In the summer of 1940 young volunteer reservist T.B. ‘Septic’ Baird (John Gregson – The Longest Day) is forced to crash his Hurricane on the RAF fighter station runway in order to avoid a collision with another plane. Injured in the accident he incurs the wrath of Squadron leader ‘Tiger’ Small (Jack Hawkins - Zulu) who grounds Baird transferring him to the operations centre until he recovers. Baird is desperate to get airborne but ‘Tiger’ refuses his protests. However when risk of a bombing attack threatens the airfield Baird takes his chance to be reinstated and returns to the skies. Painstaking restored to its former glory ANGELS ONE FIVE is amongst the very best Battle of Britain war epics. Based on director George More O’Ferrall’s own WWII experience at Fighter Command HQ it offers a slice-of-life depiction of aerial
In the melting pot of 1890s London Sergeant Cork works for Scotland Yard’s newly formed Criminal Investigation Department enthusiastically employing the pioneering techniques of the new science of forensics to tackle crimes born of poverty and deprivation passion vengeance and greed. Ably assisted by youthful detective Bob Marriott Cork is astute years ahead of his time and knows that even the most convincing evidence can all too often deceive.
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
Mel Gibson and Goldie Hawn star in this action-packed comedy directed by John Badham about two old flames who meet by accident and are plunged into a cross-country run for their lives.
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
Collection of highlights and footage from the 2018 Greatest Royal Rumble at the King Abdullah International Stadium situated within the King Abdullah Sports City in Jeddah, Saudi Arabia. Among the performers were Braun Strowman, Brock Lesnar, Roman Reigns, John Cena and Triple H.
The great war has ended. Unicron has been defeated the Decepticons have fled and the Autobots are victorious under the command of a new leader. In the midst of the celebrations the Autobots are suddenly attacked leaving the Decepticons the obvious suspects. But the Decepticons are in bad shape low in energy without a leader and fighting amongst themselves. Who are the mysterious attackers? Find out in these five epic episodes as the Transformers face a new enemy and the truth of their creation!
MONTY PYTHON'S FLYING CIRCUS FULLY RESTORED IN HIGH DEFINITION FOR THE FIRST TIME! To celebrate the 50th anniversary of a genuinely iconic series, we present Monty Python s Flying Circus, starring Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, in all its HD glory! This pre-eminent restoration has been produced from the best available materials, painstakingly restored, and terror and destruction are sure to follow. Previously edited sketches have been returned to their original length, while filmed sequences and Terry Gilliam s animations have been newly scanned in High Definition, adding unimaginable depth and clarity to classic moments. From the archive come genuine rarities including previously unseen studio outtakes and extended versions of filmed sketch material, making this the ultimate in television restoration and a must-have for every generation of Python fan! Features: The Golden Age of Ballooning: Extended Barry Zeppelin filmed material Michael Ellis: Deleted Icelandic Honey Week filmed material, extended Toupee Department and Football Pundits filmed material LE War: Repeats extended voiceover & unused M2 filmed material, When Does a Dream Begin (clean closing titles) Hamlet: Extended Queen Victoria Handicap filmed material Mr Neutron: Reinstated content, extended Mr Neutron Takes Tea filmed material Party Political Broadcast: Extended Fanshawe-Chumleigh Dinner Party filmed material, deleted Ursula Hitler filmed material Restoring Flying Circus with Terry Gilliam In Vision archive interview from December 1974 Birds Eye Peas, Harmony Hairspray and Close-Up Toothpaste product relaunches
Collection of five classic British comedies. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the family he counts as relations, the D'Ascoynes. The D'Ascoynes cast his mother out when she decided to marry a commoner, Louis's father, and on her death refused to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Alec Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a dukedom? In 'Passport to Pimlico' (1949) an unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An autonomous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the utopian vision of a non-restrictive nation. In 'Whisky Galore!' (1949), set during the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the men of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty! In 'The Man in the White Suite' (1951) Sidney Stratton (Guinness) is a laboratory cleaner in a textile factory who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing. Finally, in 'The Ladykillers' (1955) a group of bank robbers struggle to silence the eccentric old lady who discovers their crime. Mrs Wilberforce (Katie Johnson) lives alone in King's Cross with her parrots. She has been led to believe that the group of men renting rooms from her, Professor Marcus (Guinness), the Major (Cecil Parker), Louis (Herbert Lom), Harry (Peter Sellers) and One-Round (Danny Green), are classical musicians. However, when one of the group's cases gets caught in the door and opens to reveal, not a musical instrument, but a plethora of banknotes, the virtuous Mrs Wilberforce vows to go to the police with the identities of the men. The criminals agree that the old lady has to be killed to silence her, but will this be as straightforward as it sounds?
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
John Thaw is Harry Jenkins in this brand new ITV film a gruff self-obsessed estate agent used to getting his own way. Until that is he returns from a game of golf to find the police on his doorstep with news of his estranged daughter's death and discovers for the first time that he is the grandfather of a mixed-race little girl. Saffron his spirited and strong-willed granddaughter proves to be quite a match for him and a trip to London in search of her father forces Harry to face up to a few home truths. He realises that things need to change if he is to play a part in Saffron's life. Brilliantly acted this powerful and moving drama evokes Harry's inner struggle for salvation.
In his first effort at directing a feature-length film William (Ted) Kotcheff best-known for movies like The Apprenticeship of Duddy Kravitz does an excellent job in making this drama effective. He is helped in no small part by James Mason as Brett Aimsley a sophisticated at-ease former junior partner in a brokerage firm and John Mills as Lt. Col. Clifford Southey a former clerk in that same company. During the war the lieutenant carries his sense of inferiority from his peacetime job as a clerk with him. So when he has a chance to nail Brett (a junior officer now) for trying to bring some censored goods back into London he takes the chance and Brett is drummed out of service. Brett heads for Tahiti and a pretty good life in the sun until Clifford shows up on the island with big plans to build a hotel -- bringing with him the same defensive attitude.
One of the most singular auteurs of the horror and science fiction genres, David Cronenberg has wowed audiences with his depictions of body transformations and explorations of society, this collection of his early short and feature films shows a master learning his craft and exploring many of the themes that would dominate his most celebrated work. Transfer (1966), Cronenberg's first short film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a larger budget, where we find the House of Skin clinic director (Ronald Mlodzik, returning from Stereo) searching for his mentor, Antoine Rouge, who has disappeared following a catastrophic plague. Cronenberg's early amateur feature films, shot in and around his university campus, prefigure his later films' concerns with strange institutions, male/female separation and ESP, echoing the likes of Videodrome, Dead Ringers and Scanners.
Thomas Jane stars as the ultra violent Marvel Comics vigilante, a man who begins to wage a one man war on organised crime following the death of his family.
TT 2010 Review
Taking its lead from Jonathan Demme's Oscar-winning pulse-raiser The Silence Of the Lambs, Copycat strives for intelligence over gristle and carnage. It's a terse, involving thriller that swings away from the usual cinematic notion of violence as a means to an end by forgoing brawn for brains. Young San Francisco police inspector Ruben Goetz (Dermot Mulroney) is teamed with brilliant force vet, M J Monahan (Holly Hunter), a diplomatic, no-nonsense cop who must buck the system in order to find a killer who is copying the crimes of history's most notorious serial killers. Ruben would rather shoot to kill than merely wound a suspect; Monahan labours to help him think more diplomatically. Everything changes when crank calls arrive at the station from serial-killer pin-up girl psychiatrist Helen Hudson (Sigourney Weaver). She's been housebound for 13 months, ever since murderer Daryll Lee Cullum (Harry Connick Jr.) nearly made her his next victim because she testified against him in court. Though he's in prison, he's still mentor and muse to every loose cannon walking the streets--one of whom is killing people with a vengeance and hoping to finish the job Cullum began. Cop and doc team up to solve the case in this stylish, plot-driven movie. Though Copycat loses steam in the end, it still makes a point. And it serves as a cautionary tale for people everywhere, tossing in street smart warnings against victimisation. The teaming of Hunter and Weaver works well, the short and the tall forging a terrific and friction-filled relationship that leads to grudging respect. Establishing an ominous atmosphere reminiscent of his classic British TV miniseries The Singing Detective, director Jon Amiel has an eye for the dark and the unusual and it gives this film an edge that eludes most other mainstream filmmakers. --Paula Nechak
The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blonde adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle. Atlantis offers some nifty battle scenes, including an attack on a Jules Verne-esque submarine by a giant robotic trilobites and fishlike flying cars. But the film suffers from major story problems. If Princess Kida (Cree Summer) remembers her civilisation at its height, why can't she read the runes? Why doesn't Milo's crew notice that the Atlanteans live for centuries? The angular designs are based on the work of comic book artist Mike Mignola (Hellboy), and the artists struggle with the characters' stubby hands, skinny limbs and pointed jaws. The result is a film that will appeal more to 10-year-old boys than to family audiences. --Charles Solomon, Amazon.com
This DVD contains the hilarious Liverpudlian stand up comedian John Bishops' brand new tour, entitled The Sunshine Tour.
Classic comedy films from the Marx brothers including 'A Night At The Opera' 'A Day At The Races' 'A Night In Casablanca' 'The Big Store' 'At The Circus' and 'Go West'. A Night At The Opera (1935) The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho Chico and Harpo cram a ship's stateroom with wall-to-wall people gags one-liners musical riffs and two hard-boiled egg
From award-winning director Ken Loach and writer Paul Laverty comes a bitter sweet comedy caper which proves that sometimes all you need in life is a little spirit. Escaping a prison sentence by the skin of his teeth, the wayward and disillusioned Robbie is given one last chance to turn his life around. Together the four friends he embarks on an adventure and discovers that turning to drink might just change their lives - not cheap fortified wine, but the best malt whiskies in the world.
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