In this true story Rebecca Cross meets an old flame who does not realise that she is already married. They start a passionate affair which results in Rebecca committing bigamy and marrying her lover. She struggles to keep the secret from both men but life eventually catches up...
Eleni tells the real life story of Nicholas Gage and his search for the truth behind his mother's untimely death. Her torment at the hands of rebel guerrillas has forever plagued her son Nick (Malkovich). Now an adult and a journalist for the New York Times Nick travels back to his small village in Greece to uncover the truth and exact revenge against those responsible. With only childhood recollections of the tragic incident to guide him in a series of haunting flashbacks Nick
Once upon a time...there were three girls who went to the Police Academy...and they were each assigned very hazardous duties...but I took them away from all that...and now they work for me. My name is Charlie. To Kill An Angel: A trip to the carnival leads to a tunnel of horrors when Kelly gets caught in the crossfire between two paid killers and an autistic child. Night Of The Strangler: The Angels bare all - almost - as undercover fashion models while investigating a kinky case of multiple murders.
Nuns On The Run (Dir. Jonathan Lynn 1990): Following in the great Carry On... tradition with a bit of Monty Python thrown in for good measure Nuns On The Run is a classic slice of slapstick comedy starring Eric Idle and Robbie Coltrane. Brian and Charlie work for a gangster. When the boss learns they want to leave he sets them up to be killed after they help rob the local Triads of their drug dealing profits. Brian and Charlie decide to steal the money for themselves but when their escape doesn't go to plan they have to seek refuge in a nuns' teacher training school. Disguised as nuns Brian and Charlie have to avoid their boss Triads police and Brian's girlfriend. There's also the problem of them being men disguised as nuns in an all women institution. Time Bandits (Dir. Terry Gilliam 1981): All the dreams you've ever had.... and not just the good ones. The first of three Terry Gilliam films collectively referred to as his Trilogy of the Imagination (along with 'Brazil' and 'The Adventures of Baron Munchausen') 'Time Bandits' is a wonderfully inventive fantasy with a massive cult following and universal appeal. A sleeper hit in 1981 the film grossed well over eight times its million budget. Co-written by Gilliam and fellow Monty Python veteran Michael Palin (who also appears in the film) 'Time Bandits' tells the story of Kevin (Craig Warnock) a young imaginative boy kidnapped by a band of mischievous dwarves who have stolen a map of the universe detailing the locations of holes in the space-time continuum from the Supreme Being (Ralph Richardson). The dwarves with Kevin in tow set off on a bizarre journey back and forth though time with the intention of looting the fortunes of history's rich and famous. Along the way they meet the likes of King Agamemnon (Sean Connery) Robin Hood (John Cleese) and Napoleon (Ian Holm) among others and even get to sail on the Titanic moments prior to its unfortunate encounter with an iceberg. Unknowingly the diminutive bandits are being watched by the spectre of Evil Genius (David Warner) who wants the map for his own typically wicked purposes...
The last film in the Look Who's Talking minifranchise goes to the dogs, literally, to keep the series' major gimmick intact--letting the audience hear the thoughts of the little newcomers in the Ubriacco family. The kids who were once babies in the two prior films can now babble for themselves, so the script finds the adult characters taking in two mutts who do a "Lady and the Tramp" thing while we listen in. Travolta (rescued a year later in 1994's Pulp Fiction) and Alley mark time while Danny De Vito and Diane Keaton provide the most entertainment performing the dogs' voices. Not awful, but not necessary either, and a long way from the small but real qualities of the first film. --Tom Keogh
Set early in the 22nd century 'Enterprise' focuses on a history of the galactic upheaval that leads to the formation of The Federation. Its compelling stories of team bravery and individual heroism are sure to answer countless questions for both die-hard fans of the series and neophytes to the 'Star Trek' universe. Starring a fresh young cast this exciting new chapter continues to push the edge of the visual envelope with the kind of state of the art special effects that have made
Hans Werner Henze: L'UpupaUnd der Triumph der SohnesliebeEin deutsches Lustspiel in elf Tableaux aus dem ArabischenRecorded live at the Kleines Festspielhaus Salzburg 12-26 August 2003.
Michael Caine stars as Graham Marshall a career-minded business-man passed over for promotion by a younger man. In anger he discovers that he has the power to kill any person who gets in his way....
Under intense scrutiny, the debut season of Enterprise earned a passing grade from critics and Star Trek fans alike. Voyager ended its seven-season run just four months earlier, and fans were skeptical when Enterprise premiered (on Sept. 26, 2001, on UPN) with a theme song ("Where My Heart Will Take Me," composed by Diane Warren and performed by Russell Watson) that defied Trek's revered theme-music tradition. This and other early reservations were dispelled when "Broken Bow" got the series off to a satisfying start, beginning in the year 2151 and establishing a pre-Federation focus on humanity's delicate relationship with the Vulcans, the controversial launch of the NX-01 Enterprise on an exploratory mission, and the potentially devastating consequences of the mysterious Temporal Cold War involving a time-traveling splinter group of the Suliban, a nomadic alien race. While establishing a testy relationship between Enterprise Capt. Jonathan Archer (Scott Bakula) and his smart-and-sexy Vulcan Sub-Commander, T'Pol (Jolene Blalock, in a short-banged wig and form-fitting "cat-suit" that were later redesigned), the series introduced engineer "Trip" Tucker (Connor Trineer), whose surprise pregnancy in "Unexpected" made him a fan favorite; communications officer Hoshi Sato (Linda Park); helmsman Travis Mayweather (Anthony Montgomery); weapons expert Lt. Malcolm Reed (Dominic Keating), and chief surgeon Dr. Phlox (John Billingsley), a well-mannered Denobulan recruit from Earth's Interspecies Medical Exchange. As a "prequel' series that predates the original Star Trek by 150 years, Enterprise built upon established Trek lore with episodes involving Vulcans ("Breaking the Ice"), Klingons ("Sleeping Dogs"), the blue-skinned Andorians ("The Andorian Incident," "Shadows of P'Jem"), and the Ferengi ("Acquisition") while offering stand-alone episodes (notably "Dear Doctor," "Fortunate Son," and "Shuttlepod One") that further acquainted fans with the Enterprise regulars. Early Trek technology is also introduced (including "phase pistols" and the rarely-used, still-risky transporter), and the series drew strength from what many felt would be its primary weakness: unwritten history and the initial indecisiveness of Archer's bold foray into the unknown. Ending with a dazzling "Shock Wave" cliffhanger that leaves Archer stranded in a decimated Temporal Cold War future, Enterprise set a strong foundation for the events of Season Two. --Jeff Shannon, Amazon.com
Sherlock Holmes meets Jack the Ripper! Here comes the original caped crusader! It is the late 1800s and Jack The Ripper is terrorising London's foggy East End murdering prostitutes. The only man capable of solving the insidious crimes is Sherlock Holmes (John Neville) aided by Dr Watson (Donald Houston) and his brother Mycroft (Robert Morley). The only clues Holmes has to work on is the location of the murders and a mysterious box sent to 221B Baker Street. The box contains a
1940. A vital British convoy is crossing the Pacific, escorted by a cruiser squadron under the command of Captain Richard Saville (Michael Rennie). When a powerful German raider, the Essen, is sighted in the area, Seville despatches his cruisers to attack and destroy the Nazi warship before it can decimate the convoy. The resulting sea battle is brutal and devastating for both sides...When the badly damaged German raider slips into a tropical lagoon for repairs, an escaped Canadian POW (Jeffrey Hunter) makes a desperate bid for freedom. Armed only with raw courage and a sniper rifle, he must pin down the entire warship and its crew in the lagoon until the British fleet arrives...As Saville leads his squadron in a desperate race against time to find and destroy the Essen, neither man has any idea of the strange of twist of fate that connects them both...
Seven further swingingly stylish adventures with super spies John Steed and Mrs Peel! Flashback to the Sixties with the coolest duo in crimefighting! Room Without A View Steed becomes a Gourmet and Emma awakens in Manchuria. Small Game For Big Hunters In which Steed joins the natives and Emma gets the evil eye. A Touch Of Brimstone Steed joins the Hellfire Club and Emma becomes the Queen of Sin. What The Butler Saw Steed becomes a Gentleman's Gentleman and Emma faces a fate worse than death. A Sense Of History Steed dons a gown and Emma becomes a Don. How To Succeed...At Murder Steed becomes a perfect boss and Emma goes seeking charm. Honey For The Prince Steed becomes a Genie and Emma joins a harem.
America's best are in deep trouble. A group of seismologists have been taken prisoner and the Delta Force an elite rescue team is sent in to free them. But during the rescue the Delta Force begins to suspect that there was more to their mission than just saving the scientists. It may have been linked to a secret discontinued experiment named Project Zeus. Now it's up to the Delta Force to stop a countdown to destruction.
The film was based on the 1941 novel of the same name by John Creasey. The sixth in the series featuring upper-class sleuth Richard Rollison also known as 'The Toff'. This film and another Toff adaptation Hammer the Toff was shot back-to-back at Nettlefold Studios in the summer of 1951. They were released to cinemas in January and May 1952 respectively. Worried when her boss goes missing secretary Fay (Carol Marsh) seeks the help of society sleuth 'The Toff' (John Bentley). The Toff finds a dead body and is attacked in a hotel during his search for missing boss Draycott (Tony Britton). Aided throughout by Inspector Grice (Valentine Dyall) and The Toffs wonderfully camp butler (Roddy Hughes). Long thought lost the film has been restored to a good standard.
This is the story of Clinton and Nadine. Clinton is a small time bird smuggler who gets caught up in a twisted web of danger and deception. Nadine's an ex-hooker who is inexorably pulled in with him. So what could arms traffickers possibly want from them?
Det. Superintendent Jane Tennison's (Helen Mirren) relationship with psychologist Patrick Schofield (Stuart Wilson) has developed into a promisingly happy affair. When a series of murders take place which resemble those investigated in the first Prime Suspect she is faced with a possible miscarriage of justice and promptly suspended. Are they copy-cat crimes or is George Marlow (Tim Woodward) innocent as he always insisted? Prevented from working possibly betrayed by her lover and haunted by the past Tennison is forced to re-examine her most fundamental beliefs about her life and work.
Frank Jones (Michael Caine) is an ordinary law abiding businessman. He served his country during the war and he is very proud of his son Bob (Nigel Havers) a Russian linguist and translator. Frank's world is shattered by the arrival of the police to tell him his son is dead. The plot thickens when the inquest verdict is 'Accidental Death'. Frank embarks on his own investigation into his son's death and discovers that there are no limits to what the government will do to protec
Tough yet emotionally vulnerable the newly-promoted Detective Superintendent Jane Tennison (Helen Mirren) returns to old territory at London's Southampton Row to work on a case involving the disappearance of a young child. The investigation leads her to Chris Hughes (Robert Glenister) a serial child sex offender who has recently been released from a custodial treatment centre. As the investigation reaches its climax a badly bungled arrest attempt results in a tense siege situation. With police marksmen in a position and concern mounting for the safety of the three hostages D.S. Tennsion moves in to take control.
In 1984 and 1985, The Tripods was the show that the BBC used to fill its traditional Saturday teatime Doctor Who slot. Adapted from the first two books in John Christopher's "Tripods" trilogy, the show frustratingly failed to deliver the final story that winds everything up. This release collects the first series of 13 episodes, which covers the first book (The White Mountains). In 2089, the human race lives a peaceful, agrarian existence in post-technological communities under the rule of the Tripods, vast alien machines that look like the Martians from War of the Worlds. In a small English village, teenage cousins Will (John Shackley) and Henry (Will Baker) are troubled as they near the age at which they will be "capped", fitted by the local Tripod with a metallic hairnet which will turn them into docile, uncreative, happy servants of the invaders. A wily vagrant tells the boys that far to the south, a community of uncapped freemen resists the Tripods, and they set off on a 13-episode journey that takes them to the coast, across the English Channel and down through France, with stop-offs in the impressive ruins of Paris, at a medieval-style chateau and on a vineyard in the Jura. Along the way, the lads fall in with "Bean Pole" (Ceri Seel), a gangling, bespectacled French rebel who is fascinated with the lost arts of machine-making, but at each of their stopovers there are temptations, mostly in the forms of appealing French girls, to settle down and become happy conformists, but in the end they do join up with the rebels, ready for a mission to the city of the Tripods that comes in Series Two. With production values significantly higher than Doctor Who at that time, the show conserves its effects and makes them count, with the Tripods only rarely intervening directly. Watched at a sitting, it seems padded and the three lead actors are variable, but taken in single-episode chunks it works quite well, with a subtly unsettling depiction of a backward world where everyone seems happy but actually isn't and actual villainy comes as a relief amidst the overwhelming niceness. The English and French locations are very well used, and the production design and costuming (lots of hats to cover the "caps") is imaginative without being panto-like. --Kim Newman
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