Dirty" Harry Callahan was one of the first screen characters to embody contemporary fears about crime--and the uncompromising response to it that much of the audience would liked to have seen. Clint Eastwood's laconic rogue cop became an instant screen icon; his catchphrases ("Do you feel lucky?", "Make my day") were and still are endlessly quoted, and he even inspired a futuristic comic-strip counterpart in the person of Judge Dredd. Made at the time when the real "Zodiac" serial killer was terrorising San Francisco, the original Dirty Harry struck a frighteningly realistic note in 1971: aside from Eastwood, director Don Siegel's taught, pacey direction, Lalo Schifrin's nervy jazz score and Andrew Robinson's cackling psycopath "Scorpio" all make a strong impact. Such was the film's success that it gave rise to no less than four sequels, none of which are its equal but all of which get by on the charisma of Eastwood's anti-hero, even when he's increasingly trapped by the character's one-dimensional persona. This five-disc box set contains all the "Harry" movies: Dirty Harry (1971); Magnum Force (1973, with David Soul as a vigilante bike cop); The Enforcer (1976, with Tyne "Lacey" Daly as Harry's new and reluctant partner); Sudden Impact (1983, the weakest of the lot costarring Eastwood's then-partner Sondra Locke) and The Dead Pool (1988, a surprisingly upbeat end to the series). --Mark Walker
From the makers of "Hey Dude Where's My Car?" comes the story of two twenty-something stoner room mates who set out on a quest for the perfect hamburger that turns into the trip of their lives.
Mort Rainey (Johnny Depp) is a best-selling author with hundreds of fans. But one of his stories holds a secret that comes to life; a secret that even he can't imagine.
In neutral Turkey during World War 2 the extremely efficient but ruthlessly ambitious valet to the British ambassador tires of his vocation and plans to sell sensitive documents to the Germans... Joseph L. Mankiewicz's taut thriller based on true events.
No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears repeatedly to promise that "something wonderful" is about to happen. --Jeff Shannon, Amazon.com
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
Legendary: Cal Chetley is an extremely bright, engaging, undersized fifteen year-old. Neither blue collar nor athlete, both qualities that make up his small Oklahoman town - Cals's been picked on most of his life primarily because he's always been a little different. Mike, Cal's older brother (WWE Superstar John Cena) and one time, world-class high school/collegiate wrestler, left him and his mother behind years ago after a tragic car accident killed their father - an accident to this day Mike feels responsible for. Hoping to revive a relationship long since forgotten, Cal joins his high school wrestling team in the hopes his brother will train him. More importantly, Cal uses wrestling as the tool to reunite his family.Knucklehead: Set in the very popular and exciting world of Mixed Martial Arts (MMA), our story follows a low-rent con artist named Eddie Sullivan (Mark Feuerstein). After incurring a large debt with a local criminal ringleader, Eddie creates a get-rich-quick scheme and enlists a sweet gentle giant named Walter (Paul Big Show Wight) as his unwitting accomplice. Eddie's plan: travel from town to town with Walter and enter small, unsanctioned MMA fighting competitions for prize money. Walter's orphanage - the only home he's ever known - also needs funds desperately, so he reluctantly agrees. During their journey, Walter discovers what life is like outside the orphanage while Eddie becomes morally conflicted over whether to take all the loot for himself or keep his promise to Walter, the one person he can actually call a friend.The Chaperone: Ray Bradstone (Paul Triple H Levesque) is the best wheel man in the business - the bank robbery business, that is. Just out of prison, he is determined to go straight and be the best parent he can be to his daughter, Sally (Ariel Winter), and make amends with his ex-wife, Lynne (Annabeth Gish). After trying everything he can do to re-connect with his family and struggling in vain to find honest work, his old bank-robbing crew, led by Phillip Larue (Kevin Corrigan), offers him one last job. He signs on as their getaway driver - only to change his mind at the last second. What prompts this change of heart is an opportunity: Sally is going on a class field trip to the New Orleans Natural History Museum and Ray has been asked to be The Chaperone. It's his last chance to be the father he always wanted to be. Sally and her class are in for one of the craziest field trips ever.
Relive the high life of the Carringtons of Denver a wealthy family whose fortunes are endangered when hostilities in the Middle East threaten Blake Carrington's oil empire. But it is the dramatic interactions at home among the Carringtons and the Blaisdels that provide the explosive fuel for this riveting drama. From the opening episodes surrounding Black and Krystle's opulent wedding to the countless illicit affairs dirty business deals and hair-pulling catfights this is the show that had viewers tuning in every week to catch all the outrageous story twists and flamboyant fashion statements.
The American President is behind in the polls and is looking to increase his popularity. His advisors launch an 'anti-Canadian' campaign which inadvertantly results in bumbling U.S. sheriff Boomer (John Candy) and his hair-trigger deputy Honey (Rhea Perlman) leading their troopers to invade Canada!
One of British genre cinema's most important and distinctive independent filmmakers, Norman J Warren made a series of horror films which were at the forefront of a new wave in British horror during the 1970s. Reflecting a period of permissiveness and fearlessness, Warren's distinctive stylings are far removed from the Gothic conventions of Hammer Films, deliberately upped the ante in terms of sex, violence and gore to create a new breed of horror that was designed to shock for shock's sake. Five of Norman J Warren's horrifying chillers are presented here in new restorations and on Blu-ray for the very first time in the UK. Containing a wealth of new and archival extras including new appreciations by contemporary British filmmakers, new cast and crew interviews, audio commentaries on all five films, rare short films, outtakes and alternative scenes, and making-of documentaries this stunning Limited Edition box set from Indicator is strictly limited to 6,000 units. Extras: New 2K restorations of all five films, approved by director Norman J Warren Original mono audio The BEHP Interview with Norman J Warren (2018): an archival video recording, made as part of the British Entertainment History Project, featuring the prolific filmmaker in conversation with Martin Sheffield Satan's Slave audio commentary with director Norman J Warren and screenwriter David McGillivray, and a second commentary with Warren and composer John Scott Prey audio commentary with Norman J Warren and author Jonathan Rigby Terror audio commentary with Norman J Warren and screenwriter David McGillivray Inseminoid audio commentary with Norman J Warren and assistant director Gary White Bloody New Year audio commentary with Norman J Warren and film critic Josephine Botting All You Need Is Blood (1976): a vintage making of' documentary for Satan's Slave, presented in High Definition for the first time Creating Satan (2004): an archival documentary on the making of Satan's Slave featuring interviews with Warren, David McGillivray, actor Martin Potter, and others Devilish Music (2004): an archival interview with composer John Scott Satan's Slave alternative scenes Keep on Running (2004): an archival documentary on the making of Prey featuring interviews with Warren, actor Sally Faulkner, producer Terry Marcel, and others Prey: On Set with Norman J Warren (1977): location footage with new Norman J Warren commentary Bloody Good Fun (2004): an archival documentary on the making of Terror featuring interviews with Warren, actors Carolyn Courage, Mary Maude, James Aubrey and Elaine Ives-Cameron, writer David McGillivray, and others Interview with John Nolan (2019): the Terror actor recalls making the film Terror deleted scene Subterranean Universe (2004): an archival documentary on the making of Inseminoid featuring interviews with Warren, actors Stephanie Beacham, David Baxt and Barry Houghton, and others Interview with Trevor Thomas (2019): a new interview with the Inseminoid actor Inseminoid Girl (2004): an archival interview with actor Judy Geeson Electronic Approach (2004): an archival interview with Inseminoid composer John Scott Interview with Catherine Roman (2019): the Bloody New Year actor recalls making the film Interview with Steve Emerson (2019): the actor and stunt coordinator discusses working on Terror and Bloody New Year Norman J Warren: A Sort of Autobiography (2004): an archival career-encompassing interview The Bridge (1955-57): surviving footage of an early short film directed by Warren, about a pilot on a mission to locate a bridge in Germany during World War II The Making of The Bridge': rare and unseen behind-the-scenes footage with commentary by Warren Carol (1962): pilot tests for Warren's unrealised feature film about teenage pregnancy and backstreet abortion, with Georgina Hale and Michael Craze Drinkin' Time (1963): a comic silent short directed by Warren Turn Off Your Bloody Phone: Norman J Warren and the Ghost (2013): horror short produced for FrightFest, starring Warren, David McGillivray, and Yixi Sun Interview with Yixi Sun (2019): an interview with the filmmaker and Warren collaborator Trailers and TV Spots Image galleries: promotional and publicity material New English subtitles for the deaf and hard-of-hearing Limited edition exclusive 120-page book with a new essay by Adrian Smith, archival interviews, articles and on-set reports, an overview of contemporary critical responses, and film credits and more World and UK premieres on Blu-ray Limited Edition of 6,000 copies All extras subject to change
A Fish Called Wanda was the blockbuster which proved that John Cleese could be a movie star in his own right. Directed by the Veteran Charles Crichton, who made the 1951 Ealing Comedies classic The Lavender Hill Mob, Wanda combined Ealing-comedy capers and Basil Fawlty-esque farce with contemporary big-screen swearing and black comedy. The plot develops in classic film noir style as Cleese's lawyer, Archie Leech, gets sucked into the double-crossing aftermath of a London diamond heist. For sound box-office reasons, British comedies often sport an American star and here Cleese delivers not only Jamie Lee Curtis as a smooth operating femme fatale, but Kevin Kline as her idiotic, and insanely jealous lover (for which he won a Best Supporting Actor Oscar). Pushing the limits of bad taste is Michael Palin's animal-loving Ken, who in the film's best running gag attempts to murder an old lady, only to slay her beloved pet dogs. Other highlights include Palin as a man with two chips up his nose and Cleese showing the world a different sort of "Full Monty". One of the funniest British films ever made, A Fish Called Wanda was followed by Fierce Creatures (1997), which reunited the lead cast and claimed to be an "equal" not a "sequel", but sadly wasn't. --Gary S Dalkin
In 1987, almost 100 years after its first production, the romantic story of Cyrano de Bergerac found new life in a winsome film written by Steve Martin. Roxanne updates the tale with a smart 80s' spin, yet writer-star Martin stays close to the old-fashioned heart of the matter. He plays a small-town fireman named CD Bales, whose otherwise unremarkable existence is crowned by an amazingly long nose. He falls for the world's most beautiful astronomer (Daryl Hannah), but he is embarrassed by the size of his proboscis and prefers to stay on the sidelines. Like Cyrano, the shy CD instead helps a handsome friend (Rick Rossovich) woo the fair lady by providing flowery sentiments and soulful poetry. Not only does the story still work, but director Fred Schepisi captures a dreamy grace in his visual design for the film (some of which will be lost without the widescreen format). Set in Washington State, but filmed in the hilly ski resort of Nelson, British Columbia, the location seems like a fairy-tale town, nearly as unreal as Steve Martin's nose. --Robert Horton, Amazon.com
The first two episodes of this BBC miniseries only hint at the delights to come. A lawsuit aimed at church reform in the town of Barchester forces a decent middle-aged clergyman (Donald Pleasence) into a moral crisis and a conflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne, The Madness of King George). The gracefully written and acted narrative shows glimpses of dry wit--but in episode 3, the arrival of a new bishop (Clive Swift, Keeping Up Appearances), his imperious wife (Geraldine McEwan, The Magdalene Sisters), and his devious chaplain (Alan Rickman, Truly Madly Deeply, the Harry Potter movies) launches The Barchester Chronicles into a satirical power struggle all the more mesmerizing because of the smallness of the territory. The scheming of the citizens and clergy of this British town is both Byzantine and wonderfully comic as the tempestuous personalities claw and dig at each other. Rickman, in one of his first film or television roles, turns in a tour de force of oily ambition. McEwan's ferocious machinations are downright terrifying, while the sputtering Hawthorne seems constantly in danger of bursting a vein. At the center of it all is Pleasence. Making goodness compelling has always been difficult, since wickedness is always more dramatic; but Pleasence brings a deep and stirring passion to his role that proves as engaging as all the back-biting that surrounds him. And these are just the more familiar faces; a host of lesser-known actors give equally superb performances. The final episode (of seven) will have you on pins and needles. The Barchester Chronicles, adapted from two novels by Anthony Trollope, is one of those marvels of British television, a skillful production that proves intelligent fare can be hugely entertaining. --Bret Fetzer
Available for the first time on DVD! Five years after their triumphant teaming in Lawrence of Arabia Peter O'Toole and Omar Sharif reunited for this powerful World War II thriller about a Nazi General who becomes a serial killer. When a Polish prostitute is brutally murdered in Nazi-occupied Warsaw her killer is identified as a German General. The investigator Major Grau (Sharif) narrows the suspects to three Generals in the German high command: the heroic Tanz (O'Toole) the cy
A box set containing all 3 Beverly Hills Cop films. Beverly Hills Cop: The heat is on in this fast paced action-comedy starring Eddie Murphy as Axel Foley a street smart Detroit cop tracing down his best friend's killer in Beverly Hills. Axel quickly learns that his wild style doesn't fit in with the Beverly Hills Police Department which assigns two officers (Judge Reinhold & John Ashton) to make sure things don't get out of hand. Dragging the stuffy detectives along for the ride Axel smashes through a huge culture clash in his hilarious high-speed pursuit of justice. Featuring cameos by Paul Reiser Bronson Pinchot and Damon Wayans Beverly Hills Cop is an exhilarating sidesplitting adventure! Beverly Hills Cop II: The heat's back on! Eddie Murphy is cool as ever in this sizzling smash-hit sequel to Beverly Hills Cop. Axel Foley (Murphy) is back -- back where he doesn't belong! He's going ""deep deep deep undercover"" into the chic wilds of Southern California unleashing his arsenal of blazing gunfire and rapid-fire gags against a gang of international munitions smugglers. Back too are Judge Reinhold and John Ashton as Murphy's crime-busting sidekicks. And Top Gun's director Tony Scott keeps the pace fast furious and funny. Beverly Hills Cop III: Axel Foley (Eddie Murphy) journeys back to Beverly Hills for a real roller coaster thrill ride at the Wonderworld amusement park! Joined by old pals Billy Rosewood (Judge Reinhold) and Serge (Bronson Pinchot) Axel becomes the hottest new attraction as he chases down the bad guys on the rides through the shows and in the underground maze beneath the park. Beverly Hills Cop III is ""a wild funny action comedy"" that will have you hooked for the whole ride!
Gigolo con-man Latigo Smith needs to get something off his chest - the tattooed name of his most recent ex-fiance. But while he is waiting for the local doctor to sober up and perform the operatio Smith overhears that local mining baron Taylor Barton is looking to shut down his mining competition by hiring the notorious gunman Swifty Morgan. Seizing the opportunity for an easy con Smith passes off a reprobate cow-hand as the dreaded Swifty and pockets the cash. Bank roll in hand
Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
The complete 1971 BBC production of Thomas Hardy's great novel released on TV for the first time! Robert Powell stars as Jude Fawley the young Wessex stonemason of exceptional promise who inspired by one of his tutors dreams of a university education. However once Jude moves to Oxford to pursue the challenge he is contracted to a loveless marriage and a doomed affair with his vivacious cousin soon spells tragedy for all...
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