The coming together of the influential Python team is regarded as a milestone for modern absurdist comedy, though each of the six members had been doing similar sketch work prior to this first 1969 series, of whose highlights this video consists. The most revolutionary aspect of Python was its eschewal of punch lines, preferring as they did bizarre, surreal links and quantum leaps into the imagination of animator Terry Gilliam. Inevitably, Python has dated. Sketches such as "The Upper Class Twit of the Year" and the "Wink-wink, nudge nudge" man are worn down by familiarity. There's some clunky stereotyping and "Oo, ducky"-style gay references. That said, much of this still stands up. "Hells Grannies" and the race to find the world's funniest joke are fine, the Eric Idle-driven documentary spoofs are witty while the Batley Townswomen's Guild's re-enactment of Pearl Harbour is intelligently ridiculous. John Cleese, however, stands literally and metaphorically head and shoulders above the rest. His and Chapman's sketches, involving a mountaineering expedition leader with double vision and an arts TV interviewer who can't get past the etiquette of how to refer to his guest ("Eddie baby...") are pursued to their absurd non-conclusions with the remorseless logic of a top-drawer barrister. --David Stubbs
BBC drama about young boxers entertaining dressed diners at a club with a bout or two. Thaw plays the manager of one of the boxers. Written by Leon Griffiths (also the writter of 'Minder').
Alan Masters a brilliant criminal attorney involved with the mafia is chief suspect in his wife's murder investigation. Only one honest cop is determined to see justice done...
Battlestar Galactica was one of the first off the starting blocks in the rush to repeat the Box Office business of Star Wars. The original pilot episode was adapted for both cinema and television viewing, and this DVD features the more self-contained theatrical release, which eliminates certain plot threads (such as John Colicos's treacherous character Baltar). Mixing Egyptian, Greek and made-up mythologies and designs, the premise was almost too sprawling for a two-hour presentation. In the series, we'd go on to learn why there were only a handful of humans left floating around, and what their relationship with the eagerly sought planet Earth was. Here it's all about set up, with Apollo (Richard Hatch) and Starbuck (Dirk Benedict) stealing the show as the fighter pilots with all the charm and the best lines. Lorne Greene adds a classy element to the large-scale acting ensemble, as does an uncredited Patrick Macnee as narrator and voice of the villainous Cylon Leader. Producer/writer Glen A Larson debuted Buck Rogers in the 25th Century at almost the same time (again for both TV and cinema), but something about this has always made it the most fondly remembered Star Wars wannabe. It's a shame that the soundtrack, and Stu Phillips's cracking music in particular, is only presented in mono, but a clean digital transfer at least means that Daggits, Centons and all the other felgercarb look its best. Extras on the DVD include cast and filmmakers' biographies, production notes and Web links. --Paul Tonks
Nudge-nudge wink-wink say no more... it's a 4 disc box set including a feast of Monty Python sketches such as The Dead Parrot Sketch The 127th Upperclass Twit of the Year Competition From Hurlingham Park Bicycle Repair Man Vicious Gangs of Old Ladies The Lumberjack Song The Man With Three Buttocks The Joke That Kills People The Bishop It's In The Mind Nobody Expects The Spanish Inquisition The Finals of the All-England Summarise Proust Competition The Fifteenth Ideal Loon Exhibition The Cheese Shop Sketch Stand and Deliver The Ministry of Silly Walks Whicker Island Sam Peckinpah's Salad Days... and many more!
In a similar vein to the Twilight Zone series Victoria Principal stars in three tales of obsessive love through the ages portraying three different women who find that there is a price to pay when passion desire and love are taken to the extreme. In ""Fallguy"" a professional blame-taker steps in to accept responsibility for a rigged television contest only to find himself seduced into a deadly love triangle. In ""Sacrifice for Love"" artistic passion takes a new shape when a brilliant artist bears the scars of a brutal childhood. Only his loving wife can unlock the pain but in doing so she uncovers a deadly obsession. In ""The Two Of Us"" Kenneth Porter when he's not studying the stock quotes on his computer is engaged in an innocent computer correspondence that soon becomes an obsessive and erotic affair with someone he knows only as Silk'n Satin.
A patient is brutally murdered in the hospital the attacker is promptly incinerated when his vehicle blows up in the car park. Witness to a series of bizarre and horrifying incidents Dr Dan Challis investigates and comes face to face with the sinister figure of Conal Cochran maker of Halloween masks. Intent on reviving the rites of all Hallows Eve a night of ancient sacrifice when long ago the hills ran red with the blood of animals and children the diabolical toymaker is planning a devilish trick or treat for the children of America.
In a totally unexpected piece of casting, Blue Valley Songbird stars Dolly Parton as a country singer/songwriter with big hair, large breasts and lots of lippy. The comparison ends there, though, because here she plays Leana Taylor, a talented performer hampered by her provincial background (and unpleasant manager/boyfriend) who realises she must escape her small-town roots in order to achieve her true potential. This isn't the most taxing of narratives, but it's the music that counts here. This movie is of the "musical drama" genre--take a star musical performer, give them the lead role in a movie, then furnish them with every excuse to perform therein so long as it can be done as a realistic element within the overall story--and as such it's highly agreeable. Parton not only has buckets of musical talent but also has plausible acting skills, even if the viewer is bound to think that these are mainly to do with being Dolly Parton. In any event, the songs are excellent, so this is well worth watching even if you find yourself fast-forwarding until you see someone picking a guitar up.--Roger Thomas
Available for the first time on DVD! It's all about being in the wrong place at the right time. This comedy heist film depicts the efforts of Ben (Sean William Scott) to pay off a debt that his late brother owes Gregory a local crime boss (Lou Diamond Phillips). In order to pay off the debt he and his knuckleheaded friends decide to stage a rave next to a bank vault containing a priceless statue. Once the noise from the makeshift club is underway they will cut through the wall obtain the statue and use it to pay Gregory off. Unfortunately a wealth of obstacles - ranging from club owners FBI agents and randy underage girls - stand in the way of their goal.
Sliding Doors: The split-second moments that can take a life down one path instead of another form the tantalising 'what if?' in this delightful romantic comedy starring Gwyneth Paltrow. Paltrow plays London publicist Helen effortlessly sliding between parallel storylines that show what happens if she does or does not catch a morning train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth overlap then surprisingly converge in the most romantic comedy in years. Don't miss it - romance was never this much fun! Ghost: A romantic thriller in which yuppie banker Sam Wheat (Patrick Swayze) is murdered but returns to Earth as a ghost to protect his grief-stricken young girlfriend Molly (Demi Moore) and solve his own murder. As he cannot communicate directly with his love he turns to fake medium Oda Mae Brown (Whoopi Goldberg) for help. Nobody is more shocked than Oda Mae to discover she has the genuine power to contact the dead. Goldberg won a Best Supporting Actress Oscar for her performance and Bruce Joel Rubin won the statuette for Best Original Screenplay.
Charlatan medium Martha Travis (Arquette) and her alcoholic father Walter (Robards) make their living travelling from town to town putting on spiritualist performances during which Martha delivers false messages of hope from the dead to their surviving loved ones. At one such performance Martha gives a message to Mary Kuron from her husband Tom. The problem is Tom isn't dead. When Tom is killed exactly as Martha envisioned the case attracts the attention of sceptical journalist Gary Wallace (Hulce) who discovers that Martha's premonition also revealed to her the identity of Tom Kuron's murderer...
All the highlights from the 1972 league cup final! A thirlling game between Stoke FC and Chelsea FC.....
Released as part of the celebrations marking composer Richard Rodgers' centenary in 2002, this Rodgers and Hammerstein collection contains the film versions of State Fair (1945), Oklahoma! (1955), Carousel (1956), The King and I (1956), South Pacific (1958), and The Sound of Music (1965). By the time these pictures were made, the Broadway originals had become the standards by which all else was judged in a golden age of musical theatre. And while film versions tend to dilute the books, there are still threads of darkness for those who require a more varied texture. But it's the fabulous songs which really count. Rodgers' partnership with lyricist Oscar Hammerstein was cemented by their 1945 cinematic joint effort State Fair, rushed into production by 20th Century Fox in response to MGM's all-conquering Meet Me in St Louis and with a similarly folksy theme. Directed by Walter Lang, it's a charmingly flimsy affair with some delightful numbers. Oklahoma!, directed by Fred Zinnemann, features Agnes de Mille's renowned choreography, irresistible songs and two outstanding performances from unlikely musical actors: film noir siren Gloria Grahame playing against type as Ado Annie, the girl who can't say "no", and Rod Steiger as the menacing but tragic Jud. Carousel, the morally dubious tale of fairground barker and wife-beater Billy Bigelow (Gordon MacRae) who gets a chance to redeem himself after death, is crammed with great melodies including the tear-jerking anthem, "You'll Never Walk Alone". South Pacific, which contains perhaps the most spine-tingling songs penned by Rodgers and Hammerstein--"Some Enchanted Evening" is just one--a wartime love story which also manages to touch on racism and morality; anything but lightweight. Both The King and I and The Sound of Music, of course, have become cinematic legends in their own right, thanks in no small part to their leading ladies, Deborah Kerr and Julie Andrews. On the DVD: Rodgers and Hammerstein's classic musicals glow as freshly as if they were made yesterday in four of these DVD transfers, with the other two a disappointment in comparison. South Pacific, Carousel, The King and I and The Sound of Music are offered in widescreen, giving the full benefit of the original Cinemascope presentations. Oklahoma!'s titles are presented in widescreen, but unforgivably the film then reverts to a disappointing 4:3 format which hardly does justice to the big sky settings of the Scope original. The sound quality is also disappointingly muffled for Oklahoma! and State Fair, both of which are crying out for a good polish. --Piers Ford
Amanda Nelson and the widowed Joan Bixler have enjoyed a life-long friendship. But the day that Joan comes home to a shocking surprise - her 20-year-old daughter Dana making love to Amanda's husband Rob - the 25-year-friendship between the women seems shattered irreparably. There are bitter confrontations between Joan and Amanda and other members of their families as Joan tries to reason with her friend. But as recriminations about the affair fly about the causes behind it emerge and Amanda and Joan soon discover that it's now that they need each other more than ever.
The Best of Monty Python's Flying Circus will probably be purchased mostly for the standards--those sketches that have become the staple material of every office joker and pub bore in Christendom--the Spanish Inquisition, the Australian philosophers, the Ministry of Silly Walks. Good fun though these are, once you've expunged the memory of a million witless impersonators, this collection is really worth owning for the material that never quite registered in the popular consciousness. Sketches such as the Summarise Proust Competition, the misunderstanding over the Hungarian phrasebook and John Cleese's manically embittered architect with a grudge against the Freemasons are every bit as funny as the more familiar hits and, free of any associated baggage, they will startle and delight the younger viewer as much as Python must have startled and delighted their parents when first broadcast in the 1970s. On the DVD: The Best of Monty Python's Flying Circus is a three-disc set, and each volume is equipped with a sketch selector that is fussier than strictly necessary. But this is more than compensated for by the wonderful Terry Gilliam animations that the viewer uses to navigate. Subtitles are available in English only. --Andrew Mueller
Sherlock Holmes and Doctor Watson are called to the American capital to investigate the mysterious disappearance of a top secret microfilm which was concealed in a box of matches carried by a murdered secret agent...
John Wayne teams up with Kirk Douglas in The War Wagon an action-packed western. Wayne plays rancher Taw Jackson who's dead set on capturing an iron-clad stagecoach belonging to a cattle baron who stole his fortune and tarnished his good name years before. To pull off the heist Jackson puts together a crew that includes an old character a half civilised Indian a young drunk and a cocky gunfighter. Of course they manage the impossible to the tune of half a million dollars in gold bullion and the music of Academy Award - winner Dimitri Tiomkin.
All Sandra Clayton (Kate Jackson) wanted was a quiet life for herself and her kids. But then she discovers her new boss is a criminal whose empire was built on drugs corruption blackmail and prostitution...
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