BUSTER KEATON - CONVICT B - 1920
While playing golf, Buster is knocked unconscious by a flying ball and an escaped convict changes clothes with him. Buster subsequently ends up in prison where he learns that he is to be charged.
BUSTER KEATON - DAYDREAMS - 1922
Buster goes to the city to prove to his girl's father that he can succeed. He writes her of his various jobs which she glorifies in her imagination. She sees a surgeon, a vet's assistant and she sees him cleaning up on Wall...
There Is More Than One Way To Kill A Man... I gotta find out what makes a man decide not to run. Why all of a sudden he'd rather die. So muses hitman Charlie (Lee Marvin) after his high-priced victim Johnny North (John Cassavetes) gives in without a fight. Obsessed with the answer Charlie and his hot-headed associate Lee (Clu Gulager) track down Johnny's associates and uncover a complex web of crime and deceit involving his femme fatale girlfriend Sheila (Angie Dickinson) and ruthless mob boss Jack Browning (Ronald Reagan in his last screen role). Loosely inspired by the Ernest Hemingway story and directed by Don Siegel (whose many other taut efficient thrillers include Dirty Harry and the original Invasion of the Body Snatchers) The Killers was commissioned as the very first 'TV movie' but was given a cinema release because of its violence - although a cast like that really belonged on the big screen in the first place. Special Features: High Definition digital transfer of the film by Universal Pictures presented in alternative 'television' and 'cinema' aspect ratios Original uncompressed 2.0 mono PCM audio Optional English SDH subtitles for the deaf and hearing impaired Reagan Kills: interview with New York Times bestselling writer Marc Eliot author of 'Ronald Reagan: The Hollywood Years' Screen Killer: interview with Dwayne Epstein author of 'Lee Marvin: Point Blank' Archive interview with Don Siegel (1984) from the French television series 'Cinéma Cinémas' Gallery of rare behind-the-scenes images Reversible sleeve featuring the original poster and newly commissioned artwork by Nathanael Marsh Booklet featuring new writing on the film by Mike Sutton extracts from Don Siegel's autobiography and contemporary reviews illustrated with original lobby cards
Celebrate Enter the Dragon's 50th Anniversary with this Ultimate Collector's Edition, featuring both the theatrical and original Special Edition cuts remastered in glorious 4K UHD. LIMITED EDITION of 3,000 WORLDWIDE Bruce Lee's final film, Enter the Dragon, stands the test of time as the most beloved martial-arts epic in film history. To avenge the death of his sister, Lee infiltrates the island fortress of criminal warlord Han and enters his brutal tournament. The result is a breath-taking visual feast of competitions fusing karate, judo, taekwondo, tai chi, and hapkido, staged by Lee Himself. Product Features Featured In-Pack Rigid Slipcase Steelbook with Full Gloss Finish Numbered Sticker of Authenticity A3 Theatrical Poster Reproductions, Double-Sided Lenticular 3x Archival Art Cards, Double-Sided 3x Production Notes, Double-Sided 3x BTS Cards, Double-Sided On-Disc Special Features Introduction by Linda Lee Caldwell Commentary by Paul Heller 3 Documentaries: Blood and Steel: The Making of Enter the Dragon, The Curse of the Dragon, and Bruce Lee: In His Own Words No Way As Way The Return to Han's Island Wing Chun: The Art That Introduced Kung Fu to Bruce Lee Linda Lee Caldwell Interview Gallery Vintage Featurette: Location: Hong Kong with Enter the Dragon Backyard Workout with Bruce And More!
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "The kings of horror battle to the death" in Dracula vs Frankenstein. The last of the Frankensteins (J Carrol Naish) works in a carnival horror house with his sidekick Groton the Mad Zombie (Lon Chaney Jr). A Frank Zappa-like Dracula (Zandor Vorkov) and a monster with a face like a big mushroom slug it out. The film also features Russ Tamblyn as a beach biker and a Vegas showgirl heroine on LSD. This Region 2 DVD is sadly bereft of the extras found on the US Troma Region 1 disc. --Kim Newman
Godfrey Reggio's Koyaanisqatsi ("life out of balance") and Powaqqatsi ("life in transformation") are the first two parts of a trilogy of experimental documentaries whose titles derive from Hopi compound nouns (2002's Naqoyqatsi, or "life in war", is the third). Both feature indispensable musical contributions from minimalist composer Philip Glass. Made in 1983, Koyaanisqatsi was shot mostly in the desert southwest USA and New York City on a tiny budget with no script. But it then attracted the support of Francis Ford Coppola and George Lucas and reached a much wider audience. Its techniques, merging cinematographer Ron Fricke's time-lapse shots (alternately peripatetic and hyperspeed) with Glass' reiterative music (from the meditative to the orgiastic)--as well as its ecology minded imagery--crept into the consciousness of popular culture. The influence of Koyaanisqatsi has by now become unmistakable in television advertisements, music videos and, of course, similar movies. Dating from 1988, Powaqqatsi finds the director somewhat more directly polemical than before, with Glass's score stretching to embrace world music. Reggio reuses techniques familiar from the previous film (slow motion, time-lapse, superposition) to dramatise the effects of the so-called First World on the Third: displacement, pollution, alienation. But he spends as much time beautifully depicting what various cultures have lost--cooperative living, a sense of joy in labour and religious values--as he does confronting viewers with trains, airliners, coal cars and loneliness. What had been a more or less peaceful, slow-moving, spiritually fulfilling rural existence for these "silent" people (all we hear is music and sound effects) becomes a crowded, suffocating, accelerating industrial urban hell, from Peru to Pakistan. Reggio frames Powaqqatsi with a telling image: the Serra Pelada gold mines, where thousands of men, their clothes and skin imbued with the earth they're moving, carry wet bags up steep slopes in a Sisyphean effort to provide wealth for their employers. While Glass juxtaposes his strangely joyful music, which includes the voices of South American children, a number of these men carry one of their exhausted comrades out of the pit, his head back and arms outstretched--one more sacrifice to Caesar. Nevertheless, Reggio, a former member of the Christian Brothers, seems to maintain hope for renewal. --Robert Burns Neveldine
From the undisputed master of the suspense-thriller Alfred Hitchcock's (Rear Window The Birds) To Catch A thief is a stylish and witty thriller starring Cary Grant (North by Northwest) and Grace Kelly(Rear Window). The on-screen chemistry between the two protagonists enhances Hitchcock's subtle and ambiguous story of a retired jewel thief forced to uncover the identity of a copycat thief before he is framed for the crimes himself. Grant's charm and sophistication as the retired cat-burglar set opposite the sensuous character of Kelly's socialite ensure that the atmosphere of the film is sexually charged leaving the audience with no doubt that the relationship could unravel at any point...
Although it lacks the creepy subtleties of Stephen King's celebrated novel, George Romero's underrated adaptation of The Dark Half is among the best films based on King's fiction, with Romero taking care to honour the central theme while serving up some gruesome gore in the film's much-criticised finale. Inspired by King's own admission that he wrote several novels under the pseudonym Richard Bachman, The Dark Half explores the duality of a writer's impulse, ranging from literary respectability to the viscerally cathartic thrills of exploitative pulp fiction. Author and teacher Thad Beaumont (Timothy Hutton) finds himself torn between those extremes when he "kills" his profitable alter ego, George Stark (the bestselling dark half to Thad's light), who then assumes evil, autonomous form (again played by Hutton) to defend lethally his role in Thad's creative endeavours. Forced to wrestle with this evil manifestation of his own unformed twin, Thad must fight to protect his wife (Amy Madigan), their twin babies and himself. While Romero skilfully develops the twin/duality theme to explore the writer's dilemma, Hutton is outstanding in his dual roles, playing Stark (in subtly fiendish makeup) as a redneck rebel with a knack for slashing throats. Julie Harris adds class in a supporting role, and horror fans will relish Romero's climactic showdown, in which swarms of sparrows seal Stark's fate. It favours a pulp sensibility with clunky exposition to explain Stark's existence, but The Dark Half is a laudable effort from everyone involved. --Jeff Shannon, Amazon.com
Tracklisting: 1. Calling Elvis 2. Walk Of Life 3. Heavy Fuel 4. Romeo And Juliet 5. The Bug 6. Private Investigations 7. Your Latest Trick 8. On Every Street 9. You And Your Friend 10. Money For Nothing 11. Brothers In Arms 12. Solid Rock 13. Local Hero - Wild Theme
Hammer Horror! Dragon Thrills! The First Kung Fu Horror Spectacular! Count Dracula journies to a remote Chinese village in the guise of a warlord to support six vampires who are dispirited after the loss of a seventh member of their cult. At the same time vampire hunter Prof. Van Helsing happens to be lecturing in the country and is persuaded by villagers to help them fight this curse of the ages... Possibly the only film to combine the traditions of a vampire story with Kung Fu!
Four young friends bound by a tragic accident are reunited when they find themselves being stalked by a hook-wielding maniac in their small seaside town.
This superb major BBC documentary provides an entirely fresh perspective on the Somme revealing that there was more to events than just senseless mass slaughter - because it was on those blood-soaked fields that the British Army learned how to defeat its German enemy. Featuring superb and highly authentic dramatic enactments and contemporary combat footage it compares the assault on Thiepval by a company of the 2nd Salford Pals on July 1st 1916 with an attack on the same objective
A British adaptation of one of post-war Austria's most significant films, The Angel With the Trumpet is the powerful, panoramic story of a family's tribulations from the last decades of the nineteenth century through to the dark days of Nazi rule. Featuring the great dramatic actress Eileen Herlie in her first starring role, this film also stars Basil Sydney, Norman Wooland and Anthony Bushell, who also directed. It is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.When Francis Alt, the head of the famous family of Viennese piano makers, decides to marry socialite Henrietta Stein, his family object due to her Jewish heritage and known dalliance with the Crown Prince Rudolph. When the marriage goes ahead despite their objections the Prince commits suicide, leaving Henrietta a note...SPECIAL FEATURES:Image GalleryPromotional Material PDFs
Two campers Sharon and Teddy are terrorized in the deep dark woods of the California wilderness by a cannibalistic knife-wielding madman. Teddy is killed but Sharon manages to escape. That same night their boyfriends Steve and Charlie take refuge in an old cave to protect themselves from the storm. There they meet the killer an old man wearing a beat up old baseball cap named John. He tells them the story of how he walked in on his unfaithful wife and her lover. He killed them both and gathered his two children and ran off into the forest Unfortunately his kids got sick and they committed suicide. Since then he has developed a taste for human flesh and will kill anybody who trespasses on his territory...
Set in the Second World War when Nazi Germany occupied Italy. This film deals with the Vatican's involvement in the entire movement during the occupation of Rome.
Another masked avenger is reincarnated as a big budget movie. Idle playboy Lamont Cranston (Alec Baldwin), schooled in Tibetan mysticism, fights crime in late '30s New York while wearing a natty hat and false beak. He finds time to romance telepathic sweetie Margo Lane (Penelope Miller), whose crusty old scientist Dad (Ian McKellen) has just invented an atom bomb which is in danger of falling into the hands of Shiwan Khan (John Lone), conquest-happy last descendent of Genghis Khan.Director Russell Mulcahy turns out the regulation death traps (a locked chamber filling with water, a bomb timer which ticks away during the climax) and the Shadow breezes through via nifty "invisible" effects. It evokes the conventions and charms of 1930s' pulp fiction in rather more nostalgic mode than Quentin Tarantino's Pulp Fiction, and adds little of its own attitude, although a sly camp sensibility (notably in the extremely chi-chi Tim Curry and John Lone as the villains) goes for snickering at the expense of tension. A pleasant, eye-pleasing movie but, after the super-heroic likes of Batman, The Crow and The Mask, the merely mysterious Shadow seems somewhat grandfatherly and remote. --Kim Newman
The definitive presentation of a genuinely iconic series, we present Monty Python's Flying Circus, starring Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, in all its HD glory! This ground-up restoration has been produced from the best available materials, painstakingly restored and includes just the right amount of lovely spam, wonderful spam... Previously edited sketches have been returned to their original length while filmed sequences and Terry Gilliam's animations have been newly scanned in High Definition, adding unimaginable depth and clarity to classic moments. From the archive come genuine rarities including previously unseen studio outtakes and extended versions of filmed sketch material, making this the ultimate in television restoration and a must-have for every generation of Python fan!
Oliver Twist orphaned at birth and raised in the workhouse is expelled for daring to ask the Beadle for more food. Unhappily apprenticed to an Undertaker Oliver escaped to London where he meets the cheeky Artful Dodger the villainous Fagin the aggressive Bill Sykesand the kindly but doomed Nancy. Torn constantly between the forces of good and evil Oliver eventually seals his fate by picking the pocket of a rich gentleman.
Young Winston tells one of the greatest stories in English politics - the rise to power of Winston Churchill from childhood to the age of 26 when he made his first speech in the House of Commons. Directed by Richard Attenborough the film covers Churchill's time as a war correspondent in India his involvement in Kitchener's Sudan expedition and his capture and subsequent thrilling escape during the Boer War in South Africa... Based on Churchill's own book 'My Early Life'.
An ordinary day becomes a world of terror as every single child in the world stops. A message is sent to all the governments of Earth: 'We are coming'. But as a trap closes around Captain Jack sins of the past are returning as long-forgotten events from 1965 threaten to reveal an awful truth. Torchwood are forced underground as the government takes swift and brutal action. With members of the team being hunted down Britain risks becoming a rogue state with the mysterious and powerful 456 drawing ever closer. Captain Jack Gwen and Ianto are helpless as events escalate until mankind faces the end of civilisation itself.
In an attempt to catch lightning in a bottle, John Cleese wrote Fierce Creatures with the purpose of reuniting the comedic cast of A Fish Called Wanda. Media mogul (Kevin Kline) owns a London zoo. He demands that the park raise more profit, so the new zoo director (Cleese) orders that only dangerous animals be displayed in order to maximize ticket sales. In a dual role, Kline also plays the mogul's son, who plans to run the zoo with the help of displaced employees (including Michael Palin) and zoo programmer Willa Weston (Jamie Lee Curtis). The situation lends itself to comedic confusion and split-second timing, and for a few good laughs the film is a pretty safe bet. It's not as hilarious as A Fish Called Wanda (that's a pretty tall order), but Cleese knows comedy, and his efforts are worth a look. --Jeff Shannon, Amazon.com
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