The first three episodes of this third series of Jeeves & Wooster take place in Manhattan. In spite of the change of scene, our hero continues to get into the most terrible scrapes, and it falls to the faithful Jeeves to save the day, frequently. When he realises that Honoria Glossop may once again have her sights set on his precious bachelorhood, Bertie Wooster sets sail for the New World. Here he helps old pal Tuppy to make a business deal. At the same time he has to keep Motty Malvern on the straight and narrow, while helping two writer friends deceive their prying relatives. The final straw comes in the shape of Cyril Bassington-Bassington, the stage-struck son of Aunt Agatha's closest friend. Back home in England, Bertie and Gussie Fink-Nottle switch identities, the lunatic Roderick Spode reappears, Bertie is forced to commit burglary (again!), and there's a spot of trouble with a tin of treacle and some communists. The unflappable Jeeves is Bertie's only hope. Although the humour in this collection sometimes feels a little less assured than in earlier episodes and the new actor playing Gussie is a disappointment, the central performances of Hugh Laurie and Stephen Fry are as good as ever. Few actors have ever brought such beloved characters so convincingly to life. --Simon Leake
The Terry Thomas of children's television returns to the screen in Boom, Boom! The Best Of The Original Basil Brush Show. The raffish star, with his distinctive laugh, trademark tweeds and enduring catchphrase, was created in 1963, diligently learning his trade before hitting the big time in the 1970s in his own show. The cheeky vulpine host went on to vex a succession of "Mr"s with his continual interrupting, ad-libbing and appalling jokes:Mr Roy: "Do you know about ethics?"Basil, lisping: "Yes, it's somewhere near Sussex, isn't it?"The show's guest list boasted the best of 1970s celebrity: Alvin Stardust, Cilla Black, John Inman and Demis Roussos to mention just a few--all treated to Basil's unique blend of charm and brusque wit in a series of excruciating sketches.The show was dropped in the 1980s but Boom, Boom! The Best Of The Original Basil Brush Show proves that Basil, now a pop-culture icon, is a truly 21st-century fox. --Helen Baker
A Bold New Beginning. Now, for the first time on Blu-ray, follow Starfleet's earliest forays into deep space in breathtaking 1080p high definition picture and 5.1 sound. Captain Jonathan Archer (Scott Bakula) commands the Enterprise NX-01, the first Earth-built vessel capable of breaking the Warp 5 barrier. With his trusted Chief Engineer, Charles 'Trip' Tucker III (Connor Trinneer), Science Officer T'Pol (Jolene Blalock), and security expert Lt. Malcolm Reed (Dominic Keating), Capt. Archer...
PITCH PERFECT SING-ALONG EDITION Beca (Anna Kendrick), a freshman at University, finds herself not right for any group but is somehow coaxed into joining a group she would have never picked on her own, The Bellas, her school's all-girls singing group. The group consists of mean girls, sweet girls and weird girls whose only thing in common is how good they sound when they sing together. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition. Loaded with new takes on old favourites to hits of right now that are seamlessly mixed together, mashed-up and arranged like you've never heard before, Pitch Perfect is the new out-loud comedy! PITCH PERFECT 2 Beca (Anna Kendrick), Fat Amy (Rebel Wilson) and the Barden Bellas are back to pitch slap the world! After a scandal threatens to derail their last year at Barden, the three-time defending champs worry that they've lost their harmony for good. With one chance left at redeeming their legacy, they must face off against the toughest competition on the planet: German supergroup Das Sound Machine and fght for their right to win at the World Championships of A Cappella. It will take the power of sisterhood to find their voice and see what it takes to be the world's top pitches! Bonus Features: Disc 1 (P1): Feature Commentary with Director Jason Moore and Producers Elizabeth Banks and Max Handelman Feature Commentary with Producer Paul Brooks Starships: The Pitch Perfect Music Video Deleted and Extended Scenes: Line-O-Ramas: The Aca- Inappropriate Version, Announcer Line-O-Rama Backstage at Barden: Benji Goes To Barden On the Set: Burrito Drive By! Disc 2 (P2): Feature Commentary with Director/Producer Elizabeth Banks and Producers Paul Brooks And Max Handelma The World Championships of A Cappela Gag Reel An Aca-Love Story: Bumper and Fat Amy Bonus Song Performed by the Treblemakers Extended Musical Performances Deleted/Extended/Alterate Scenes Riff-Off (Subbed as THE MAKING OF THE RIFF-OFF)
Hawaii's foremost moustache-wearing private investigator returns for another season of Magnum P.I.. Episode Comprise: 1. Home From The Sea 2. Luther Gillis: File #521 3. Smaller Than Life 4. Distant Relative 5. Limited Engagement 6. Letter To A Duchess 7. Squeeze Play 8. A Sense Of Debt 9. The Look 10. Operation: Still Night 11. Jororo Farewell 12. The Case Of The Red-Faced Thespian 13. No More Mr. Nice Guy 14. Rembrandt's Girl 15. Paradise Blues 16. The Retur
This light-hearted, marvellously enjoyable family drama stars Harry Secombe as a Welsh schoolteacher and choirmaster who emigrates to Australia to teach in the sun but finds reality falls somewhat short of the blissful image on the recruiting poster. Filmed in central New South Wales, directed by TV comedy stalwart James Gilbert and co-starring multi-award-winning Australian actor John Meillon and veteran British character player Derek Nimmo, among others, Sunstruck is presented in a brand-ne.
If you met Ray and Mickey Davis you'd swear they had a perfect marriage. But if you read Mickey's diary you'd know that unrest is lurking just beneath the surface. Enter Scott Muller a small time burglar who robs the Davis home-making off with assorted valuables and Mickey's diary. Muller becomes obsessed with Mickey. He plots to seduce her and play out her most secret fantasies. Mickey is an easy target for Muller's advances and soon the Davis's perfect marriage and perfect wor
When the phenomena of magnetic tornados were discovered on the planet Mercury, astronomers were amazed by the destructive power of these gargantuan solar-fueled magnetic fields...but they never imagined witnessing the catastrophic forces in their own backyards.The Helios Project-a high tech facility tasked with storing and converting solar rays into an endless supply of renewable energy is about to be tested. The scientists are thrilled as their project runs according to plan but when the facility is unable to control the massive amount of energy coming in, the cheers turn to screams. The charged particles begin creating a massive magnetic vortex that quickly becomes the first magnetic tornado on earth!The team try to abort the procedure but it's already too late-- there is nowhere this monstrous force of nature can't go. Will the scientists find a way to stop the metal tornados before they destroy everything in their path?
Jim Jarmusch's black and white indie hit starring John Lurie. Willie (Lurie) is a New York hipster of Hungarian origin. When his relatives ask him to look after his 16-year-old cousin, Eva (Eszter Balint), he reluctantly agrees. Initially hostile to one another, it isn't long before the cousins develop an affectionate bond, but after ten days Eva leaves to stay with her Aunt Lotte (Cecillia Stark). A year later Willie and his friend Eddie (Richard Edson) head off to Cleveland to visit the two women...
Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective but everyone knows he is absolutely trustworthy. And so on the day the bullion truck is robbed he is the last person to be suspected. But there is another side to Mr. Holland; he is also Dutch the leader of the Lavender Hill Mob. Prolific Ealing writer T.E.B. Clarke won an Oscar for his deft script but he was helped greatly by the precise direction and impeccable timing of director Charles Crichton and by the brilliance of Alec Guinness's performance. When he tries to recruit Mr. Pendlebury (Stanley Holloway) as Pendlebury chips away at one of his sculptures Guinness circles Holloway playfully seducing him into the idea of robbery and as Holloway finally understands the proposition Guinness looks back over his shoulder like some elfin Lucifer. When the mob goes over its robbery plans Guinness insists on a detail and Shorty (Alfie Bass) acknowledges that Guinness is the boss. Guinness concentrating agrees. Then as he relaxes and eases back in his chair Guinness sheds his years of servitude to the bank - Dutch Holland is indeed the boss...
In 1972's Bad Company a genteel Northerner during the American Civil War (Barry Brown) is robbed by scallywag Jeff Bridges--and winds up teaming up with him. Together they become a criminal duo (although with one member more reluctant than the other) in this entertaining, realistic tale of what the West was really like. Bridges has a gangly, easy-going demeanour, as well as a sense of playfulness that even extends to moments of extreme jeopardy. He makes an interesting team with the stiff, proper Brown, creating comedy seemingly out of thin air. This was the directing debut of Robert Benton, who had co-written Bonnie and Clyde and who would go on to win an Oscar for Kramer vs Kramer. --Marshall Fine
Midsomer Murders: The Creeper
This film adaptation of a critically acclaimed stage production of Shakespeare's historical drama stars Ian McKellen in the title role. The setting is a comic-book vision of 1930s London: part art deco, part Third Reich, part industrial-age rust and rot. The play's force is turned into a synthetic high by art directors and storyboard sketchers, all of whom have a field day condensing the material into disposable pop imagery. Richard III is a fun film, more than anything, so infatuated with its own monstrous stitchery that even the most awkward casting (Annette Bening and Robert Downey Jr) seems a part of the ridiculous design. McKellen is the best thing about the movie, his mesmerising portrayal of freakish despotism and poisoned desire a thing to behold. --Tom Keogh
Axel Foley (Eddie Murphy) journeys back to Beverly Hills for a real roller coaster thrill ride at the Wonderworld amusement park. Joined by old pals Billy Rosewood (Judge Reinhold) and Serge (Bronson Pinchot) Axel becomes the hottest new attraction as he chases down the bad guys on the rides through the shows and in the underground maze beneath the park. Beverly Hills Cop III is a wild funny action comedy that will have you hooked for the whole ride!
Adapted from the long-running London West End comedy There's A Girl In My Soup stars Peter Sellers as a handsome 40-year-old TV personality and confirmed bachelor. However he didn't bargain for a lovely nineteen-year-old American girl named Marion (Goldie Hawn). The plot thickens with liberal helpings of exotic locations in France. Sellers and Hawn create an electric partnership in this romantic comedy from The Boulting Brothers.
Vin Diesel creates a cult icon as Riddick in this epic sci-fi adventure. The new Special Edition DVD comes complete with a range of exclusive extra features.
In 1940 a deserted airfield somewhere in the heart of England becomes a bustling bomber command station. In 1942 advance units of the American Air Force arrive to join The Royal Air Force and help turn the tide of World War II. So unfolds the story of a group of flyers and their 'missions'. Peter Penrose (John Mills) a young RAF pilot is sent to Halfpenny Field close to the small town of Shepley. His Squadron Leader Flight Lieutenant David Archdale (Michael Redgrave) gives him inspiration and encouragement and they fast become friends. They are joined by a young American pilot Johnny (Douglas Montgomery) which complicates the friendship. This is the story of the group's private lives - particularly their loves during war-time.
An awkward family man struggles to take care of his two daughters while his wife is fighting in Iraq. When tragedy strikes the family, he attempts to bond with his children and find the courage to tell them about their mother.
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
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