"Actor: John Wood"

• Wargames | DVD | (10/02/2014) from £6.45   |  Saving you £3.54 (54.88%)   |  RRP £9.99

  David Lightman (Matthew Broderick) is a young computer whizz who hacks into what he believes is a new line of video games, little knowing that it is in fact NORAD, America's defence program. He inadvertently creates a hostile global situation, placing the world on the brink of nuclear war. Together with his girlfriend Jennifer (Ally Sheedy) and a misanthropic computer expert (John Wood), David must fight to prevent an atomic meltdown.

• The Durrells | DVD | (23/05/2016) from £4.99   |  Saving you £15.00 (300.60%)   |  RRP £19.99

  A warm, funny, feel-good series about a family's adventures on a gorgeous Greek island when they uproot from their English home in the hope of a better life. Based on Gerald Durrell's much-loved Corfu trilogy of novels, The Durrells sees impoverished but sparky widow Louisa Durrell make the radical decision to seek out a new destiny for her family when her options in late 1930s England seem to be limited to struggling on or marrying a wealthy but dreary older man. Concerned that the lives of her four ˜children', ranging in age from 11 to 21, are heading down the wrong track, she relocates her reluctant brood to a dilapidated house in the Greek sun. This beautifully-shot series follows the family as they adjust to their new life, face a whole new set of challenges and meet new friends, rivals, lovers and animals.

• She Wore a Yellow Ribbon (John Wayne) | DVD | (05/06/2006) from £13.89   |  Saving you £-3.90 (N/A%)   |  RRP £9.99

  Dutiful cavalry officer Nathan Brittles (John Wayne) is reluctant to retire in the face of an imminent Native American uprising. His last official task is to escort the commander's wife and her niece to the Sudrow's Wells stagecoach stop but it proves to be a journey fraught with danger. This film the second in John Ford's cavalry trilogy is a masterpiece of the cinema and is acclaimed as one of the greatest Westerns ever made.

• WarGames | Blu Ray | (07/01/2013) from £9.25   |  Saving you £0.74 (8.00%)   |  RRP £9.99

  Matthew Broderick (Ferris Bueller’s Day Off ) and Ally Sheedy (The Breakfast Club) star in this compelling drama filled with action, suspense and high-tech adventures! Featuring superb performances by Dabney Coleman and Barry Corbin, WarGames is brilliant...funny...and provocative (New York) - a fast-paced cyber-thriller. Computer hacker David Lightman (Broderick) can bypass the most advanced security systems, break the most intricate secret codes and master even the most difficult computer games. But when he unwittingly taps into the Defence Department's war computer, he initiates a confrontation of global proportions - World War III! Together with his girlfriend (Sheedy) and a wizardly computer genius, David must race against time to outwit his opponent...and prevent a nuclear Armageddon.

• Diamonds Are Forever | DVD | (03/11/2003) from £4.98   |  Saving you £3.01 (60.44%)   |  RRP £7.99

  After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker

• Persuasion | DVD | (01/11/1999) from £14.29   |  Saving you £5.70 (39.89%)   |  RRP £19.99

  After a slow beginning, in which the complex tangle of relationships is initially confusing, this BBC adaptation of Jane Austen's last novel, Persuasion, develops into an elegant romantic comedy. Austin combines a subtle dissection of the folly of class with a slow-burning, intensely passionate love story. Anne Elliot (Amanda Root) has loved Captain Wentworth (Ciaran Hinds) ever since she was persuaded to reject him years before. Now he has returned from the Napoleonic wars, but will love be allowed to blossom? Especially when Anne is surrounded by the selfish, petty-minded Mary, misguided by Lady Russell, and burdened by a father obsessed with fairness of countenance above all other considerations. Excepting a basic booklet, on-screen character biographies and a Dolby Digital soundtrack, there is nothing to distinguish this DVD from the video version. The picture is very good, but showing some grain, not exceptional, so unless you have a large television there is little advantage over tape. In any format, what makes this adaptation work is the sharp screenplay by Nick Dear and the naturalistic style of director Roger Mitchell (who joined the A-list with Notting Hill, 1999), together eliciting fine performances from the ensemble cast. Less flamboyant than Pride and Prejudice (1995), this is a civilised treat. --Gary S Dalkin

• The Rutles - All You Need Is Cash | DVD | (25/04/2005) from £16.92   |  Saving you £-10.93 (N/A%)   |  RRP £5.99

  First screened on BBC2 in 1978, at a time when the standing of The Beatles was at its lowest, The Rutles--All You Need is Cash is the original and (pace This is Spinal Tap) best "rockumentary" spoof. Codirector Eric Idle was then enjoying success with Rutland Weekend Television, while his script displays the same feeling for the inane non-sequitur evident in his Monty Python work. The band's progress from "penniless, untalented nobodies" to "rich, untalented somebodies" is vividly brought to life--with dialogue adapted from actual Beatles interviews and newsreels, and a roster of songs sounding uncannily close to Beatles originals thanks to "Nasty" Neil Innes' genius for pastiche. Interviews with a suitably primed Mick Jagger and Paul Simon give added realism, as do cameos from George Harrison (one-time Beach Boy Rikki Fataar plays his Rutles double Stig) and Stones guitarist Ron Wood. Dan Ackroyd and John Belushi make characterful, pre-Blues Brothers appearances. On the DVD: The Rutles--All You Need is Cash has come up well in this DVD transfer. The fullscreen 4:3 ratio picture and mono sound wear their age well, enhanced by the extra scenes included. There's further interview material with Jagger and Simon, and a specially recorded, though wholly unfunny, DVD introduction from Idle, who also contributes a running commentary. All in all, this is an ideal way to get to know, or renew acquaintance with, a film that brings the swinging 60s back down to earth. --Richard Whitehouse

• Robocop Trilogy | DVD | (04/02/2002) from £39.99   |  Saving you £-7.00 (N/A%)   |  RRP £32.99

  Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker

• Jumpin' Jack Flash | DVD | (05/04/2004) from £8.25   |  Saving you £4.74 (57.45%)   |  RRP £12.99

  Computer operator Terry Dolittle (Goldberg) becomes involved in international espionage when a desperate message from a British Intelligence officer appears on her computer terminal...

• Primal Fear | DVD | (02/07/2001) from £7.05   |  Saving you £5.94 (84.26%)   |  RRP £12.99

  Clever twists and a bona fide surprise ending make Primal Fear an above-average courtroom thriller. Tapping into the post-O J scrutiny of the American legal system in the case of a hotshot Chicago defence attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice. Making an impressive screen debut that has since led to a stellar career, Norton gives a performance that rides on a razor's edge of schizophrenic pathology--his role is an actor's showcase and without crossing over the line of credibility, Norton milks it for all it's worth. Gere is equally effective in a role that capitalises on his shifty screen persona and Laura Linney and Frances McDormand give memorable performances in their intelligently written supporting roles. --Jeff Shannon, Amazon.com

• George And Mildred - Series 1 | DVD | (08/04/2013) from £9.01   |  Saving you £10.98 (121.86%)   |  RRP £19.99

  George and Mildred are the ultimate odd couple the popular landlord and landlady from Man About The House who became a household name with Thames Television in the 1970's and 80's. Mildred is vain snobbish and domineering; George is shy timid frigid and henpecked. Together they make a great partnership! This box set features all ten episodes from the first series. Moving On:When George and Mildred plan a move to middleclass suburbia Mildred is

• Clint Eastwood Westerns Collection (3 Discs) | Blu Ray | (17/04/2019) from £16.15   |  Saving you £23.84 (147.62%)   |  RRP £39.99

  Classic westerns collection of 3 Blu-ray discs starring Clint Eastwood in 1080p High Definition.

• The Searchers | DVD | (19/06/2006) from £6.46   |  Saving you £9.53 (147.52%)   |  RRP £15.99

  With The Searchers John Wayne and director John Ford forged an indelible saga of the frontier and the men and women who challenged it. Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made.

• The Monkey's Mask | DVD | (06/05/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  In a rare on-screen appearance Kelly McGillis stars in her most provocative and daring role to date as a bisexual married woman drawn into a torrid lesbian love affair with a private investigator searching for the murderer of a young woman. Susie Porter last seen in Better Than Sex plays the private eye who willingly at first dives into a world of murder and manipulation only to be consumed by the ever-enthralling power of sex. Suspenseful hard-edged and entirely lustful 'The

• John Mills - Centenary Collection | DVD | (17/04/2019) from £24.35   |  Saving you £25.64 (105.30%)   |  RRP £49.99

  Set Comprises: Great Expectations: One of the great translations of literature into film David Lean brings Dickens' masterpiece to robust on-screen life. Pip Magwitch Miss Havisham and Estella populate Lean's magnificent miniature beautifully photographed by Guy Green and designed by John Bryan. The October Man: He was Suspect Number One...while the real killer stalked the streets. Morning Departure: While hunting German shipping the Royal Navy submarine Trojan accidentally strikes an electronically-operated mine - and the race begins to save the lives of the crew of the stricken vessel. Rocked by a tremendous explosion the Trojan plunges to the sea bed. As time - and air - starts to run out the captain gathers together the survivors. A lucky few can escape immediately through emergency hatches - but the others will have to remain trapped in the dying submarine and hope that rescuers will arrive before it is too late. Those left behind must battle with terrifying fear and claustrophobia in the stricken disintegrating hulk far beneath the sea while rescuers begin a last-ditch attempt to raise the submarine to the surface. The rescue is difficult and fraught with danger at the best of times - but a storm of unprecedented ferocity is brewing which threatens to end all hope of rescue. This nail-biting and suspenseful thriller boasts a truly distinguished cast including John Mills Richard Attenborough and Nigel Patrick. Waterloo Road: As World War Two rages Jim Colter (John Mills) finds himself called up to serve in the army - but he's soon to find himself at war on two fronts. While he's away his lovely wife Tillie (Joy Shelton) attracts the amorous attention of Ted Purvis (Stewart Granger) a vicious local spiv and self-acclaimed ladies man. When Jim's sister writes informing him of what is happening Jim decides that the Nazis can wait and that an even more insidious enemy needs to be dealt with first. He breaks out of camp goes AWOL and sets off to find his wife. With the military hot on his tail Jim must make his way through war torn London to settle things once and for all. In Which We Serve: The story of the Royal Navy destroyer HMS Torrin and those that serve in her. In the Battle of Crete she is dive-bombed while streaming at thirty knots and goes down fighting. We see through the memories of her survivors the ordeals achievements and gallantry of HMS Torrin from her commissioning until she sinks in her last battle.

• Simon & Garfunkel - The Concert in Central Park | DVD | (01/03/2004) from £11.50   |  Saving you £2.49 (21.65%)   |  RRP £13.99

  What started as a suggestion for Paul Simon to play a concert in New York's Central Park blossomed, on September 19, 1981, into a full-blown Simon and Garfunkel reunion after an 11-year hiatus, and now proves a priceless snapshot of two of America's greatest folk-rock performers. (It's also the rightful bookend to Simon and Garfunkel's acoustic Live from New York City, 1967.) Performed with a who's-who of East Coast session aces before a record-setting crowd of half-a-million fans, the Concert in Central Park finds its stars just shy of their 40th birthdays and very much in their primes, their voices sweet and pure and their playing relaxed, perfectly in tune and in synch. The show features a mix of S&G and solo Simon tunes, including all the songs that appear on the CD, with the addition of a reprise of "Late in the Evening" and the first live performance of Simon's "The Late Great Johnny Ace". This is classic material from start to finish, 87 minutes of unmitigated beauty. --Michael Mikesell

• Richard Gere - An Officer And A Gentleman / Internal Affairs / Primal Fear | DVD | (10/10/2005) from £18.15   |  Saving you £1.84 (10.14%)   |  RRP £19.99

  An Officer And A Gentleman (Dir. Taylor Hackford 1981): Zack Mayo is a young loner with a bad attitude. Tempted by the glamour and admiration of the life of a Navy pilot he decides to sign up for Officer Candidate School. After thirteen tortuous weeks under Gunnery Sergeant Emil Foley (Gossett Jnr.) he slowly begins to learn the importance of discipline love and friendship. Foley warns Zack about the local girls who will do anything to catch themselves a pilot for a husband

• Wuthering Heights | DVD | (22/12/2003) from £7.05   |  Saving you £8.94 (126.81%)   |  RRP £15.99

  Peter Kosminsky's 1992 adaptation of Emily Bronte's Wuthering Heights goes to the extreme of casting Sinead O'Connor in a brief bit as Bronte herself, but the film still doesn't approach the accomplishment of William Wyler's classic 1939 production (with Laurence Olivier and Merle Oberon) or subsequent versions by Luis Bunuel and Robert Fuest. That doesn't make it unwatchable, however: it still offers The English Patient costars Ralph Fiennes and Juliette Binoche as doomed lovers Heathcliff and Cathy. Binoche is a bit washed-out, but Fiennes makes a strong impression as the rejected labourer who makes his fortune and exacts a vengeance. Unlike Wyler's film, this one covers all the chapters of Bronte's book, but it is sodden with misery and lacks all grace. --Tom Keogh

• Dirty Harry | DVD | (21/01/2002) from £4.99   |  Saving you £9.00 (180.36%)   |  RRP £13.99

  Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson

• Inspector Morse - Disc 21 And 22 - Dead On Time / Happy Families | DVD | (12/08/2002) from £4.98   |  Saving you £10.01 (201.00%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford