Princess Diaries (Dir. Garry Marshall 2001): Academy Award Winner Julie Andrews enchanting newcomer Anne Hathaway and Hector Elizondo (Pretty Woman) lead a charmed cast in Disney's The Princess Diaries a hilarious hip and heartwarming modern day Cinderella story. Mia Thermopolis (Hathaway) is a bright but terribly shy and gawky teenager whose goal in life is to survive each school day with a minimum of attention and embarrassment. Unfortunately her wish to be invisible is
World War Two thriller starring John Mills. While out on routine patrol, the Royal Navy submarine Trojan accidentally strikes an electronically-operated drifting mine, and plunges immediately to the sea bed. As time - and air - start to run out, the Captain, Lt Cmdr Armstrong (Mills) gathers the handful of survivors together and tries to figure out the best means of escape. Richard Attenborough and Nigel Patrick co-star.
In one of the most unlikely cinematic pairings of all time, David Nelson (who rose to fame as a child star playing alongside his real-life family in the wholesome TV show The Adventures of Ozzie and Harriet) directs Playboy Playmate and adult star Susan Kiger in this bodycount-heavy, long overlooked slice of Southern fried hack-and-slash - 1982's Death Screams! Late one night, a young couple are brutally murdered at a make-out spot by an unseen assailant, their bodies tossed into the nearby river. As the lifeless lovers drift slowly downstream, the residents of the town excitedly prepare themselves for their annual carnival, unaware that a machete-wielding maniac with a twisted grudge is lurking in their midst. When a group of teen revellers plan a late-night after party down in the local cemetery, they unwittingly set the stage for a bloodbath. Death Screams, which was released on US VHS as House of Death (and on UK DVD with the reels in the wrong order!) oozes early '80s regional slasher charm from its every pore, boasting an everything-plus-the-kitchen-sink final reel featuring slashed throats, bisected bodies and exploding heads. Lovingly restored from the only-known existing 35mm print, this little-seen slasher classic is ready to carve its way into the bleeding hearts of horror fans everywhere! Product Features 2K restoration from an archival 35mm print High Definition Blu-ray (1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with producer Charles Ison and special effects artist Worth Keeter moderated by filmmaker Phil Smoot Audio commentary with The Hysteria Continues All the Fun of the Scare: The Making of Death Screams - making-of documentary featuring interviews with producer Charles Ison, special effects artist Worth Keeter, writer Paul Elliott, actors Hanns Manship and Curt Rector, actor/producer's assistant/assistant supervising editor Sharon Alley and actor/talent wrangler Robert Billy Bob Melton TV and Radio Spots Image Galleries House of Death Alternate VHS Opening Titles Two versions of the screenplay under the original title of Night Screams [BD-ROM content] Reversible sleeve featuring original and newly-commissioned artwork by Sadist Art Designs
Stakeout (Dir. John Badham 1987): While on an FBI stakeout detective Chris Lecce (Richard Dreyfuss) falls hard for Maria (Madeleine Stowe) the woman he's supposed to be watching. Soon he's inside her home enjoying a torrid love affair while his young partner Bill Reimers (Emilio Estevez) waits across the street looking through his binoculars and fuming. But the woman's ex-boyfriend (Aidan Quinn) a crazed escaped convict who is the real object of the stakeout is on his
From the Director of TAKEN comes a thriller where a government agent's desire to shine beyond the shadows of his profession comes true when he is paired with his new partner in crime - Wax.
Paul Weller Live At Hyde Park Tracklist: Introduction Sunflower Bull Rush Magic Bus Friday Street Hung Up A Bullet For Everyone Whirlpools’ End Leafy Mysteries Up In Suze’s Room All Good Books Can You Heal Us (Holy Man) This Is No Time Foot Of The Mountain Broken Stones Picking Up Sticks You Do Something To Me Stanley Road Out Of The Sinking Peacock Suit Into Tomorrow The Changingman Standing Out In The Universe Wild Wood Call Me No. 5 Woodc
Submarine commander Duke Gifford feels guilty in the death of his former commanding officer, as well as about his failed marriage. These issues pull at him during a hazardous mission against the Japanese in World War II.
Seven years after he earned his first screen credit as the writer of Fast Times at Ridgemont High, former Rolling Stone writer Cameron Crowe made his directorial debut with this acclaimed romantic comedy starring John Cusack and Ione Skye as unlikely lovers on the cusp of adulthood. The casting is perfect and Crowe's rookie direction is appropriately unobtrusive, no doubt influenced by his actor-loving, Oscar-winning mentor, James L. Brooks. But the real strength of Crowe's work is his exceptional writing, his timely grasp of contemporary rhythms and language (he's frequently called "the voice of a generation"), and the rich humour and depth of his fully developed characters. In Say Anything, Cusack and Skye play recent high-school graduates enjoying one final summer before leaping into a lifetime of adult responsibilities. Lloyd (Cusack) is an aspiring kickboxer with no definite plans; Diane (Skye) is a valedictorian with plans to further her education in Europe. Together they find unlikely bliss, but there's also turbulence when Diane's father (John Mahoney)--who only wants what's best for his daughter--is charged with fraud and tax evasion. Favouring strong performances over obtrusive visual style, Crowe focuses on his unique characters and the ambitions and fears that define them; the movie's a treasure trove of quiet, often humorous revelations of personality. Lili Taylor and Eric Stoltz score high marks for memorable supporting roles, and Cusack's own sister Joan is perfect in scenes with her on- and offscreen brother. A rare romantic comedy that's as funny as it is dramatically honest, Say Anything marked the arrival of a gifted writer-director who followed up with the underrated Singles before scoring his first box-office smash with Jerry Maguire. --Jeff Shannon
Thrill! As Skippy rescues Sonny from an out of control speedboat.... Gasp! As Ranger Hammond comes face to face with his evil cigarette smoking twin.... Cheer! As Skippy escapes from the clutches of evil zoo keeper Frank Thring.... Hiss! As swinging honeymooners plot to steal Skippy's fur.... Applaud! As Skippy tinkles the ivories and plays drums in a rock band Much loved and fondly remembered by everybody who grew up during the 60s and 70s Skippy was no mere marsupial. Not only cou
Stop the presses! The crime of the century has occurred and investigative reporters Kermit the Frog Fozzie Bear and The Great Gonzo are out to crack the case in this song-filled star-studded extravaganza directed by the legendary Jim Henson. Our heroes arrive in London to interview Lady Holiday (Diana Rigg) a high-fashion designer whose priceless diamond necklace has just been stolen. But when Kermit mistakes the lovely receptionist/would be model Miss Piggy for her aristocra
John Travolta stars as a divorced father who discovers that his 11-year-old son's new stepfather is not what he made himself out to be.
Hollywood screen couple Doris Day and Rock Hudson light up the screen with laughter in three delightful comedy gems! Join them as they fall in, out, and back in love again in a series of misadventures including Pillow Talk, Lover Come Back and Send Me No Flowers. Co-starring the hilarious Tony Randall, the Dirus and Rock Hudson Romantic Comedy Collection captures one of cinema's most popular and enduring couples at their very best! Bonus Features Back in Bed with Pillow Talk Chemistry 101: The Film Duo of Doris Day and Rock Hudson Pillow Talk Feature Commentary with Film Historians Jeff Bond, Julie Kirgo and Nick Redman Theatrical Trailers
ER follows the lives of the emergency room staff and doctors of Chicago's County General Hospital a Level One Trauma Center where the difference between life and death rests on split-second decisions -- and the pressure joy and guilt are often overwhelming. These medical professionals are determined to save lives in a place where nothing is taken for granted and nothing is certain... nothing except that another desperate person will be rushed through the emergency room doors in the next moment in need of their help. Some will live and some will die but the dedication and passion of these healers will endure.
Brothers and sisters, can we get a witness for Elmer Gantry, a woeful tale of saints and sinners? Burt Lancaster earned his only Oscar as the wide-smiling, glad-handing, soul-saving charlatan Gantry, a salesman who turns his gift for preaching into a career at the pulpit. Climbing on board the barnstorming evangelical tour of revivalist Sister Sharon Falconer (Jean Simmons), Gantry declaims, invokes, and sermonises his way to the top, until a former flame-turned-prostitute (Shirley Jones in an Oscar-winning performance) threatens to reveal his dark past as a womaniser and con man. Lancaster harnesses all his physical vigour and natural charisma for this role, literally throwing himself into his preaching with the suppleness of an acrobat and the sing-song delivery of a gospel singer--he even brays like a hound to show the Holy Spirit within him. Gantry is a showman, pure and simple, and while he doesn't fool true-believer Sister Sharon, he gives her a few object lessons in playing the crowd. Director Richard Brooks, who also took home an Oscar for his screenplay (adapted from the Sinclair Lewis novel), creates a rousing drama both on and off the pulpit, and provides fine roles for an excellent supporting cast, including Arthur Kennedy, Dean Jagger, John McIntire, and singer Patti Page. --Sean Axmaker
A simple man. A difficult choice.25 years after commiting an unthinkable crime, quiet Karl is finally returning home. Once there, the mentally disabled man is befriended by a fatherless boy and his mother. But when his newfound peace is shattered by the mother's abusive boyfriend, Karl is suddenly placed on a collision course with his past...Winner of the 1997 Oscar for Best Adapted Screenplay for Billy Bob Thornton who was also nominated for the Best Actor award.
A small-time conman has torn loyalties between his estranged mother and new girlfriend--both of whom are high-stakes grifters with their own angles to play.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Season Three takes us back to the slightly bizarre yet charming little logging town in Alaska. Reunite with the endearing quirky citizens of Cicely Alaska. Nominated for an astonishing 16 Emmy Awards and winner of (including Outstanding Drama Series) this is the must-own season of television's most original series. Packed with 23 unforgettable episodes and digitally remastered for outstanding picture quality there's never been a better time to own Northern Exposure
In Ivan Passer's Cutter's Way, Jeff Bridges (The Big Lebowski and Rancho Deluxe), John Heard (Chilly Scenes of Winter and After Hours) and Lisa Eichhorn (Yanks and King of the Hill) deliver exemplary performances as a trio of '60s casualties embroiled in a murder investigation that goes increasingly off-the-rails and threatens to swallow them whole. Unambitious yacht salesman and gigolo Richard Bone (Bridges) skates on his good looks and avoids all responsibility. His best friend Alex Cutter (Heard) returned from Vietnam with his body ruined, but his mind sharpened and attuned to the injustices and politics that led to his predicament. After Bone witnesses a shadowy figure dump a young woman's body in the trash, he fingers local oil magnate J.J. Cord (Stephen Elliot, Beverly Hills Cop and Death Wish) as the killer. As Bone backs away from this accusation, Cutter charges forward on a crusade to make Cord pay not only for this murder, but for all the other crimes fat cats like him have routinely gotten away with. Cutter's long-suffering wife Mo (Eichhorn), struggles to keep her own head above the surface, while steering the two men toward saner waters. Based on Newton Thornburg's 1976 novel Cutter and Bone, and initially released under that title to little notice the film was reborn as Cutter's Way and became a highly acclaimed cult favourite. The lush, sunny Santa Barbara setting, luminously photographed by DP Jordan Cronenweth (Blade Runner and Stop Making Sense), is an ironic counter to the deeply cynical and tragic vibes of this neo-noir. The distinctly beautiful score by pop and rock maestro Jack Nitsche ranks as one of his most stirring works. Helmed by Czech filmmaker Passer (Intimate Lighting and Born to Win), Cutter's Way is one of the most impassioned and truthful critiques of the American hierarchy ever filmed. Now, perhaps, more relevant as ever, it's been freshly restored in 2K from its 35mm interpositive. Product Features New 2K restoration from its 35mm interpositive Mo's Way, a newly filmed video interview with star Lisa Eichhorn From Cutter and Bone to Cutter's Way, a newly filmed video interview with UA Classics exec Ira Deutchman Archival video interview with director Ivan Passer Archival video interview with writer Jeffrey Alan Fiskin Archival video interview with producer Paul Gurian Archival video featurette on composer Jack Nitzsche Archival audio introduction by star Jeff Bridges Archival video introduction by director Bertrand Tavernier Theatrical trailers Isolated music track Newly recorded audio commentary by novelist Matthew Specktor Archival audio commentary by film historians Julie Kirgo and Nick Redman Archival audio commentary by assistant director Larry Franco and unit production manager Barrie Osborne
Please wait. Loading...
This site uses cookies.
More details in our privacy policy