A family riddled with resentment avarice and fear; a house haunted by the victim of a cold-blooded murder... Featuring the cinema debut of Oscar nominee Laurence Harvey and boasting a haunting score by George Melachrino House of Darkness is a rare atmospheric chiller presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Hatred is always close to the surface in an old country house in Dorset at the beginning of the century as Elaine Merrimer soon discovers when she goes to live there with her husband Francis. Sharing the house with his stepbrothers Noel and John Francis is resentful that his dead mother did not leave him her property. John considering Francis a wastrel resents having to support him and his wife. Noel meanwhile nurtures a neurotic hatred and fear of his stepbrother... SPECIAL FEATURE: Original Paperwork PDF
What's the worst that could happen? Probably being forced to watch What's the Worst That Could Happen? from start to finish without a pause button: it's more lame than a three-legged dog. The plot is straightforward enough: two men, each as crooked as the other, come into conflict when petty thief Kevin Caffrey (Martin Lawrence) breaks into the apparently unoccupied beach house of wealthy and unscrupulous businessman Max Fairbanks (Danny DeVito). The house turns out not to be empty: Fairbanks calls the cops, claims that Caffrey has stolen his ring and coolly claims it back in front of his uniformed audience. It's a ring that Caffrey values because it has just been given to him by his new girlfriend Amber (Carmen Ejogo). He's so desperate to get it back that he hounds Fairbanks through the rest of the film, breaking into various Fairbanks properties as he goes. Words like "zany" and "madcap" could be used in the interests of charity, but actually the film falls flat on its face. Lawrence is certainly no Eddie Murphy and the plot would need an injection of major talent to give it a chance. DeVito yet again relies on his stature to provide the laughs. John Leguizamo plays Caffrey's sidekick as best he can but the fake sheikhs-in-tea-towels scene induces more groans than laughs. This is one for diehard fans of the lead actors only. On the DVD: What's the Worst That Could Happen? comes to DVD with a choice of two spoken languages (English or French) and many subtitle options. There's also a generous selection of outtakes, an alternative ending, a music video ("Music" by Erick Sermon) and the original theatrical trailer. It's just a shame that the film itself isn't better. --Harriet Smith
Rio Grande was the last and least memorable of John Ford's famous cavalry trilogy (following Fort Apache and She Wore a Yellow Ribbon), but it none the less maintains an interesting continuity about the gentlemanly rules of military conduct. Here the focus is on the family. While creating a heated controversy over his handling of the Apache war, John Wayne must also contend with disgruntled wife Maureen O'Hara and estranged son Claude Jarman Jr, a new recruit trying to earn his father's love and respect. Ford suggests that there are two conflicting codes of honour in every cavalry officer's life, the personal as well as the professional, and that it takes an act of heroism to maintain both. It's fascinating to observe Wayne's progression throughout the trilogy, as his personal stakes intensify. This is the first of five onscreen appearances between the Duke and O'Hara, each filled with a competitive spirit and stormy sexuality. --Bill Desowitz, Amazon.com
Every episode from all seven seasons of the Golden Globe-winning drama from 'Sopranos' writer Matthew Weiner, set in a prestigious advertising agency in early 1960s New York, where sexism is a way of life and everyone smokes like a chimney. In this highly competitive, all white, male-dominated environment, the indefatigable Don Draper (Jon Hamm) is the top ad executive, but there are plenty of young guns eager to topple him from his perch. Season 1 episodes are: 'Smoke Gets in Your Eyes', 'Ladies Room', 'Marriage of Figaro', 'New Amsterdam', 'Five G', 'Babylon', 'Red in the Face', 'The Hobo Code', 'Shoot', 'Long Weekend', 'Indian Summer', 'Nixon Vs. Kennedy' and 'The Wheel'. Season 2 episodes are: 'For Those Who Think Young', 'Flight 1', 'The Benefactor', 'Three Sundays', 'The New Girl', 'Maidenform', 'The Gold Violin', 'A Night to Remember', 'Six Month Leave', 'The Inheritance', 'The Jet Set', 'The Mountain King' and 'Meditations in an Emergency'. Season 3 episodes are: 'Out of Town', 'Love Among the Ruins', 'My Old Kentucky Home', 'The Arrangements', 'The Fog', 'Guy Walks Into an Advertising Agency', 'Seven Twenty Three', 'Souvenir', 'Wee Small Hours', 'The Colour Blue', 'The Gypsy and the Hobo', 'The Grown-Ups' and 'Shut the Door. Have a Seat'. Season 4 episodes are: 'Public Relations', 'Christmas Comes But Once a Year', 'The Good News', 'The Rejected', 'The Chrysanthemum and the Sword', 'Waldorf Stories', 'The Suitcase', 'The Summer Man', 'The Beautiful Girls', 'Hands and Knees', 'Chinese Wall', 'Blowing Smoke' and 'Tomorrowland'. Season 5 episodes are: 'A Little Kiss: Part 1', 'A Little Kiss: Part 2', 'Tea Leaves', 'Mystery Date', 'Signal 30', 'Far Away Places', 'At the Codfish Ball', 'Lady Lazarus', 'Dark Shadows', 'Christmas Waltz', 'The Other Woman', 'Commissions and Fees' and 'The Phantom'. Season 6 episodes are: 'The Doorway: Part 1', 'The Doorway: Part 2', 'Collaborators', 'To Have and to Hold', 'The Flood', 'For Immediate Release', 'Man With a Plan', 'The Crash', 'The Better Half', 'A Tale of Two Cities', 'Favors', 'The Quality of Mercy' and 'In Care Of'. Season 7 episodes are: 'Time Zones', 'A Day's Work', 'Field Trip', 'The Monolith', 'The Runaways', 'The Strategy', 'Waterloo', 'Severance', 'New Business', 'The Forecast', 'Time & Life', 'Lost Horizon', 'The Milk and Honey Route' and 'Person to Person'.
Summer Of Sam (Dir. Spike Lee 1999): In the summer of 1977 Saturday night fever ruled and the first thrashings of punk were being heard. By day temperatures soared on the sweltering streets of Manhattan but by night a serial killer dubbed the Son of Sam stalked the suburbs indiscriminately shooting young brunettes and held New York City in a grip of terror. Trying to make sense of their lives in this overwhelming atmosphere of fear and suspicion are Vinny a streetwise Casanova indulging in affairs under the nose of his loving wife Dionna and Ritchie a punk musician moonlighting as a male stripper. As the murder's actions impact on all their lifestyles they start to suspect the killer might be someone from their own neighborhood - or even one of their own friends. From the controversial director Spike Lee comes his boldest and most ambitious film brilliantly capturing the sights sounds and sexual attitudes of the 1970s. Boston Strangler (Dir. Richard Fleischer 1968): With 13 women murdered Boston is held under siege by a madman. One by one they fall each death more gruesome than the last. The actual murders that rocked Boston in the 60's are the gripping subject of this unforgettable police thriller. The Boston Strangler is one of the most powerful films in its genre with possibly Tony Curtis' finest performance. Kalifornia (Dir. Dominic Sena 1993): Excitement adventure... and unimaginable terror await on the road to Kalifornia. Brad Pitt is outstanding and Juliette Lewis is utterly heartbreakingly convincing in this chilling psychological thriller co-starring David Duchovny and Michelle Forbes. When urban intellectuals Brian (Duchovny) and Carrie (Forbes) set out a cross-country trip to research a book about serial killers they share the ride with a couple they barely know - Early Grayce (Pitt) and his girlfriend Adele (Lewis). Locked in a car hurtling westword the four travelers struggle to find some common ground. But when they finally do connect Early's violent nature abruptly emerges and the petrified Brian and Carrie realise they don't need to go very far to learn about ruthless killers... because they're already face to face with one!
Destined to remain a dubious footnote in books of movie trivia, Lion of the Desert--an occasionally impressive epic from 1981--was financed with a budget of $35 million by Libyan dictator Muammar Qaddafi, who previously attempted the role of movie producer with the critically roasted Mohammad: Messenger of God. This effort didn't fare much better (it grossed approximately $1 million worldwide), and although some of its wartime action sequences are intelligently filmed, it's not likely to gain much more of a reputation on home video. Under a shaggy Muslim beard, Anthony Quinn stars as Omar Mukhtar, the Arab hero and guerrilla fighter who defended Libya against Benito Mussolini and Italy's attempted conquests during World War II. As straightforward biography, the movie's got an admirable epic sweep, but a cliché-ridden script and uniformly bad performances (from a cast that includes John Gielgud, Oliver Reed and Rod Steiger) make this little more than a curiosity for those wanting to learn more about Libyan history. --Jeff Shannon, Amazon.com
Two of the high-priests of horror directors George A. Romero (Night of the Living Dead Monkey Shines) and Dario Argento (Tenebre Phenomena) each pay tribute to Edgar Allan Poe with screen adaptions of the master's most terrifying tales from the dark side. Romero's shock-filled story (The Facts in the Case of Mr. Valdemar) centres on a greedy young wife's bid to trick her dying husband out of his millions and the terror that is unleashed when mysterious beings take possession of the old man's body. The inspiration for Argento's blood-curdling tale is Poe's The Black Cat. Skilfully grafting in chilling scenes from several of Poe's other classic stories Argento's trip into terror tells of a man's cruel obsession with his wife's cat that finally drives him to murder of the most gruesome kind.
1: Pilot Sonny Crockett an undercover cop for the Miami Vice Department and Ricardo Tubbs a New York street cop unwillingly team up to apprehend a Columbian cocaine smuggler in this pilot episode. 2: The Golden Triangle Crockett and Tubbs' assignment as hotel security turns out to be more than just routine when a drugs-related hit leads to a side of Lt. Castillo they've never seen before. 3: The Golden Triangle Part 2 Lt. Castillo must find a way to catch General Lao Li with enough evidence to send him to prison but without endangering My Ying's life who was brought to Miami by Lao Li as a hostage to protect himself from Castillo.
An anti-drug enforcer a hitman and a female FBI agent meet in a triangle of treachery. They must work together to combat a murderous gangster.
Life has pushed him into a corner and he's coming out fighting! After being sent to reform school after accidentally killing a fellow youth Chicago crime wave Mick O'Brien is forced to confront the victim's brother who wants deadly revenge...
A Seriously Sexy Comedy Nola Darling has three different men in her life. All three men want her to commit solely to them forcing her to make a choice. But is the choice she makes what she really wants?
Susan Hampshire stars in this world stars in this wonderful BBC dramatisation of the lives of John and Sarah Churchill. John Churchill was the first Duke of Marlborough a military genius whose brilliance on the battlefield saved England from defeat just as his descendant Winston Churchill saved Britain 300 years later... Episodes comprise: The Chaste Nymph Bridals Plot Counter-Plot The Lion and the Unicorn Rebellion The Protestant Wind.
Returning to the sketch-show format of their earlier days, Monty Python' s The Meaning of Life was always going to feel less ambitious and less coherent than their cinematic masterpiece, The Life of Brian. And inevitably given the format, some sketches are better than others. But, for a movie that has been much-maligned, The Meaning of Life actually features some of the Pythons' most memorable set-pieces: the exploding Mr Creosote has to be the most wonderfully grotesque creation of a team whose speciality was the grotesque; while the sublime "Sperm Song" mixes satire and lavish visual humour in a musical skit of breathtaking audacity. Elsewhere, Eric Idle produces another musical gem with "The Universe Song" ("Pray that there's intelligent life somewhere out in space / 'Cause there's bugger all down here on earth!"), while the Grim Reaper's appearance at an achingly tedious dinner party is the Pythons doing what they do best: mocking their own middle-class origins. Best of all, perhaps, is Terry Gilliam's modest introductory feature, "The Crimson Permanent Assurance", a 20-minute epic tale of the little men rebelling against the corporate system, a theme and a visual style that foreshadows his own masterwork, Brazil. Admittedly too many sketches sacrifice subtlety for shock tactics (the organ donation scene in particular requires a strong stomach), but when this film works it's nothing less than vintage Python. --Mark Walker
Titles Comprise: Mildred Pierce: Joan Crawford delivers a critically acclaimed performance as Mildred Pierce a woman clawing her way to success to provide her daughter with everything she lacks. No sacrifice is too much - ending her middle class marriage climbing to the top of a male-dominated business world and marrying a man she doesn't love - but is murder a step too far? Grand Hotel: Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel... Humoresque: Glamorous socialite Helen Wright (Joan Crawford) takes what she wants clothes alcohol men uses them up and tosses them aside. Then she meets brilliant young violinist Paul Boray (John Garfield). But this is one toy she can't break. Instead her love for Paul brings Helen to the breaking point. In this acclaimed and profound exploration of desire Crawford makes Helen a rich layered character torn between selfless love and selfish impulses. Garfield matches her as the driven genius. Possessed: She loves him when he goes away for months. She loves him when he refuses to marry her. But when callow David Sutton chooses to marry someone else Louise Howell's love for him takes a darker turn. Give her a gun and she'll love him to death. Joan Crawford reteams with producer Jerry Wald of her Academy Award winning 'Mildred Pierce' and claims a 1947 Best Actress Oscar nomination for her portrayal of tempestuous mentally unstable Louise. The Damned Don't Cry: It's a man's world. And Ethel Whitehead learns there's only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel who moves from the wrong side of the tracks to a mobster's mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel's swanky living room she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life.
Coming from a working class northern background Kavanagh has risen to the top of an elite profession. However his dedication to justice has taken its toll on his private life... Episode comprise: 1. Previous Convictions 2. The More Loving One 3. Time Of Need 4. Endgames 5. The End Of Law (2 hour special episode)
Lords Of Dogtown: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975 a clan of scruffy rebellious teens found a way to turn this dearth to their advantage using the sloping bowl of empty suburban swimming pools to create a new underground sport - skateboarding. The development explosion and corporate co-
Featuring a score by Elmer Bernstein unique opening credits by Bond optical effects veteran Maurice Binder and gritty performances by Roger Moore and Ray Milland 'Gold' is a superb adaptation of Wilbur Smith's acclaimed novel concerning a group of greed-driven businessmen conspiring to flood a South African gold mine... ....spectacular underground sequences and a rousing finale - Halliwell's Film And Video Guide 1999.
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 3 includes: "Lovers" in which Gary becomes worried that he hasn't slept with enough women; "Bed" in which Dorothy and Gary experience problems in the boudoir ("What's the matter? We always have sex after I've cooked for us. That's why I do it."); "Casual Ties" in which a depressed Deborah decides to sell her flat and go travelling, while Tony fails to cheer her up by impersonating different types of Cheese; "Weekend" in which Tony gets a job at The Crown; "Cleaning Lady" in which Tony reconsiders his professional options ("I could be an escort." "What, a car?" asks Gary); "Marriage" in which Gary joins Dorothy for a candlelit dinner ("Why she couldn't find a restaurant with proper lighting I don't know"). --Clark Collis
Danielle Steel is one of the best-selling authors of all-time and now you can enjoy this box set featuring three movie adaptations of some of her best known novels. Daddy (Dir. Michael Miller 1991): Patrick Duffy and Linda Carter star in this highly emotional story of love loss and rediscovered happiness. Oliver is a top advertising executive who seems to have it all - a beautiful wife three great children and a lovely home. But one fateful day his wife announces she i
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