Presley. --Tom Keogh
Prepare for non-stop excitement and pulse-pounding thrills in this explosive sci-fi action thriller. Colin Farrell stars as Douglas Quaid a factory worker who visits Rekall a revolutionary company that can turn his superspy fantasies into real memories. But when the procedure goes horribly wrong the line between fantasy and reality blurs as Quaid becomes a man on the run and the fate of his world hangs in the balance. Co-starring Kate Beckinsale Jessica Biel and Bryan Cranston Total Recall is bursting with mind-blowing action sequences and spectacular visual effects the ultimate high-energy thrill-ride! Special Features: 3 Featurettes: Science Fiction Vs. Science Fact Designing the Fall Gag Reel Exclusive Bonus Disc A Mental Construct: The VFX of Total Recall - Explore Total Recall’s hauntingly realistic vision of the future. A place charged by technology slightly ahead of its time yet grounded by foreboding elements of the world we know gone awry
Unemployed and newly-divorced Stephanie Plum lands a job at her cousin's bail-bond business, where her first assignment puts her on the trail of a wanted local cop from her romantic past.
Thanks to sharp writing and a pitch-perfect ensemble cast, Frasier became one of the smartest and funniest television shows of the 1990s. Following the 1993 demise of Cheers, Diane's fussy psychiatrist boyfriend Frasier Crane (Kelsey Grammer) seemed an unlikely candidate for a spin-off series. Yet the show earned smash ratings and dozens of Emmy Awards, including Outstanding Comedy Series and Outstanding Lead Actor (Grammer) in the very first series. In an inspired bit of casting, Grammer was matched with David Hyde Pierce as his brother and fellow psychiatrist Niles, and the rest of the players included his radio-programme manager, Roz (Peri Gilpin), his father, Marty (John Mahoney), his father's physical therapist, Daphne (Jane Leeves) and the dog Eddie (Moose). In the first series, Frasier and Marty try to learn how to coexist in the same apartment, Niles and Daphne spend a stormy evening in Niles's house, Frasier acquires pushy agent Bebe (Harriet Sansom Harris) and searches for love with Amanda Donohoe among others, his ex-wife Lilith (Bebe Neuwirth) makes a guest appearance, the family takes a cross-country trip in a Winnebago and the two brothers collaborate on a book. --David Horiuchi
DI Richard Poole is sent to the paradise island of Saint-Marie in the Caribbean to solve an impossible murder. He hates sun, sea and sand, but no matter - once he's solved the murder he'll be heading back to wonderful, cold, drizzly London. He does so, with brilliance and tenacity - only to discover his boss back home has conspired to keep him there. He's trapped on an island he hates and people just keep getting murdered.
Another John Grisham legal thriller comes to the screen, pairing Denzel Washington and Julia Roberts in a film directed by Alan J Pakula, who is known for dark-hued suspense pictures such as Klute, The Parallax View, All the President's Men, and Presumed Innocent. The Pelican Brief isn't up to the level of those films, but it is a perfectly entertaining movie about a law student (Roberts) whose life is endangered when she discovers evidence of a conspiracy behind the killings of two Supreme Court justices. She enlists the help of an investigative reporter (Washington) and the two become fugitives. The charisma and chemistry of the leads goes a long way toward compensating for the story's shortcomings, as does a truly impressive supporting cast that includes Sam Shepard, John Heard, James B Sikking, Tony Goldwyn, Stanley Tucci, Hume Cronyn, John Lithgow, William Atherton and Robert Culp. --Jim Emerson
One movie-lover's nightmare is another's raucous joyride, and this special effects-laden horror comedy is bound to split both camps right down the middle. Michael J Fox plays a psychic investigator who can actually see ghosts, and lives with a trio of spirits who scare people to promote Fox's ghost-busting business. In a town infamous for serial killings, a new series of deaths prompts Fox to induce his own out-of-body experience so he can battle death in a spirit-plagued netherworld where evil reigns supreme--or something like that. So much happens in this chaotic film that you might feel like you're watching several movies at once--a slasher pic, a supernatural thriller, and a black comedy all rolled into one non-stop showcase for grisly makeup and a dozen varieties of special effects. It's an odd but wildly inventive film from New Zealand director Peter Jackson, who earned critical acclaim for his previous film Heavenly Creatures and would later create the ingenious pseudo-documentary Forgotten Silver. --Jeff Shannon, Amazon.com
When soldiers stationed in the local community are mauled to death in the local woods, a wild cat is thought to be the culprit. However, two sisters, begin to suspect that their brother who has been locked in their cellar for 30 years may be responsible. This creepy early 70s horror starring Beryl Reid (Psychomania) and Flora Robson (Eye of the Devil, Fragment of Fear) carries a brooding tension that is both claustrophobic and horrible. A bonafide cult classic.
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
The Deer Hunter is an expansive portrait of friendship in a Pennsylvania steel town, and of the effects of the Vietnam War. Led by the trio of Robert De Niro, John Savage and Christopher Walken (who won a supporting actor Oscar), the first hour is dominated by an engrossing Russian Orthodox wedding and reception. When the drama moves overseas it switches from anthropologically realistic documentation of a community's rituals to highly controversial and still shocking Russian Roulette scenes, symbolising the random horror of war. Unforgettable as they are, the Vietnam sequences occupy less than a third of the three-hour running time; defying movie convention The Deer Hunter is fundamentally a before-and-after ensemble character study anchored by De Niro's great performance. Although it was the first serious Hollywood feature to address the Vietnam War, the plausibility of some of the later plot developments raises awkward questions. But the film remains powerfully effective, its deliberate pace, naturalistic overlapping dialogue and unflinching seriousness marking it very much a product of the 1970s. With nine Oscar nominations and five wins, including Best Picture and Director, it's a cinematic landmark that stands the test time, almost incidentally setting Meryl Streep on the road to superstardom in her first leading role. On the DVD: The Deer Hunter: Special Edition has the film on the first disc with a serious yet amiable Region 2 exclusive discussion track between director Michael Cimino and critic SX Finnie. The picture is anamorphically enhanced at 2.35:1, and perfectly reproduces Vilmos Zsigmond's deliberately desaturated, necessarily grainy cinematography. The Dolby Digital 5.1 soundtrack clearly reveals the mono original, being largely focused on the centre speaker and while it does a good job, some of the choral music does sound harsh. Dialogue is sometimes indecipherable, but that's due to the naturalistic nature of the original sound recording and mixing. Disc 2 offers excellent new interviews with Jon Savage (15 mins), Vilmos Zsigmond (15 mins) and Michael Cimino (23 mins). Also included is the original trailer (anamorphically enhanced 2.35:1), a routine photo gallery and a DVD version of the original press brochure. There's no trace of the 40 minutes of deleted material referred to by Cimino, but this presentation is still an object lesson in how quality of extras triumphs over quantity. --Gary S Dalkin
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar. It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
Kramer vs. Kramer: Kramer vs Kramer is the box office smash that gathered 5 Oscars including Best Picture Best Actor for Dustin Hoffman and Best Supporting Actress for Meryl Streep. Returning home late from work one night a career-obsessed Ted Kramer is told by his wife that she is leaving him. After a life of being 'somebody's daughter' or 'somebody's wife ' she's going off to find herself - leaving Ted to care for their 6 year-old son. Ted while trying to hold down his job gets to really know his son: cooking his meals taking him to the park understanding every need and fear. For the first time in his life he feels like a fulfilled parent. But then Joanna returns. And she wants her son back... Born Free: A New Adventure: Set in the heart of Africa Elsa the Lioness tranforms the lives of two American teenagers struggling to come to terms with a family move from downtown Chicago. Lorenzo's Oil: A five-year-old boy Lorenzo Odone is diagnosed as having a brain disease known as ALD a condition so rare that no medical body has undertaken to research the ailment and develop a cure. Desperate Lorenzo's parents (Nolte and Sarandon) embark on a desperate search for a cure and must battle the medical establishment when they make astounding progress using humble olive oil...
One of Alfred Hitchcock's finest pre-Hollywood films, the 1936 Secret Agent stars a young John Gielgud as a British spy whose death is faked by his intelligence superiors. Reinvented with a new identity and outfitted with a wife (Madeleine Carroll), Gielgud's character is sent on assignment with a cold-blooded accomplice (Peter Lorre) to assassinate a German agent. En route, the counterfeit couple keeps company with an affable American (Robert Young), who turns out to be more than he seems after the wrong man is murdered by Gielgud and Lorre. Dense with interwoven ideas about false names and real identities, about appearances as lies and the brutality of the hidden, and about the complicity of those who watch the anarchy that others do, Secret Agent declared that Alfred Hitchcock was well along the road to mastery as a filmmaker and, more importantly, knew what it was he wanted to say for the rest of his career. --Tom Keogh
Retired CIA agent Frank Moses (Bruce Willis) reunites his team of elite operatives in the highoctane action-comedy RED 2.
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