This collection features a trio of films directed by 'the master of the macabre' Mario Bava. Black Sabbath (1963): Italian horror master Mario Bava's spine-tingling horror anthology. In the first tale A Drop Of Water a woman steals a ring off of the finger of a corpse only to be haunted by the angry spirit of the ring's owner. In The Telephone a woman is harassed by phone calls from the dead. Finally Boris Karloff plays a vampire-like creature in The Wurdalak who feeds off the blood of its family. The Girl Who Knew Too Much (1963 aka The Evil Eye): The mystery of the Alphabet Murders in Rome was left unsolved ten years ago. When Nora Davis (Roman) travels there on vacation she gets tangled in a web of death starting with Edith an old friend of the family. As Nora tries to find some help for Edith she witnesses the stabbing murder of yet another woman. She soon discovers that the murder actually happened ten years ago to Emily Craven and that the Alphabet Murderer is looking for is still looking for the letter 'D'. The Mask of Satan (1960 aka Black Sunday/Revenge of The Vampire): Buxom B-movie queen Barbara Steele stars in this atmospheric film about the long dead evil Princess Asa and her brother who are accidentally brought back to life. Asa goes on a quest to murder her twin descendent Princess Katia (also played by Steele) and seduces many unknowing victims along the way.
The Holocaust Pol Pot's Cambodia Rwanda Bosnia Darfur... and every time a U.S. President a British Prime Minister a U.N. Secretary General says Never again. Yet it happens - again and again and again... Multi-platinum Grammy-award winning rock band System of a Down's critically acclaimed political tour movie is an impassioned synthesis of concert film and political expose about the rock group's intensely personal campaign to stop genocide. Chronicling the band's efforts to persuade both the British and U.S. governments to recognize the Armenian genocide Screamers also traces the history of modern-day genocide - and genocide denial - from the first occurrence in the 20th century in Turkey to today in Darfur. Commentary and interviews with Pulitzer prize-winning author Samantha Power (A Problem from Hell: America and the Age of Genocide) survivors from Turkey Rwanda and Darfur FBI whistleblowers and the recently assassinated Hrant Dink who was murdered in Turkey after appearing in this film shed light on why genocides repeat. Passive politicians and corporate interests have conspired to turn a blind eye to genocides as they are happening. We say 'never again' but we don't mean it.
Nutty Professor (1996): Eddie Murphy stars as Dr Sherman Klump a kind calorically challenged genetics professor who longs to shed his 400-pound frame in order to win the heart of beautiful Jada Pinkett. So with one swig of his experimental fat-reducing serum Sherman becomes Buddy Love a fast-talking pumped-up plumped-down Don Juan. Can Sherman stop his buff alter ego before it's too late or will Buddy have the last laugh? Look Who's Talking (1989): Starring Kirstie Alley John Travolta and the wise-cracking voice of Bruce Willis Look Who's Talking is the box-office smash which takes an hilarious off-beat look at motherhood and romance from baby Mikey's point of view. Led on and let down by boyfriend Albert (George Segal) 32 year old Mollie (Kirstie Alley) is looking for a proper father for her son. Little Mikey favours cab driver-turned-baby-sitter James (John Travolta). It's a case of baby knows best but by the time he learns to talk it could be too late! Bicentinnial Man (1999): From director Chris Columbus comes this original funny and heart-warming film. When Richard Martin (Sam Neill) introduced a robot named Andrew (Robin Williams) to the family nobody expects anything more than an ordinary household appliance. But this is no ordinary robot! Andrew is a unique machine with real emotions a sense of humour and a burning curiosity to discover what it means to be human. Over the course of his service with the Martins spanning two hundred years and several generations Andrew discovers much about the intricacies of life and love and finds there are many things he can teach as well as learn. Will Andrew ever achieve his goal to become human and possess the freedom to pursue a life of his own? And will he be prepared to pay the cost? Karate Kid (1984): Daniel (Ralph Macchio) arrives in Los Angeles from the East Coast and faces the difficult task of making new friends. However he becomes the object of bullying by the Cobras a menacing gang of karate students when he strikes up a relationship with Ali (Elisabeth Shue) the Cobra leader's ex-girlfriend. Eager to fight back and impress his new girlfriend but afraid to confront the dangerous gang Daniel asks his handyman Miyagi (Noriyuki Pat Morita) whom he learns is a master of the martial arts to teach him karate. Miyagi teaches Daniel that karate is a mastery over the self - mind and body - and that fighting is always the last answer to a problem. Under Miyagi's guidance Daniel develops not only physical skills but also the faith and self-confidence to compete despite tremendous odds as he encounters the fight of his life in the exciting finale to this entertaining film.
We're Back: A Dinosaur's Story (1993): The voices of the above stars bring a handful of dinosaurs back to life in the modern day in this Steven Spielberg production. Lavish animation and imagination bring to life this delightful tale of dinosaurs in New York City. A group of very friendly very intelligent dinosaurs take a trip to Manhattan and brighten the lives of two very special lonely children. Ghostbusters (1984): Gaggles of little green ghosts spooks and a host of paranormal occurrences are on the rampage in New York. Can anyone save the world from these supernatural creatures? Only three unemployed and enterprising university parapsychologists when they go into the 'GHOSTBUSTERS' business. Bill Murray Dan Aykroyd and Harold Ramis star in the freelance crusaders who team up and the Ghostbusters squad. Armed with ectoplasmic swats and patented booby traps they walk a fine line between scientific genius and lunacy in their quest to rid the city of these slimey haunting monsters. The unique comic talents of Murray (Lost In Translation) Aykroyd (Evolution) and Ramis (Analyze This) together with Sigourney Weaver (Galaxy Quest) and Director Ivan Reitman create undoubtedly the most hilarious and successful comedy ever produced. Short Circuit 2 (1988): Number Five aka Johnny Five that incredible lovable robot form the smash hit Short Circuit is back and taking the big city by storm in this action-packed comedy adventure. Upbeat Johnny's out for some urban input but some street hoods a greedy banker and a gang of crooks see his naivete as their high-tech ticket to easy street. Will Johnny survive the big bad city and its big bad city slickers? Keep your wires crossed when you switch on this high voltage film. Batteries Not Included (1987): When an unscrupulous real estate developer sends thugs into a deteriorating tenement to get rid of the last five tenants they need nothing short of a miracle to stay where they are. In this delightful fantasy presented by Steven Spielberg little stands between the brave holdouts and the street. But one night when all hope seems lost tiny visitors from outer space mysteriously glide through their windows. As if in answer to their prayers the incredible creatures begin to turn the tide with their magical powers.
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
When Night Falls The Adventure Begins! Based on the classic story ""A Thousand and One Nights "" this lavish production brings to life some of the most timeless fables to come down through the ages. A legendary heroine Scheherazade (Mili Avital) saves her kingdom and her own life by seducing her husband Schahriar's (Dougray Scott) imagination with the fantastical tales of Aladdin Ali Baba and other larger-than-life heroes warriors and djinns. Mind-blowing adventure and extraordinary special effects set against the backdrop of mysteries Arabia make this an exhilarating trip through the grandest adventures of all time.
A supernatural, occult thriller from Iron Maiden's Bruce Dickinson and Monty Python director and editor, Julian Doyle, about a shy lecturer who becomes possessed by the late black magician, Aleister Crowley when an experiment goes awry.
In this turbulent swashbuckler Cecil B. DeMille presents a tale of daring piracy and hot-blooded love! 1840s Key West is filled with salvage businesses thriving on the cargo of wrecked ships. Ship owner Loxi Claiborne suspects salvager King Cutler of foul play since he's always first on the scene at a wreck. Meanwhile Loxi's suitor Captain Jack Stuart is another suspect - at least to jealous lawyer Steve Tolliver. Who will be found guilty - and how - hinges on some amazing developments. Along with the star-studded cast (including Robert Preston and Susan Hayward) this glorious sea spectacle has stars of another kind. There are huge clipper ships gliding in the mist storms splintering them on the rocks and a giant squid in a memorable underwater battle. With Given DeMille's robust direction it all adds up to an Oscar for Special Effects
Brandon has a price to pay when on his stag weekend he wins ‘the most sexual conquests’ contest. One is interested in more than a one night stand and plans everything for him.
You have to credit the folks who put this double bill together. The Brain from Planet Arous, a low-budget alien invasion 1958 film, is one of those programmes that lingers in the memory as much for its title and impressively ludicrous giant-staring-transparent-brain monster as for its poverty row dramatics, in which the usually stiff John Agar grins evilly and flashes contact lenses when possessed by the creature and a good guy brain shows up to take over his dog to thwart the renegade cerebrum's plan for world domination. For this release, Brain is teamed with its original co-feature, a movie so bad you wouldn't buy it on its own but whose presence here is a pleasing extra. Whereas Brain from Planet Arous delivers exactly what its title promises, Teenage Monster is a cheat: rather than feature a mutant 1950s delinquent in a leather jacket, it's a melodramatic Western in which prospector's widow Anne Gwynne keeps her hulking caveman-like son (who seems to be well into middle-age) hidden, only for a scheming waitress to use the goon in her murder schemes. Brain is snappily directed, even when staging disasters well beyond its budget, while Teenage Monster drags and chatters and moans until its flat finale. On the DVD: The Brain from Planet Arous/Teenage Monster double bill disc is a solid showing for such marginal items, featuring not only the trailers for these attractions but a clutch of other 1950s sci-fi pictures (Phantom from Space, Invaders from Mars, etc.) and a bonus episode ("The Runaway Asteroid") from a studio-bound, live-broadcast juvenile space opera of the early 50s (Tom Corbett, Space Cadet) in which hysterical types in a capsule break off from the space programme to deliver ringing endorsements of gruesome-looking breakfast foods. --Kim Newman
A Highland fling on a tight little island! The Scottish islanders of Todday bypass war time rationing and delight in smuggling cases of their favourite tipple from a wrecked ship... Basil Radford stars as the teetotal English official who is totally unable to comprehend the significance of whisky to the islanders. Marvellously detailed and well played it firmly established the richest Ealing vein with the common theme of a small group triumphing over a more powerful opponent.
Every day has a beginning... Pennsylvania 1968. A strange viral outbreak is contained within the walls of a military hospital:people exposed are disposed of burned to a crisp and the incident covered up.35 years on and the military are gone replaced with a mental hospital. When five patients are about to be released they uncover a secret buried within the compound and unwittingly unleash the virus. Designed to speed human evolution it turns people into powerful creatures
Compelled to use his own money for his expense account Major Carrington becomes convinced that he will never see his money again and decides to take back the money from his department's funds without permission. For this error in military rules Carrington is court-martialed. During the trial Carrington's selfish wife (Margaret Leighton) gets even for a wartime affair conducted by her husband by supplying false testimony. Though Carrington is declared guilty the implication is th
DESPITE THE REVIEWS FROM AMAZON.COM ON HERE, this set contains these 5 movies:- ANGEL AND THE BADMAN: Gunslinger Quirt Evans is injured & found by Penelope Wirth & her father Thomas, a Quaker family with values & a way of living in contrast to Quirt Evans'. Quirt & Penelope are drawn to each other, although Quirt has no intention of embracing the Quaker lifestyle. He does, however, intervene to convince a rancher to restore their water supply, even if the family would not have approved of his methods. Evans' rival Laredo Stevens is unimpressed with the new, peaceful Quirt Evans, whilst local Marshall Wistful McClintock stokes up trouble between the two men, certain he'll get one or the other (the survivor) brought to justice in the end...Widely regarded as one of the most romantic of all John Wayne's films, this marked his first production credit. HELL TOWN: A carefree cowhand finally wants to settle down, but before he can he gets involved with rustlers.... McLINTOCK: He Tamed The West But Could He Tame Her? Cattle baron, banker & model citizen George McLintock has the world in his hands. The only thing missing is his wife, Katherine, who left him two years earlier, suspecting him of adultery. In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement & hires her as his cook, welcoming both her & her two children into his home. Sparks begin to fly & McLintock's simple & serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter & the return of Mrs McLintock! SAGEBRUSH TRAIL: A young cowboy breaks out of jail after being falsely accused of murder & must prove his innocence before the authorities lock him back up... HIS PRIVATE SECRETARY: Dick Wallace, a millionaire's son, tends to chase rather dubious women causing his father to despair of him. When he really falls in love his father assumes the girl is a gold digger...
Nearly four hours of workshops, seminars and incredible performance footage from some of the world's most celebrated drum stars. The 11th anniversary of Australia's biggest drum festival features intimate workshops with Thomas Lang, John Blackwell and Jimmy De Grasso, performances from the Glenn Cannon Band, footage of the Australia's best up and coming drummer competition and much much more.
Die Wolgaschiffer (1958) Monumentalfilm mit John Derek, Elsa Martinelli, Dawan Addams u.v.m. Rasputin, der D�mon von Petersburg (1959) Monumentalfilm mit Edmund Purdom, Gianna Maria Canale, Giulia Rubini u.v.m. Judith, das Schwert der Rache (1958) Monumentalfilm mit Massimo Girotti, Isabelle Corey, Renato Baldini u.v.m. Aufstand der Legionen (1959) Monumentalfilm mit Jeanne Valerie, Jacques Sernas, Arnoldo Fo� u.v.m. Soraya, Sklavin des Orients (1964) Mo...
Bernardo Bertolucci does the nearly impossible with this sweeping, grand epic that tells a very personal tale. The story is a dramatic history of Pu Yi, the last of the emperors of China. It follows his life from its elite beginnings in the Forbidden City, where he was crowned at age three and worshipped by half a billion people. He was later forced to abdicate and, unable to fend for himself in the outside world, became a dissolute and exploited shell of a man. He died in obscurity, living as a peasant in the People's Republic. We never really warm up to John Lone in the title role, but The Last Emperor focuses more on visuals than characterisation anyway. Filmed in the Forbidden City, it is spectacularly beautiful, filling the screen with saturated colours and exquisite detail. It won nine Academy Awards, including Best Picture and Best Director. --Rochelle O'Gorman
Channel Fours celebrated political thriller, first broadcast in 1987, is adapted from the novel by Frederic Lindsay, voted one of the best Scottish books of all time. Stratford Johns plays the title role of Brond, the menacing mastermind behind the Scottish liberation army. John Hannah stars as Robert, a Glasgow University student drawn into the web of political intrigue. Robert is the sole witness to the murder of a small boy. That same evening he encounters the assailant, Brond, at a party hosted by his professor. Brond is introduced as an old friend by Professor Gracemont, which stops a perplexed Robert from exposing him. Margaret (Louise Beattie), a fellow student who Robert is keen on, asks him to keep a parcel safe for Brond. Despite Robert s desperate efforts to get rid of it, he and the mysterious package are taken to Brond. Brond appears to take a keen interest in him and, against his will, Robert is pulled into a succession of violent and horrifying events. A tale of evil and exploitation in the nightmarish landscape of a Glasgow where nothing is as it seems.
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