Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
The turbulent lives of two handsome and high-priced Miami plastic surgeons may be one of the more unusual premises for a television series, but the FX Channel's Nip/Tuck combines sudsy sex and biting wit with the emotional quandaries involved in body modification in a way that makes for an engrossing--and occasionally gross--hourlong drama. The show benefits greatly from its two leads--Dylan Walsh as the troubled "good" surgeon and Julian McMahon as his predatory (but equally troubled) "bad" partner--as well as Joely Richardson as Walsh's wife and Roma Maffia as the surgeons' nurse. If Nip/Tuck does have a stumbling point, it's in its occasionally glib dialogue (series creator Ryan Murphy was a writer for the verbally flashy high school series Popular), which can clash with an episode's more dramatic and poignant moments. The show also doesn't shy away from showing the more gruesome aspects of plastic surgery, but viewers can often see more stomach-churning images on the top-rated CSI. But the strength of the performances and the originality of the premise make these rough spots manageable for viewers looking for an interesting spin on the usual "doctor show." --Paul Gaita
John Nada (Piper) is a struggling labourer who drifts into town and luckily scores a job at a construction site. Discovering a box of sunglasses Nada swipes a pair and is shocked to find what he can see through them; billboards demand citizens 'Eat' or 'Sleep' TV shows spout orders at him and some people look rather less than human...
One Million Years B.C. might be about as palaeontologically accurate as The Flintstones, but it's still a lasting kitsch masterpiece, as much for Raquel Welchs Amazonian presence in an abbreviated fur bikini as for Ray Harryhausens wonderful stop-motion dinosaurs. A rare big-budget venture from Hammer Films, this 1966 version of the 1940 Victor Mature classic One Million B.C. is set in a fantasised prehistory where Caucasian cavemen coexist with dinosaurs. Loana (Welch) of the Shell People teaches Tumak (John Richardson) of the Rock Tribe that harmonious cooperation on the beach is a better way of life than rule-of-the-mightiest savagery in caves. Every quarter of an hour, the gibberish-spouting ("Akita akita"), skin-wearing, remarkably clean cave folk are inconvenienced by special effects: a giant sea turtle, a hungry Allosaur, a Triceratops/Iguanodon battle, a Pterodactyl that wants to feed Raquel to its chicks, a major volcanic upheaval. Poster icon Welch gets stiff competition from a lithe Martine Beswick in a cat fight, and the camp goings-on are given real screen presence by gorgeous, primitive Canary Isles locations and an epic score from Mario Nascimbene. On the DVD: One Million Years B.C. arrives on DVD with minimal extras: a wonderfully ballyhoo-intensive trailer, plus nice little retrospective chats with Welch and Harryhausen. The picture is an anamorphic print of the original 1.85:1 ratio, and sound is Dolby mono.--Kim Newman
Roundly dismissed as one of Steven Spielberg's least successful efforts, this very underrated film poignantly follows the World War II adventures of young Jim (a brilliant Christian Bale), caught in the throes of the fall of China. What if you once had everything and lost it all in an afternoon? What if you were only 12 years old at the time? Bale's transformation, from pampered British ruling-class child to an imprisoned, desperate, nearly feral boy, is nothing short of stunning. Also stunning are exceptional sets, cinematography and music (the last courtesy of John Williams) that enhance author J.G. Ballard's and screenwriter Tom Stoppard's depiction of another, less familiar casualty of war. In a time when competitors were releasing "comedic", derivative coming-of-age films, Empire of the Sun stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor (also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun helped to further establish Spielberg as more than a commercial director and set the standard, tone and look for future efforts Schindler's List and Saving Private Ryan. --N.F. Mendoza
While on a seemingly endless summer vacation with his Grandpa Max and Cousin Gwen, Ben Tennyson Discovers an alien watch the Omnitrix. This amazing device gives Ben the ability to transform into any one of ten spectacular and powerful alien heroes! Ben, Gwen and Max travel the country in their motor home, affectionately known as the Rust Bucket; Seeing the sights, sticking their foot in it, and beating down would-be vilains while generally having a blast! Blending fast-paced action with great comedic timing, the show is bursting to life with crisp graphics, bold colours and the powerful punch of 10 aliens. Includes episodes: Max to the Max ~ Villain Time ~ Riding the Storm Out ~ Something I Ate ~ Rustbucket RIP ~ Need for Speed ~ Animo Farm ~ Steam is the Word ~ Bon Voyage ~ Tomorrow Today
STARE INTO THESE EYES... Discover deep within them the unspeakable terrifying secret of BLACK SUNDAY... it will paralyze you with fright! Legendary Scream Queen Barbara Steele (Shivers, Caged Heat) stars in this classic slice of gothic terro from the father of fantastic Italian cinema Mario Bava (Lisa and the Devil). A beautiful witch is sentenced to death for her evil deeds by her own brother, condemned to die by having a metal mask hammered onto her face before being burnt at the stake. As she passes, she puts a terrible curse on all her future descendants as the spikes of thedeath mask pierce her flesh... But when two unwitting travellers discover her final resting place and worse, drip blood on her resting corpse, they unleash her once again in all her stunningly beautiful, terrifying glory... Baned in the UK on its release, Black Sunday is a groundbreaking film that opened the door for Spaghetti horror in all its gory glory.
All the dreams you've ever had.... and not just the good ones. The first of three Terry Gilliam films collectively referred to as his Trilogy of the Imagination (along with Brazil and The Adventures of Baron Munchausen) Time Bandits is a wonderfully inventive fantasy with a massive cult following and universal appeal. A sleeper hit in 1981 the film grossed well over eight times its million budget. Co-written by Gilliam and fellow Monty Python veteran Michael Palin (who also appears in the film) Time Bandits tells the story of Kevin (Craig Warnock) a young imaginative boy kidnapped by a band of mischievous dwarves who have stolen a map of the universe detailing the locations of holes in the space-time continuum from the Supreme Being (Ralph Richardson). The dwarves with Kevin in tow set off on a bizarre journey back and forth though time with the intention of looting the fortunes of history's rich and famous. Along the way they meet the likes of King Agamemnon (Sean Connery) Robin Hood (John Cleese) and Napoleon (Ian Holm) among others and even get to sail on the Titanic moments prior to its unfortunate encounter with an iceberg. Unknowingly the diminutive bandits are being watched by the spectre of Evil Genius (David Warner) who wants the map for his own typically wicked purposes...
The Quiet Man (Dir. John Ford 1952): John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rio Grande (Dir. John Ford 1950): John Wayne and Maureen O'Hara are embroiled in an epic battle with the Apaches and each other in this John Ford classic. Lt Col. Yorke (Wayne) heads to the Rio Grande to fight a warring tribe. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court-martial. Locked in a bloody war he must fight to redeem his honour and save his family. Against All Flags (Dir. George Sherman 1952): In 1700 the pirates of Madagascar menace the India trade; British officer Brian Hawke has himself cashiered flogged and set adrift to infiltrate the pirate ""republic."" There Hawke meets lovely Spitfire Stevens a pirate captain in her own right and the sparks begin to fly; but wooing a pirate poses unique problems. Especially after he rescues adoring young Princess Patma from a captured ship. Meanwhile Hawke's secret mission proceeds to an action-packed climax. Rare Breed (Dir. Andrew V. McLaglen 1966): In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ranch even greater obstacles force them to summon up extraordinary courage if they and the prize bull are to survive... Our Man In Havana (Dir. Carol Reed 1959): Jim Wormold (Alec Guinness) a vacuum cleaner salesman in Havana is recruited by the British Intelligence Services. As he has nothing to report he invents facts and pretends to discover secret operations...with disastrous consequences. Carol Reed directs this adaptation of the Graham Greene story. Lady Godiva Of Coventry (Dir Arthur Lubin 1955): Fictionalized account of events leading up the famous nude ride (alas her hair covers everything) of the militant Saxon lady
'The Fly' is a remake of the 1958 horror classic about a brilliant scientist who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly incredibly agile super strong and driven to insanity by appetites he cannot control. In 'The Fly 2' Martin Brundle son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. Wh
Based on J L Carr's novel two young soldiers fresh from the trauma of World War I meet in a tranquil Yorkshire village and form an unusual bond. Birkin has come to spend a month restoring a church mural whilst Moon who is still suffering nightmares from the horrors of war has come to excavate a forgotten chapel. Set against the background of an idyllic summer passion and forbidden love are uncovered as Birkin falls for the rector's beautiful wife and Moon has to face his own inner desires. As the men become drawn into their work they find reassurance and escape from their experiences and can begin a personal journey to recovery.
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
Hammer's She might be a travesty of Rider Haggard's epic adventure novel, scaling things down to fit into a budget lavish only by the studio's low standards. At least the film opens with the unexpected sight of Peter Cushing and Bernard Cribbins in a dive in Palestine in 1919, shimmying with belly-dancers and brawling with the locals John Ford-style. Less entertainingly the film then switches attention to blonde clod John Richardson who is dreamily visited by blonde goddess Ursula Andress--her eerie beauty enhanced by the usual Hammer trick of dubbing the foreign crumpet with a posh voice.Our adventurers are given a map which leads them through deserts and mountains to the lost city of Kuma, an Egyptian-style civilisation ruled by Ayesha. This immortal She-Who-Must-be-Obeyed has been unaccountably waiting for Richardson to be reincarnated ever since she pettishly killed him thousands of years ago. In this reading, She is an Aryan fascist given to tipping those who displease her into a pit of molten lava. Her final comeuppance--as she bathes again in the blue flame of immortality and finds the process reversed so she suffers one of Hammer's patented Dracula dissolves to dust--takes place during a native uprising which overthrows her whole corrupt regime.The leads look terrific but can't act for beans so it's a mercy that stalwarts Cushing and Christopher Lee (as the treacherous High Priest) are on hand, not to mention Cribbins (comedy servant in bowler hat), Andre Morell and Rosenda Monteros.The James Bernard music is enchanting in a way Robert Day's direction sadly isn't, but the sets and (especially) costumes are splendid and the film has its moments of magic and terror: as the centurion pours out the remains of Morell's daughter from a jar, as the flame burns blue and the lovers bathe in it.On the DVD: the 2.35:1 widescreen print is in very good shape. Otherwise, there's not even a trailer. --Kim Newman
A collection of Classic WWII films featuring: We Dive at Dawn, Sea of Sand, The Silver Fleet and Waterloo Road.
If you can't find the perfect contender....make one. Comedy sports fans look no further. Written by Ron Shelton (White Men Can't Jump Bull Durham) this satirical tale of corruption strikes many a low-blow at the boxing industry. All done with an absolutely fantastic cast of actors. The Reverend Fred Sultan an ebullient underhanded boxing promoter is upset that his black champ James Roper is not exactly raking in the dough. Sultan thinks that the solution is to have Roper fig
A revealing insight into some of the more personal incidents in the lives of past British Prime Ministers and their relationships with one of the most famous houses in the world Number 10 Downing Street. The series features William Pitt the Younger Herbert Asquith William Gladstone David Lloyd George the Duke of Wellington Benjamin Disraeli and James Ramsey MacDonald. The strong cast includes Jeremy Brett Dennis Quilley John Stride and Ian Richardson.
When murder is your business you'd better not fall in love with your work. Jodie Foster stars as Ann Benton a self-possessed artist who stumbles across a mob hit in progress. She manages to escape and report the crime to the police but recognizes Mafia soldier John Luponi (Dean Stockwell) at the station and takes off becoming a fugitive. Meanwhile mob boss Lino Avoca (Vincent Price) has put out a contract on the artist with hit man Milo (Dennis Hopper). While Ann does her own informal witness relocation Milo begins to research the artist's life looking for clues that might help him find her and he becomes increasingly fascinated with her. When the hit man finally runs Ann down stealing her out from under the nose of Detective Pauling (Fred Ward) he offers her a deal that anybody could refuse: Be killed or become his private chattel.
In this high-seas adventure set in the 1600s a British sea captain must go undercover join a pirate band and capture the notorious Captain Henry Morgan. But Morgan is on to the ruse and is well prepared when the sea captain makes his move. As the two engage in mortal combat they are knocked unconscious and dragged to the governor of Tortuga who prepares to hang them both as pirates. Fortunately a stowaway aboard the pirate vessel steps forward and reveals their true identities...
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