Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Ever since homicidal maniac Jason Voorhees got trapped in chains at the bottom of Crystal Lake the nearby summer camp has operated without a hitch; without a murder. But one of this season's happy campers has brought along a deadly secret... Tina Shepherd can see the future and levitate objects. Her doctor knows just how dangerous telekinesis can be but he's out to exploit her not help her. And now it's too late for Tina has accidentally unchained Jason from his watery grave and
Police Assassins combines a mismatched detective buddy movie with Three Stooges-style buffoonery. Making the mixture more unusual still, both detectives are female, Michelle Yeoh (Magnificent Warriors), in only her second film, joining forces with American martial arts legend Cynthia Rothrock (China O'Brien), in her then debut, to track down some missing microfilm. After introducing Yeoh in a direct steal from Dirty Harry the plot stagnates as the microfilm falls into the hands of small-time crooks, Asprin (Hoi Mang), Strepsil (John Sham) and Panadol (action movie producer Hark Tsui). Though their physical comedy is ingeniously choreographed the routine rapidly becomes tiresome, far too little space being given to Yeoh and Rothrock. The latter's 1980s' fashions date the movie and the dubbing is dreadful, though entertainment is to be had from a supporting villain who looks strangely like Groucho Marx on a very bad hair day. For martial arts fans the film nevertheless delivers several excellent fight scenes and an inventive and exciting finale. Collectors should know Police Assassins has also been released as In the Line of Duty 2, Super Cops and Yes, Madam, the last of which is actually the English title on this print. --Gary S Dalkin
David Hasselhoff stars as a ruthless mercenary on the hunt for a pair of giant snakes that have escaped and are on a mega-sized feeding frenzy.
The first of several lavish Christie adaptations from producers John Brabourne and Richard Goodwin introducing Albert Finney as the first screen Hercule Poirot. This 1974 production of Agatha Christie's 1934 classic is a judicious mixture of mystery murder and nostalgia. Which member of the all-star cast onboard the luxurious train perforated the no-good American tycoon with a dagger twelve times? Was it Ingrid Bergman's shy Swedish missionary; or Vanessa Redgrave's English rose; Sean Connery as an Indian Army Colonel: Michael York or Jacqueline Bisset; perhaps Lauren Bacall; Anthony Perkins or John Gielgud as the victim's impassive butler. Finney spreads unease among them with subdued wit and finesse. Arguably the most successful screen adaptation of a Christie novel in addition to Bergman's Oscar for Best Supporting Actress 'Murder On The Orient Express' achieved nominations for Best Actor Screenplay Photography Costume Design and Music Score.
A lush historical drama from Marlene Gorris director of the Oscar-winning 'Antonia's Line'. The year is 1929 and in the beautiful Italian lakeside town of Como Alexander Luzhin a talented Russian chess player arrives for the World Chess Championship. The beautiful socialite Natalia is also visiting Como to meet her mother at an affluent lakeside hotel. Vera wants Natalia to marry a wealthy French count. However Natalia instead sets her sights on Luzhin who returns her affecti
To Find The Truth He Will Risk His Life And Challenge His Faith. Dawn of a new millennium. In the cradle of faith that is Jerusalem two seemingly mismatched people from different worlds and cultures -- a Vatican-appointed Jesuit priest (Antonio Banderas) and an Israeli archaeologist (Olivia Williams) -- make a tenuous alliance to investigate a find that threatens the very foundations of Western religion. It also threatens to blow apart the region's fragile peace.
Hailed as the first mainstream film to put a human face on the AIDS epidemic Longtime Companion is a drama that takes an honest unflinching look at how this devastating disease changes everyone it touches. During the summer of 1981 a group of friends in New York are completely unprepared for the onslaught of AIDS. What starts as a rumour about a mysterious ""gay cancer"" soon turns into a major crisis as one by one some of the friends begin to fall ill leaving the others
Victor is trying to escape his life as a drug dealer in the South Bronx. Enter Jack a Wall Street investment banker with a business proposal that has Victor's name written all over it.
John Cho and Kal Penn reprise their title roles in A Very Harold & Kumar 3D Christmas, which picks up six years after their last adventure.
Directed by future Hammer stalwart Terence Fisher, this entertaining, light-hearted crime thriller centres around the adventures of sleuthing reporters Mike Billings (John Bentley) and Jenny Drew (Hy Hazell) as they try to unravel the alibi of a suspected murderer... Stolen Assignment is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.Henry Crossley is an artist whose wife is spending a week's holiday with her aunt. But when her aunt comes to see him, worried because her niece has not arrived, a police investigation into her disappearance begins. It seems that Henry was fully occupied at the time his wife went missing; but is his alibi completely truthful?
Nighthawks: After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last. Nighthawks 2: British director Ron Peck's look back at at the production of his groundbreaking Nighthawks which candidly explored a closeted gay schoolteacher's inner conflicts. The director tells very poignantly his own story of self-discovery and coming out. Most striking is the story of how much effort and determination it took to get Nighthawks made and why there are hundreds of names in the closing credits that the producers would like to give thanks to - they are people who sent in small amounts of money after reading in a London gay paper that the filmmakers needed funds to continue the project.
Verdi's opera based on Shakespeare's character Falstaff who attempts to woo two wealthy married women in an attempt to avoid bankruptcy....
Lord and Lady Braunceston are the impoverished landed gentry. 'Uncle Willy' is the eccentric Bishop whose church is threatened by greedy developers. Lady Anne is the daughter of the family and it's her impending marriage to the son of a wealthy neighbour which promises to be the salvation of the whole family... ... until the Bishop excels himself by managing to marry her to a penniless American at the wedding rehearsal. Things are looking black for everyone - then Ormiston the l
The Definitive Dance Collection! 4 Discs of pure dancing magic... Footloose: Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren
Featuring both The Elvis Has Left the Building and The Sunshine Tour, the combination of Liverpudlian Comedian John Bishop’s ability to keep the laughs coming along, with his undeniable charm and unrivalled gift of creating a relaxed atmosphere means spending an evening in his company is absolutely priceless.
From a northern working-class background James Kavanagh has climbed to the top of an elite profession through hard work and a love of the law. But his dedication to work the long hours and difficult cases have taken their toll on lfe at home with his wife and two teenage children. Episodes comprise: Mute Of Malice Blood Money Ancient History Diplomatic Baggage The Ties We Bind In God We Trust.
A complete collection of the best of British war movies! Films comprise: 1. The Colditz Story (Dir. Guy Hamilton 1955) 2. The Cruel Sea (Dir. Charles Frend 1953) 3. The Dam Busters (Dir. Michael Anderson 1954) 4. I Was Monty's Double (Dir. John Guillermin 1958) 5. Ice Cold In Alex (Dir. J. Lee Thompson 1958) 6. Went The Day Well? (Dir. Alberto Cavalcanti 1942) 7. The Wooden Horse (Dir. Jack Lee 1950) 8. They Who Dare (Dir. Lewis Milestone 1954) 9. Cross Of Iron (Dir. Sam Peckinpah 1977) 10. The Way Ahead (Dir. Carol Reed 1944) 11. In Which We Serve (Dir. Noel Coward/David Lean 1942) 12. The Battle Of The River Plate (Dir. Michael Powell/Emeric Pressburger 1956)
Features three John Wayne classics 'Blue Steel' 'Winds of the Wasteland' and 'The Trail Beyond'.
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