The Longest Day is Hollywood's definitive D-day movie. More modern accounts such as Saving Private Ryan are more vividly realistic, but producer Darryl F Zanuck's epic 1962 account is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front-line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate as possible. The endless parade of stars (John Wayne, Henry Fonda, Robert Mitchum, Sean Connery, and Richard Burton, to name a few) makes for an uneasy mix of verisimilitude and Hollywood star-power, however, and the film falls a little flat for too much of its three-hour running time. But the set-piece battles are still spectacular, and if the landings on Omaha Beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. --Mark Walker
Missile to the Moon: An expedition to the moon arrives to find a sinister female presiding over a race of moon-women. A remake of 'Cat Women of the Moon'. Earth Vs The Flying Saucers: Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... Planet Outlaws (aka Destination Saturn): The re-edited version of the 1939 Universal serial 'Buck Rogers'. Buck and his comrade Buddy are released from suspended animation after 500 years on ice. The world which they once knew is now under the control of Killer Kane a terrifying mobster. Needless to say the duo quickly get onboard a plan to take down the criminal mastermind and his band of futuristic assasins.
Angelina Jolie brings the famous computer game archaeologist & adventurer to life in this action packed blockbuster.
Val Kilmer stars in The Ghost and the Darkness as Lt Col John Patterson, a 19th-century Irish engineer drafted by Britain's railroad bosses to build a trestle bridge over an African river, thus expanding the empire a tiny bit more. In Tsavo, Patterson is instantly hailed for killing a man-eating lion that had been making life hell for native workers. But morale sinks when two more unstoppable big cats devour more men and destroy the project. Along comes an, expatriate American hunter (Michael Douglas) to help Patterson face the almost preternatural powers of the two killers. The script by William Goldman (Butch Cassidy and the Sundance Kid) is based on fact, though the film owes more to Steven Spielberg (specifically to Jaws) than history. There are also suggestive echoes of Kipling and Conrad in the material and characters, and there are hints of emotional complexity and psychological nuance that make one wish this could have been a great film instead of a merely fun one.--Tom Keogh, Amazon.com
Welcome to the Hero Factory, where the most powerful Heroes are built to serve one function - to save the universe from evil! Under the command of Alpha Team Leader Stormer and pros Bulk and Stringer, the rookies Furno, Breez and Surge battle vicious creatures like the acid-shooting Corroder, the dangerous blade-spinning Rotor and the raging marksman Xplode.But these criminals aren't working alone. A corrupt rogue Hero from Stormer's past is calling the shots, threatening to take down the Hero Factory and unleash destruction across the galaxy. By far their greatest challenge ever, the Heroes will need all their skills, wits and courage to take him down. Connect with this new brand of Hero - engineered for action - in this original movie from the creators of Bionicle!
Sez Les was the show that firmly established Les Dawson's reputation, running for over seven years and bringing his dour, miserablist humour to a wider viewing public. Now you can rejoin the gloomy king of comedy and an array of favourite comic characters in this fourth volume, comprising series nine to eleven, along with a best of compilation show first screened in 1974. Featuring a running guest spot for comedy legend John Cleese alongside stalwart sideman Roy Barraclough, these shows offer more world-weary humour and hilarious sketches, with death-defying stunts and sleight of hand by the likes of The Great Roberto, Superflop, The Great Magico and Man of Steel. Cosmo Smallpiece is on typically lecherous form, gossiping Lancashire housewives Cissie and Ada find plenty to natter about, and we meet the dismal Desponts TV's dullest family. Les s many guests include Dana, Henry Cooper, Clodagh Rogers, Freddie Trueman, Lynsey de Paul and Cyril Smith, MP.
The Longest Day is Hollywood's definitive D-day movie. More modern accounts such as Saving Private Ryan are more vividly realistic, but producer Darryl F Zanuck's epic 1962 account is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front-line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate as possible. The endless parade of stars (John Wayne, Henry Fonda, Robert Mitchum, Sean Connery, and Richard Burton, to name a few) makes for an uneasy mix of verisimilitude and Hollywood star-power, however, and the film falls a little flat for too much of its three-hour running time. But the set-piece battles are still spectacular, and if the landings on Omaha Beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. --Mark Walker
They were young fearless and friends forever. Until a stranger came between them... In this sexy riveting thriller Claire Danes and Kate Beckinsale star as two best friends whose dream vacation becomes a nightmare. Alice (Danes) is impulsive and reckless; Darlene (Beckinsale) is more reserved. But when each falls for the same mysterious man both girls throw caution to the wind and in one instant their lives are changed forever. Now in a foreign land they must prove their in
A favourite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of The West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part-Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon, Amazon.com
Howard Hawks's final film once again teams him with John Wayne with a script by Leigh Brackett (who also wrote his 'El Dorado' and 'Rio Bravo'). The time is just after the end of the Civil War. Wayne is Union Colonel Cord McNally who is teamed with two Confederate soldiers he captured during the war in order to take down a thieving bootlegger. Their travels take them to a small town being held in terror by an evil Sheriff. McNally and his crew decide to help the townspeople with
For a limited time only, Universal Pictures are re-releasing some of their most beloved Cinema Classics in cinemas around the UK, including "The Blues Brothers".
Jim has managed to get a job in one of the top universities but all he has to do to cement a future is survive a terrible weekend at his fellow professors deliver a lecture on 'Merry England' and resist the temptations of Christine...
The Mummy: Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy Im-Ho-Tep he is accidentally revived after 3 700 years. Alive again he sets out to find his lost love. Today over 70 years after it was first released it still remains as compelling as ever! Creature From The Black Lagoon: Scientists drug and capture the terrifying creature who subsequently becomes enamoured with the head scientist's female assist
This box set contains both versions of The Italian Job--the original 60s classic starring Michael Caine and the 2003 remake, featuring Mark Wahlberg.
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War...
Titles Comprise: My Darling Clementine: In another of his classic Westerns John Ford again reflects upon the advance of civilization on the receding frontier recounting the events leading up to and including the legendary gunfight at the O.K. Corral. As they drive their cattle toward California Wyatt Earp (Henry Fonda) and his brothers Morgan (Ward Bond) Virgil (Tim Holt) and young James (Don Garner) stop outside Tombstone Arizona where they refuse an offer for
An astonishingly good David Lean double-bill featuring his two Dickensian adaptations, Great Expectations (1946) and Oliver Twist (1948), this is a reminder that cinema does not necessarily have to debase its literary sources, sometimes it can enhance them. Lean's painterly eye for evocative locations--be they windswept marshes or bustling London streets--provides the backdrop, but his focus on smaller details--the ominous tree in the graveyard with its almost human face, the reaction of Bill Sikes' dog to Nancy's murder--adds the vital ingredient that brings both place and character to life. Starring a youthful John Mills as Pip, Lean's Great Expectations is an unadulterated delight, a serendipitous gelling of screenplay, direction, cinematography and acting that produces an almost perfect film. The cast is exemplary, with Alec Guinness in his first (official) role as Pip's loyal pal Herbert Pocket; Martita Hunt is a cadaverous Miss Havisham; Finlay Currie transforms himself from truly threatening to entirely sympathetic as Magwitch; while the young Jean Simmons makes more of an impact as the girl Estella than Valerie Hobson does as the older incarnation. Perhaps best of all, though, is Francis Sullivan as the pragmatic but kindly attorney Jaggers. The cinematography alone (courtesy of Guy Green) would qualify Oliver Twist as a classic: the opening sequence of a lone woman struggling through the storm is an indelible cinematic image. Fortunately, Lean's film has many more aces up its sleeve thereafter, notably Alec Guinness' grotesque Fagin--a caricature certainly, but a three-dimensional one--and Robert Newton's utterly pitiless Bill Sikes. The skewed angles and unsettling chiaroscuro lighting transform London itself into another threatening character. --Mark Walker
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