See Dick Run. Jim Carrey and Tea Leoni star in this fantastic re-make of Ted Kotcheff's original 1977 comedy hit. Dick (Jim Carrey) and Jane (Tea Leoni) are a typical suburban couple. They have a nice house in a development she works as a travel agent to supplement his white-collar income. Things change in the blink of an eye when Dick's company folds; his pension has no future and he can't find a job to save his life. Their front lawn is even repossessed! To make matters
And Now for Something Completely Different, Monty Python's first feature, is a reworking of their best skits from the first two seasons of the TV series. Originally made for the US market (where the show had yet to be aired), it was shot on film outside the usual studio sets ("Nudge Nudge", for example, is set in a tavern filled with passers-by). The writing and performances are fine and the film is packed with some of their best bits: "How to Avoid Being Seen", " Hell's Grannies", "Blackmail", "The Lumberjack Song" and "The Upper Class Twit of the Year", among others. Many of the sketches have been shortened, however, and the loss of the overly bright video sheen (the film has a muddy, dull look to it) and the invigorating presence of a live audience leaves the film sluggish at times. They're still feeling out the possibilities of the feature length, which they conquered with their next movie, Monty Python and the Holy Grail (1974). --Sean Axmaker
James Cagney is Nick Condon an American newspaper editor working in Japan between World War I & World War II. While investigating the double murder of a fellow reporter and his wife Condon discovers the insidious Tanaka Plan which plainly states the Japanese aims of World domination. If he is to warn the world about this Japanese plot he must stay alive with the help of Iris (Sylvia Sidney) a beautiful Chinese American spy.
Countess Dracula (1970); The erotic horror tale of a countess who discovers that the blood of young virgin girls will restore her to the passionate beauty she was 25 years before...; ; Twins Of Evil (1971); Both look exactly alike: which one was the twin of evil? Victims of a vampire curse lead to a witch-hunt headed by Gustav Weil (Peter Cushing), a fanatical Puritan leader of a bizarre religious sect. Only a vampire hunter can save the innocent!; ; Monster; A supernatur...
Incredible footballing action introduced by John Motson plus a comprehensive interactive quiz game hosted by Jonathan Pearce!
Governments, multinational corporations and religious organizations have secretly wielded tremendous power by holding back critical data or spreading misinformation to further their own aims. This program exposes the almost inconceivable stories of deceit, conspiracy, sanctioned piracy and scientific knowledge hidden from the world for far too long!Keeping the Faith: The Mystery of Mass SuicideHow can the charismatic energy of any leader translate into the voluntary death of hundreds, even thousands, of people? Throughout the course of civilisation incidents of mass suicide have shaken humanity to the core. Yet history records very different social attitudes toward these extreme events. From the martyrdom of the Jews at Masada to the debauchery and carnage perpetuated by Jim Jones in Guyana, are these the acts of the morally righteous or the morally depraved? In the end, what made them do it?Science Fraud: E=MC$The cold fusion debacle and the purported discovery of the Piltdown man stand as two of the greatest shams perpetrated over the course of scientific history. Have we learned anything from the real or alleged goldbricks of the past? Experts in the field think not. Today's scientists are under considerably more pressure to achieve results in their field. If they don't, they risk losing research grants or, perhaps more importantly, their chance at university tenure. How do these inherent conflicts of interest impact the integrity of medical and scientific discovery, and how do they affect our society at large?
By the marginal-or-miss standards of British TV spin-offs, Ali G in da House is well above adequate, even though it drags out every smart line or decent routine until they lie dead on the screen just begging for a laugh track. The film pulls back a bit from the absolute obnoxiousness of the Ali G TV skits, which makes Sacha Baron Cohen's character bearable at feature length, but also significantly less funny. Here it is finally confirmed that Ali is a weedy white kid called Alistair who pretends to be Jamaican, rather than a weedy white comedian doing a Jamaican character. Believe it or not, there's actually a plot, with a scheming Chancellor of the Exchequer (Charles Dance) recruiting Ali as a parliamentary candidate for Staines in a devious attempt to unseat Prime Minister Michael Gambon. Yet this framework is really an excuse for the sketch-like bits, such as a Los Angeles ghetto movie fantasy, Ali G addressing a meeting of lesbian feminists ("I've seen a lot of your videos"), and Charles Dance forced to read a budget speech in Ali G speak. Oddly, the film makes early-1990s jokes about Tories rather than going after New Labour, but any political satire here comes in second to knob-polishing jokes and sometimes-hilarious patter. Luckless inhabitants of the M4 corridor will nod ruefully at the final gag, in which Ali G persuades the PM not to devastate Staines and nods agreement as Gambon reassures him, "it's all right, we'll destroy Slough instead". --Kim Newman
Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
Scum (1979): Raw, violent and shocking, Scum is a compelling story set in a contemporary Borstal. It tells of life in an institution run by violence and brutality rather than reason, where the boy who can fight his way to the top of the heap and reign as 'Daddy' will gain the respect of the inmates and sadistic 'screws' alike. One of the most controversial films ever made in the UK, and one which caused a huge furore when it was first screened on TV, Scum s...
Irene is a shy reserved girl who starts working in an isolated mountain hotel. Her employers seem obsessed with cleanliness but she's not fazed by that. But she soon discovers that her predecessor has mysteriously disappeared and whenever she tries talking about it to the other employees or even the police she's met with indifference. And what are the connections to the cave nearby with its connections to witchcraft?
In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way.
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
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