"Actor: John Louie"

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  • Gremlins [1984]Gremlins | DVD | (17/04/2019) from £7.19   |  Saving you £6.80 (94.58%)   |  RRP £13.99

    When his absent-minded father gives young Billy Pelzer (Zach Galligan) a new pet, he warns him to abide by three rules. The rules get broken, of course, and the pet--a cute Mogwai named Gizmo--unwittingly gives birth to the vicious Gremlins who proceed to terrorise the town. Although the long shadow of Producer Steven Spielberg hangs over Joe Dante's 1984 comedy Gremlins almost as much as it did over Tobe Hooper's Poltergeist (1982), Dante doesn't allow it to overwhelm his own quirky style too much. Glimpses of Robbie the Robot and The Time Machine (which promptly disappears) at an inventors' convention reveal his passion for old-movie references (which culminated with Matinee, 1993). Aided and abetted by Spielberg's guidance and a script by Chris Columbus (who would go on to direct and produce the Home Alone franchise) and a music score by Jerry Goldsmith, Dante had all the help he needed to make the biggest hit of his career. Much of the humour derives from Dante's playful handling of the setting in Smallsville, USA, whose inhabitants are as much the target of his satire as they are of the Gremlins' unwanted solicitations. The xenophobic neighbour who warns prophetically of "gremlins" in foreign cars and machinery provides a subtext for the attack on homely American values, as does showing Invasion of the Body Snatchers on TV while the wicked Gremlins hatch. The sight of the little tykes cavorting in a bar, getting drunk and even dancing in pink leggings looks suspiciously like a satirical dig at the whole 1980's culture of selfishness: with their destructive impulses and overindulgences the Gremlins are the ultimate egotistical yuppies. As with many Spielberg projects, the bland hero saves the day for nostalgic, old-fashioned values, but there are plenty of laughs along the way--for example in the now-classic scene when the hero's mother fights off Gremlins in the kitchen by stuffing them in the blender and microwave. Dante's 1990 sequel is even more satirically pointed, and he effectively remade the original with Small Soldiers (1998), replacing Gremlins with toys. On the DVD: Disappointingly, there are no extra features at all here, aside from subtitles and "interactive menus"--which simply means there is an onscreen menu and it works. --Mark Walker

  • Coming To America [1988]Coming To America | DVD | (07/05/2001) from £4.95   |  Saving you £11.04 (223.03%)   |  RRP £15.99

    Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny. Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required romantic conclusion. The script is crammed with ripe one-liners , but "Freeze, you diseased rhinoceros pizzle" has to be the most devastating hold-up line of all time. Film buffs will appreciate a brief appearance by Don Ameche as a down-and-out, but this is Murphy's film and he generates warmth enough to convert the most ambivalent viewer. On the DVD: The only--rather pointless--extra on offer is the original theatrical trailer which adds nothing apart from a rapid recap of the story. But the 1.78:1 anamorphic widescreen presentation (the picture quality is diamond sharp) and Dolby Digital 5.1 soundtrack recreate the original authentic cinematic experience. The choreography of 1980s pop diva Paula Abdul in the lavish wedding scenes and Nile Rodgers' pounding musical score are the main beneficiaries. --Piers Ford

  • Buck Rogers In The 25th Century - Series 1 [1980]Buck Rogers In The 25th Century - Series 1 | DVD | (22/11/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £10.16

    With its campy combination of lightweight adventure and Spandex disco chic, Buck Rogers in the 25th Century is a nostalgic throwback to post-Star Wars opportunism. Series co-creator Glen A. Larson was incapable of originality, and former soap star Gil Gerard (in the title role) was a bland incarnation of the comic-strip hero, so the much-anticipated series premiered on September 20, 1979, with serious disadvantages. Although the two-hour pilot "Awakening" had tested successfully as a theatrical release, Gerard and the show's producers could never agree on a stable tone for the series, which presents Capt. William "Buck" Rogers as a jovial space cowboy who is accidentally time-warped from 1987 to 2491. Earth is engaged in interplanetary war following a global holocaust, and Buck's piloting skills make him an ideal starfighter recruit for the Earth Defense Directorate, where his closest colleagues are Dr. Huer (Tim O'Connor), squadron leader Col. Wilma Deering (former model Erin Gray, looking oh-so-foxy), the wisecracking robot Twiki (voiced by cartoon legend Mel Blanc), and a portable computer-brain named Dr. Theopolis, who's carried by Twiki like oversized bling-bling. The series struggled through an awkward first season, with routine plots elevated by decent special effects and noteworthy guest stars including Jamie Lee Curtis, ill-fated Playboy Playmate Dorothy Stratten (appearing, with her voice dubbed over, less than a year before her tragic murder), Batman alumnus Julie Newmar, Buster Crabbe (veteran of vintage Buck Rogers movie serials), and several others in a show that favored vamps and vixens over credible science fiction. A full-scale overhaul resulted in a disastrous second season, but devoted fans still gravitate to Hawk (Thom Christopher), the charismatic alien "birdman" who was introduced with new characters and a new, space-faring search for lost tribes from Earth (with echoes of Larson's own Battlestar Galactica). Behind-the-scenes squabbles continued, and by mid-season of 1981, NBC pulled the plug on a breezy, still-engaging series that suffered from uneasy chemistry and never realized its full potential. Existing somewhere between Galactica and Lost in Space in the TV sci-fi food chain, this Buck--with a dearth of DVD extras--now functions as a cheesy stroll down memory lane. --Jeff Shannon

  • The Cove [DVD] [2009]The Cove | DVD | (04/01/2010) from £5.60   |  Saving you £14.39 (256.96%)   |  RRP £19.99

    "The Cove" begins in Taiji, Japan, where former dolphin trainer Ric O'Barry has come to set things right after a long search for redemption and bids to put a stop to the underhand and dangerous hunts that take place here.

  • Charlie's Angels - Series 1 [1977]Charlie's Angels - Series 1 | DVD | (23/06/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £39.99

    Back in the late 1970s Charlie's Angels was wildly popular television at its most self-consciously banal. The jiggly, joggly jolly first series' three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith and thinking man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favourite angel as a kind of ink-blot window into one's subconscious life. While the 2000 Angels feature film kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and operated by the unseen sybarite, Charlie (voiced--over speakerphone--by an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover as fashion models--no great stretch--in "Night of the Strangler", nurses in "Terror on Ward One", roller-derby stars in "Angels on Wheels" and vulnerable convicts (of course) in "Angels in Chains". The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, that Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: the Angels looked out for themselves and each other. --Tom Keogh

  • Charlie's Angels - Night Of The Strangler / To Kill An Angel [1977]Charlie's Angels - Night Of The Strangler / To Kill An Angel | DVD | (21/05/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

    Once upon a time...there were three girls who went to the Police Academy...and they were each assigned very hazardous duties...but I took them away from all that...and now they work for me. My name is Charlie. To Kill An Angel: A trip to the carnival leads to a tunnel of horrors when Kelly gets caught in the crossfire between two paid killers and an autistic child. Night Of The Strangler: The Angels bare all - almost - as undercover fashion models while investigating a kinky case of multiple murders.

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