The Complete Collection Written By John Sullivan Starring David Jason & Nicholas Lyndhurst, Lennard Pearce & Buster Merryfield The first ever episode of Only Fools and Horses was broadcast in September 1981. Over seven series and fifteen specials, Del, Rodders and the gang have given us so many precious moments the chandelier incident, the yuppy bar fall, the Batman and Robin chase but it is the characters, the storylines and the great scripts that have earned Only Fools and Horses the enduring love of the public. Every lovely jubbly, every exhaust-smoking trip of the Reliant Robin and every tear-filled twist kept millions of viewers glued. And they are all here - in the complete story of the Trotters of Nelson Mandela House: from the very first scam to the final bonjour'. INCLUDES ALL 7 SERIES AND 15 CHRISTMAS SPECIALS ON 19 DISCS Also includes The Story of Only Fools and Horses' behind the scenes special DVD from 2002.
A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant...
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fuelled by the Coens' lyrical, redneck dialogue, the manic camerawork of future director Barry Sonnenfeld and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon
Six of your favourite Western Classics in one box set! Disc One - Hell Bent For LeatherAfter having his horse stolen Clay Santell stops in the town of Suttersville but is mistaken by the townspeople and a crooked U.S. Marshall for a murderer named Travers. Clay's challenge is not only to get away from the Marshal and his posse but to somehow prove his innocence as well Disc Two - Evil Roy SladeOrphaned and left in the desert as an infant Evil Roy Slade grew up alone - save for his teddy bear - and mean. As an adult he is notorious for being the meanest villain in the West so he's thrown for quite a loop when he falls for sweet schoolteacher Betsy Potter. There's also Nelson L. Stool a railroad tycoon who along with his dim-witted nephew Clifford is trying to get revenge on Evil Roy Slade for robbing him. Disc Three - Gun For A CowardA young cowboy whose dedication to the principles of peace and reason has earned him a reputation for cowardice overcomes his psychological aversion to violence after his elder brother unjustly censures him for not joining in a foolhardy gunfight in which their youngest brother is killed. Disc Four - Whispering SmithLuke Whispering Smith is a by-the-book no-nonsense railroad detective who learns his friend Murray Sinclair has been fired from his railroad job. Seeking vengeance Sinclair begins helping outlaw Barney Rebstock wreck trains. Now Smith must find and bring his old friend to justice... at any cost in this suspenseful adventure filled with pistol-packing action. Disc Five - The Cimarron KidAfter being falsely accused of a payroll heist the Cimarron Kid heads for the high country where he joins the outlaw Dalton gang. When the Daltons are decimated during a daring daylight bank robbery the Kid takes over what is left of the gang and hides out at a local ranch. Here he is reformed by the love of the rancher's daughter Carrie Roberts but not so reformed that he doesn't embark upon one last robbery. Disc Six - Ride A Crooked TrailAudie Murphy plays Joe Maybe an outlaw who is mistaken for U.S. Marshall Jim Noonan when he assumes the man s identity after his death. Pretending to be Noonan Maybe is appointed sheriff of Webb City a rough river town. The only reason he goes along with the ruse is so that he can gain easy access to the town and plan a robbery.
Doug Kinney (Michael Keaton) is in need of a little help. With a demeaning job and adoring wife (Andie MacDowell) and two children who have baseball matches and ballet classes to attend there just simply aren't enough hours in the day to enjoy any of it. Doug's real problem is that he has too many commitments and not enough time! He is literally on the verge of a breakdown when quite by chance he meets the world famous geneticist Dr Owen Leeds who offers Doug the opportunity to regain control of his life... if he agrees to have himself cloned. Doug agrees - with hilarious consequences.
First screened on BBC2 in 1978, at a time when the standing of The Beatles was at its lowest, The Rutles--All You Need is Cash is the original and (pace This is Spinal Tap) best "rockumentary" spoof. Codirector Eric Idle was then enjoying success with Rutland Weekend Television, while his script displays the same feeling for the inane non-sequitur evident in his Monty Python work. The band's progress from "penniless, untalented nobodies" to "rich, untalented somebodies" is vividly brought to life--with dialogue adapted from actual Beatles interviews and newsreels, and a roster of songs sounding uncannily close to Beatles originals thanks to "Nasty" Neil Innes' genius for pastiche. Interviews with a suitably primed Mick Jagger and Paul Simon give added realism, as do cameos from George Harrison (one-time Beach Boy Rikki Fataar plays his Rutles double Stig) and Stones guitarist Ron Wood. Dan Ackroyd and John Belushi make characterful, pre-Blues Brothers appearances. On the DVD: The Rutles--All You Need is Cash has come up well in this DVD transfer. The fullscreen 4:3 ratio picture and mono sound wear their age well, enhanced by the extra scenes included. There's further interview material with Jagger and Simon, and a specially recorded, though wholly unfunny, DVD introduction from Idle, who also contributes a running commentary. All in all, this is an ideal way to get to know, or renew acquaintance with, a film that brings the swinging 60s back down to earth. --Richard Whitehouse
A box set of classic film gems from Ealing studios Includes: 1. The Ladykillers (Dir. Alexander Mackendrick 1955) 2. The Man in The White Suit (Dir. Alexander Mackendrick 1951) 3. The Magnet (Dir. Charles Frend 1950) 4. Scott of The Antarctic (Dir. Charles Frend 1948)
A woman helps a young boy to find his father but finds that the search could just turn deadly...
The significance of Ed Wood, both man and movie, on the career of Tim Burton cannot be emphasised enough. Here Burton regurgitates and pays homage to the influences of his youth, just as he would continue to do with Mars Attacks! and Sleepy Hollow. Everything is just right, from the decision to shoot in black and white, the performances of Johnny Depp (as Ed) and Martin Landau (as Bela Lugosi), the re-creation of 1950s Hollywood and the evocative score by Howard (Lord of the Rings) Shore. The plot struck a poignant familiar chord with Burton, who saw the relationship between the Ed and Lugosi mirroring his own with Vincent Price. Most importantly Burton responded to the story of the struggling, misunderstood artist. For all Burton's big-budget blockbusters (Batman, Planet of the Apes), he still somehow retains the mantle of the kooky niche director. And in the mid-90s, this film actually represented the last vestiges of his independent film production. Fans can only hope he'll soon return to those roots soon. On the DVD: Ed Wood on disc has a good group commentary in which Burton is interviewed rather than expected to hold forth on his own, making his insights alongside the screenwriters, Landau, and various production heads very worthwhile. Also worthy are the featurettes on Landau's Oscar-winning make-up, the FX and the Theremin instrument employed in the score. Best of all is an extremely exotic Music Video based on that score. This doesn't seem to be a new transfer of the film, but in black and white you're less likely to notice. --Paul Tonks
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
From Kathryn Bigelow, the Academy Award® winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of 67.
Bob Gold is a cop. A good cop. But tonight he will betray his friends disgrace the force and commit an act of violence because he believes it is the only right thing to do... Cop Bobby Gold and his partner Tim Sullivan accidentally discover the murder of an elderly Jewish shopkeeper. What seems like a simple robbery gone wrong leads the investigation to Zionist vigilantes and an anti-Jewish conspiracy. Gold must then confront his loyalties to the force and question his own ethni
Originally hatched in 1978 as a short film parody, The Rutles was later expanded into a 70-minute mockumentary about a trend-setting quartet of British mop-tops and became one of Eric Idle's better projects outside Monty Python. Taking the career (and hagiography) of The Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle's lampoon is precise where Tap was consciously generic. In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esque Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four's fabled history. The attention to period detail helps elevate the gags further, but Idle's real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles' answer to John Lennon: it's Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need is Cash a delicious kick, and Innes--a one-time principal in the legendary Bonzo Dog Band--is gifted enough to capture the band's lyricism and energy as well as their shifting sense of style. With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need is Cash is a perfect companion to the Beatles' own glorious screen comedies and a great antidote to sanctimonious pop documentaries. --Sam Sutherland, Amazon.com
From Kathryn Bigelow, the Academy Award® winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of 67.
The trials and tribulations of Stephen Dedalus a young man growing up in Ireland in the early part of the 20th century. He starts to feel a stranger in his own land as he starts to understand the nature of art and politics and he has to make a decision whether to accept exile in another land or stay and fight....
When a man is eaten alive by an unknown creature the local game warden teams up with a paleontologist from New York to find the beast. A quiet remote lake is suddenly the focus of an intense search for a crocodile with a taste for human flesh!
A performance of Wagner's opera 'Parsifal' featuring the Metropolitan Opera Orchestra and Chorus. Conducted by James Levine. The action takes place in the Middle Ages. At the castle of Monsalvat cut off from the rest of the world the brotherhood of Grail Knights guards the chalice in which the blood of the crucified Saviour had once been caught. In an effort to seize possession of the Grail Klingsor a powerful magician has established his realm at the foot of the mountain peop
The Blues Brothers: After the release of Jake Blues from prison he and brother Elwood go to visit the orphanage where they were raised by nuns. They learn that the Church stopped its support and will sell the place to the education authority and the only way to keep the place open is if the tax on the property is paid within 11 days. The brothers want to help and decide to raise money by putting their blues band back together and staging a big gig. They may be on a mission from God but they're making enemies everywhere they go. Animal House: One of the most popular movie comedies of all time is also the film that made food fights an art form and John Belushi a star. This raunchy screwball comedy directed with madcap zest by John Landis offers a relentless spoof of 1960s college life by following the hilarious adventures of the Delta fraternity. There's nothing this motley collection of students won't do to get the best of Dean Wormer who secretly conspires to revoke Delta's charter. In addition to Belushi as the guitar bashing beer can smashing garbage eating Bluto Blutarsky the outstanding cast includes head skirt-chaser Tim Matheson innocent freshman Tom Hulce and Stephen Flounder Furst along with Otis Day and the Knights with their showstopping performance of 'Shout'. Toga! Toga! Toga! Stripes: When John Winger (Bill Murray) loses his job his car his apartment and his girlfriend-all in one day-he decides he only has one option: volunteer for Uncle Sam. Way over their head they eventually learn the ropes and manage to take a top-secret U.S. recreational vehicle behind the Iron Curtain on a road trip...
In an online world, who's controlling who? Puppet master? Victim? Which will you be? When strangers Jim, Eva, Emily and Mo meet William in his chatroom,they're completely seduced by his fast-talking, charismatic character.
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