Doctor Who And The Silurians: Summoned by the Brigadier to an underground research centre at Wenley Moor the Doctor and Liz Shaw learn from its director Dr Lawrence that work on a new type of nuclear reactor is being hampered by inexplicable power losses and by an unusually high incidence of stress-related illness amongst staff. Investigating a nearby cave system the Doctor discovers it is the base of a group of intelligent reptiles termed Silurians who went into hibernation millions of years ago but have now been revived by power from the research centre. The Doctor strives for peace between reptiles and humans and manages to gain the trust of the old Silurian leader but then a rebellious young Silurian seizes power and releases a deadly virus that threatens to wipe out humanity. The Doctor finds an antidote but the Silurians retaliate by taking over the research centre and preparing to destroy the Van Allen Belt a natural barrier shielding the Earth from solar radiation harmful to humans but beneficial to reptiles... The Sea Devils: The Doctor and Jo visit the Master in his high-security prison on an island off the south coast of England and hear from the governor Colonel Trenchard that ships have been mysteriously disappearing at sea. Investigating the Doctor learns from Captain Hart commander of a nearby Naval base that the sinkings have centred around an abandoned sea fort. He and Jo then visit the fort and are attacked by what one of the men there terms a Sea Devil - an amphibious breed of the prehistoric creatures encountered by the Doctor shortly after his exile to Earth. The Master aided by a misguided Trenchard is stealing equipment from the Naval base in order to build a machine to revive the Sea Devils from hibernation. The Doctor takes a diving bell down to the Sea Devils' underwater base to try to encourage peace... Warriors Of The Deep: The Doctor Tegan and Turlough arrive at an underwater Sea Base on Earth where a scientific and military team led by Commander Vorshak are monitoring a rival power bloc. The team undergo regular missile launch test sequences to ensure that they are ready at all times to combat an attack. Three Silurians led by Icthar - the surviving member of a Silurian triad - revive a colony of Sea Devil Warriors in order to invade the base and use its weapons to attack the opposing power bloc thus provoking a global war that will allow the reptiles to conquer the Earth...
Life for Julie (Teresa Palmer) and R (Nicholas Hoult) couldn't be more different. R is a zombie; with a great record collection; limited vocab and an overpowering love of brain food. Julie is a human; beautiful; strong; open minded and all heart.
The most unlikeliest herd are back and this time they're having to face up to some pretty terrifying interlopers!
All the episodes from the award-winning time-travel series. Scientist Sam Beckett (Scott Bakula) gets trapped inside his own 'Quantum Leap' experiment, and leaps into the bodies of people whose problems only he can solve. Joined by the hologram projection of his wise-cracking adviser Al (Dean Stockwell), Sam has to help each person he leaps into before he can leave, all the while hoping that the next leap will get him home. Season 1 episodes are: 'Genesis: Part 1', 'Genesis: Part 2', 'Star-Crossed', 'The Right Hand of God', 'How the Tess Was Won', 'Double Identity', 'The Color of Truth', 'Camikazi Kid', and 'Play It Again Seymour'. Season 2 episodes are: 'Honeymoon Express', 'Disco Inferno', 'The Americanization of Machiko', 'What Price Gloria?', 'Blind Faith', 'Good Morning, Peoria', 'Thou Shalt Not', 'Jimmy', 'So Help Me God', 'Catch a Falling Star', 'A Portrait For Troian', 'Animal Frat', 'Another Mother', 'All Americans', 'Her Charm', 'Freedom', 'Good Night Dear Heart', 'Pool Hall Blues', 'Leaping in Without a Net', 'Maybe Baby', 'Sea Bride' and 'MIA'. Season 3 episodes are: 'The Leap Home: Part 1', 'The Leap Home: Part 2', 'Leap of Faith', 'One Strobe Over the Line', 'The Boogieman', 'Miss Deep South', 'Black On White On Fire', 'The Great Spontini', 'Rebel Without a Clue', 'A Little Miracle', 'Runaway', 'Eight and a Half Months', 'Future Boy', 'Private Dancer', 'Piano Man', 'Southern Comforts', 'Glitter Rock', 'A Hunting We Will Go', 'Last Dance Before an Execution', 'Heart of a Champion', 'Nuclear Family' and 'Shock Theatre'. Season 4 episodes are: 'The Leap Back', 'Play Ball', 'Hurricane', 'Justice', 'Permanent', 'Raped', 'The Wrong Stuff', 'Dreams', 'A Single Drop of Rain', 'Unchained', 'The Play's the Thing', 'Running for Honor', 'Temptation Eyes', 'The Last Gunfighter', 'A Song for the Soul', 'Ghost Ship', 'Roberto!', 'It's a Wonderful Leap', 'Moments to Live', 'The Curse of Ptah-Hotep', 'Stand Up', 'A Leap for Lisa'. Season 5 episodes are: 'Lee Harvey Oswald: Part 1', 'Lee Harvey Oswald: Part 2', 'Leaping of the Shrew', 'Nowhere to Run', 'Killin' Time', 'Star Light, Star Bright', 'Deliver Us from Evil', 'Trilogy: Part 1', 'Trilogy: Part 2', 'Trilogy: Part 3', 'Promised Land', 'A Tale of Two Sweeties', 'Liberation', 'Dr. Ruth', 'Blood Moon', 'Return', 'Revenge', 'Goodbye Norma Jean', 'The Beast Within', 'The Leap Between the States', 'Memphis Melody' and 'Mirror Image'.
Finn, the human boy with the awesome hat, and Jake, the wise dog with magical powers, are close friends and partners in the strange land of Ooo. It's one quirky and off-beat adventure as they fly all over the land of Ooo, saving princesses, dueling evil-doers, and having the most fun possible!
There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--you smile at the spell it puts you into and are refreshed, and not a word needs to be spoken. This kind of entertainment is what they used to call "movie magic" and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of Toy Story looks intriguing as it reawakens the kid in us. Filmmaker John Lasseter's shorts (namely Knickknack and Tin Toy, which can be found on the Pixar video Tiny Toy Stories) illustrate not only a technical brilliance but also a great sense of humour--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney. Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas
A woman seeking revenge for her murdered father hires a formerly famous gunman but he's very different from what she was expecting!
Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.
First released in 1984, Footloose now enjoys the same sort of semi-ironic nostalgic cachet as John Hughes' contemporary schlock-fests about angst-ridden teens with silly hair. This is partly due to the fact that, as breathtakingly predictable kids-against-the-squares romps go, it's really pretty tolerable, but it's mostly because of the soundtrack. The songs that appear in the film--notably Kenny Loggins' infectiously vapid title track, and gale-force screecher Bonnie Tyler's excruciating "Holding Out for a Hero"--are possessed of an awfulness so monolithic that they have transcended their era and become reliable floor-fillers at 80s nostalgia discos all over the western world. The plot, such as it is, sees the eerily androidal Kevin Bacon playing a hip rock & roll youth from the big city rebelling against the strictures of the conservative small town in which he finds himself living. Inevitably, he falls for the daughter of his nemesis, the local preacher (the latter, it has to be said, is played with some aplomb by John Lithgow, who very nearly wrings depth from a character otherwise straight out of the colour-by-numbers guide to movie-making). Inevitably, there are some dance sequences. Inevitably, the kids win out, and the grown-ups realise that maybe they aren't so bad after all. On the DVD: Footloose can be watched on disc, should you so desire, dubbed in German, Spanish, French or Italian. There also subtitles available in pretty well every European language, as well as Arabic, Hebrew, Russian and Turkish. Other than that there are no extras. --Andrew Mueller
It's not the 1935 Hitchcock classic, but this sturdy 1978 adaptation of John Buchan's The Thirty Nine Steps is still a rollicking good adventure. In keeping with the Boys' Own derring-do of the story (set in Edwardian London and the Scottish Highlands), the movie maintains a brisk pace that's interrupted only for tea or cocktails. Robert Powell is Richard Hannay, the man who unwittingly becomes embroiled in a dastardly Prussian plot to assassinate the Greek Prime Minister. Framed for murder, Hannay must flee to Scotland and attempt to clear his name whilst outwitting the prune-faced Prussian agents. Among all the deftly choreographed action sequences and careful period settings there's a strong vein of humour in the film, and if it wasn't for the numerous murders there would be little reason for PG certification. The grand dénouement comes with the realisation that the predicted time for the assassination is linked to Big Ben; unlike the earlier movie this version climaxes memorably with Powell hanging from the clock's minute hand. It might not be Hitchcock behind the lens, but it's still jolly good fun. --Joan Byrne
Elvis Presley's seventh film was the first of his "Hawaii trilogy" (a group completed by Girls! Girls! Girls! and Paradise, Hawaiian Style). While its story is daft--the King has just been released from his army-posting in Italy and returned to the islands, where he's trying to avoid working in his father's fruit business--the music, including "Blue Hawaii," "Almost Always True" and the beautiful "Can't Help Falling in Love", is not. Angela Lansbury plays Elvis's mother, who can't seem to get through to him. The film is directed by Elvis's frequent collaborator, Norman Taurog. --Tom Keogh
A potboiler featuring a demented caretaker and a seemingly hapless suburban family, this is The Nanny of the 1990s. However, it is much more predictable than that 1965 Bette Davis psychodrama, and more graphic. It works only because Rebecca De Mornay makes us intensely uncomfortable as the disturbed au pair who wants to take care of much more than her employer's well-being. Annabella Sciorra plays the perfect mother of a flawless family. Her obstetrician, however, is less than wonderful, having enjoyed her examination much more than he should have. When she files sexual harassment charges against the repugnant doctor, he loses face--literally--after shooting himself in the head. Several months later, an ideal nanny shows up at her home. You guessed it--she's the doc's widow. The movie follows a tried and trusted formula, with the audience in on everything. However, the story does surprise us in intense and intimate ways. The visit to the obstetrician is one of the creepiest moments in the film. You definitely hear the voice of writer Amanda Silver in a plot concerned with the vulnerabilities of a family, a newborn, a marriage. Since we know so much up front, there is an overall lack of inventiveness in the plot machinations. It may not jolt us, but De Mornay does. It's unsettling to watch someone who appears so attractive and who behaves so kindly suddenly reveal hideous psychopathic tendencies. Restraining herself from going over the top, she instead oozes such malevolence you'll want to shudder. --Rochelle O'Gorman
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg. Along the way, they meet an Aboriginal youth on his walkabout, a rite of passage in which adolescent boys are initiated into manhood by journeying into the wilderness alone. Walkabout is a thrilling adventure as well as a provocative rumination on time and civilization. (Indigenous people are advised that this film includes images and recording of deceased persons.) United Kingdom, Australia 1971 100 minutes Colour 1.78:1/1.85:1 English Spine #10 4K UHD + BLU-RAY SPECIAL EDITION FEATURES: ¢ New 4K digital master, with uncompressed monaural soundtrack ¢ One 4K UHD disc of the film (in the aspect ratio of 1.85:1) presented in Dolby Vision HDR and one Blu-ray with the film (in the aspect ratio of 1.78:1) and special features ¢ Audio commentary featuring director Nicolas Roeg and actor Jenny Agutter ¢ Interviews with Agutter and actor Luc Roeg ¢ GulpililOne Red Blood (2002), a documentary on the life and career of actor David Gulpilil ¢ Trailer ¢ English subtitles for the deaf and hard of hearing ¢ PLUS: An essay by author Paul Ryan
A high point of Hitchcock's pre-Hollywood career, 1935's The Thirty-Nine Steps is the first and best of three film versions of John Buchan's rather stiff novel. Robert Donat plays Richard Hannay, who becomes embroiled in a plot to steal military secrets. He finds himself on the run; falsely accused of murder, while also pursuing the dastardly web of spies alluded to in the title. With a plot whose twists and turns match the hilly Scottish terrain in which much of the film is set, The Thirty-Nine Steps combines a breezy suavity with a palpable psychological tension. Hitchcock was already a master at conveying such tension through his cinematic methods, rather than relying just on situation or dialogue. Sometimes his ways of bringing the best out of his actors brought the worst out in himself. If the scene in which Donat is handcuffed to co-star Madeline Carroll has a certain edge, for instance, that's perhaps because the director mischievously cuffed them together in a rehearsal, then left them attached for a whole afternoon, pretending to have lost the key. The movie also introduces Hitchcock's favoured plot device, the "McGuffin" (here, the military secret), the unexplained device or "non-point" on which the movie turns. --David Stubbs
The Blues Brothers: John Belushi and Dan Aykroyd--as "legendary" Chicago brothers Jake and Elwood Blues--brought their "Saturday Night Live" act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway and James Brown that are guaranteed to knock you out. Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. The Blues Brothers 2000: It's hard to ignore the sad and conspicuous absence of the late John Belushi, but this long-delayed sequel still has Dan Aykroyd to keep the music alive. Once again, Elwood's trying to reunite the original Blues Brothers Band, and this time he's got a strip-joint bartender (John Goodman) and a 10-year-old orphan named Buster (J Evan Bonifant) joining him at centre stage. It's a shameless clone of the first film, and nobody--especially not Aykroyd or director John Landis--seems to care that the story's not nearly as fun as the music. Of course there's a seemingly endless parade of stunts, including a non-stop pileup of police cars that's hilariously absurd, but what really matters here--indeed, the movie's only saving grace--is the great line-up of legendary blues musicians. Aretha Franklin, James Brown, Junior Wells, Eric Clapton, BB King, Jonny Lang, Eddie Floyd and Blues Traveler are among the many special guests assembled for the film, and their stellar presence makes you wonder if the revived Blues Brothers shouldn't remain an obscure opening act. --Jeff Shannon, Amazon.com
While its sequels were formulaic and safe, the first Beverly Hills Cop set out to explore some uncharted territory and succeeded. A blend of violent action picture and sharp comedy, the film has an excellent director, Martin Brest (Scent of a Woman), who finds some original perspectives on stock scenes (highway chases, police rousts) and hits a gleeful note with Murphy while skewering LA culture. Good support from Judge Reinhold and John Ashton as local cops not used to doing things the Detroit way (Murphy's character hails from the Motor City). Paul Reiser has a funny, brief moment at the beginning and Bronson Pinchot makes an hilarious impression in a great, never-to-be-duplicated scene with the star. --Tom Keogh
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named Katy and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom? Features: NEW Steve Chibnall on J. Lee Thompson NEW Interview with Melanie Williams Senior Lecturer in Film Studies, University of East Anglia Interview with Sylvia Syms John Mills Home Video Footage Original Trailer Behind The Scenes Stills Gallery Extended Clip from A Very British War Movie Documentary
It's 'vege-mania' in Wallace and Gromit's first feature adventure.
From Roland Emmerich, director of THE DAY AFTER TOMORROW and INDEPENDENCE DAY, comes the ultimate action-adventure movie, exploding with groundbreaking special effects. As the world faces a catastrophe of apocalyptic proportions, cities collapse and continents crumble. 2012 brings an end to the world and tells of the heroic struggle of the survivors. Starring John Cusack, Chiwetel Ejiofor, Amanda Peet, Danny Glover and Woody Harrelson. Extras: Discovery Channel's 2012 Apocalypse Theatrical Trailers Picture-in-Picture: Roland's Vision Commentary with Writer/Director Roland Emmerich and Co-Writer Harald Kloser Alternate Ending
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