Newly restored and remastered in Dolby Vision, all three films in the landmark saga are released together on 4K Ultra HD Blu-ray⢠for the first time ever. The 4K Ultra HD Blu-ray set will include The Godfather, The Godfather: Part II, and three versions of The Godfather: Part III: the theatrical cut (first time ever on home media), Coppola's 1991 cut, and Coppola's recently re-edited version of the final film, Mario Puzo's The Godfather Coda: The Death of Michael Corleone. The disc set includes commentaries by Coppola on The Godfather, The Godfather: Part II and the 1991 cut of The Godfather: Part III. Plus special features on a blu-ray disc. The Godfather Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar®-winning* role as the patriarch of the Corleone family. The Godfather⢠is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award® nominations, and won three including Best Picture of 1972. The Godfather Part II In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar®-winning* performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfatherâ¢, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards® nominations, winning six including Best Picture of 1974. Mario Puzo's The Godfather Coda: The Death Of Michael Corleone Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, A more appropriate conclusion to The Godfather and The Godfather: Part II.
A woman seeking revenge for her murdered father hires a formerly famous gunman but he's very different from what she was expecting!
Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it's soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it's soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it's soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
The Adventures of Mark Twain is an amazing journey of imagination humour and heart and a must for fans of Aardman Studios. The film features a series of vignettes extracted from several of Mark Twain's works built around a plot that features Twain's attempts to keep his appointment with Halley's Comet. Tom Sawyer Becky Thatcher and Huck Finn stow away with Mark Twain on an incredible journey in Twain's airship. The journey introduces the three friends to a variety of the author's characters from; The Diary of Adam and Eve Huckleberry Finn The Mysterious Stranger The Famous Jumping Frog of Caliverous County and Captain Stormfield's Visit to Heaven. The sequence based on The Mysterious Stranger reportedly received over ten million views upon being posted on YouTube. The sequence was allegedly banned from TV due to its disturbing content
Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it's soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
The Adventures Of Mark Twain is an amazing journey of imagination humour and heart and a must for fans of Aardman Studios. The film features a series of vignettes extracted from several of Mark Twain's works built around a plot that features Twain's attempts to keep his appointment with Halley's Comet. Tom Sawyer Becky Thatcher and Huck Finn stow away with Mark Twain on an incredible journey in Twain's airship. The journey introduces the three friends to a variety of the author's characters from; The Diary of Adam and Eve Huckleberry Finn The Mysterious Stranger The Famous Jumping Frog of Caliverous County and Captain Stormfield's Visit to Heaven. The sequence based on The Mysterious Stranger reportedly received over ten million views upon being posted on YouTube. The sequence was allegedly banned from TV due to its disturbing content
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
The Godfather Trilogy is the benchmark for all cinematic storytelling. Francis Ford Coppola's masterful adptation of Mario Puzo's novel chronicles the rise and fall of the Corleone family in this celebrated epic. Collectively nominated for a staggering 28 Academy Awards®, the films are the winner of 9, including 2 for the Best Picture for The Godfather and The Godfather Part II. To this day the saga is rightfully viewed as one of the greatest in the history of motion pictures. Now, for true cinmea lovers, comes The Godfather Trilogy with the Corleone Legacy Family Tree, Original Theatrical Art Cards, and Collectible Portraits with Frame to complete every fan's collection.
101 Films presents the Bob Clark Horror Collection: collecting for the first time Clark's seminal early 70's chillers Black Christmas, Children Shouldn't Play with Dead Things, and Deathdream (aka Dead of Night), in a limited edition 3-disc set, complete with booklet and newly commissioned artwork. Black Christmas It's time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don't express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem? Children Shouldn't Play with Dead Things Led by a mean-spirited director, a theatre troupe travels by boat to a small island for buried criminals. The group gets more than they bargained for when the dead rise from their graves. Can they stay put until daylight against the undead onslaught, or do they flee into the pitch-black night? Will anyone survive? Deathdream In this shattering variation on The Monkey's Paw , grief-stricken suburban parents refuse to accept the news that their son Andy has been killed in Vietnam. But when Andy returns home soon after, something may be horribly wrong: Andy is alive and well... or is he? Special Features Black Christmas Audio Commentary with Director Bob Clark Audio Commentary with actors John Saxon and Keir Dullea Audio Commentary with actor Nick Mancuso Film and Furs: Remembering Black Christmas with Art Hindle Victims and Virgins: Remembering Black Christmas with Lynne Griffin Black Christmas Legacy 40th Anniversary reunion panel: Fan Expo Canada 2014 TV and Radio Spots 12 Days of Black Christmas Featurette Black Christmas Revisited Featurette Midnight Screening Q&A with Bob Clark, John Saxon, and Carl Zittrer Children Shouldn't Play with Dead Things Commentary with Alan Ormsby, Jane Daly and Anya Cronin Alan Ormsby Interview Memories of Bob Clark Confessions of a Grave Digger: Interview with Ken Goch Grindhouse Q&A Cemetery Mary - Music Video Dead Girls Don't Say No - Music Video Trailer Photo Gallery Deathdream Brand New Audio Commentary with Travis Crawford and Bill Ackerman Brand new feature-length documentary - Dreaming of Death
Made when Jaws was still the most successful film of all time The Car has almost exactly the same premise but replaces the ocean with the Utah desert and the shark with a Lincoln Continental Mark III of possibly supernatural origin. When two teenage cyclists and a hitch-hiking musician are killed in apparently deliberate hit-and-runs the police department of Santa Ynez investigates whereupon the seemingly driverless vehicle turns on its hapless officers as well. And when the car strikes rather too close to the home of Captain Wade Parent (James Brolin) he vows to stop at nothing to defeat it. Director Elliot Silverstein (Cat Ballou A Man Called Horse) keeps everything as slick and streamlined as the car itself turning the desert landscape into a powerfully mythic backdrop for a potent clash between the forces of good and those of inexplicable but clearly implacable evil. Special Features: High Definition presentation (1080p) on Blu-ray for the first time in the world! Original uncompressed Stereo PCM audio Optional English SDH subtitles for the deaf and hard of hearing Audio commentary with director Elliot Silverstein moderated by Calum Waddell Making a Mechanical Monster: Special Effects Artist William Alridge Remembers The Car Hitchhike the Hell: Actor John Rubinstein recalls becoming a victim of The Car Introduction and trailer commentary by director and The Car fan John Landis Original Trailer Easter Egg Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson Collector’s booklet featuring new writing on the film by Cullen Gallagher as well as a brand new interview with co-writer Michael Butler conducted by Calum Waddell illustrated with original archive stills and artwork
There's nowhere to turn nowhere to hide no way to stop... A monstrous black sedan roars out of the desert without warning and mercilessly begins to terrorize the residents of a small New Mexico town. Is it a phantom a demon...or even the Devil himself?
101 Films presents Deathdream (AKA Dead of Night). Much more than just a straightforward horror, Clark uses his supreme skill as a manipulator of tension to present another Zombie classic that was one of the first films to confront the domestic ravages of the Vietnam War. In this shattering variation on The Monkey's Paw , grief-stricken suburban parents refuse to accept the news that their son Andy has been killed in Vietnam. But when Andy returns home soon after, something may be horribly wrong: Andy is alive and well... or is he? Product Features Brand New Audio Commentary with Travis Crawford and Bill Ackerman Brand new feature-length documentary - Dreaming of Death Trailer
The story of a legend that took the world by storm. The incredible career of perhaps the greatest boxer of all time Muhammad Ali is dramatized in this exciting film starring Ali himself. Fresh from his gold medal victory at the Olympic Games 18-year-old Cassius Clay is ready to seek the heavyweight championship. Under the masterful guidance of trainer Angelo Dundee (Ernest Borgnine). Clay snatches the title from Sonny Liston. Soon afterward Clay converts to the Islam religion a
Titles Comprise:When We Were Kings: On September 25, 1974, in the wake of one of the greatest political scandals in its history - the ignominious collapse of the Nixon presidency - America was poised to watch a knockout punch that would redefine it as a nation of champions. In the atmosphere of a three-ring circus, in Zaire, a little known country ruled by a military dictator, on the little-noticed continent of Africa, two American fighters held the world's attention. One would capture the world's imagination. But, four days before the scheduled Rumble in the Jungle, as the heavyweight championship matchup between reigning title holder George Foreman and challenger Muhammad Ali was called, the promoters announced that there would be a six week delay. And in that time span, as the international media took in the rhythms of the music and the mysterious beauty of the land, and as anticipation for the fight mounted an entirely new phenomenon evolved - black Americans saw their own generational crossroads reflected in the contrasting images of the two men who had returned to Africa to fight.The Greatest: 18 year-old Olympic gold medalist Cassius Clay feels ready to take on the heavyweight championship. In this dramatisation the incredible career of the legendary fighter is portrayed, as he gains in stature and power under the guidance of Angelo Dundee, Clay takes the heavyweight title away from Sonny Liston. Soon after his victory Clay converted to Islam, changing his name to Mohammad Ali, and begins a three year court battle to avoid being drafted into the army on religious grounds. This dramatic biography of a legend (starring Ali himself) excuse the pun, certainly pulls no punches.
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