With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life - her son.
Box set featuring 'Shootfighter' 'Playing God' and 'For Hire'.
There's a treat on every trail.... a thrill in every spill... in hootin'... howlin'... Heldorado! Roy Rogers a Nevada State Ranger Captain in charge of the Rangers Reclamation Service makes a trip to Las Vegas for the annual Heldorado Frontier Days Festival as he wants to help his old friend Gabby Whittaker who originated the idea. In Las Vegas Roy meets heiress Carol Randall who has been selected as the Queen of the Heldorado. Roy is informed that the FBI wants an immediate investigation of the counterfeit thousand dollar bills that are being passed over the gambling tables at the casino.
John Crichton's explosive journey through the Uncharted Territories continues as Scorpius reveals that the plans for the wormhole technology harvested from Crichton's brain have a far deadlier purpose. As the universe prepares for war Moya's crew have to decide where their loyalties lie... 3.11: INCUBATOR Scorpius' work into Wormhole Technology is finally making headway - until one of the prototype crafts is stolen by a test pilot who flies it to Moya. Linfer the pilot offers the technology to Crichton - in exchange for Moya itself. But is the deal as straightforward as it seems? 3.12: MELTDOWN When Talyn narrowly avoids a fatal attraction to a sun the crew find themselves being affected by a fluid released by the craft as a defence measure. With Crais constantly enraged and Crichton and Aeryn at each other's... well just at it... it falls to Stark to discover what is drawing Talyn in... 3.13: SCRATCH 'N' SNIFF Crichton D'Argo Chiana and Jool alight on a pleasure planet LoMo for some rest and recreation. When Chiana and Jool go missing Crichton and D'Argo are approached by Raxil a wily alien with information on their whereabouts. Hoping for help retrieving her own 'mate' Raxil leads them to Fe'tor a notorious Freslin maker; Freslin being a drug Fe'tor extracts from sentient beings including his captives Chiana and Jool. 3.14: INFINITE POSSIBILITIES - Part I: Daedalus Demands An Ancient - again taking the form of Crichton's father Jack - appears on Talyn and accuses Crichton of sharing wormhole stabilising technology with the Charrids a vicious race who have formed an alliance with the Scarrans. Crichton realizes that Furlow the mechanic from Dam-Ba-Da depot who once repaired Crichton's module and had a mercenary interest in wormhole technology is the real guilty party. With a Scarran Dreadnought heading towards Dam-Ba-Da to collect Furlow's data Jack must unlock the wormhole technology in Crichton's brain in order to build the ultimate weapon - but must first confront the evil Scorpius Clone in Crichton's mind.
BLUE STEELJohn Carruthers (Wayne) goes undercover to unmask crooked speculators who intend to buy up the supposedly worthless town that actually stands on top of a huge load of gold.WINDS OF THE WASTELANDSJohn Blair purchases a run-down stagecoach line and enters a race with villainous stage operator Cal Drake for the rights to a government mail-delivery contract.THE TRAIL BEYONDRod Drew seeks a missing miner in mountain country. When he finds a map leading to a gold mine henchman LaRocque is determined to have the mine for himself.4 CLASSIC TV EPISODE OF BONANZA VOL 1The GunmenThe Spanish GrantBlood On The LandThe StrangerWhen producer David Dortort sold NBC on the idea of creating BONANZA he had no idea he was creating a phenomena that would air for an incredible 14 years as a first-run show on U.S. TV be syndicated to virtually every country around the globe and introduce characters who would become beloved by hundreds of millions of fans.Bonanza is more than a TV western about a man and his three sons working as a family in the rough and violent era of the Old West. It has become a piece of the fabric of American culture. Ben Cartwright and his sons Adam Hoss and Little Joe are familiar names to people who weren't even born when the show first aired and the show's distinctive opening theme is instantly recognized everywhere.4 CLASSIC TV EPISODES OF THE LONE RANGER VOL 1A fiery horse with the speed of light a cloud of dust and a hearty 'Hi Yo Silver!' The Lone Ranger Clayton Moore with his faithful Indian companion Tonto Jay Silverheels the daring and resourceful masked rider of the plains led the fight for law and order in the early west.Perhaps the most famous Western of all is The Lone Ranger. It was the tale of the mysterious masked man and his faithful Indian companion and their efforts to maintain law and order throughout the West. It came to TV in 1949 in a series of half-hour films epitomizing the good guys vs. the bad guys Western theme. return with us now to those thrilling days of yesteryear. The Lone Ranger rides again!
It's clear from the opening episodes of its third season that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. Farscape is a whole galaxy away from the clean, cosy world of Star Trek. On the DVD: Farscape's third season is being released as both standard two-disc sets and strictly limited deluxe editions: the latter are handsomely packaged with a variety of collectable extras, in this case a Farscape watch, limited edition prints and a photo album. The discs are the same as the standard Volume 3.1. --Mark Walker
Six friends have carried out an audacious plan to ambush an armoured car. Now they must trust each other with the secret information of the remote location they have chosen to hide the loot. Many months later the gang return to the secret location at Raven’s Ridge. But locating the exact spot where the money is buried does not prove easy as things have mysteriously changed. Suspicions start to arise and the gang begins to turn against each other. An evil presence descends upon
Mirror Image - Eps.21: When Millicent Barnes (Vera Miles) Soies her exact double at a bus station she becomes convinced that the double is trying to take her place in the world. Fellow passenger Paul Grinstead (Martin Milner) thinks she's crazy...at first. Dust - Eps. 48: A man is about to be hanged for drunkenly running over a little girl in a decaying town. But when the gir's anguished father (Vladimir Sokoloff) flings 'magic dust' into the air a change comes over the squalid village. Five Characters in Search of an Exit - Eps. 79 A clown a hobo a ballet dancer a bagpipe player and an army major are trapped together in an enormous cylander. They don't know who they are or how they got there. But when the major tries to escape they finally learn the truth. Ninety Years Without Slumbering - Eps. 132 Sam Forstmann (Ed Wynn) believes that he will die if his grandfather clock stops. When the clock does begin to wind down Sam must face his deepest fear.
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Long Live Walter Jameson - Episode 24: Kevin McCarthy is Professor Walter Jameson an excellent history teacher who talks about the past as if he had lived it. Little can his students imagine... Dead Man's Shoes - Episode 83: A vagrant steps into a murdered gangster's expensive shoes and is taken over by the dead man's ghost who vows to remain on Earth to seek revenge against his killer. You Drive - Episode 134: Driving home one rainy evening Oliver Pope (Edward Andrews) accidentally hits a boy on a bike killing him. Pope flees the scene determined to hide his guilt but his car has other ideas. The Long Morrow - Episode 135: Commander Douglas Stansfield (Robert Lansing) and Sandra Horn (Mariette Hartley) fall in love shortly before Stansfield launches into space to begin 40 years in suspended animation. As they dream of being together their fates take an ironic turn...
With the third season well under way by now it's clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. All the principal actors know their characters inside and out by now, and delight in showing off their many weaknesses and flaws. Refreshingly, the crew of Moya are a squabbling, bickering, selfish bunch most of the time, who somehow and against expectations manage to pull together (just) at the crucial moment. The writing has matured, too, remaining as witty as ever but equally unafraid to push both genre and censorship boundaries as villains bloodily torture their victims (usually Crichton) and the main characters become more and more obsessed about their sex lives (or lack thereof). Farscape is a galaxy far, far away from the clean, cosy world of Star Trek.--Mark Walker
Throughout its consistently strong third season its clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts are have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions.--Mark Walker
With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life - her son.
In The Postman Always Rings Twice, Jack Nicholson teamed up again with his Five Easy Pieces and King of Marvin Gardens director Bob Rafelson for this 1981 version of James M. Cain's hardboiled novel of lust and murder. This version takes a much grittier (and sexually explicit) approach to the material than the slick 1946 MGM version starring John Garfield and Lana Turner. Nicholson plays Frank Chambers, a drifter who happens upon a roadside diner run by Cora Papadakis (Jessica Lange) and her swarthy Greek husband, Nick (John Colicos). Sparks fly, and before you can say l'amour fou, Frank and Cora are making the beast with two backs on the kitchen table. One thing leads to another and they conspire to murder Nick. The movie is still a little too cold and distant to fully convey a hot-blooded passion that leads to murder, but it is a strangely haunting and disturbing film nevertheless. The screenplay is by David Mamet, the photography is by the great Sven Nykvist (Ingmar Bergman's cinematographer), and watch for Anjelica Huston in a supporting role. --Jim Emerson
The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles just the pretext. Once Mel Brooks' lunatic film many call his best gets started logic is lost in a blizzard of gags jokes quips puns howlers growlers and outrageous assaults upon good taste or any taste at all! Cleavon Little as the new lawman Gene Wilder as the wacko Waco Kid Brooks himself as a dimwitted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale it just proves the Old West will never be the same!
And Now for Something Completely Different, Monty Python's first feature, is a reworking of their best skits from the first two seasons of the TV series. Originally made for the US market (where the show had yet to be aired), it was shot on film outside the usual studio sets ("Nudge Nudge", for example, is set in a tavern filled with passers-by). The writing and performances are fine and the film is packed with some of their best bits: "How to Avoid Being Seen", " Hell's Grannies", "Blackmail", "The Lumberjack Song" and "The Upper Class Twit of the Year", among others. Many of the sketches have been shortened, however, and the loss of the overly bright video sheen (the film has a muddy, dull look to it) and the invigorating presence of a live audience leaves the film sluggish at times. They're still feeling out the possibilities of the feature length, which they conquered with their next movie, Monty Python and the Holy Grail (1974). --Sean Axmaker
John Travers and his Indian companion Yak are after the mysterious Shadow and his gang. When Sheriff Davis is killed Travers becomes Sheriff. Catching two gang members he learns of the room where the gang gets their orders from behind a fake wall safe and makes plans to trap the Shadow.
A Shot At Glory / Mean Machine Box Set
Director Billy Wilder and writer Raymond Chandler adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy, is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown, Amazon.com
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