Who is the man who hides his scarred face behind a mask? Hero or madman? Liberator or oppressor? Who is V and who will join him in his daring plot to destroy the totalitarian regime that dominates his nation? From the creators of The Matrix trilogy comes V for Vendetta, an arresting and uncompromising vision of the future based on the powerfully subversive graphic novel. This Collector's Set Includes: V for Vendetta on 4K Ultra HD and Blu-ray Two new pieces of EC on 4K disc (not in 4K Resolution) Collectable SteelBook Case Exclusive Acrylic Pin housed in a SteelBook Mini Case Special Features: NEW: Natalie Portman's Screen Test NEW: V for Vendetta Unmasked: Making-of with filmmakers and cast James McTeigue & Lana Wachowski in Conversation : Looking back on V for Vendetta Director's Notebook: Reimagining a Cult Classic for the 21st Century: Director James McTeigue (Joined by Stars Natalie Portman and Hugo Weaving and Other Creative Team Members) Traces in Detail the V Saga from Graphic Novel Origin Through the Movie's Execution. Designing the Near Future Remember, Remember: Guy Fawkes and the Gunpowder Plot England Prevails: V For Vendetta and the New Wave in Comics Freedom! Forever!: Making V For Vendetta Saturday Night Live Digital Short Cat Power Montage Theatrical Trailer
The crew of the spaceship Dark Star are on a 20-year mission to destroy unstable planets and make way for future colonisation by using smart bombs which zoom off cheerfully to do their duty. But unlike the orderly inhabitants of Star Trek's Enterprise, the nerves of this crew are becoming frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff", says Commander Doolittle when presented with the possibility of alien life, "Find me something I can blow up". When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's short story "Kaleidoscope" has the remaining crew drifting away from each other in space, each to a suitably absurd end. Absurd, surreal and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space". Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. --Jim Gay
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
A favourite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of The West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part-Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon, Amazon.com
A star-studded cast heads this Agatha Christie story about the efforts of Hercule Poirot (Peter Ustinov) to fathom the mysterious death of a capricious star in a Mediterranean resort hotel...
All episodes from the first three series of the feature-length spin-off of ITV's long-running crime drama 'Inspector Morse'. Set in 1965, the show follows Endeavour Morse (Shaun Evans) in his younger years as a police constable. Working alongside his senior partner Detective Inspector Fred Thursday (Roger Allam) and PC James Strange (Sean Rigby), Morse engages in a number of investigations around Oxford, England. Series 1 episodes are: 'Girl', 'Fugue', 'Rocket' and 'Home'. Series 2 episodes are: 'Trove', 'Nocturne', 'Sway' and 'Neverland'. Series 3 episodes are: 'Ride', 'Arcadia', 'Prey' and 'Coda'.
From the Queen of Crime Agatha Christie comes a tale of murder mystery and mistaken identity. When Bobby Jones comes across a dying man and the photograph of a beautiful young woman his interest is snared; especially when the photograph is later switched for one of someone else. With the help of his good friend Lady Frances Derwant Bobby investigates. Following a trail of clues and setting up an elaborate charade in order to insinuate themselves into the Bassington-French household their trail leads them into a world of morphine addiction psychiatric clinics and enticing inheritances and of course murder. But who is the mysterious trembling young wife of the hard-edged Dr. Nicholson; why is someone out to silence Bobby Jones; and what is the meaning of the dead man's dying words...Why didn't they ask Evans? Special Features: Agatha Christie Biography and Bibliography Photo Gallery Cast Filmographies Subtitles
A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.
Welcome back to the slightly bizarre yet charming little logging town in Alaska. Reunite with the endearing quirky citizens of Cicely Alaska in the complete fourth season of the multi-Emmy award-winning series Northern Exposure. Episodes Comprise: 1. Northwest Passages 2. Midnight Sun 3. Nothing's Perfect 4. Heroes 5. Blowing Bubbles 6. On Your Own 7. The Bad Seed 8. Thanksgiving 9. Do the Right Thing 10. Crime and Punishment 11. Survival of the Species 12. Revela
Stop On By And Give Afterlife A Try. Zach Galligan (Gremlins) teams up with special effects wizard Bob Keen (Alien Highlander) to star in this spine-tingling horror. Mark and his college class decide to have a little fun and attend a 'private' midnight showing at the new waxwork museum. Admission is free... but getting out may cost them their lives! Join them in this roller-coaster ride into terror in Waxwork.
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
Thirty years ago half a million flower children set sail for the Isle Of Wight in search of peace love and understanding. They also witnessed one of the greatest ever rock festivals with legendary live performances from well known greats of the era. This DVD tells the story of the great event from backstage banter to the terrific live performances. Featuring performances by: The Doors - 'When The Music's Over' The Who - 'Young Man Blues' Jimi Hendrix - 'Machine Gun' Joni
Philip Hannon (Van Johnson - The Caine Mutiny) is a playwright, newly relocated from New York to London. Drowning his sorrows in a pub one night, Philip is disturbed to overhear a crime being plotted. The police don't believe his story and so, aided by his faithful batman Bob (Cecil Parker - The Lady Vanishes) and ex-fiance Jean (Vera Miles - Psycho), Philip resolves to stop the villains. But it will not be easy: Philip, you see, is blind...
Seeking a better life Oscar Ramirez and his family decide to move from the poverty stricken rice fields of the Northern Philippine mountain ranges and journey towards the capital mega city of Metro Manila. Upon arrival in Manila Oscar and his family fall foul to various city inhabitants whose manipulative ways are a daily part of their survival. Oscar manages to land a job as a driver for an armoured truck company and is befriended by Ong his senior officer. Before long it becomes apparent that Ong has been planning the arrival of someone just like Oscar for some time.
V for Vendetta fans now's your chance to pick up a collector's set including the newly remastered V for Vendetta in 4K! What's Included: V for Vendetta in 4K Ultra HD + Blu-ray + Two New Pieces of extra content on the 4K Disc (not in 4K resolution) 32-page book, highlighting some of the best content from the original book V For Vendetta: From Script to Film A letter written by Director James McTeigue, highlighting the creation of the film and its influence in the world today House all your collectables in this unique giftbox package, made to look like the front of V's jail cell from the film Who is the man who hides his scarred face behind a mask? Hero or madman? Liberator or oppressor? Who is V and who will join him in his daring plot to destroy the totalitarian regime that dominates his nation? From the creators of The Matrix trilogy comes V for Vendetta, an arresting and uncompromising vision of the future based on the powerfully subversive graphic novel. Special Features NEW: Natalie Portman's Screen Test NEW: V for Vendetta Unmasked: Making-of with filmmakers and cast James McTeigue & Lana Wachowski in Conversation : Looking back on V for Vendetta Director's Notebook: Reimagining a Cult Classic for the 21st Century: Director James McTeigue (Joined by Stars Natalie Portman and Hugo Weaving and Other Creative Team Members) Traces in Detail the V Saga from Graphic Novel Origin Through the Movie's Execution. Designing the Near Future Remember, Remember: Guy Fawkes and the Gunpowder Plot England Prevails: V For Vendetta and the New Wave in Comics Freedom! Forever!: Making V For Vendetta Saturday Night Live Digital Short Cat Power Montage Theatrical Trailer
The Lady and the Highwayman, produced by Lew Grade as part of a series of Barbara Cartland dramatisations in 1987, contains all the ingredients that made Cartland's unique style of romantic fiction so successful. The highwayman in question, known as Silver Blade, is actually an aristocratic outlaw played by a youthful Hugh Grant in a bouffant mullet wig. The lady is Panthea (Lysette Anthony), delicate but firm of purpose, who knows her man when she sees him. It's Restoration England, so the frocks are fabulous. But Cartland's pretensions to historical accuracy evaporate when she makes Charles II's mistress, Barbara Castlemaine (Dynasty's Emma Samms), the villainess of the piece. From there, it's a freewheeling ride of Robin Hood-inspired philanthropy, duplicitous cousins and some uncomfortably fetishistic shots of the rituals and instruments of execution, although everybody is rescued in time for the romantic soft-focus finale. Full of splendidly self-indulgent performances from the likes of Claire Bloom, John Mills and Michael York, The Lady and the Highwayman is a feast of thespian ham. Somehow, the cast triumph over the banality of the basic material. On the DVD: The Lady and the Highwayman is presented in 4:3 aspect ratio with a standard Dolby Digital stereo soundtrack. With an eye on the international market, it looks and feels like any lush mini-series of the 1980s. There are no extras. --Piers Ford
The most popular and well-loved of all Handel's great oratorios, The Messiah here receives warm if not exactly passionate treatment under the direction of Stephen Cleobury. This is a period-instrument performance featuring Roy Goodman and his Brandenburg Consort, although not one that aims at any inflexible authenticism. The four soloists are all of the first rank, as are, of course, the choristers of King's College, Cambridge. So, musically the concert's credentials are impeccable. The setting is the Pieterskerk, Leiden, which at least boasts a sympathetic acoustic even though its visual beauties are hidden in candlelit gloom. It must have been a charming evening for the audience, but the film version doesn't really have anything more to offer the home viewer than a few close-ups of the soloists and the occasional cutaway shot of an appropriate painting. Hence, this disc will be of interest if you want to see musicians giving a delightful performance instead of just listening to them; but it's no substitute for a good audio recording. On the DVD: This is a non-anamorphic widescreen picture, not the 4:3 ratio claimed on the back cover. The sound is only PCM stereo, there are no extra features, and the disc only has the most basic of menus. Chapter access is restricted to just three points. If you wish to select a specific aria or chorus you have to refer to the inside of the booklet and work out which track you need to jump to. And would it be asking too much for the libretto, either on screen or in the booklet? Overall, a very disappointing DVD presentation of an otherwise enjoyable concert performance. --Mark Walker
Peter Weir's first film is a surreal and fantastic horror. An outstanding hit at the 1974 Cannes Film Festival and a landmark in Australian film-making it remains a cult classic. On the outskirts of the small town of Paris cars crash with alarming regularity. Arthur (Terry Camilleri) survives one such accident and becomes a prisoner of Paris although he's unaware of his predicament as the town has provided him with something he's never had - a family. But these crashes are far fro
The most beautiful woman of our time in the most erotic adventure of all time... Leaving behind the England that she loves in 1910 Jane (Bo Derek) heads to Africa on a mission to find her father (Richard Harris). Travelling by steamboat and finally by foot she voyages deep into the heartland of the African contintent. But it's only when her search for her missing father ends that Jane's real adventure begins...
Even if all written and documentary evidence were to disappear, you could still get a real insight into Britain's involvement in the Second World War through feature films such as Above Us the Waves (1955) and In Which We Serve (1942). Directed by Ralph Thomas, Above Us the Waves tells of a Royal Navy mission to sink the "invincible" German battleship Tirpitz off the Norwegian coast. John Mills is calm and confident as the mission commander, with strong support from John Gregson and Donald Sinden--all treated by the German personnel as fellow gentlemen when captured. Despite stirring music from Arthur Benjamin, the action sequences are visually no more than adequate, and the film is only a partial success compared with the naval and domestic drama of the earlier In Which We Serve. Noël Coward wrote the screenplay and musical score, co-directed (with David Lean) and gave possibly his finest screen performance as the commander of HMS Torrin. His speech to the survivors of the sunken ship, as they prepare for reassignment, is just the highlight of a film packed with memorable visuals and perceptive dialogue. On the DVD: Though there are no additional features the black-and-white prints have come up excellently in the 4:3 video aspect ratio. There are 15 access points for each film, though the lack of subtitles is an unfortunate omission. These are period pieces that capture the mood of an era.--Richard Whitehouse
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