Based on a novel by Susan Isaacs, Shining Through is uncomfortably close to Alfred Hitchcock's Notorious. This World War II drama concerns a love affair between a spy (Michael Douglas) and a secretary (Melanie Griffith) that goes south when duty turns him cold and pushes her into dangerous, behind-the-lines intelligence work. Liam Neeson plays the gentleman Nazi unwittingly providing Griffith with cover as domestic help. The best parts of the film are the twists and turns in the romance (Douglas is very good at playing a character who can turn off all feeling at will) at the beginning; the German scenes are less compelling despite such high stakes for the heroine. The climax--taking us back to Notorious whether it wants to or not--is quite gripping, largely due to Douglas's performance.--Tom Keogh
One of TV's more interesting tough-girl action shows, Dark Angel is a distinctive blend of the personal, the adventurous and the politically aware. Cocreators James Cameron (yes, that James Cameron) and Charles Eglee present a complex scenario of biological super-science and social collapse in which their gene-manipulated heroine and hacker/journalist hero can genuinely make a difference. In this first series they also provide an adversary who is a lot more than just a conventional villain. Jessica Alba is impressive as Max, bred and trained as a super-soldier but reclaiming her individual humanity; Michael Weatherly is scruffily attractive as Eyes Only, who sits semi-paralysed in his eyrie above Seattle uncovering crime, corruption and other skulduggeries and sending the woman whom he hopelessly loves out on deadly errands. Jon Savage has real authority as Lydeker, a man who has stretched his conscience to breaking point, but is not personally corrupt. Some of the best episodes here--"Prodigy" for example--are ones in which Lydeker and Max are forced into temporary alliance. Early on the relationship between Max and the other workers at Jam Pony--the courier firm that provides her with a cover identity--is a little forced, but later on the two parts of Max's life are more successfully integrated: "Shorties in Love", for example, is a genuinely touching tale about Diamond, the doomed criminal ex-lover of Max's lesbian roommate. Dark Angel was never a perfect show, but at its occasional best it manages to be simultaneously funny and dramatic. On the DVD: Dark Angel, Series 1's Region 2 DVD is ungenerous with special features, providing only short interviews with James Cameron and Charles Eglee and with the stars, and giving us a preview of the Dark Angel computer game. The episodes are presented in widescreen and have excellent Dolby Digital sound which gives vivid presence to both the dialogue and the hard-driving contemporary rock score that is part of the show's style. --Roz Kaveney
If it weren't for the fact that John Boorman's Point Blank was already a definitive take on Richard Stark's novel The Hunter (reissued under the title Payback), Payback would be a well-above-average 90s action movie. The original toughness is diluted: Mel Gibson's Porter, replacing Lee Marvin's Walker and Stark's Parker, comes on like a hardnut but turns into a softie when he hooks up with call-girl Maria Bello (and he even likes dogs). Double-crossed and wounded after shifty Gregg Henry dupes Porter's wife (Deborah Kara Unger) into betraying him, Porter sets out to get back the $70,000 share of a heist that he feels he is owed. Because Henry has used the money to buy his way into "the Outfit", he has to deal not only with the squirming scumbag but a hierarchy of corporate mobsters (William Devane, James Coburn, Kris Kristofferson) for whom it would be bad business practice to hand over even the trivial sum. Director-writer Brian Helgeland gives it a steely-blue look and gets good performances all round (with room for Lucy Liu as an amusing dominatrix) while constructing a story in which everything fits. But it's just a good thriller, since the masterpiece potential has already been staked out. --Kim Newman
Based on the million-selling Orange Prize winning novel by Lionel Shiver and directed by acclaimed film-maker Lynne Ramsay, We Need To Talk About Kevin is an emotional thriller starring Academy Award Winner Tilda Swinton, Academy Award nominee John C. Reilly, & Ezra Miller.Eva (Tilda Swinton) puts her ambitions and career aside to give birth to Kevin. The relationship between mother and son is difficult from the very first years. When Kevin is 15, he does something irrational and unforgivable in the eyes of the community. Eva grapples with her own feelings of grief and responsibility. Did she ever love her son? And how much of what Kevin did was her fault?
Classic TV comedy from the Home Guards at Walmington-On-Sea who are both bumbling and ineffectual as well as incompetent which makes life chaotic for all around! Originally transmitted in 1968 (and recently voted no.4 in Britain's Best Sitcom) this DVD release contains all of the first series followed by the surviving episodes of the second series. Unfortunately the other three instalments remain missing and presumed lost forever... Episodes from Series 1: The Man And The Hour:
Even viewers who consider themselves beyond their teen-angst years might find Dawson's Creek compelling. In the first series we are introduced to Dawson (James Van Der Beek) and Joey (Katie Holmes), who for years have watched movies and slept in the same bed; but they find that as they enter high school their relationship will inevitably change. That becomes especially clear when Dawson is immediately attracted to Capeside's sexy new arrival, Jen (Michelle Williams). Meanwhile, their friend Pacey (Joshua Jackson) pursues an unachievable love object. Creator Kevin Williamson based Dawson's Creek on his own youth, and even though the characters may not really look or sound 15 years old, the Dawson-Joey-Jen interplay--especially embodied by the sad-eyed and cynical (but still adorable) Joey and the smart but emotionally inept Dawson--gives the show its heart. And just like Williamson's fresh take on the teen-horror genre, Scream, Dawson's Creek has a winking self-awareness, for example when Dawson says they're having a "90210 moment" or explains that they use big words because they watch too many movies. Highlights of the first series include Dawson's discovery that his perfect home life may not be so perfect, an unwelcome reminder of Jen's past, the Breakfast Club takeoff "Detention", the Scream takeoff "The Scare", a beauty contest in which two unlikely competitors square off, and the heart-rending finale. --David Horiuchi
Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they prepare for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralised and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane
The novel The Cruel Sea by Nicholas Monsarrat was an unflinching portrayal of life at sea during WWII on a boat tasked with protecting convoys and seeking and destroying U-boats. Nominated for a BAFTA for Best British Film, The Cruel Sea stars Jack Hawkins, Sir Donald Sinden and Stanley Baker, and is a gripping insight into the lives of unsung heroes at sea during the war, and the agonizing decisions and incredible peril they faced on a daily basis.
Available for the first time on DVD! A New York limo driver wins a competition to become coach of the New York Knicks...
Winning a raft of awards, not least of which four Oscars, including Best Picture and Best Director, Oliver Stone's Platoon was a box-office smash heralding Hollywood's second wave of Vietnam war films. Where predecessors The Deer Hunter (1978) and Apocalypse Now (1979) were elaborate epics, Platoon simply showed the daily reality of the war from the point of view of ordinary soldiers. Stone's own service in Vietnam gives his work a unique authenticity. Charlie Sheen gives his best performance to date, enduring a series of increasingly large-scale and bloody battles which retrospectively make one wonder why Saving Private Ryan was hailed as so new. Against this gruelling verity the film falters over the symbolic conflict between good and evil sergeants played by Willem Dafoe and Tom Berenger. Even though this was also based in real life, it strikes a too conventionally Hollywood-like note in a film which otherwise maintains much of the raw power of Stone's other film from 1986, Salvador. Johnny Depp fans should look out for an early appearance by the star. Stone would return to Vietnam with the more sophisticated Born on the Fourth of July (1989) and Heaven and Earth (1993). On the DVD: The 50-minute documentary "Tour of the Inferno" goes beyond the usual "making-of" to present a personal account both of the film and of Stone's own time in Vietnam. Likewise the two audio commentaries--one by Stone, the other by Captain Dale Dye, fellow veteran and military technical advisor--range between the making of the film and the degree to which the actors came to inhabit their parts, to their own wartime experiences. Both commentaries bring a fresh level of appreciation and understanding to the film. Also included is the original trailer and three TV commercials, together with well-presented stills galleries of behind-the-scenes photos and poster art. Following a credit sequence marred by dirt on the print, the anamorphically enhanced 1.77:1 image is sharp and clear. The many night scenes are very dark but remain easily comprehensible. The three-channel Dolby Digital sound is suitably raw and powerful, though an early sequence featuring rain in the jungle suffers from very distracting repeated drop-outs in the left channel. --Gary S Dalkin
Written by and starring Ice Cube, this sequel to his 1995 smash Friday is an engaging farce that plays on the ludicrous charm of the original. It's Next Friday and Craig Jones (Ice Cube) has to pay the consequences for despatching Debo, the neighbourhood bully, to jail at the close of the first film. Hearing a rumour that Debo is to break out of the pen, Craig's father decides it would be safer if he holed up at his cousin Day-Day's house in the 'burbs. But as Craig finds out, this is one suburb that is filled with as much drama as the ghetto. Craig's Uncle Elroy is a layabout lottery winner with a sexually voracious young wife who has designs on her nephew. Day-day (Mike Epps) is being stalked for child support by a pregnant former girlfriend and lives in fear of his boss Pinky, a former pimp who runs a record store. His neighbours, a trio of pumped-up Chicano gangsters, are out for his blood after Craig is caught flirting with their sister Karla, and to top everything, Elroy's house is due to be repossessed in 24 hours due to tax violation. The ensuing hilarity centres around Craig's attempts to raise the necessary funds by fair means or foul. Much to Ice Cube's credit, this silly and scabrous comedy is laugh-out-loud funny without lapsing into American Pie-style frat-boy humour. On the DVD: The main feature is presented in 16:9 anamorphic format in an immaculate print with the choice of either Dolby Digital 2.0 or 5.1 sound and optional English subtitles. Among the special features is an alternate ending which features several small dialogue changes and a re-appearance by Cube's love interest Karla that provides a more satisfying conclusion than the actual ending to the film, which has been left intentionally open for a possible sequel, Friday After Next. Music videos by Ice Cube ("You Can Do It") and Lil' Zane ("Money Stretch") seem to have been included as an incentive to buy the all-star rap soundtrack. Additional features include a theatrical trailer and cast and crew filmographies. The "making-of" featurette advertised on the sleeve does not app ear anywhere on the disc. --Chris Campion
Patrick Troughton stars in this recreation of a lost classic from 1967. The TARDIS has been stolen. Marooned on Earth in the year 1966, the Doctor and Jamie set out to find the missing time-machine. Their investigations bring them to a mysterious London antiques shop, where all the antiques all seem to be brand new. Kidnapped by the antique shop's owner, the Doctor is then brought face to face with a very old enemy - the Daleks. Working from a house in Victorian England, the Daleks have a new master plan to conquer the universe. And in order to carry it out, they need the Doctor's help. The original 1967 master recordings of 'The Evil of the Daleks' were lost soon after the programme's original transmission. However, audio-only recordings of all seven episodes have survived and have been used here to create a brand new fully animated presentation of this lost classic. Written by David Whitaker Directed by AnneMarie Walsh (2021 Production) Directed by Derek Martinus (1967 Production) Produced by Paul Hembury (2021 Production) Produced by Innes Lloyd (1967 Production) Starring Patrick Troughton, Frazer Hines, Marius Goring, John Bailey, Deborah Watling, Brigit Forsyth, Gary Watson, Jo Rowbottom, Windsor Davies and Sonny Caldinez.
Even if the notorious 1970s porn-filmmaking milieu doesn't exactly turn you on, don't let it turn you off to this movie's extraordinary virtues, either. Boogie Nights is one of the key movies of the 1990s and among the most ambitious and exuberantly alive American movies in years. It's also the breakthrough for an amazing new director, whose dazzling kaleidoscopic style here recalls the Robert Altman of Nashville and the Martin Scorsese of Good Fellas. Although loosely based on the sleazy life and times of real-life porn legend John Holmes, at heart it's a classic Hollywood rise-and-fall fable: a naive, good-looking young busboy is discovered in a San Fernando Valley disco by a famous motion picture producer, becomes a hotshot movie star, lives the high life and then loses everything when he gets too big for his britches, succumbs to insobriety and is left behind by new times and new technology. Of course, it isn't exactly A Star Is Born or Singin' in the Rain. Writer-director Paul Thomas Anderson (in only his second feature!) puts his own affectionately sardonic twist on the old showbiz biopic formula: the ambitious upstart changes his name and achieves stardom in porno films as "Dirk Diggler." Instead of drinking to excess, he snorts cocaine (the classic drug of 70s hedonism); and it's the coming of home video (rather than talkies) that helps to dash his big-screen dreams. As for the britches ... well, the controversial "money shot" explains everything. And the cast is one of the great ensembles of the 90s, including Oscar nominees Burt Reynolds and Julianne Moore, Mark Wahlberg (who really can act--from the waist up, too!), Heather Graham (as Rollergirl), William H. Macy, John C. Reilly and Ricky Jay. --Jim Emerson
Steven Spielberg directs this heartwarming romantic adventure USA Today calls a ""winner"". Pete Sandrich (Richard Dreyfuss) is a legendary pilot with a passion for daredevil firefighting. However Dorinda (Holly Hunter) the woman he loves and Al (John Goodman) Pete's best friend know that legends can't take risks forever. After sacrificing himself to save Al the ace pilot faces his most challenging mission: helping Dorinda move on with her life. Breathtaking cinematography and exhilarating aerial choreography highlight this compelling adventure that co-stars Brad Johnson and features a special appearance by Audrey Hepburn.
Thirteen years after this BAFTA award-winning series earned a place in television history, we return for more heartfelt, truthful, comedy drama amidst the lives of our favourite couples. Older, but not necessarily wiser, the gang are reunited when Adam returns to Manchester from working abroad to make an announcement, but not everyone is as thrilled as he is. Follow the highs and lows of these much loved characters as they, like us, continue to find their way in life.
Dawson (James Van Der Beek) returns to Boston after working as an assistant director in Los Angeles over the summer and reunites with Joey (Katie Holmes) who has spent a relatively angst-free summer in Capeside. However there are plenty of obstacles to overcome for the long-time star-gazers. Meanwhile Pacey is trying to make it in the world of business without selling his soul; Jack worries that Professor Freeman might be aware of his crush; and could Audrey have developed a drin
Mike Figgis' Internal Affairs makes great play with some fairly obvious ironies--"Trust me, I'm a cop", Richard Gere says to a couple for whom he is arranging the death of their parents--but its real strength lies in a cluster of central performances. Gere has rarely been better than he is as the charismatic, self-righteous entirely corrupt and corrupting Dennis Peck, but Andy Garcia is at least as impressive as the "selfish yuppy bastard", the ambitious Internal Affairs cop Avila whose determination to bring Peck down is as much to do with massaging his own ego as with fighting the good fight, particularly after Peck starts making moves on Avila's gallery curator wife. This is a film about men destructively manipulating each other's self-love--the two men have more in common than they like to admit, a point sardonically made by Amy, the world-weary lesbian cop who is Avila's partner (an impressive performance by Figgis regular Laurie Metcalfe). Internal Affairs was the best thriller of 1990 and one of the decade's best. --Roz Kaveney
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Click Images to Enlarge
The story of the Manchester music scene from 70s punk through to the early nineties, as seen from the perspective of Tony Wilson, musical entrepenuer who signed countless bands from Joy Division to the Happy Mondays to his legendary Factory Records label.
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