The Incredible Hulk Returns: Dr David Banner works hard on the Gamma Ray Transponder that he hopes will rid him forever of his unstoppable alter ego. The Trial Of The Incredible Hulk: The Hulk is wrongfully accused of the murder of a bystander after going to the aid of a defenceless woman who was being attacked.
This DVD contains the full concert interspersed with behind-the-scenes footage from the historical event. Tracklisting: 1. I Honestly Love You Intro 2. Have You Never Been Mellow 3. Magic 4. Xanadu 5. Stronger Than Before 6. If Not For You 7. Let Me Be There 8. Please Mr. Please 9. Jolene 10. If You Love Me 11. Physical 12. Don't Stop Believin' 13. Dancin' 'Round and 'Round 14. Suddenly 15. Not Gonna Give In To It 16. Cry Me A River 17. The Rumour 18. Heart Attack 19. Make A Move On Me 20. Twist Of Fate 21. Tenterfield Saddler 22. Can I Trust Your Arms 23. The Promise (The Dolphin Song) 24. You're The One That I Want 25. Hopelessly Devoted To You 26. Summer Nights 27. You're The One That I Want Outro Vamp 28. I Honestly Love You 29. Serenity 30. I Honestly Love You Outro 31. 18 Track Medley
The territory has been invaded by a gang of renegades threatening the town and its people. Only one person has the strength to stand and fight on behalf of others...
They really are a scream. Brace yourself for more macabre mayhem and monstrous madness - it's time once again to pay a call on the Addams Family television's creepiest clan as they wreak hilarious havoc on their unsuspecting victims. This time love is in the air and it seems that everyone - Pugsley Ophelia Uncle Fester and even Lurch - is being bitten by the bug! Gomez meanwhile is burglarizing houses in his sleep and it's curtains for the new neighbors when Morticia tries her hand at decorating. Now complete your collection and prepare for a scare with the frightfully funny final volume of The Addams Family. It's drop-dead hilarious.
Sgt. Bilko: Sgt. Bilko is back and up to his old tricks. The arrival of Major Thorn threatens to put a stop to the casino under-the-table deals and Bilko's other illicit businesses... Housesitter: When architect Newton Davis' girlfriend Becky (Dana Delany) turns down his marriage proposal his newly-built dream house suddenly becomes nothing more than an empty monument to her rejection. That is until a chance encounter with Gwen (Hawn) turns his life upside-down. Intrigued by Newton's story Gwen visits the house and decides to move in on her own. Resourceful and creative Gwen is soon fixing up the house and charming Newton's family and neighbors - all the while passing herself off as his new wife! Gwen even befriends Becky who begins to see a Newton she never knew existed. Horrified at the deception yet unable to stop it Newton finds himself playing along with her preposterous stories her attempts at reconciling differences within his family and her campaign for his promotion at work. Finally he convinces Gwen to fabricate their 'divorce' so he can still get married to Becky - until he has a change of heart... Roxanne: Small town fire chief CD Bales (Steve Martin) falls madly in love with the new girl in town a gorgeous astronomer (Daryl Hannah). But there's an enormous problem - CD has an amazingly big nose and is convinced that such a beauty could never love a man with such a gargantuan appendage. Roxanne proves him right when she falls for Chris a hunky and good looking fireman. The mayhem continues when CD agrees to ghost-write Chris's love letters in which he pours out his own secret feelings. In this charming modersnisation of the Cyrano de Bergerac story will CD's nose (and Chris's body) come between him and true love?
1. Scream Bloody Murder (Dir. Robert J. Emery 1972) 2. A Bucket of Blood (Dir. Roger Corman 1959) 3. Hell Penitentiary (Dir. Sergio Garrone 1985) 4. Hellraiser III (Dir. Anthony Hickox 1992) 5. Carnival of Souls (Dir. Herk Harvey 1962) 6. Don't Look in the Basement (Dir. S.F. Brownrigg 1973) 7. House on the Haunted Hill (Dir. William Castle 1959) 8. Ghoulies IV (Dir. Jim Wynorski 1994) 9. Don't Ring the Doorbell (Dir. Karen Arthur 1978) 10. Eat and Run (Dir. Christopher Hart 1986) 11. The Creature from Black Lake (Dir. Joy N. Houck Jr. 1976) 12. Queen of Blood (Dir. Curtis Harrington 1966) 13. Giant Spider Invasion (Dir. Bill Rebane 1975) 14. Demon Under Glass (Dir. Jon Cunningham 2002) 15. Flesh of the Beast (Dir. Terry West 2003) 16. Home Sweet Home (Dir. Netie Pena 1981) 17. Flesh Eater (Dir. Bill Hinzman 1989) 18. Night of the Living Dead (Dir. George A. Romero 1968) 19. Dead One (Dir. Barry Mahon 1961) 20. Silent Night Bloody Night (Dir. Theodore Gershuny 1974)
Hardman: A man's mangled body is found in a Clydeside shipyard and it becomes clear many people wished him dead. The atmosphere within the investigating team remains fraught - though the arrival of forensic specialist Sheila Crombie could improve Burke's mood. Fade To Black: A nurse is found strangled apparently the victim of a straightforward crime of passion but the team learn of her high-rolling secret life and discover a large quantity of cash in her flat. The mystery is compounded by the appearance of a peeping Tom determined to follow and film every move Burke makes. Blood Money: A boxing promoter is found murdered with his mouth stuffed full of money and the Glasgow detectives quickly discover they are involved with a fight-fixing ring but other deaths follow and Fraser feels the lash of Burke's tongue before the villain is finally counted out. New Life: Burke and the team investigate the murder of a scientific researcher involved in cloning experiments and initially suspect a protest group are to blame. At first the case seems cut and dried - until it emerges that his employer has benefited financially from his death and his assistants disagreed over the content of the lecture he was supposed to give. Bad Blood: Burke suspects the murder of a Kurdish taxi driver was racially motivated - until he discovers the dead man was actually a trusted employee of a feared gangland boss. The police soon find themselves drawn into a bitter underworld dispute and Reid begins to suspect an ambitious new colleague is an accomplice of the villain.
Detective Jake Swan does things by the book - his book. But when a drug bust he plans results in his partner's death Jake goes on a rampage that ends in his suspension from the force and a quick slide into booze and guilty depression.
Nothing is as it seems behind the well-trimmed hedges of the picturesque cottages in the idyllic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humorous thoughtful and methodical Detective Chief Inspector Barnaby. The quiet of Midsomer Worthy is shattered by the suicide of Martin Wroath. A gambler drinker and depressive the complex nature of his death attracts Barnaby's atten
After half a million dollars is stolen from a small-town bank the get-away car is spotted by the police as the robbers make their escape. So begins a dangerous game of cat and mouse between robber and a small-town police officer determined to catch him.
Isaac's Return is the sixth and newest bone-chilling chapteriin the thrilling 'Children Of The Corn' series! On a trip to find her birth mother Hannah Martin picks up a dark stranger who kicks off a mysterious chain of events. Little does Hannah know that her journey may help fulfill a sinister prophecy made 19 years earlier by Isaac the cult's original evil leader! It's a hair-raising movie event you don't want to miss as Isaac makes his terrifying return and the frightening child
The original and hippest version of Shaft cruised onto cinema screens in 1971. John Shaft (Richard Roundtree) is an African-American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Director Gordon Parks (The Learning Tree) seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft produced a couple of sequels, a follow-up television series, and a remake starring Samuel L. Jackson, but none had the impact this movie did. --Tom Keogh, Amazon.com Shaft's Big Score is the first sequel to the super-hip 1971 original. When a pal of detective John Shaft is murdered in a bombing, New York's coolest private eye finds himself caught in the middle of a power struggle between black and white gangsters over the numbers racket in Queens. Directed by Gordon Parks (who does a brief cameo as a croupier in an illegal casino) and written by Ernest Tidyman (both of whom made the original Shaft), this film lacks the pacing of its progenitor. Roundtree is at his best when he's questioning a woman he's just met about a suspect while at the same time beguiling her into the sack (ah, those lazy, crazy days of the sexual revolution). The finale--a shootout in a cemetery, followed by a car-boat-helicopter chase through Queens and up the Harlem River--is preposterously drawn-out: Shaft, impervious to machine-gun fire, winds up tripping, spraining his ankle, and limping while running from the chopper; two shots later, he's sprinting like a halfback. Look for late Muhammad Ali trainer Drew Bundini Brown as a wise-cracking mobster. --Marshall Fine, Amazon.comShaft in Africa, the second sequel to the original hit, foreshadows itself early on when Shaft, asked to go undercover in Africa to halt a modern-day slave trade, claims that he's not James Bond but strictly Sam Spade. Bond, however, is the operative model here, with John Shaft masquerading as an Ethiopian to infiltrate the slave business and bring it down. Yet everyone he encounters seems to know who he is and wants to kill him--but the string of dead bodies he leaves in his wake across two continents proves that no one is able to stop everyone's favourite hip private eye. Written by Stirling Silliphant, the film is long on action set pieces that are filmed with more energy than the previous movie, Shaft's Big Score. Given contemporary practices involving smugglers of illegal Chinese and Mexican immigrants, the plot isn't all that far-fetched. Roundtree, as usual, is the picture of unflappable cool--but don't get him mad. --Marshall Fine, Amazon.com
Actor Kiefer Sutherland makes his directorial debut with Truth or Consequences NM, a ho-hum film about a threadbare subject: a drug heist that goes badly, resulting in the bad guys having to kidnap two people and the ensuing complications. A fine cast assures good performances all around, but it's hard to go down this narrative road for the umpteenth time in the 90s. One bonus is the presence of Kim Dickens, an interesting actress who started becoming more visible in films in 1997 and 1998 (Zero Effect, Great Expectations). The DVD release has optional full-screen and widescreen presentations, optional French and Spanish soundtracks and subtitles, and theatrical trailer. --Tom Keogh, Amazon.com
Off the coast of Maine an African cargo vessel mysteriously explodes and crashes into the harbour. What no one knows is that the crew have already been dead for days... Dr. Ben Cahill (Thomas Calabro) arrives on Orrs Island to resolve some personal problems and receives a hostile reception. The locals do not like outsiders and in particular Jack Wald (John Savage) does his best to make Ben feel unwelcome. Soon bizarre and frightening deaths start to occur on the island. Each victim
Detective Sergeant Johnson (CONNERY) has been with the British police force for 20 years. In that time the countless murders rapes and other serious crimes he has had to investigate has left a terrible mark on him. His anger and aggression that had been suppressed for years finally surfaces when interviewing a suspect Baxter whom Johnson is convinced is the man that has been carrying out a series of brutal attacks on young girls. An amazing look at the human psyche THE OFFENCE
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
Featuring episodes 1-3.
James Stewart was one of the great western icons and this collection houses several of his finest efforts. The Man From Laramie (Dir. Anthony Mann 1955): Will Lockhart comes to a small town to find the man who sold rifles to the Apaches and caused the death of his brother a cavalry officer. Beaten and nearly killed by cohorts of the arms dealer he also becomes embroiled with a ranch baron and his overwrought son. Father and son are plotted against by their treacherous for
One of Ingmar Bergman's key early works - directed when he was just 30 years old - To Joy explores some of the themes that would come to chracterise many of his later films: the incompatibility of spouses and the responsibility of artists. Marta and Stig both play in an orchestra conducted by Sonderby. Their relationship is a happy one and they soon decide to get married and have children. However things begin to turn sour when Stig begins a sordid affair that threatens to dest
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