Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
The 1953 fast paced comedy finally makes it to DVD in a Special Collectors' edition.
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
Eureka Entertainment to release MONKEY SHINES, George A. Romero's terrifyingly twisted thriller, on Blu-ray in the UK as part of the Eureka Classics range, in a Dual Format (Blu-ray & DVD) edition from 8 October 2018. Presented with a Limited Edition O Card slipcase [First print run only]. From writer / director George A. Romero, the man who unleashed Night of the Living Dead, comes a terrific psychological thriller that delivers a disturbing message about messing with Mother Nature. Starring Jason Beghe and Janine Turner, this riveting tale is a white-knuckle triumph that doesn't let up! Allan Mann (Jason Beghe) is a bitter, angry and vengeful man ever since an accident left him paralyzed from the neck down. He's fed up with himself and everyone around him. All that changes when he's given Ella, a monkey trained to meet his every need. But when Ella begins anticipating Allan's thoughts, strange and deadly things start happening. And as she stalks and wreaks havoc on Allan's fair-weather girlfriend (Janine Turner), incompetent doctor and meddling mother, Allan realizes he must stop the cunning maniacal creature... before she fully takes over his mind! Kate McNeil, Joyce Van Patten, Stephen Root, John Pankow and Stanley Tucci also star in this riveting thriller from the godfather of modern horror George A. Romero, presented on Blu-ray for the first time in the UK in a Dual Format (Blu-ray & DVD) edition with an array of special features. Features: Limited Edition O Card slipcase [First Print Run Only] 1080p presentation of the film on Blu-ray DTS-HD MA 5.1 and 2.0 audio options Optional English SDH subtitles New and exclusive feature length audio commentary by Travis Crawford Audio Commentary with director George A. Romero An Experiment in Fear The Making of Monkey Shines - a lengthy retrospective with George A. Romero, stars Jason Beghe and Kate McNeil, executive producer Peter Grunwald, and special effects legends Tom Savini, Greg Nicotero and Everett Burrell. Alternate Ending and Deleted Scenes Behind-the-scenes footage, original EPK featurette, vintage interviews and news reports Trailers and TV spots PLUS: A limited edition collector's booklet featuring a new essay by Craig Ian Mann; highlights from the film's production notes: and rare archival material [First Print Run Only]
The Outlaw Josey Wales (1976), Clint Eastwood's 31st film as an actor, 20th as international star and fifth as director, was the first to win him widespread respect. Critics had grumbled when the producer-star replaced Philip Kaufman (The Right Stuff) in the director's chair a week into shooting. They ended up cheering when Eastwood delivered both his most sympathetic performance to date and--with the heroic collaboration of cinematographer Bruce Surtees--an impressive Panavision epic that stresses the scruffiness, rather than the scenic splendours, of frontier life. During the Civil War, Union "Redlegs" attack Southerner Josey Wales's dirt farm and wipe out his family. Seeking vengeance, Wales throws in with a company of Reb guerrillas. Tagged as a renegade after the surrender, he flees west into the vastness of the Indian Territories, where, quite unintentionally, he finds himself cast as the straight-shooting paterfamilias of an ever-growing, spectacularly motley community of misfits and castaways. This is to say, Josey's personal quest for survival and something like peace of mind evolves into a funky, multicultural allegory of the healing of America. Josey Wales is good, not great, Eastwood. The big-gun fetishism can get tiresome, and too many characters exist only to serve as six-gun (and at one point Gatling gun) fodder. But mostly the film is agreeably eccentric, and almost furtively sweet in spirit--a key transitional title in the Eastwood filmography, and one of his most entertaining. --Richard T Jameson
The Complete Collection Includes all 57 episodes of the complete series Welcome to Maplin's, Britain's favourite holiday camp, where the sun-drenched summer never ends. Here we find our heroic Yellow Coats involved in all kinds of jolly japes and comic capers, in the chalets, in the Hawaiian Ballroom and all around the Olympic-sized swimming pool. So roll up your trousers and get those knobbly knees out, it's time for a complete season of fun and frolics come on campers, Hi-De-Hi!
Bruce Willis first starring vehicle was 1987s Blind Date, a Blake Edwards comedy in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he was warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hot-headed former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern.--Tom Keogh, Amazon.com
Leslie Nielsen takes espionage less than seriously in the outrageously funny parody of the spy world! Secret agent WD- 40 (Nielsen) is assigned to foil the evil plan of his arch enemy General Rancor - a tyrannical madman who lost two limbs in an explosion and is now unarmed and dangerous! WD-40's mission is to save the world from destruction rescue the daughter of his former partner and of course do some ""undercover"" work with a sexy fellow agent (Nicollette Sheridan). Guided by a
Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
Classic westerns collection of 3 Blu-ray discs starring Clint Eastwood in 1080p High Definition.
Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
During the Civil War, Union "Redlegs" attack Southerner Josey Wales's dirt farm and wipe out his family. Seeking vengeance, Wales throws in with a company of Reb guerrillas. Tagged as a renegade after the surrender, he flees west into the vastness of the Indian Territories, where, quite unintentionally, he finds himself cast as the straight-shooting paterfamilias of an ever-growing, spectacularly motley community of misfits and castaways. Which is to say, Josey's personal quest for survival and something like peace of mind evolves into a funky, multicultural allegory of the healing of America. The Outlaw Josey Wales (1976), Clint Eastwood's 31st film as an actor, 20th as international star and 5th as director, was the first to win him widespread respect. Critics had grumbled when the producer-star replaced Philip Kaufman (The Right Stuff) in the director's chair a week into shooting. They ended up cheering when Eastwood delivered both his most sympathetic performance to date and--with the heroic collaboration of cinematographer Bruce Surtees--an impressive Panavision epic that stresses the scruffiness, rather than the scenic splendors, of frontier life. Though it's been honoured with a place in the National Film Registry, Josey Wales is good, not great, Eastwood. The big-gun fetishism can get tiresome, and too many characters exist only to serve as six-gun (and at one point Gatling gun) fodder. But mostly the film is agreeably eccentric, and almost furtively sweet in spirit--a key transitional title in the Eastwood filmography, and one of his most entertaining. --Richard T. Jameson
An elaborate game of mind control begins when the son of government agent Peter (Douglas) is kidnapped for his psychokinetic powers. Desperate to find him the father hires a girl (Irving) with similar psychic abilities. She soon reveals that his son is a prisoner at a secret U.S. agency where he's being used for dangerous mind experiments - and programmed for elimination...
Cheryl Campbell stars alongside John Gielgud and Harry Andrews as Lady Bundle Brent Agatha Christie's most glamorous amateur sleuth in a stylish, feature-length television adaptation of the famous whodunit: a deadly game of Cluedo combining international treachery, romance and murder!Anticipating a weekend of leisure and pleasure, a group of Foreign Office acquaintances arrive at the palatial Hampshire estate of the Marquis of Caterham. The mood suddenly darkens when a notoriously hard-to-rouse guest fails to wake at all; and when another sinister death comes to light, the surviving guests are plunged into nervous speculation! Enter Lady Eileen Brent, the Marquis' enchanting and high-spirited daughter, affectionately known as 'Bundle'. She teams up with elegant idler Jimmy Thesiger to seek out the truth amid rumours of missing confidential papers and a cabal centred around a seedy nightclub called The Seven Dials...
Sequel to 'Saturday Night Fever' where Tony Manero older but not much wiser pursues his search for stardom on the Broadway stage...
The Battle Of River Plate - Ten days before World War II Germany's crack battleship Admiral Graf Spee sails with orders to carry out action against Allied merchant shipping in the South Atlantic. Captained by Hans Langsdorff (Peter Finch) Graf Spee with her superior speed sinks ship after ship. Meanwhile the net is tightening round the German Killer. Outwitted by British Intelligence the Germans are convinced Graf Spee is trapped by a massive naval force. The captain eva
Exploding with all the power of the jet age... with all the passion of a daring love story! A corps of silver jets soar across the majestic blue American skies while a beautiful lady waits faithfully for her hero. John Wayne and Janet Leigh star in this military romance: a classic Howard Hughes production! Anna a Russian MIG pilot escapes the USSR and lands on a US Airforce base in Alaska. There she meets Colonel Shannon and after he debriefs her the two become romantically involved and move to Palm Springs. Trouble arises when the US authorities discover that Anna is not really a defector but a Soviet spy. Army honchos decide to turn the tables by letting Shannon follow her back home and do some of his own espionage. But once there Soviet forces endanger Shannon's life - and Anna has to choose between her country and the man she has come to love...
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieves proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealings Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No ones ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the films editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. Theres also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
A comedy about an overbearing mother who becomes her son's partner in crime-fighting. Tutti Bomowski's visit to her policeman son Joe is extended when she witnesses a drive-by shooting and is required by the cops to remain in the area. Soon she's helping Joe apprehend criminals - and still finding plenty of time to interfere in his romantic affairs.
Adapted from J.B. Priestley's famous novel charting the ups and downs of a struggling touring concert party, this endearing musical comedy features an outstanding array of British talent - including John Fraser, Rachel Roberts, Joyce Grenfell, Celia Johnson, Anthony Newley and Thora Hird. The Good Companions is presented here in a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. The future looks bleak for The Dinky Doos when their manager runs off w...
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